Art & Photography Books

Since the introduction of heat into homes, making it possible to keep potted plants alive, people have been obsessively collecting and caring for house plants. These now common additions to any well-designed space add vibrancy and colour while simultaneously instilling a sense of tranquillity. This new title in the Kew Pocketbooks series is a celebration of the integration of plants into our living spaces, showcased through 40 stunning paintings from the Kew archives. An introductory chapter by Kew expert Bryony Langley provides an overview of the plant group, and extended captions accompany each painting.

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Book SynopsisFocusing provides an effective way of listening to the innate wisdom of the body, while art therapy harnesses and activates creative intelligence. Focusing-Oriented Art Therapy: Accessing the Body's Wisdom and Creative Intelligence is a ground-breaking book integrating renowned psychologist Eugene Gendlin's Focusing with art therapy. This new, Focusing-based approach to art therapy helps clients to befriend their inner experience, access healing imagery from the body's felt sense to express in art, and carry forward implicit steps that lead toward change. Written for readers to be able to learn the application of this innovative approach, the book provides in-depth examples and descriptions of how to adapt Focusing-Oriented Art Therapy to a wide variety of clinical populations including individuals and groups with severe psychiatric illness, trauma, PTSD, anxiety, depression, and more, as well as applications to private practice, illness and wellness, spirituality, and self-care.Integrating theory, clinical practice, and numerous guided exercises, this accessible book will enhance clinical sensitivity and skill, while adding resources for bringing creativity into practice. It will be of interest to art therapists, Focusing therapists, psychologists, counselors and social workers, as well as trainers and students.Trade ReviewIn her book, Focus-Oriented Art Therapy, Laury Rappaport, whilst acknowledging how each discipline is a complete practice for self-awareness, growth and therapeutic change in its own right, eloquently shows how the Focusing method can be wedded to this expressive arts therapy to form a "rich, transformational alchemy" (p.16).I found the author's clear, personal and at times, gently passionate manner made the book not only person-centred but also extremely reader-centred. Rappaport invites the reader toengage with the material on a deeply experiential, embodied level, and there are bountiful rewards in store. Rappaport has written the book with several audiences in mind - professionals from each of the two disciplines wishing to integrate the other into their current practice and mental health and healing arts professionals who have an interest in both disciplines but are trained in neither one. An ambitious task, but one which, I believe, she achieves with intelligence and sensitivity. A rich and vivid tapestry of clients' images are woven throughout the book as we are taken on different journeys of healing. All the images are in black-and-white rather than colour which strangely enhanced their magic for me. I felt I was invited to imagine the tones and hues for myself. Rappaport's openness and generosity around her chosen art form resonated strongly for me; just because we are dramatherapists, or play therapists, or dance movement therapists, we do not have sole claim to these expressive media. Nor, as we discover, can Focusers assert exclusive possession of their approach. The spiritual essence permeates the writing throughout this book and I often found myself affected on many levels by its content. I also learnt a lot about art therapy and thoroughly appreciated the author's extensive knowledge and experience of her discipline (for instance, when not to invite clients to use their non-dominant hand in imagemaking) and the distinctions she makes between art therapy and art psychotherapy (prompting my thinking about dramatherapy and drama psychotherapy). Rappaport offers a very convincing argument for bringing Focusing and art therapy together and it would be easy to substitute dramatherapy in place of art therapy in the table on Interconnections (p.88, 90). Although this book is designed to be dipped in and out of, especially the exercises, I would really encourage a full reading of it. This is a gem of a book and I cannot recommend it highly enough. I am indebted to Dr Rappaport's for her wealth and generosity in the therapeutic field and I look forward to the forthcoming addition in the series, Focus-Oriented Dramatherapy. -- Dramatherapy, Di GammageWe have a duty to look beyond the psyche and reference the soma more often in therapeutic work. This book shows you a way to begin doing this. -- British Association of Art TherapistsThis is a gem of a book and I cannot recommend it highly enough. I am indebted to Dr Rappaport's for her wealth and generosity in the therapeutic field and I look forward to the forthcoming addition in the series, Focus-Orientated Dramatherapy. -- Di Gammage, DramatherapistFocusing-Oriented Art Therapy by Laury Rappaport is brilliantly conceptualized and written and will be useful to any mental health worker. Integrating theory, practice and case examples, the author successfully achieves her goal of integrating art therapy with Focusing with application to a wide variety of clients and settings. Her exercises and case examples reveal her to be a gifted therapist and her writing affords her the opportunity to share her creative talent with others. A must read. -- Barbara F. Okun, PhD Northeastern University and Harvard Medical SchoolFocusing-Oriented Art Therapy is a major contribution to art therapy literature and practice. Laury Rappaport introduces a contemplative method and philosophy grounded in the body's felt-sense of experience and its innate and largely unrecognized wisdom. This intellectually provocative, yet thoroughly practical text, establishes Rappaport as an emergent leader in the art therapy world and author of a book that every student and art therapist must read in order to appreciate the depth and breadth of our discipline. -- Shaun McNiff, University Professor, Lesley University, Cambridge, MAIn a time the fields of neuroscience and somatic therapy increasingly inform therapeutic intervention, Laury Rappaport has written a book that is both timely and passionate in its message. As we continue to understand the relationship between the brain and emotion, sensory work or the "felt sense" is central to recovery and repair of both psyche and spirit. Rappaport provides a needed and comprehensive resource on why infusing the process of Focusing with art therapy is natural combination and one that creatively brings together mind and body in treatment. Every therapist who uses creative methods in their work will benefit from the wisdom found throughout this volume. -- Cathy A. Malchiodi, PhD, ATR-BC, LPCC, National Institute for Trauma and LossThe reader can get a solid foundation in both Focusing and Art Therapy through Dr. Laury Rappaport's book. The book goes further to transform both of them, in showing how Focusing is always functioning in Art Therapy and how Art Therapy explicates the Focusing process. With lots of exercises, enriched with examples from therapy and workshops, Focusing-Oriented Art Therapy dives deeply into the life process and yet it succeeds in being a highly practical book. -- Akira Ikemi, PhD, Professor of Clinical Psychology, Kansai University (Japan)Here is finally a fascinating text and guide by a practitioner and experienced teacher in the field, who has the expertise to undertake the long overdue task, in providing a practical grounding for what philosophically supports a similar process, Focusing and Expressive Arts Therapy. Laury Rappaport is an articulate teacher and committed artist, who as a psychotherapist can look back on a long professional career, mastering Focusing and Expressive Arts Therapy alike. Based on this expertise, she eloquently presents a rich text written from a truly phenomenological perspective, that guides like a red thread through this practical book. As a result it speaks to therapists of diverse traditions. What a helpful contribution for a wide range of practitioners interested in the Arts or Focusing. -- Paolo J Knill, PhD, Dr.h.c., Provost, European Graduate School, SwizterlandDr. Rappaport's professional, accessible and enjoyable detailed approach to Focusing-Oriented Art Therapy includes a user-friendly introduction to Gendlin's Focusing Method as well as a bridge to using Focusing with art therapy. The 44 focusing-oriented art therapy exercises included are easy to follow and clinically useful. Dr. Rappaport's book is for beginners and well-practiced professionals who work with individuals and groups. Readers will find it both refreshing and practical and a much used addition to their libraries. -- Dr. Doris Arrington, ATR-BC, Licensed Psychologist, Notre Dame de Namur UniversityThe reader can get a solid foundation in both Focusing and Art Therapy through Dr. Laury Rappaport's book... With lots of exercises, enriched with examples from therapy and workshops, Focusing-Oriented Art Therapy dives deeply into the life process and yet it succeeds in being a highly practical book. -- Akira Ikemi, PhD, Professor of Clinical Psychology, Kansai University (Japan), Certifying Focusing Coordinator and Focusing-Oriented Therapist, The Focusing Institute.In a time the fields of neuroscience and somatic therapy increasingly inform therapeutic intervention, Laury Rappaport has written a book that is both timely and passionate in its message... Every therapist who uses creative methods in their work will benefit from the wisdom found throughout this volume. -- Cathy A. Malchiodi, PhD, National Institute for Trauma and Loss, Lesley University, MAA major contribution to art therapy literature and practice... This intellectually provocative, yet thoroughly practical text, establishes Rappaport as an emergent leader in the art therapy world and author of a book that every student and art therapist must read in order to appreciate the depth and breadth of our discipline. -- Shaun McNiff, Dean of Lesley College, MATable of ContentsForeword by Judith A. Rubin. Introduction. Part I: Focusing and Art Therapy. 1. Focusing: History and Concepts. 2. Gendlin's Focusing Method. 3. Focusing-Oriented Psychotherapy. 4. Art Therapy: History, Concepts, and Practice. Part II: Focusing-Oriented Art Therapy. 5. Bridging Focusing and Art Therapy. 6.. Focusing-Oriented Art Therapy: Basics. Part III: Clinical Approaches. 7. Clearing a Space with Art. 8. Focusing-Oriented Art Psychotherapy. Groups: Theme-Directed. 9. Stress Reduction in Psychiatric Day Treatment. 10. Self-Care in a State Prison. 11. Transforming the Inner Critic. 11. Bridging Cultures with Focusing-Oriented Art Therapy. Specialty Applications: 13. Health and Wellness. 14. Working with Trauma. 15. Spirituality. 16. Expanding to the Other Expressive Arts. Part IV: Focusing Oriented Art Therapy Exercises. 17. Guided Exercises. Appendix A: Supervision and Self-Care. Appendix B: Resources. References. Index.

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Book SynopsisIt can be difficult to be spontaneous during every art therapy group. It is helpful to have a resource full of creative and inspiring ideas that can be utilized as needed. This broad-ranging collection of projects injects variety into art therapy sessions. A Practical Art Therapy is written in an easy-to-read format that is filled with practical creative experiences for therapists to use with individuals and groups.Chapters cover various media and methods, including murals, collages, sculpture and drawing, making it easily accessible for even the busiest therapist. Susan Buchalter includes practical art projects using everyday objects, and follows them through with a list of materials needed, a procedure plan and aims of the project.The creative exercises draw on situations and ideas that children and adults can relate to - for example, drawing wishes and goals, sculpting their own stress and creating a collage self-portrait. The author suggests ways of expanding art-making activities, such as drawing to music and creating personal logos. This book is suitable for those new to the arts therapies field, practising art therapists, counselors and social workers.Table of ContentsPreface. Introduction. 1. Warm-Ups. 2. Murals. 3. Drawing. 4. Advertising. 5. Painting. 6. Collages. 7. Puppets and Masks. 8. Sculpture. 9. Clay. 10. Combining Modalities. 11. Mandalas. 12. Portraits. 13. Group Work. 14. Holiday Projects. 15. Stress Reduction. 16. Miscellaneous. References. Index

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Book SynopsisRembrandt Harmensz. van Rijn (c.1606-1669) was the most talked-about painter of the 17th-century - and quite possibly of the following centuries too. His prodigious talent, extraordinary emotional truth, and reckless disregard of artistic convention astonished, delighted and often dismayed his contemporaries; and the full gamut of these reactions is revealed in the three early biographies published here for the first time in their entirety in English. Sandrart, a German painter and writer on painting, actually knew Rembrandt in Amsterdam; Baldinucci, also an artist contemporary with Rembrandt, was one of the greatest early connoisseurs of prints; and Arnold Houbraken, who studied under some of Rembrandt's pupils, wrote the earliest major biographical account of the artists of Holland. These extraordinary documents give a vivid picture of Rembrandt's shattering impact on the art world of his time - not only as a painter, but as a supremely successful manipulator of the market, a dangerous example to the young, and an unavoidable challenge to any sense of decorum and rule-giving. Rooted firmly in the 17-century realities of Rembrandt's life, they bring into sharper focus the qualities of originality and psychological acuity that remain Rembrandt's trademark to this day. The introduction by Charles Ford situates these biographies in the context of 17th-century appreciation of art, and the trajectory of Rembrandt's career. The translations have been specially prepared for this edition by Charles Ford, aided by Ulrike Kern and Francesca Migliorini, and in part following the work of Tancred Borenius.Trade Review"The London publishing house Pallas Athene has come up with the very welcome and worthwhile project of assembling English translations of early biographies of artists in an easily accessible publication." - Historians of Netherlands Art Reviews

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Book SynopsisThe most exhilarating painter of the Renaissance and arguably of the whole of western art, Tintoretto was known as 'Il Furioso' because of the attack and energy of his style. His vaunting ambition is recorded in the inscription he placed in his studio: l disegno di Michelangelo ed il colorito di Tiziano ("Michelangelo's drawing and Titian's colour"). The Florentines Vasari and Borghini, and the Venetians Ridolfi and Boschini wrote the earliest biographies of the artist. The four accounts are related to each other and form the backbone of the critical success of Tintoretto. Borghini is the first one to give some information about Marietta Tintoretto, also an artist, and Ridolfi is the richest in anecdotes about the artist's life and personality - including the one about the inscription which he may, however, have invented. Boschini, a witty Venetian nationalist, wrote his account in dialect verse. El Greco, whose marginal notes to Vasari are included for the first time in English, Calmo and Franco knew Tintoretto personally and their writings give a real flavour of this complicated man. Unavailable in any form for many years, these biographies have been newly edited for this edition. They are introduced by the scholar Carlo Corsato, who places each in its artistic and literary context. Approximately 50 pages of colour illustrations cover the full range of Tintoretto's astonishing output.Trade Review"The London publishing house Pallas Athene has come up with the very welcome and worthwhile project of assembling English translations of early biographies of artists in an easily accessible publication." - Historians of Netherlands Art Reviews

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Book SynopsisBlake engaged with the legacy of Milton all his life. These watercolours, made around 1816-20 to illustrate the most perfect of Milton's shorter poems, are some of the finest of all his works. All 12 watercolours are reproduced here in actual size.

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Book Synopsis'To critics who said that the full-lipped so-called 'Beardsley mouth', which adorned many of his women, was 'inexpressive and ugly', the artist countered, 'Well, let them criticise. It's my mouth and not theirs. I like big mouths. People like the little mouth - the "Dolly Varden" mouth, if that describes it better. A big mouth is the sign of character and strength. Look at Ellen Terry with her great, strong mouth. In fact, I haven't any patience with small-mouthed people.' 'The popular idea of a picture is something told in oil or writ in water to be hung on a room's wall or in a picture gallery to perplex an artless public.' 'To my mind, there is nothing so depressing as a Gothic cathedral. I hate to have the sun shut out by the saints.' 'What a nice ample creature George Sand is: like a wonderful old cow with all her calves.' And other witty, urbane insights on life, art, and culture, illustrated with selected drawings from his Grotesques series.

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Book SynopsisSamuel Palmer was one of the most original artists Britain has produced. Still a teen when he was plucked from "the pit of modern art," he embarked on an intensely personal journey that led to an astonishing outpouring of mystical drawings and later to England's first artistic colony, "The Ancients," based in the idyllic landscape of Shoreham. This book reprints the first major writings on Palmer, which were published for a retrospective exhibition in 1881. They include a biography by his son, A. H. Palmer, and a critical appreciation by Pre-Raphaelite artist and critic F. G. Stephens.Trade Review"The London publishing house Pallas Athene has come up with the very welcome and worthwhile project of assembling English translations of early biographies of artists in an easily accessible publication." - Historians of Netherlands Art Reviews

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Book SynopsisThe first major illustrated study of this unique medieval art form for almost half a century, surveying the images and iconography that made the medieval church a riot of colour. Highly Commended in the Best Archaeological Book category of the 2008 British Archaeological Awards. Wall paintings are a unique art form, complementing, and yet distinctly separate from, other religious imageryin churches. Unlike carvings, or stained glass windows, their support was the structure itself, with the artist's "canvas" the very stone and plaster of the church. They were also monumental, often larger than life-size images forpublic audiences. Notwithstanding their dissimilarity from other religious art, wall paintings were also an integral part of church interiors, enhancing devotional imagery and inspiring faith and commitment in their own right, and providing an artistic setting for the church's sacred rituals and public ceremonies. This book brings together, often for the first time, many of the very best surviving examples of medieval church wall paintings. Using newtechnologies and many previously untried techniques, it allows us to visualize these images as the artists originally intended. The plates are accompanied by an authoritative and scholarly text, bringing the imagery and iconography of the medieval church vividly to life. ROGER ROSEWELL was educated at St Edmund Hall, Oxford University. A former journalist, he is a Director of a private European art foundation and the news editor of the online stained glass magazine, VIDIMUS.Trade ReviewPerhaps the crowning achievements of the book are the gazetteer, the subject/place guide, and the bibliography which [...] will provide students and tourists with an invaluable and accessible source. Credit too, must go to Boydell for the exemplary and extensive colour illustrations which make this publication really stand out from the crowd. * CHURCH ARCHAEOLOGY *Put simply, if you want to know more about medieval church wall paintings than the brief descriptions contained in the average church guide then this is the book to have. [...] The whole of the book is both a joy and an inspiration. * NORFOLK MEDIEVAL GRAFFITI SURVEY *An enticing introduction to a fascinating subject, a visual feast with an eminently readable text. [It] will be valuable to scholars and students of church architecture alike. * ECCLESIOLOGY TODAY *A magnificent paperback edition [and] an indispensable guide not just to the works' artistic value but to its theological importance. * THE CONTEMPORARY REVIEW *This is a thorough and richly illustrated guide to an art form many travelers know little about. [...] All in all, I highly recommend Medieval Wall Paintings in English and Welsh Churches to anyone interested in the Middle Ages, art, or travel in England in Wales. It's the perfect mixture of art, history, and guidebook, something I wish the travel industry would give us more of. * GADLING BLOG, AOL TRAVEL *It requires enormous effort of the imagination to envisage how our churches must have looked when every surface was covered with crowded, bright, sometimes very beautiful [...] paintings. This book is the best possible guide to those pre-Reformation times. * SUFFOLK VIEW *

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Book SynopsisA history and tour of this exceptionally beautiful designed landscape in North Yorkshire. Dubbed "the Wonder of the North" in 1732, the National Trust's Fountains Abbey and Studley Royal Estate (now a World Heritage Site) encompasses one of the largest, most magnificent and beautiful designed landscapes ever created. This richly illustrated volume charts the landscape's history from the first arrival of prehistoric hunters, via medieval monasticism, the Dissolution of the monasteries, eighteenth-century aestheticism and scandal, and the first ages of mass tourism, to the present day. At the heart of the story lies the rise and fall of England's largest Cistercian monastery and how that shaped the origins of the Aislabie family's breathtaking gardens. Their Studley Royalwas at the forefront of every emergent landscape gardening fashion between 1670 and 1800. The book also describes the dramatic history of the family and the monumental scale of their achievements in this field, extending over many dozens of square miles of North Yorkshire - far beyond the limits of the garden as it is seen today (reduced to serve the more limited needs of Victorian day-trippers). The Wonder of the North brings social and garden history together with archaeology to reveal Fountains Abbey and Studley Royal - too often seen as "just" a ruined medieval monastery - as one of the world's greatest artistic creations. Mark Newman has been the National Trust's archaeological adviser for Fountains Abbey and Studley Royal estate since 1988. He was also resident there, living in Fountains Hall from 1988-1995.Trade Review[A] uniquely complete and beautiful book...The book is produced to the very high standards which we expect of Boydell. * NORTHERN HISTORY *A fascinating story, not only of a garden and the historical events that affected its development, but of the people who created it. It is also a beautifully produced book - thoughtfully laid out in manageable chapters that take you through the history of this World Heritage site..Anyone interested in garden history will not be disappointed. * ENGLISH GARDEN *This is a sumptuous volume that does justice to a place whose splendour has been acknowledged by its designation as a World Heritage Site. * FOLLIES MAGAZINE *This thorough and illuminating history...is a welcome addition to the history of the English landscape garden. * COUNTRY LIFE *Table of ContentsPreface: The 'Wonder of the North' Priming the Canvas: Natural and Man-Made Landscapes Before 1132 Utility and Sanctity: Fountains Abbey and its Surroundings 1132-1540 From Dissolution to Resurrection: The Manors of Fountains and Studley, 1539-1667 Founding a Dynasty: The Emergence of Studley Royal Emerging Wonders: The Unfolding of a Designed Landscape, 1723-42 Filling the Landscape: William Aislabie at Studley, 1742-67 Beyond Studley's Domain: Kirkby Fleetham, Hackfall, Laver Banks and Fountains Estates Combined: Fountains and Studley, 1768-81 Arcadia Declining: The Estate in the Earlier Nineteenth Century A Place of Popular Resort: The Rising Tide of Visitors Relicts of Our Own Days Conclusion: A Future for Studley Royal

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Book SynopsisOrkney's Italian Chapel was built by Italian POWs held on the island during the Second World War. In the sixty-five years since it was built it has become an enduring symbol of peace and hope around the world. The story of who built the chapel and how it came into existence and survived against all the odds is both fascinating and inspiring. Author Philip Paris's extensive research into the creation of the Italian Chapel has uncovered many new facts, and this comprehensive new book is the definitive account of the chapel and those who built it. It is a book that has waited to be written for sixty-five years.

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Book Synopsis A radically new way of understanding and analyzing photography in its new digital forms David Bate is a major figure today in the new thinking on photography Well known figures addressed including Barthes, Sontag and Stieglitz Table of ContentsIntroduction, 1. After Postmodernism, 2. Roland Barthes and Camera Lucida, 3. Return of the Tableau, 4. The Lactation of Meaning, 5. Stieglitz: The Migration of Meaning, 6. Archival Dream, 7. Photographic Episteme

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Book SynopsisDrawing on exhaustive research from interviews and unpublished archival material, John Richardson has produced the long-awaited third volume of the definitive biography, full of original, groundbreaking new insights into Picasso's life and work. His lively and incisive analysis of the work meshes seamlessly with the rich and detailed narrative of this complex and sensual life. The Triumphant Years reveals Picasso at the height of his powers, producing not only the costumes and sets for such Diaghilev Ballets Russes productions as Parade and Tricorne but some of his most important sculpture and paintings. These are tumultuous years, Picasso torn between marital respectability with Olga, the Russian ballerina who was his first wife, and the erotic passion of his mistress, Marie-Therese.This extraordinary biography ends with the completion of a dramatic series of drawings of the crucifixion. From then on the horrors of war would replace any private horrors, leading ultimately to Picasso's masterpiece, Guernica.Trade ReviewThe latest instalment of the finest artistic biography ever written -- Waldemar Januszczak * Sunday Times *No man is better qualified to write the biography of Picasso...he writes with such fluency, simplicity and clarity that his knowledge and illuminating wisdom are very lightly borne... A marvellous book -- Brian Sewell * Evening Standard *Unmissably good -- Tim Martin * 'Christmas Biography Choice' Daily Telegraph *Every page provides some insightful and fascinating information -- William Boyd * 'Books of the Year', Sunday Herald *I love this tumultuous, mercurial, idiosyncratic cavalcade of a book... It is a book that manages to be simultaneously individual and authoritative, and makes one impatient for the next volume -- Philip Hensher * Daily Telegraph *

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Book SynopsisLancelot Brown changed the face of eighteenth-century England, designing country estates and mansions, moving hills and making flowing lakes and serpentine rivers, a magical world of green. This English landscape style spread across Europe and the world. At home, it proved so pleasing that Brown's influence spread into the lowland landscape at large, and into landscape painting. He stands behind our vision, and fantasy, of rural England. In this vivid, lively biography, based on detailed research, Jane Brown paints an unforgettable picture of the man, his work, his happy domestic life, and his crowded world. She follows the life of the jovial yet elusive Mr Brown, from his childhood and apprenticeship in rural Northumberland, through his formative years at Stowe, the most famous garden of the day. His innovative ideas, and his affable and generous nature, led to a meteoric rise to a Royal Appointment in 1764 and his clients and friends ranged from statesmen like the elder Pitt to artists and actors like David Garrick. Riding constantly across England, Brown never ceased working until he collapsed and died in February 1783 after visiting one of his oldest clients. He was a practical man but also a visionary, always willing to try something new. As this beautifully illustrated biography shows, Brown filled England with enchantment - follies, cascades, lakes, bridges, ornaments, monuments, meadows and woods - creating views that still delight us today.Trade ReviewBrown's book is a good read -- Jane Owen * Financial Times *Jane Brown has dug deep into the archives and has written an exhaustive and beautifully illustrated biography that has been long overdue... Those who love his gardens...will be delighted with this book -- Andrea Wulf * Mail on Sunday *Robust and revealing * Independent *Her book should find a home in any garden-lovers' glove compartment , offering a detailed map of Lancelot's England * Spectator *Sympathetic, beautifully illustrated study -- Maggie Fergusson * Intelligent Life *

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Book SynopsisThe rooms we live in are always more than just four walls. As we decorate these spaces and fill them with objects and friends, they shape our lives and become the backdrop to our sense of self. One day, the houses will be gone, but even then, traces of the stories and the memories they contained will remain. In this dazzling work of imaginative re-construction, Edward Hollis takes us to the sites of five great spaces now lost to history and pieces together the fragments he finds there to re-create their vanished chambers. From Rome's Palatine to the old Palace of Westminster and the Petit Trianon at Versailles, and from the sets of the MGM studios in Hollywood to the pavilions of the Crystal Palace and his own grandmother's sitting room, The Memory Palace is a glittering treasure trove of luminous forgotten places and the people who, for a short time, made them their home.

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Book SynopsisAnother celebration of the very best art from the House of Ideas.

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Book SynopsisSimon Bradley traces the history of the station, introducing us to the men behind the architecture and looks at its new international status. This fine new edition includes a fascinating chapter on the new hotel and some timely revisions bringing it fully up to date. 'A marvellous piece of social, aesthetic and technological history... it is impossible to praise Bradley's book too highly' A. N. Wilson, Daily Telegraph 'Brilliantly and with deft hand, Simon Bradley makes sense of it all ... fabulous' Sunday Telegraph 'A masterpiece of historical context ... immensely readable' Sunday Times 'This fine book examines the history of both the church that gave the station its name and the railway terminus ... unexpectedly compelling' Daily MailTrade ReviewA sprightly social, technological and architectural history ... most entertaining * Evening Standard *

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Book SynopsisGothic style transformed the urban landscape from the mid 19th century. In this new book, discover how leading architects reinterpreted Medieval buildings to create a dynamic style which spread from Victorian England to the other side of the Atlantic. In this full colour illustrated guide the author uses his own drawings and photographs to show the reader some of the leading buildings of the time, and explain how to identify the style on more ordinary houses and how to recognise the details inside and out which characterise it. Trevor Yorke is a hugely popular artist and writer about architectural themes. His books include British Architectural Styles; Georgian & Regency Houses Explained , and Art Deco House Styles.

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Book SynopsisA 'recovery' project drawing on unpublished letters and diaries, this is the first biography of Victorian Britain's famous war artist, Elizabeth Thompson Butler. She transformed war art by depicting conflict trauma, decades before its designation as a medical condition. Married to an officer in the British army, she traveled with her husband's military postings. Her art is prescient in its concern about the implications of foreign military intervention and champions the ordinary soldier and the dispossessed. Lady Butler is a story of travel and history, of war and conflict, of Italy of the Risorgimento, of the London art world where she achieved celebrity and negotiated the difficulties of being a female artist in a male-dominated domain, and of imperial travel. Her biography reveals a figure whose perspective on war is modern, whose confidence in achieving success in the masculine field of battle art taps into contemporary debates, and whose work provokes a rethinking of the post-imperial world.

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Book SynopsisContemporary art has become a mass entertainment, a luxury good, a job description and, for some, a kind of alternative religion. Sarah Thornton's shrewd and entertaining fly-on-the-wall narrative takes us behind the scenes of the art world, from art school to auction house, showing us how it works, and giving us a vivid sense of being there.Trade ReviewParachutes the reader into the real nitty-gritty of how it all works - openings, dealers, artists, prizes, auctions et al. Reading this book is like having your own spy in the art world -- Alan YentobA thorough insight into the contemporary art world through seven fascinating stories ... a must-have for all art buffs * Tatler *Curators and dealers provide the insider info and often the laughs, as the closed world of art is systematically demystified * Dazed and Confused *An excellent, vivid, wittily written book - the characters are tightly drawn, the events covered are important, and the aphorisms come thick and fast - I'm hoping for a second volume * The Times *Fascinating, not least because while she was researching and writing, it must have seemed like an insider's view of a world that would last forever. The book may now stand as its memorial * Art Quarterly *A coherent account that's informative and entertaining - for a casual overview of how the international art scene operates, in all its ruthless eccentric, spectacular glory, Seven Days in the Art World is hard to beat * Jewish Quarterly *

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Book SynopsisA beautiful and simple introduction to the Book of Kells. George Otto Simms, a world-renowned authority on the Book of Kells, reveals the mysteries hidden in this magnificent manuscript, and the lives of the monks who made it. Newly-expanded colour plate section.

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Book SynopsisIreland's Coast showcases Ireland's landscape, wildlife and people, interspersed with stories and anecdotes compiled over the author's two years of travel. This evocative collection of images of Ireland's coast in all its splendour is perfect for native or visitor.

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Book Synopsis______________________________The huge word-of-mouth bestseller – completely updated for 2019THE LONDON THAT TOURISTS DON’T SEELook beyond Big Ben and past the skyscrapers of the Square Mile, and you will find another London. This is the land of long-forgotten tube stations, burnt-out mansions and gently decaying factories. Welcome to DERELICT LONDON: a realm whose secrets are all around us, visible to anyone who cares to look . . . Paul Talling – our best-loved investigator of London’s underbelly – has spent over fifteen years uncovering the stories of this hidden world. Now, he brings together 100 of his favourite abandoned places from across the capital: many of them more magnificent, more beautiful and more evocative than you can imagine.Covering everything from the overgrown stands of Leyton Stadium to the windswept alleys of the Aylesbury Estate, DERELICT LONDON reveals a side of the city you never knew existed. It will change the way you see London. ______________________________PRAISE FOR THE DERELICT LONDON PROJECT‘Fascinating images showing some of London’s eeriest derelict sites show another side to the busy, built-up capital.’ Daily Mail‘Talling has managed to show another side to the capital, one of abandoned buildings that somehow retain a sense of beauty.’ Metro‘Excellent . . . As much as it is an inadvertent vision of how London might look after a catastrophe, DERELICT LONDON is valuable as a document of the one going on right in front of us.’ New Statesman‘From the iconic empty shell of Battersea Power Station to the buried ‘ghost’ stations of the London Underground, the city is peppered with decaying buildings. Paul Talling knows these places better than anyone in the capital.’ Daily Express‘[London has an] unusual (and deplorable) number of abandoned buildings. Paul Talling’s surprise bestseller, DERELICT LONDON, is their shabby Pevsner.’ Daily Telegraph______________________________Trade ReviewThe stories behind some of London's most neglected buildings have been revealed in a fascinating new book...[that] will take people on a journey to long-forgotten tube stations, burnt-out mansions, gently decaying football stadiums around London. * Daily Mail *Beyond London's glimmering skyscrapers and grand institutions, there is a twilight zone of burnt-out factories and decaying mansions. Few people know this world as well as Paul Talling. * The Londonist *

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Book SynopsisDrawing Cartoons provides invaluable support for anyone who has ever dreamed of drawing cartoons, but lacks the confidence. Taking the approach that anyone can draw, the author leads the reader through the steps of putting together cartoon figures, showing, for example, how a simple box shape can be transformed into a cartoon dog, or how a basic stick figure can convey a range of emotions. The book contains interviews with professional cartoonists who are household names, such as 'Mac' of The Daily Mail, 'Matt' of The Telegraph and Gerald Scarfe.

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Book SynopsisCostumes designed and made for devised or physical drama, for contemporary circus or for dance, differ radically from the more traditional costume work produced for naturalistic performance. For those working in the field - whether professional or student - these differences present challenges that this book seeks to highlight and explain while offering effective solutions to overcome them.

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Book SynopsisWeddings are beautiful and exciting occasions, but they are a tense challenge for the photographer. This practical book explains how to take romantic signature shots, as well as how to capture the spontaneous moments of the day. Written by an experienced professional and teacher, it gives essential tips to managing the day and covers the small details that will ensure your photography is cherished for a lifetime.

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Book SynopsisThe characteristics of watercolour naturally complement botanical art and this beautiful book shows you how to make the most of this versatile medium. It starts by guiding you through the complexities of painting flowers, with advice on materials and colour mixing, using colour to achieve translucency and clarity, building confidence with step-by-step examples and the importance of observation and botancial accuracy. It then creates detailed and beautiful compositions for the more experienced botanical artist. This new book has ideas and tips on composition and how to include animal life and is structured by season to include a range of flowers and plants.

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Book SynopsisThis book has been written for photographers who want to switch their camera off automatic mode and take control of its image-making potential. With visual examples throughout, it explains how to use the camera's settings and functions to take better and more creative photographs. By introducing new techniques based on concepts already taught, it explains the key principles of camera craft and thereby helps the photographer determine the outcome of the image they take. Many topics are covered including: a guide to photographic equipment; exposure and how to control the shutter, aperture and ISO settings; flash control, metering patterns, focus modes and drive options; colour settings, including white balance, picture styles and colour spaces and digital photographs are explained in terms of histogram, resolution, image size and quality settings.

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Book SynopsisNikolaus Pevsner described Berwick-upon-Tweed as ‘one of the most exciting towns in England’ [Nikolaus Pevsner, Buildings of England: Northumberland (1957), 88] – a place where an absorbing historical tale can still be read in the dense fabric of its old streets and buildings. It attracts not only day-trippers and holidaymakers but also new residents who have learnt to appreciate the spirit of the place. But outsiders all too easily confine their attention to the space within the impressive Elizabethan ramparts, while local people are sometimes unaware or dismissive of the wider significance of the very things that they know so intimately. Berwick deserves to be known better, and to be celebrated not just as a vivid reminder of what many other towns were once like, but more especially as something unique and distinctive, shaped by a peculiar combination of historical and geographical circumstances. This distinctiveness is acutely apparent as one passes between Berwick and the contrasting, but historically intertwined, settlements of Tweedmouth and Spittal. This book presents something of the wealth of historic interest encapsulated in Berwick, Tweedmouth and Spittal, and explains how these places came to assume such varied and distinctive forms. Above all, it urges that a town anxious for stability and prosperity in the future must know where it has come from as well as where it is going.Table of ContentsAcknowledgements Foreword 1. Introduction: a border town on the borders of change 2. A town takes shape The landscape beneath The Liberty of Berwick Fruits of the earth Communications The buildings of the early town 3. Political, social and spiritual order Defence of the realm Competing faiths Berwick corporation and local government 4. Commercial growth: Berwick looks abroad The salmon fishery The herring fishery The Greenland whale fishery The grain trade The rebuilding of Berwick 5. Industry and housing: the 19th and 20th centuries The rise of industry Housing the poor 6. Leisurely pursuits The growth of the resort 7. Safeguarding Berwick's past for the future Notes References and further reading

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Book SynopsisBlackpool is Britain’s favourite seaside resort. Each year millions of visitors come to walk on its three piers, ride donkeys, enjoy shows at the Winter Gardens, scream on the thrilling rides at the Pleasure Beach and ride the lift to the top of the Tower. Generations of holidaymakers have stayed in its hotels, lodging houses and bed and breakfasts and all have succumbed to its delectable fish and chips. Two centuries of tourism has left behind a rich heritage, but Blackpool has also inherited a legacy of social and economic problems, as well as the need for comprehensive new sea defences to protect the heart of the town. In recent years this has led to the transformation of its seafront and to regeneration programmes to try to improve the town, for its visitors and residents. This book celebrates Blackpool’s rich heritage and examines how its colourful past is playing a key part in guaranteeing that it has a bright future. Trade ReviewBlackpool's Seaside Heritage is eye-catchingly presented with high quality photographs (historic and contemporary), maps, illustrations, and a gazetteer of sites which make the book accessible and engaging. -- Anna Woodham * The Historic Environment, Vol 5, No 3, November 2014 *Table of ContentsAcknowledgements Foreword by the Chair of English Heritage Introduction Early Blackpool 1750-1840 The arrival of the railway 1840-1870 Blackpool after 1918 Blackpool in the early 21st century Notes References and selected further reading Other titles in the Informed Conservation series Gazetteer

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Book SynopsisAs slums were cleared after the Blitz, there was a pressing need for housing. Successive governments championed prefabrication as a speedy solution. The resulting bungalows with slightly pitched roofs, pretty gardens and all the mod cons became home to hundreds of thousands of people around the country, often those who had not previously had the luxury of hot running water or a fridge. No wonder, then, that they became so loved. These squat little homes were meant to last just a decade – a mere stopgap as the country got back on its feet – but many of the prefabs are still standing, with residents often fighting to hold on to them. There has been growing public interest in these fast-disappearing houses, and the communities they fostered.. The book recounts residents’ first hand experiences – from the first time they laid eyes on their prefabs to their attempts to hold on to their “little castles” beyond their designated “temporary” timeframe. The authors look at the success of post-war prefab housing in the wider context of British social housing. The book also looks at architectural innovation and imaginative design in the field of prefabrication and clever solutions being put forward to solve the housing crisis of today. Fewer and fewer prefabs remain – but you can still spot them here and there, sitting cosily among their big brick-built neighbours, a lesson in thoughtful design, community building and what it means to have a house to call your own. Trade Review... the vital story of these prefabricated homes so finely and fully captured in this new book from Historic England. ... This is a rich social history, full of colour and detail, beautifully illustrated, replete with resident memories and testimonies - a powerful and humane telling of a story in which technology was mobilised to serve human need and societal necessity. * Municipal Dreams *Table of Contents1. Introduction 2. All change 3. The temporary prefab: an ideal home 4. Britain builds again: permanent prefabs 5. Vertical cities 6. Building the future 7. Postscript: Temporary prefabs today

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Book SynopsisIn Creativity and Taoism, Chang Chung-yuan makes the elusive principle of Tao available to the western mind with objectivity, warmth, and depth of insight. It is an important contribution to the task of making the Taoist wisdom accessible to the western intellect' - Ira Progoff'No one can read Chang's book without experiencing a broadening of his mental horizons' - John C. H. Wu, Philosophy East and West'His interpretation of the Taoist roots of Ch'an has been presented with taste and learning that help to clear up many questions that must have occurred to anyone familiar with his subject. "The Spirit of the Valley" dwells in this quiet and gentle man who, as so rarely happens, actually embodies some of the philosophic traits of which he writes' - Gerald Sykes'If the end of reading is the enhancement of life, the enlargement of experience and understanding, then this book becomes an important step in that direction. Dr. Chang writes in a style both lucid and felicitous. He displays with becoming modesty a mastery of the field, its development and its ideas... There is hardly a page which does not give pleasure' - Robert R. Kirsh, Los Angeles Times'Professor Chang's study, a brilliant exposition and analysis, is concerned with the relevance and applicability of the Taoist view in Chinese artistic and intellectual creativity. Few other works facilitate so sensitive an understanding of creative impulse and expression in Chinese culture' - Hyman Kublin, Library JournalSimultaneously accessible and scholarly, this classic book considers the underlying philosophy and the aesthetics of Chinese art and poetry, the expression of the Taoist approach to existence. Chapters cover everything from the potential of creativity to the way tranquillity is reflected in Chinese poems and painting. Chung-yuan Chang's deceptively simple and always lucid narrative explores the relationship between the Tao and the creative arts, introducing classic paintings and poems to bring Taoism to life.Trade Review"'In Creativity and Taoism, Chang Chung-yuan makes the elusive principle of Tao available to the western mind with objectivity, warmth, and depth of insight. It is an important contribution to the task of making the Taoist wisdom accessible to the western intellect' (Ira Progoff) 'No one can read Chang's book without experiencing a broadening of his mental horizons' (John C. H. Wu, Philosophy East and West) 'His interpretation of the Taoist roots of Ch'an has been presented with taste and learning that help to clear up many questions that must have occurred to anyone familiar with his subject. "The Spirit of the Valley" dwells in this quiet and gentle man who, as so rarely happens, actually embodies some of the philosophic traits of which he writes' (Gerald Sykes) 'If the end of reading is the enhancement of life, the enlargement of experience and understanding, then this book becomes an important step in that direction. Dr. Chang writes in a style both lucid and felicitous. He displays with becoming modesty a mastery of the field, its development and its ideas... There is hardly a page which does not give pleasure' (Robert R. Kirsh, Los Angeles Times) 'Professor Chang's study, a brilliant exposition and analysis, is concerned with the relevance and applicability of the Taoist view in Chinese artistic and intellectual creativity. Few other works facilitate so sensitive an understanding of creative impulse and expression in Chinese culture' (Hyman Kublin, Library Journal)"Table of ContentsIntroduction. 1. Invisible Ground of Sympathy. 2. Immeasurable Potentialities of Creativity. 3. Peace as Identification of Reality and Appearance. 4. Process of Self-Realization. 5. Tranquillity Reflected in Chinese Poetry. 6. Tranquillity Reflected in Chinese Painting. Concluding Remarks.

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Book SynopsisThis is the first book to survey the work of painter and printmaker Tom Hammick (b.1963). It sets Hammick's art within the context of contemporary debates about painting while relating it to the two-centuries-old Romantic tradition. Julian Bell explores in depth the artist's working processes, imagery and career to date, arguing that Hammick's work constitutes one of the richest imaginative achievements in late 20th- and early 21st-century British art. Many of Hammick's pictures respond to the landscape of South-East England, where he has spent much of his life. Others are inspired by his encounter with the wilderness of Canada's remote maritime provinces, a regularly revisited imaginative resource that has given his work much of its distinctive flavour. Hammick has spent three periods in Canada: as both a student and later visiting lecturer in Painting and Printmaking at Nova Scotia College of Art and Design, Halifax between 1989 and 2002, and in 2005 after being awarded a residency at the Art Gallery of Newfoundland and Labrador, now called the Rooms. Informed by the author's sustained contact with Hammick over many years, illustrated with over 120 carefully selected images, and produced in close collaboration with the artist, Tom Hammick: Wall, Window, World will appeal to the artist's collectors and wide popular audience, as well as students, art-world professionals and painting enthusiasts. It is available also in a special edition incorporating the three-part colour etching Fallout, created by the artist specially for this publication in an edition of 60.Trade Review‘a glimpse of a realm beyond the everyday.’ The TimesTable of ContentsContents: 1 Only Looking; 2 Entering an Art World; 3 Print and Paint; 4 Class Uncertainties; 5 Trajectory of a Romantic; 6 House and Garden; 7 Night; Exhibitions; Public Collections; Index.

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Book SynopsisWinifred Knights (1899-1947) is one of the outstanding, but until recently neglected, British women painters of the first half of the 20th century. Copiously illustrated in colour throughout, this book provides the first full account of her life and work, examining Knights' art in the context of interwar Modernism and assessing her contribution to the revival in this period of both Decorative Painting and religious imagery.Author Sacha Llewellyn traces the artist's career from her years at the Slade School of Art and her First World War evacuation to rural Worcestershire through to the time she spent at the British School at Rome in the early 1920s and the many commissions she completed between 1926 and 1939. Presenting the artist as the central protagonist, and with models selected from her inner circle, Knights' paintings were deeply autobiographical. She consistently re-wrote fairy-tale and legend, Biblical narrative and Pagan mythology to explore women's relationship to war, the natural world, working communities, marriage, motherhood and death. Drawing on previously unpublished documentary material, including letters, diaries, sketchbooks and photographs, Sacha Llewellyn makes a strong case for recognising Knights as one of the most talented artists of her generation. The book reproduces all of Knights' major works, including her masterpiece, The Deluge, which is among the most remarked upon works at Tate Britain, having been on almost permanent display there since 1995.Trade Review'This captivating show and excellent catalogue are a remarkable tribute' Evening StandardTable of ContentsDirector's Foreword; Introduction: Winifred Knights 1899-1947: In Search of Paradise; Chapter 1: The Early Years 1899-1915; Chapter 2: The Slade School of Art (Part 1) 1915-1917; Chapter 3: Worcestershire 1917-1918; Chapter 4: The Slade School of Art (Part 2), October 1918 - September 1919; Chapter 5: The Slade (Part 3): Decorative Painting; Chapter 6: The Rome Scholarship in Decorative Painting, 1920; Chapter 7: Italy (Part 1), 1920-2; Chapter 8: Italy (Part 2), 1921-1923; Chapter 9 Italy (Part 3), 1924-1925; Chapter 10: England 1926-1933; Postscript: England 1934-1947; Bibliography; Acknowledgements; Index.

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Book SynopsisIn Ruskin's Venice: The Stones Revisited, photographer Sarah Quill has selected passages from Ruskin's The Stones of Venice and has linked them to her own photographs of Venetian architecture, so creating a fascinating guide that fuses Ruskin's vision of the city with images of the present day. Covering a wide range of subjects from palaces, churches and town houses, to bridges, courtyards and capitals Quill's glorious photographs illuminate Ruskin's words and record with skill and precision the fine architectural details described by him.This edition of Sarah Quill's bestselling book incorporates up-to-date views of buildings which have been cleaned since originally photographed. Several of Ruskin's watercolours are included, with extracts and reproductions from his Venetian notebooks, now publicly available, and some of his original daguerreotype photographs of Venice. Sarah Quill's expert editorial annotations and commentary, incorporating extracts from Ruskin's letters from Venice, enhance our understanding of Ruskin's text and provide an essential linking thread throughout. The book has been completely re-designed to be even more user-friendly as both a reference book and a guide for travellers to Venice. The result is a beautifully illustrated book that successfully communicates Ruskin's passion for Venice and concern for the city's architectural heritage. Uniting the historical with the present day, Ruskin's Venice: The Stones Revisited is a unique companion guide for both seasoned and first-time travellers to Venice, and will leave the reader determined to retrace Ruskin's footsteps time and time again.Table of ContentsPreface; Chronology; Ruskin and Venice by Alan Windsor; Before 'the Stones': Ruskin's early impressions of Venice; The Stones of Venice - Byzantine; The Stones of Venice - Gothic; The Stones of Venice - Renaissance; After 'the Stones': Ruskin's later engagement with Venice; Notes; Glossary; Bibliography and recommended reading; List of sites; Index

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Book SynopsisEdward Ardizzone RA (1900-79) was one of relatively few British artists who defined the field of illustration for their generation. Although his work as an artist and illustrator was wide-ranging, it is for his illustrated children's books, almost continuously available since they were first published from the late 1930s onwards, that he is best known. This book provides the first fully illustrated survey of Ardizzone's work, analysing his activity as an artist and illustrator in the context of 20th-century British art, illustration, printing and publishing. Copiously illustrated with many previously unpublished images, Edward Ardizzone: Artist and Illustrator also contributes more broadly to the current reassessment and investigation of mid-20th-century British art and illustration. Alan Powers (author of the bestselling Eric Ravilious: Artist and Designer) has written a critically considered text which draws for the first time on the family's archives, those of Ardizzone's publishers, and conversations with those who knew the artist. This beautiful and enlightening book, which reflects in its design and production values the aesthetic of an artist who was closely involved in the production of his own illustrated books, will be a fascinating read both for specialists as well as for readers who have grown up with the unforgettable characters of Ardizzone's classic children's stories.Trade Review'Alan Powers has a keen sense of his subject's achievement, and is seriously knowledgeable on the history, practice, and art of illustration. I think Ardizzone would have approved.' Sir Quentin BlakeTable of ContentsIntroduction; 1. Life and Learning; 2. Becoming Ardizzone; 3. War Artist; 4. Little Tim and his Friends; 5. The Art of Illustration; 6. Beyond the book; 7. The Born Illustrator; Notes; Bibliography; Acknowledgements; Image Credits; Index

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Book SynopsisPainter and illustrator Edward Bawden’s five scrapbooks, assembled over a period of more than 55 years, contain everything from stamps, photographs, cigarette cards, Christmas cards and letters to newspaper cuttings, drawings and autographs, amongst other fascinating ephemera. Beautifully designed and illustrated with over 250 images taken from these books, Edward Bawden Scrapbooks reveals this wonderful and at times eccentric collection and provides a new insight into one of the most popular artists of 20th-century Britain.The pages illustrated provide an alternative window into Bawden’s world, showing his very conscious awareness of both Surrealism and the work of other contemporary designers and typographers. But it is not only aficionados of Bawden who will be beguiled by these scrapbooks: perusing them is like trawling through an almanac of art, design and literature of the inter- and post-war years and the work of other key artists of the era such as Ben Nicholson, David Jones, Evelyn Dunbar, Eric Ravilious and Hugh Casson also appears. Some pages are beautiful, some instructive and others simply baffling but when taken in conjunction with Bawden’s watercolours, prints, illustrations, murals and other designs, the scrapbooks are the closest thing we have to an autobiography of one of the 20th-century’s most reclusive and English of artists.Trade Review'A wondrous almanac of one man’s sensibility' * Guardian *Table of ContentsIntroduction; Scrapbook A; Scrapbook B; Scrapbook C; Scrapbook D; Scrapbook E; Personalities; Chronology

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Book SynopsisFocussing on the period from 1930 to 1960, this fascinating publication considers the transition of Victor Pasmore (1908-1998) from one of Britain's leading figurative painters to one of its foremost exponents of abstract art.From Pasmore's own writings and those of his contemporaries, a fascinating picture emerges of the years in the late 1940s and early 1950s when lyrical landscapes – incorporating increasingly suggestive formal structures - were suddenly superseded by abstract paintings and collages, and then by constructed reliefs.Seeking to explore these decades and later years, the book's visual narrative traces a path from the artist's earliest canvases through to his engagement in the 1960s with the controversial Apollo Pavilion in Peterlee, County Durham. This important publication will renew interest in an important period in British art history and shed new light on a crucial stage in Pasmore's long career. Table of ContentsCurator’s Note, Anne Goodchild; Foreword, Neil Walker; 1. The Early Years, Anne Goodchild; 2. Pasmore’s Constructed Abstract Art, 1948–66, Alastair Grieve; 3. The Environmental Work of Victor Pasmore: Playing against Architecture, Elena Crippa; Notes; Chronology; Select Exhibitions; Select Bibliography; Acknowledgements; Image Credits; Index

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Book SynopsisThis book assesses the paintings of Tal R (b. 1967), an Israeli-born Danish artist whose enigmatic work offers intersections of personal experience and wider history through a visual jigsaw, finely balanced between representation and abstraction, of what the artist has termed 'Kolbojnik', a Hebrew term for leftovers.Tal R's paintings are exceptionally idiosyncratic yet informed by an expansive view of the history of painting, with a diverse range of references including Fauvism, Symbolism and folk art. To the casual observer, his works depict amalgams of people, places and things. But deeper scrutiny reveals them as complex conceptual playgrounds where these seemingly simple categories are exploded and examined as 'construction' sites of both literal material (including collage, photography and sculpture) and meaning.For all students and lovers of painting, Tal R's works, like those of Chris Ofili or Laura Owens, have cleared a pathway for painting to continue after modernism and post-modernism without apology, beyond the worn-out 'death of painting' mantra. Martin Herbert's fascinating text offers an authoritative account of the twists and turns that path has taken so far.Trade Review'It is in many ways in keeping with the development of Tal R's pictorial language that Martin Herbert's very useful book - the first proper monograph on the artist - is only published now. Working for three decades on the ruins and pinnacles of the ever-contested medium of painting, Tal R has repeatedly undone and rebuilt his style. He is a magical artist who has played a leading role in contemporary painting.' -- Anders Kold * Louisiana Museum of Modern Art *Table of ContentsIntroduction; 1. Kolbojnik; 2. Seven Buckets of Paint; 3. Enter the Schlomo; 4. Pieces of Sugar; 5. Habakuk

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