Art & Photography Books
Taylor & Francis MerleauPonty for Architects
Book SynopsisThe philosophy of Maurice Merleau-Ponty (1908â1961) has influenced the design work of architects as diverse as Steven Holl and Peter Zumthor, as well as informing renowned schools of architectural theory, notably those around Dalibor Vesely at Cambridge, Kenneth Frampton, David Leatherbarrow and Alberto PÃrez-GÃmez in North America and Juhani Pallasmaa in Finland. Merleau-Ponty suggested that the value of peopleâs experience of the world gained through their immediate bodily engagement with it remains greater than the value of understanding gleaned through abstract mathematical, scientific or technological systems. This book summarizes what Merleau-Pontyâs philosophy has to offer specifically for architects. It locates architectural thinking in the context of his work, placing it in relation to themes such as space, movement, materiality and creativity, introduces key texts, helps decode difficult terms and provides quick reference for further reading.Trade Review'The phenomenological features of Merleau-Ponty’s notion of embodiment have today received extensive support by contemporary biological and neuroscientific research. Hale’s book, which highlights and distills the pivotal insights of the French philosopher, is essential reading for every architect who might ponder how people actually perceive their designed environments.' - Harry Francis Mallgrave, Distinguished Professor Emeritus, Illinois Institute of Technology, USATable of ContentsSeries Editor Preface. Acknowledgements. Illustration Credits. Introduction. 1. Embodied Space – It’s Not What You Think 2. Expressive Form – Since Feeling is First 3. Tectonics and Materials – The Flesh of the World 4. Creativity and Innovation – From Spoken to Speaking Speech Postscript. Further Reading. Bibliography. Index
£27.99
Taylor & Francis Performance Theatre and the Poetics of Failure
Book SynopsisWhat does it mean to fail in performance? How might staging failure reveal theatreâs potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail? In Performance Theatre and the Poetics of Failure, Sara Jane Bailes begins with Samuel Beckett and considers failure in performance as a hopeful strategy. She examines the work of internationally acclaimed UK and US experimental theatre companies Forced Entertainment, Goat Island and Elevator Repair Service, addressing accepted narratives about artistic and cultural value in contemporary theatre-making. Her discussion draws on examples where misfire, the accidental and the intentionally amateur challenge our perception of skill and virtuosity in such diverse modes of performance as slapstick and punk.Detailed rehearsal and performance analysis are used to engage theory and contextualise practice, extending the dialogue between theatre arts, live art and postmodern dance. The result is a critical account of performance theatre that offers essential reading for practitioners, scholars and students of Performance, Theatre and Dance Studies.Trade Review'Performance Theatre and the Poetics of Failure illuminates a vital arena of contemporary art practice with a rare combination of rigor, respect, and insight.' - Una Chaudhuri, New York University'A crucial intervention into the politics of contemporary performance. It combines theoretical sophistication with a richly detailed engagmement with the experience of performance.' - Nicholas Ridout, Queen Mary, University of London‘Performance Theatre and the Poetics of Failure represents a compelling and stimulating addition to current debates surrounding the turn against virtuosity and the appropriation of signs of amateurism in contemporary western experimental theatre and Live Art. This is the first monograph dedicated to the subject of failure in contemporary experimental performance, and its investigation is detailed and nuanced. This book will provide an invaluable resource for theatre-makers, scholars, and critics as well as undergraduate and postgraduate students studying experimental performance and Live Art.’ – Sarah Gorman, Contemporary Theatre ReviewTable of Contents1. Introduction: Failure and Representation 2. World(s) after a Different Image: Marxism, Slapstick, Punk 3. Profane Illumination: Theatre and Forced Entertainment 4. News from Nowhere: Goat Island Performance Group 5. Dislocations of Practice: Elevator Repair Service 6. Afterword
£128.25
Taylor & Francis Ltd Museum Materialities
Book SynopsisThis is an innovative interdisciplinary book about objects and people within museums and galleries. It addresses fundamental issues of human sensory, emotional and aesthetic experience of objects. The chapters explore ways and contexts in which things and people mutually interact, and raise questions about how objects carry meaning and feeling, the distinctions between objects and persons, particular qualities of the museum as context for person-object engagements, and the active and embodied role of the museum visitor. Museum Materialities is divided into three sections Objects, Engagements and Interpretations and includes a foreword by Susan Pearce and an afterword by Howard Morphy. It examines materiality and other perceptual and ontological qualities of objects themselves; embodied sensory and cognitive engagements both personal and across a wider audience spread with particular objects or object types in a museum or gallery setting; notions Table of ContentsForeword 1. Introduction: Materiality And Matter Reality In The Museum Part I: Objects 2. The Eyes Have It: Eye Movements And The Debatable Differences Between Original Objects And Reproductions 3. Artefacts Re-Made 4. Touching The Buddha: An Extraordinary Object Demanding A Response 5. Photographs And History: Emotion And Materiality 6. Virginia Woolf's Glasses: Material Encounters In The Literary/Artistic House Museum 7. Using Objects To Remember The Dead And Affect The Living: The Case Of A Miniature Model Of Treblinka Part II: Engagements 8. Contemporary Sculpture: An Immaterial Practice 9. When Ethnographies Enter Art Galleries: Viewing Violence And Inhabiting Other's Beauty 10. Visitors, Bodies And Forms In Australian Journeys 11. Not Just Looking: Embodiment And Encounter In The Contemporary Art Museum 12. Playing With Museum Encounters: Art, Materiality And The Aesthetics Of Engagement 13. Perceptions Of Edinburgh: Weight, Vision And Movement In The Northern City Exhibition Part III : Interpretations 14. 'A Thing Is A Thing. Why Bother?' On A Sensory Interpretive Project Involving Chinese Ceramics 15. Churchill Re-Imagined: History, Memory And The Senses And The Modern Museum 16. Children Feeling Africa In The Museum 17. Beyond Display, Making Meaning 18. Beyond Words: Interpreting The Unspeakable? Afterword
£37.99
CRC Press Computer Aided Design Guide for Architecture
Book SynopsisRecent years have seen major changes in the approach to Computer Aided Design (CAD) in the architectural, engineering and construction (AEC) sector. CAD is increasingly becoming a standard design tool, facilitating lower development costs and a reduced design cycle. Not only does it allow a designer to model designs in two and three dimensions but also to model other dimensions, such as time and cost into designs.Computer Aided Design Guide for Architecture, Engineering and Construction provides an in-depth explanation of all the common CAD terms and tools used in the AEC sector. It describes each approach to CAD with detailed analysis and practical examples. Analysis is provided of the strength and weaknesses of each application for all members of the project team, followed by review questions and further tasks. Coverage includes: 2D CAD 3D CAD 4D CAD nD modelling Building Information Modelling paTable of Contents1. Introduction to CAD for the AEC/FM Industry 2. Project and Product Modelling 3. 2D CAD 4. 3D CAD 5. BIM (Building Information Modelling) 6. 4D CAD 7. nD Modelling
£45.59
Taylor & Francis Ltd (Sales) Biographies Space Placing the Subject in Art and
Book SynopsisBringing together a collection of high-profile authors, Biographies and Space presents essays exploring the relationship between biography and space and how specific subjects are used as a means of explaining sets of social, cultural and spatial relationships.Biographical methods of historical investigation can bring out the authentic voice of subjects, revealing personal meanings and strategies in space as well as providing a means to analyze relations between the personal and the social. Writing about both actual (architectural) and imagined (pictorial) space, the authors consider issues of gender, childhood, sexuality and race, highlighting an increasing fluidity and interaction between theory, methods and history.Biographies and Space is an original and exciting new book, with direct relevance to both architectural and art history.Table of ContentsIntroduction Dana Arnold and Joanna Sofaer 1. (Auto)Biographies and Space Dana Arnold 2. Living the Romantic Landscape (after Deleuze and Guattari) Andrew Ballantyne 3. ‘Life as a ride on the Metro’: Pierre Bourdieu on Biography and Space Hélène Lipstadt 4. ‘This scarlet intruder’: biography interrupted in the dining room at Tatton Park Mansion Eleanor Quince 5. Amsterdam eternal and fleeting: time in two personal histories Nancy Stieber 6. Turner: space, persona, authority Sam Smiles 7. Mapping the 'bios' in two graphic systems with gender in mind: Reading Van Gogh through Charlotte Salomon and vice versa Griselda Pollock 8. Biography and spatial experience in contemporary disaporic art in Britain Dorothy Rowe 9. The art of reconciliation: autobiography and objectivity in the work of Aldo Rossi Belgin Turan Özkaya 10. Disinter/est: Digging up our childhood. Authenticity, ambiguity and failure in the auto/biography of the infant self Joanna Sofaer and Joshua Sofaer
£24.32
Taylor & Francis Ltd The Design of Lighting
Book SynopsisThis fully updated edition of the successful book The Design of Lighting, provides the lighting knowledge needed by the architect in practice, the interior designer and students of both disciplines. The new edition offers a clear structure, carefully selected material and linking of lighting with other subjects, in order to provide the reader with a comprehensive and specifically architectural approach to lighting. Features of this new edition include: technical knowledge of lighting in the context of architectural design; an emphasis on imagination in architectural light and presentation of the tools necessary in practice for creative design; additional chapters on the behaviour of light and on the context of design; a strong emphasis on sustainable design and energy saving, with data and examples; analyses of actual lighting schemes and references to current standards and desTrade Review"The use of the term "guidebook" is intentional in that the apparent goal of the book in concept, if not in the overall size of the book, is to provide all the knowledge one would need as we journey into the "unknown" intending to provide light; a most interesting and intriguing concept in this age of electronic knowledge." – Fred Oberkircher, Fellow IES, Ed. IALD, LC, past President lES, Book Review Editor for LD+A Table of ContentsPart 1: Foundations 1. Observing Light 2. Describing Light 3. Describing Colour 4. Light and Vision 5. Lamps and Luminaires 6. Sun and Sky 7. Models and Calculations 8. Measuring Light Part 2: Design 9. Ambience and Place 10. Lighting to Increase Visibility: Tasks and Display 11. Design in Practice Part 3: Applications 12. Desk-based Workplaces 12.1 A School Classroom Worked Example 1: Average Daylight Factor Worked Example 2: Sunlight Penetration Worked Example 3: Lumen Method Worked Example 4: Energy Use 12.2 Offices Professional Design Example I:SHI International Corp World Headquarters, New Jersey, USA 13. Buildings for Display 13.1 Retail Spaces 13.2 Art Galleries and Museums Worked Example 5: Illuminating a Picture, Point Source Calculation Professional Design Example II: The New Acropolis Museum, Athens 14 Residential Care Buildings Professional Design Example III: Colliers Gardens Extra Care Housing, Fishponds, North Bristol, UK Worked Example 6: Sunpaths and Vertical Sky Componentn 15. Hotels: Public Rooms Professional Design Example IV: Mandarin Oriental Hotels, Geneva and Prague 16. Exterior Lighting: Buildings and Pathways 16.1 Floodlighting a Building Worked Example 7: Presentation of Floodlighting Designs 16.2 Pedestrian Routes and Surrounding Areas Professional Design Example V: Devonshire Square, London, UK 16.3 Conclusions 17. References and Further Reading 18. Data
£58.89
Taylor & Francis Ltd Graphic Design for Architects
Book SynopsisGraphic Design for Architects is a handbook of techniques, explanations and examples of graphic design most relevant to architects. The book covers a variety of scales of graphic design, everything from portfolio design and competition boards, to signage and building super-graphics â to address every phase of architectural production. This book combines and expands on information typically found in graphic design, information design, and architectural graphics books. As architectural communication increases to include more territory and components of a project, it is important for designers to be knowledgeable about the various ways in which to communicate visually. For instance, signage should be designed as part of the process â not something added at the end of a project; and the portfolio is a manifestation of how the designer works, not just an application to sell a design sensibility. In thinking about architecture as a systematic and visual project, the graphic design techniques outlined in this book will help architects process, organize and structure their work through the lens of visual communication.Each chapter is titled and organized by common architectural modes of communication and production. The chapters speak to architects by directly addressing projects and topics relevant to their work, while the information inside each chapter presents graphic design methods to achieve the architectsâ work. In this way, readers donât have to search through graphic design books to figure out whatâs relevant to them â this book provides a complete reference of graphic techniques and methods most useful to architects in getting their work done.Trade Review‘By clearly demonstrating, both as an example itself as well as through explaining its procedures, the numerous formats and techniques within architecture's extended field of production and reproduction (Portfolios, RFQs, Proposal Books – the extensive combinations of images, texts, diagrams, and spreadsheets that are, in total, and in various permutations, the architect's mode d'emploi) Graphic Design for Architects is not only a useful subject, but also a required skill, and now a necessary volume for any architect’s studio bookshelf.’ - John McMorrough, Associate Professor, Taubman College of Architecture and Urban Planning, University of Michigan, USA'Graphic Design for Architects - A Manual for Visual Communication is a comprehensive overview that is compelling for both written content and the wide-ranging use of graphic examples in the book. The combination of interviews together with numerous contributors adds a wealth of experience and knowledge into this work. I'm fairly certain that most readers will learn something from this book as it is filled with examples and alternative approaches. For the non-architect, this book will reveal some the architectural secret-sauce that is commonly seen on project sights - thereby helping the reader to appreciate what the architect was trying to do with his presentation.' - Jeff Thurston, 3D Visualization World Magazine Table of ContentsIntroduction: Architects for Graphic Design Part 1: Presenting Yourself 1. Portfolios 2. Resumes Part 2: Presenting to an Audience 3. Competitions 4. Presentations 5. Books Part 3: Architectural Communication 6. Diagrams 7. Information Graphics 8. Maps Part 4: Communication as Architecture 8. Signage and Wayfinding 9. Super Graphics
£39.99
Taylor & Francis My New Gender Workbook
Book SynopsisThis updated edition of Bornstein's formative My Gender Workbook (1997) provides an invigorating introduction to contemporary theory around gender, sexuality, and power. The original is a classic of modern transgender theory and literature and, alongside Bornstein's other work, has influenced an entire generation of trans writers and artists. This revised and expanded edition extends that legacy, offering an accessible foundation for examining gender in the reader's life and in the broader culture while arguing for the dismantling of all forms of oppression. For fans of the original, Bornstein's new material merits a fresh read...--Publishers Weekly, starred review Cultural theorists have written loads of smart but difficult-to-fathom texts on gender theory, but most fail to provide a hands-on, accessible guide for those trying to sort out their own sexual identities. In My Gender Workbook, transgender activist Kate Bornstein brings theory down to ETrade Review"This updated edition of Bornstein's formative My Gender Workbook (1997) provides an invigorating introduction to contemporary theory around gender, sexuality, and power. The original is a classic of modern transgender theory and literature and, alongside Bornstein's other work, has influenced an entire generation of trans writers and artists. This revised and expanded edition extends that legacy, offering an accessible foundation for examining gender in the reader's life and in the broader culture while arguing for the dismantling of all forms of oppression. For fans of the original, Bornstein's new material merits a fresh read..."--Publishers Weekly, starred review Table of Contents1. Welcome to Your New Gender Workbook 2. Finding Gender. Arrrr, There Be Pirates! 3. Let X=X 4. Let Why Equal Why 5. There's Only One Gender: Yours 6. SEX! SEX! SEX! SEX! SEX! SEX! SEX! 7. Get Ready to Do Your Gender 8. Do Your Gender Mindfully 9. The Missing Piece Is Nothing, and We're Going to Find It Nowhere 10. OK, Now What?
£38.99
Taylor & Francis Street Art Public City
Book SynopsisWhat is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. ItTrade ReviewWinner of the 2015 Penny Pether Prize for Scholarship in Law, Literature and the Humanities‘My favourite criminologist in the world’- Banksy‘Street art is an elusive, complex subject, subject to misinformation and much prejudice. Alison Young offers readers a brilliant rigorous analysis, giving a comprehensive account of street art as a global phenomenon, and the tensions it frequently engenders in the control of public and private space, and the licit and illicit behaviour of artists who choose to stay away from the over-managed space of the museum or gallery.’- Sandy Nairne, Director, National Portrait Gallery, London‘From graffiti to "guerrilla knitting", political "pieces" to place-making "paste-ups", the various homologies and diverse characteristics of contemporary street art can seem bewildering, even to the most hard-bitten of urbanites. This sharp, stylish book provides a reliable and theoretically informed route map that, not only demystifies the genre, but also poses some important questions about street art’s democratic and political potential. Alison Young proves to be a most thoughtful and engaging tour guide as she takes us on a fascinating excursion across the contours of the international urban art scene and deep into the subterranean and ever-evolving world of today’s street artists. Whatever your feelings about graffiti, tagging, and other forms of urban mark-making, this book, just like the very best examples of street art, will challenge your preconceptions and make you think more deeply about the affects and effects of the twenty-first century’s most controversial art form.’- Keith Hayward, Professor of Criminology, University of Kent, UK‘Alison Young's Street Art, Public City is an indispensable sociology of street art, guiding the reader through the streets of many of the world's major cities. Brilliantly intertwining the disciplines of aesthetics, urbanism and legal theory, it paints a rich and compelling picture of the contemporary urban landscape, subtly bringing into focus a vital dimension of public culture.’- Professor Jill Bennett, University of New South Wales, Australia'One of the most notable achievements of Street Art, Public City is the lucidity that comes from having been written by someone with a background in law. As easily narrative and descriptive as the book sometimes becomes (and there are a lot of street art stories in it), it never loses a sharpness of argument and a powerful sense of direction.' - Sabina Andron, Bartlett School of Architecture, UCL‘My favourite criminologist in the world’- Banksy‘Street art is an elusive, complex subject, subject to misinformation and much prejudice. Alison Young offers readers a brilliant rigorous analysis, giving a comprehensive account of street art as a global phenomenon, and the tensions it frequently engenders in the control of public and private space, and the licit and illicit behaviour of artists who choose to stay away from the over-managed space of the museum or gallery.’- Sandy Nairne, Director, National Portrait Gallery, London‘From graffiti to "guerrilla knitting", political "pieces" to place-making "paste-ups", the various homologies and diverse characteristics of contemporary street art can seem bewildering, even to the most hard-bitten of urbanites. This sharp, stylish book provides a reliable and theoretically informed route map that, not only demystifies the genre, but also poses some important questions about street art’s democratic and political potential. Alison Young proves to be a most thoughtful and engaging tour guide as she takes us on a fascinating excursion across the contours of the international urban art scene and deep into the subterranean and ever-evolving world of today’s street artists. Whatever your feelings about graffiti, tagging, and other forms of urban mark-making, this book, just like the very best examples of street art, will challenge your preconceptions and make you think more deeply about the affects and effects of the twenty-first century’s most controversial art form.’ - Keith Hayward, Professor of Criminology, University of Kent, UK‘Alison Young's Street Art, Public City is an indispensable sociology of street art, guiding the reader through the streets of many of the world's major cities. Brilliantly intertwining the disciplines of aesthetics, urbanism and legal theory, it paints a rich and compelling picture of the contemporary urban landscape, subtly bringing into focus a vital dimension of public culture.’- Professor Jill Bennett, University of New South Wales, AustraliaTable of ContentsChapter 1 The Situational Artwork; encounter watching JR, Chapter 2 The Cities in the City; encounter criminal damage?, Chapter 3 Cityscapes; encounter losing the image, Chapter 4 Criminalising the Image; encounter things on walls, Chapter 5 Street Art and Spatial Politics; encounter Banksy under glass, Chapter 6 Transformations: Urban Imagination in the Public City, Bibliography, Index
£121.50
Taylor & Francis Ltd Archaeologies of Presence
Book SynopsisArchaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory and archaeological thinking. Drawing together carefully commissioned contributions by leading international scholars and artists, this radical new work poses a number of essential questions: What are the principle signifiers of theatrical presence? How is presence achieved through theatrical performance? What makes a memory come alive and live again? How is presence connected with identity? Is presence synonymous with ''being in the moment''? What is the nature of the co-presence' of audience and performer? Where does performance practice end and its documentation begin? Co-edited by performance specialists Gabriella Giannachi and Nick Kaye, and archaeologist Michael ShTrade Review‘Comprised of contributions from theorists and practitioners, external case-study analyses and internal reflections, and utilizing theoretical and performative modes of writing, alongside interviews, Archaeologies of Presence is a stimulating, enjoyable, varied and accessible publication… it is a delightfully produced publication to be found on the bookshelves of students, researchers, practitioners, theorists and enthusiasts alike.’– Studies in Theatre and Performance, Hannah CummingsTable of Contents1 Gabriella Giannachi, Nick Kaye and Michael Shanks Introduction: Archaeologies of Presence Being Here: place and time 2 Josette Féral, How to Define Presence Effects: the Work of Janet Cardiff 3 Gabriella Giannachi Environmental Presence 4 Rebecca Schneider Performance Remains Again 5 Jon Erickson Tension/Release and the Production of Time in Performance Being Before: stage and gaze 6 Erika Fischer-Lichte Appearing As Embodied Mind – Defining a weak, a strong and a radical concept of presence 7 Phillip Zarrilli ‘…presence…’ as a question and emergent possibility: a case study from the performer’s perspective 8 Simon Jones Out-Standing Standing-Within: being alone together in the work of Bodies in Flight 9 Nicholas Ridout Mis-spectatorship, or, ‘redistributing the sensible’ 10 Tim Etchells, Gabriella Giannachi and Nick Kaye Looking Back: a conversation about presence, 2006 Traces: after presence 11 Amelia Jones Temporal Anxiety/’Presence’ in absentia: experiencing performance as documentation 12 Lynn Hershman Leeson and Michael Shanks Here and Now 13 Nick Kaye Photographic presence: time and the image 14 Mike Pearson Neither Here nor There….
£42.99
Taylor & Francis Architecture and Climate An Environmental History
Book SynopsisThis book traces the evolving relationship between the architecture and climate of Britain from the late sixteenth to the twentieth century. Through detailed studies of buildings by major architects it explores how the unique character of the climate of the British Isles has had a fundamental influence on the nature of buildings of all kinds and periods, in both country and city. Based on extensive documentary research and on first-hand analyses of significant buildings, this book combines architectural history with the parallel fields of climate history and the representation of environment in literature and the fine arts. It spans the period in British architectural history from the late sixteenth century to the twentieth century â from the buildings of the greatest architect of the Elizabethan age, Robert Smythson, to the twentieth century work of Alison and Peter Smithson.Copiously illustrated with drawings and photographs, including a colour plate section, this book brings a historical dimension to the appreciation of the environment in architecture and, equally, introduces an environmental dimension to the study of the history of architecture. Trade Review"...impeccably well researched with extensive references...this book should be on the shelves of many practising and student architects, not just those preoccupied with issues of climate (change)" – RIBA Journal"The book will certainly appeal to those practitioners and academics who find the use of labels such as ‘green’ or ‘climate responsive’ architecture deeply problematic and even a deterrant to the timely integration of environmental performance requirements into mainstream practice. It should also be a necessary read for those who do not have such reservations and give primacy to the climatic and technical determinismof building form." - Raymond J. Cole, Building Research & Information, August 2012"Architecture and Climate breaks new ground by presenting an historical overview of these issues over the past 400 years." - The Journal of the Institute of Historic Building ConservationTable of ContentsIntroduction 1. Climate Described 2. Robert Smythson and the Environment of the Elizabethan Country House 3. Christopher Wren and the Origins of Building Science 4. Palladianism and the Climate of England 5. Building in the Climate of the Nineteenth Century City 6. The Arts and Crafts House Climatically Considered 7. The Modern Movement House in the British Climate 8. The Environmental Architecture of Alison and Peter Smithson
£45.59
Taylor & Francis Images of Ancient Greek Pederasty
Book SynopsisThis lavishly illustrated book brings together, for the first time, all of the different ways in which vase-painting portrays or refers to pederasty, from scenes of courtship, foreplay, and sex, to scenes of Zeus with his boy-love Ganymede, to painted inscriptions praising the beauty of boys. The book shows how painters used the language of vase-painting to cast pederasty in an idealizing light, portraying it as part of a world in which beautiful elite males display praiseworthy attitudes, such as moderation, and engage in approved activities, such as hunting, athletics, and the symposium. The book also incorporates a comprehensive catalogue of relevant vase-paintings, compiled by noted archaeologist Keith DeVries. It is the most comprehensive treatment available of an institution that has few modern parallels.Trade Review'This volume will be a much-used starting point for students and scholars of Greek male sexuality' – Times Higher Education Supplement‘This book meets a real need. The very fact that the authors' analysis is based on study of approximately 1000 vases (111 of which they illustrate) makes Images of Ancient Greek Pederasty a valuable resource, and an appendix including a catalogue of 647 vases compiled by the late Keith DeVries only adds to its value. The book greatly expands the amount of material available to nonspecialists, demonstrating that there are considerably more pederastic scenes in the surviving vases than has generally been believed, and its balanced and articulate readings of the material--the authors carefully describe recurring patterns, make allowance for exceptions, discuss alternative interpretations, and do not press when the evidence only goes so far--make it a significant contribution to our understanding of Greek pederasty.’ – Bryn Mawr Classical Review‘This extremely likable and well-presented book … will present essential reading for anyone working in the field of ancient sexuality and/or classical Greek iconography … This is a well-balanced and superbly written book – and one that is no doubt destined for classic status.’ – American Journal of Archaeology 'This volume will be a much-used starting point for students and scholars of Greek male sexuality.' – Times Higher Education Supplement‘This book meets a real need. The very fact that the authors' analysis is based on study of approximately 1000 vases (111 of which they illustrate) makes Images of Ancient Greek Pederasty a valuable resource, and an appendix including a catalogue of 647 vases compiled by the late Keith DeVries only adds to its value. The book greatly expands the amount of material available to nonspecialists, demonstrating that there are considerably more pederastic scenes in the surviving vases than has generally been believed, and its balanced and articulate readings of the material--the authors carefully describe recurring patterns, make allowance for exceptions, discuss alternative interpretations, and do not press when the evidence only goes so far--make it a significant contribution to our understanding of Greek pederasty.’ – Bryn Mawr Classical ReviewTable of ContentsIntroduction. Textual Evidence. The Iconography of Pederasty. What is Iconography. Elements of Iconography 1. Courtship. Courting-gift Scenes. Other Courtship Iconographies. 2. Ideals/Idealization 3. Consummation 4. Pederasty and the Gods 5. Kalos-inscriptions 6. Vase Dating 7. Fragments. Conclusion
£39.99
Taylor & Francis Spatial Agency Other Ways of Doing Architecture
Book SynopsisThis book offers the first comprehensive overview of alternative approaches to architectural practice. At a time when many commentators are noting that alternative and richer approaches to architectural practice are required if the profession is to flourish, this book provides multiple examples from across the globe of how this has been achieved and how it might be achieved in the future. Particularly pertinent in the current economic climate, this book offers the reader new approaches to architectural practice in a changing world. It makes essential reading for any architect, aspiring or practicing. Trade Review"Spatial Agency is a timely and uplifting treatise on the successful ways that architects have addressed some of society’s most vexing global problems. With compelling analysis, richly illustrated by inspiring examples of transformative spatial solutions, the authors argue persuasively that the consequences of architecture are as important as the objects of architecture. This accessibly written book is a must read for anyone seeking an ethical understanding of the role of spatial production in the human struggle to create a democratic and sustainable existence." – Leslie Kanes Weisman, Emerita Professor of Architecture, New Jersey Institute of Technology, and author of Discrimination by Design: A Feminist Critique of the Man-Made Environment (University of Illinois Press)"Spatial Agency’s lively entry into the discourse around spatial practice, subjectivity and alterity, inspired by the introduction of Henri Lefebvre and feminist theory into architecture in the mid 1990s, asserts the importance of the concept of agency for understanding architecture’s counter-culture over the past 30 years. This succinct and stylish handbook provides the reader with an essential resource for grasping the extraordinarily diverse range of ethical architectural practice. Here is a truly global map of inspiring ‘spatial agents’ who collectively define architecture – against the grain." – Jane Rendell, Vice Dean of Research at the Bartlett, UCL, and author of Art and Architecture (2006), Site-Writing (2010) and co-editor of Critical Architecture (2007)"Ultimately this is a valuable book for those interested in pursuing alternatives to traditional architecture, those searching for ideas about how to make positive change when other means are not available, and for those gauging the state of architecture today." – Archidose“The book presents, from an easy and open approach, different ways of understanding the new ways of doing architecture. In all cases it is evident that the spatial production does not imply exclusively to architects and development possibilities are endless. An optimistic crisis for architecture.” – Arquilecturas"‘A timely study that raises vital issues for the future’. Such were the words recently used by the Royal Institute of British Architects in announcing its decision to award the 2011 RIBA President’s Award for Outstanding University-located Research to Spatial Agency: Other Ways of Doing Architecture, the book edited by Nishat Awan and Tatjana Schneider of the University of Sheffield, and Jeremy Till of the University of Westminster... Amid the rhetoric that often surrounds these events, the succinct description does indeed do justice to the work compiled by the three academics and the intellectual platform supporting it. A reflective analysis of the various ways of contributing to change in the built environment outside the canonical plots of professional practice, Spatial Agency tackles some of the central tenets of architecture as a discipline, asking whether these in fact maintain currency for both the profession and the built environment." - Paolo Tombesi, Construction Management and Economics, September 2012Table of Contents1. Introduction 2. The Motivations of Spatial Agency 3. The Sites of Spatial Agency 4. The Operations of Spatial Agency 5. Other Ways of Doing Architecture
£44.99
Taylor & Francis Ltd Global Design History
Book SynopsisGlobalism is often discussed using abstract terms, such as networks' or flows' and usually in relation to recent history. Global Design History moves us past this limited view of globalism, broadening our sense of this key term in history and theory. Individual chapters focus our attention on objects, and the stories they can tell us about cultural interactions on a global scale. They place these concrete things into contexts, such as trade, empire, mediation, and various forms of design practice. Among the varied topics included are: the global underpinnings of Renaissance material culture the trade of Indian cottons in the eighteenth-century the Japanese tea ceremony as a case of import substitution' German design in the context of empire handcrafted modernist furniture in Turkey Australian fashions employing ethnic' motifs an experimental UK-Ghanaian design partnership Chinese Table of ContentsSelected Contents: Preface Introduction: Towards Global Design History Sarah Teasley, Giorgio Riello, and Glenn Adamson 1. The Global Renaissance: Cross-Cultural Material Culture and the Creation of a Community of Taste Marta Ajmar-Wollheim and Luca Molà Response by Dana Leibsohn 2. Global Design in Jingdezhen: Local Production and Global Connections Anne Gerritsen Response by Beverly Lemire 3. Indian Cottons and European Fashion, 1400-1800 John Styles Response by Prasannan Parthasarathi 4. Import Substitution, Innovation and the Tea Ceremony in Fifteenth and Sixteenth-Century Japan Christine M. E. Guth Response by Maxine Berg 5. The Globalization of the Fashion City Christopher Breward Response by Simona Segre Reinach 6. Performing White South African Identity through International and Empire Exhibitions Dipti Bhagat Response by Angus Lockyer 7. ‘From the Far Corners’: Telephones, Globalization, and the Production of Locality in the 1920s Michael J. Golec Response by Anne Balsamo 8. The Globalization of the Deutscher Werkbund: Design Reform, Industrial Policy, and German Foreign Policy, 1907-1914 John Maciuika Response by Paul Betts 9. Where in the World is Design?: The Case of India, 1900-1945 Victor Margolin Response by Christopher Pinney 10. ‘Handmade Modernity’: A Case Study on Postwar Turkish Modern Furniture Design Gyökan Karakus Response by Edward S. Cooke, Jr. 11. Old Empire and New Global Luxury: Fashioning Global Design Peter McNeil Response by Shehnaz Suterwalla 12. Analyzing Social Networking Websites: The Design of Happy Network in China Basile Zimmermann Response by Ngai-Ling Sum 13. From Nation-bound Histories to Global Narratives of Architecture Jilly Traganou Response by Lucia Allais 14. e-Artisans: Contemporary Design for the Global Market Tom Barker and Ashley Hall Response by Shannon May Bibliography Resource Guide
£36.99
Taylor & Francis Philosophy and Theatre
Book SynopsisThe relationship between philosophy and theatre is a central theme in the writings of Plato and Aristotle and of dramatists from Aristophanes to Stoppard. Where Plato argued that playwrights and actors should be banished from the ideal city for their suspect imitations of reality, Aristotle argued that theatre, particularly tragedy, was vital for stimulating our emotions and helping us to understanding ourselves.Despite this rich history the study of philosophy and theatre has been largely overlooked in contemporary philosophy. This is the first book to introduce philosophy and theatre. It covers key topics and debates, presenting the contributions of major figures in the history of philosophy, including: what is theatre? How does theatre compare with other arts? theatre as imitation, including Plato on mimesis truth and illusion in the theatre, including Nietzsche on tragedy theatre as history theatre and morTrade Review"The cross-disciplinary study of theatre, performance, and philosophy has been an area of active and growing scholarly interest. But for all of the material this subfield has produced in recent years, there has been a dearth of introductory works aimed at orienting those who might be new to this realm of inquiry. In this regard, Tom Stern’s Philosophy and Theatre: An Introduction marks a welcome addition to the literature by virtue of its initiatory approach alone. ... Like the best philosophical interlocutors, Stern invites his readers to consider seemingly basic questions only to reveal within those simple queries levels of complexity that might unsettle even the most seasoned scholars." - David Kornhaber, PAJ: A Journal of Performance and Art "Stern's writing is clear and his arguments are easy to follow. Copious endnotes demonstrate his careful scholarship. The further readings at the end of each chapter are particularly helpful. Altogether, this is a fine book for those wishing to become acquainted with the philosophical significance of theater. It would also serve as a wonderful supplementary text for a course on philosophy and theater. Summing Up: Recommended." - F. A. Grabowski, Rogers State University, in CHOICE "With exemplary clarity, Tom Stern reconstructs central philosophical concepts that have bearing on theater. In doing so, he opens a conversation between theater and philosophy that is all too rare. His book should be required reading for students of theater interested in philosophy and philosophers who want to discover the theatrical dimension of their discipline." - Martin Puchner, Harvard University, USA "Theatre is full of philosophical content, and this beautifully lucid and historically informed introduction sets out the fundamental issues in an engagingly thought-provoking way. The nature and role of mimesis, the interestingly intricate matter of theatrical truth, the relations between imaginative theatre and actual history, the ethical content presented in and perhaps inculcated by theatre, the human emotions represented in and perhaps awakened by enacted events, and the political power of dramatic writing are all covered here. With tightly focused discussions of the major historical and contemporary positions on these topics, along with well-chosen examples to illustrate them, this ideal introduction shines much philosophical light on the theatrical stage." - Garry L. Hagberg, Bard College, USA "A clever, highly readable and philosophically illuminating exploration of the many dimensions of theatre. This accessible and informative volume tackles all the important issues, with well-chosen examples and a broad historical reach, and should rapidly become canonical in the field." - Peter Lamarque, University of York, UK "The dialogue between philosophy and theater is developing in a very fruitful and diverse way, and this book makes a real contribution to that development. Tom Stern provides a comprehensive overview of what philosophers have thought about theater, as well as to the social impact of theater that its practitioners intended it to have. A terrific resource for students and scholars." - James R. Hamilton, Kansas State University, USA "If I had a theatre or philosophy student peering over into the other's territory, this is the first book I would recommend. The content is accessible, jargon free, historically astute, and remarkably concise on notoriously thorny problems. I don’t hesitate to call it a near perfect introduction to the intersection of philosophy and theatre." - Nathan Hedman, Northwestern University, USA Table of ContentsPreface 1. What is Theatre? Part 1: From the World to the Stage 2. Mimesis: Imitation and Imagination 3. Truth and Illusion 4. History in the Making Part 2: From the Stage to the World 5. A School of Morals? 6. Emotions 7. Collective Action: Theatre and Politics. Index
£128.25
Taylor & Francis Ltd (Sales) Post Critical Museology
Book SynopsisPost-Critical Museology considers what the role of the public and the experience of audiences means to the everyday work of the art museum. It does this from the perspectives of the art museum itself as well as from the visitors it seeks. Through the analysis of material gathered from a major collaborative research project carried out at Tate Britain in London the book develops a conceptual reconfiguration of the relationship between art, culture and society in which questions about the art museumâs relationship to global migration and the new media ecologies are examined. It suggests that whilst European museums have previously been studied as institutions of collection, heritage and tradition, however âmodernâ their focus, it is now better to consider them as distributive networks in which value travels along transmedial and transcultural lines.Post-Critical Museology is intended as a contribution to progressive museological thinking and practice and calls for a new alignment of academics and professionals in what it announces as post-critical museology. An alignment that is committed to rethinking what an art museum in the twenty-first century could be, as well as what knowledge and understanding its future practitioners might draw upon in a rapidly changing social and cultural context. The book aims to be essential reading in the growing field of museum studies. It will also be of professional interest to all those working in the cultural sphere, including museum professionals, policy makers and art managers. Table of ContentsPart 1: Practices of Exhibition Practices 1. Practices of Objects 2. Identity and Difference 3. The Organizational Body 4. Practices of Audience and the Limits of Gallery Education Part 2: Practices of Collection and Display: The National Collection of British Art 5. Identity, Diasporic Narratives and Spectatorship 6. Canonical Practices, Modernism and Globalization 7. The Space of the Museum 8. Media Practices and the Museum Part 3: Post-Critical Museology 9. Research Practices and Policy Formation 10. Critical and Historical practices: The Academy and the Art Museum 11. Reflexive Positions and Institutional Conditions Part 4: Critical Audience 12. The Distributed Museum 13. Productive Practices
£39.99
Taylor & Francis Ltd Sir John Vanbrugh and the Vitruvian Landscape
Book SynopsisSir John Vanbrugh (1664-1726) was one of the most important figures in English garden history although he is rarely recognised as such. An eclectic early career as a merchant, a soldier and a dramatist preceded Vanbrugh's acceptance of the role of architect to the Third Earl of Carlisle in 1699. His impact on architecture was paralleled by a revolution in landscape design as Vanbrugh shifted the place of the architect from the house to the grounds. He used the ancient rules of proportion combined with an empathetic approach to Nature to create innovative layouts that were geometric, but bore no relation to the formal gardens of the seventeenth century.In Sir John Vanbrugh and the Vitruvian Landscape Caroline Dalton seeks to explain Vanbrugh's distinctive style of landscape architecture. The natural and moral philosophy of Marcus Vitruvius Pollio (Vitruvius), Euclid, Plato and Epicurus is traced through the Arabic scientists of the Middle Ages into the Italian ReTrade Review"This lavishly illustrated book is rich in plans and aerial photographs, and the text is both highly erudite and very readable. This is a serious contribution to the history of a very important period in English landscape development" - Historic Gardens Review"This lavishly illustrated book is rich in plans and aerial photographs, and the text is both highly erudite and very readable. This is a serious contribution to the history of a very important period in English landscape development" - Historic Gardens Review"Dalton has diligently researched Vanbrugh, creating an excellent survey of his work. This book is certainly for historians of gardens as well as curious readers, like me." - Adele Kleine, Chicago Botanic GardenTable of Contents1. ‘On ye shoulders of giants’: Philosophy, Science and Landscape from the Ancients to the Moderns 2. The Early Enlightenment in England 3. John Vanbrugh (1664-1726): A Short Biography 4. Influences on Vanbrugh’s Landscape Style 5. Castle Howard, Yorkshire 6. Blenheim, Oxfordshire 7. Kimbolton, Heythrop and Grimsthorpe 8. Claremont, Surrey 9. Kings Weston, Avon 10. Duncombe Park and Sacombe Park 11. Eastbury, Dorset 12. Stowe, Buckinghamshire 13. Seaton Delaval, Northumberland 14. Greenwich and Lumley Castle 15. Vanbrugh’s legacy: Charles Bridgeman and the Vitruvian Landscape 16. Conclusion: ‘An Architect Who Composed like a Painter’
£47.49
Taylor & Francis Ltd Beltaine Routledge Revivals The Organ of the Irish Literary Theatre
a huge range and FREE tracked UK delivery on ALL orders.
£99.75
Taylor & Francis Ltd Finish Your Film Tips and Tricks for Making an
Book SynopsisFinish Your Film! Tips and Tricks for Making an Animated Short in Maya is a first-of-its-kind book that walks the reader step-by-step through the actual production processes of creating a 3D Short film with Maya. Other books focus solely on the creative decisions of 3D Animation and broadly cover the multiple phases of animation production with no real applicable methods for readers to employ. This book shows you how to successfully manage the entire Maya animation pipeline. This book blends together valuable technical tips on film production and real-world shortcuts in a step-by-step approach to make sure you do not get lost. Follow along with author and director Kenny Roy as he creates a short film in front of your eyes using the exact same methods he shows you in the book. Armed with this book, you''ll be able to charge forth into the challenge of creating a short film, confident that creativity will show up on screen instead of being stifled by the labyTable of ContentsIntroduction to Short Film Introduction to 3D Production Story Pre Production 3D Pre Production 3D Production 2D Production Editorial Sound Finaling Festivals and Markets Glossary
£44.99
Taylor & Francis Ltd Against The Age Routledge Revivals An Introduction to William Morris
a huge range and FREE tracked UK delivery on ALL orders.
£137.75
Taylor & Francis Musicology The Key Concepts
Book SynopsisNow in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including: Autobiography Music and Conflict Deconstruction Postcolonialism Disability Music after 9/11 Masculinity Gay Musicology Aesthetics Ethnicity Interpretation Subjectivity With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines.Table of ContentsIntroduction A-Z Key Concepts Bibliography Index
£27.99
Taylor & Francis Design and Ethics
Book SynopsisThe value of design for contributing to environmental solutions and a sustainable future is increasingly recognised. It spans many spheres of everyday life, and the ethical dimension of design practice that considers environmental, social and economic sustainability is compelling.Approaches to design recognise design as a practice that can transform human experience and understanding, expanding its role beyond stylistic enhancement. The traditional roles of design, designer and designed object are therefore redefined through new understanding of the relationship between the material and immaterial aspects of design where the design product and the design process are embodiments of ideas, values and beliefs.This multi-disciplinary approach considers how to create design which is at once aesthetically pleasing and also ethically considered, with contributions from fields as diverse as architecture, fashion, urban design and philosophy. The authors also address how to teaTable of Contents1. Framing Perspectives on Design and Ethics 2. Design-Ing Ethics: the Good, the Bad and the Performative 3. Design, Ethics and Group Myopia 4. From Allure to Ethics: Design as a ‘Creative Industry’ Part 2: Communication Design 5. Hybridity, Hegemony, and Design in a Globalized Economy 6. Values and Pragmatic Action 7. Designing Well 8. Design and Ethics in Digital Mental Health Promotion 9. Interaction Design, Mass Communication And The Challenge Of Distributed Expertise Part 3: Built Environment 10. Living With Strangers 11. The Social Responsibility of Educational Institutions 12. Rethinking Practice: Architecture, Ecology and Ethics Marci 13. Delivering Sustainable Housing Part 4: Fashion 14. Fashion, Ethics, Ethos 15. Nourishing And Polluting: Redefining the Role of Waste in the Fashion System. Looking Back, Forward And Elsewhere: An Afterword
£37.99
Taylor & Francis Ltd Adaptive Thermal Comfort How to Design Comfortable Buildings
a huge range and FREE tracked UK delivery on ALL orders.
£49.84
Taylor & Francis Festival Architecture
Book SynopsisWith contributions from provocative art and architectural historians, this book is a unique exposition of the temporary architecture erected for festivals and the role it has played in developing Western architectural and urban theory.Festival Architecture is arranged in historical periods â from Antiquity to the modern era â and divided between analyses of specific festivals, set in relation to contemporary architecture and urban design ideas and theories.Illustrated with a wealth of unusual and rarely-seen images from the European festival tradition, this is a fascinating outline of the history of festival architecture ideal for postgraduate architecture and urban design students.Table of Contents1. Introduction Sarah Bonnemaison and Christine Macy Part 1: Ritual and Architecture in Antiquity 2. The Festive Experience: Roman Processions in the Urban Context Diane Favro Part 2: Renaissance and Baroque Spectacle as Representations of Power 3. Festival Bridal Entries in Renaissance Ferrara Diane Yvonne Ghirardo 4. Festivals of State: The Representation of Power in Late Renaissance and Baroque Venice Margherita Azzi Visentini 5. Statecraft or Stagecraft? English Paper Architecture in the Seventeenth Century Caroline van Eck 6. Framing History: The Jubilee of 1625, the Dedication of New Saint Peter’s and the Baldacchino Maarten Delbeke Part 3: Eighteenth Century Festivals and Urban Beautification 7. The Speculative Challenges of Festival Architecture in Eighteenth Century France Eric Monin Part 4: World Expositions and the Idea of Modernity 8. Marking Time and Space in the City: Kromhout’s Decorations for the Investiture of Wilhelmina in Amsterdam Nancy Stieber 9. Sound, Light, and the Mystique of Space in Paris, 1937 Robert Weddle Part 5: Festivals of Resistance 10. Festival Urbanism: Carnival as an Expression of Civil Society in Nineteenth Century Basel Christine Macy 11. Taking Back the Street, Paris 1968-1978 Sarah Bonnemaison
£68.39
Taylor & Francis Ltd Entertainment Rigging for the 21st Century
Book SynopsisFrom the basics of physical forces and mathematical formulas to performer flying and stage automation, Entertainment Rigging for the 21st Century provides you with insider information into rigging systems and the skills you need to safely operate them. Over the past decade, the entertainment industry has witnessed major changes in rigging technology, as manually operated rigging has given way to motorized systems in both permanent and touring productions, and greater attention has been paid to standardizing safety practices. This book leads you through what is currently happening in the industry, why it's happening, and how. Accessible for riggers and non-riggers alike, it contains details on the technology and methodology used to achieve the startling effects found in concerts and stage shows. With a foreword written by Monona Rossol, this text contains contributions from industry leaders including: Rocky Paulson Bill Gorlin Trade Review"Entertainment Rigging for the 21st Century is a useful and highly readable addition to the bookshelf of anyone working in the entertainment industry. It brings an awareness of how rigging interacts with set design, lighting, sound, wardrobe, and just about every other department. I thoroughly recommend that you read it— at least twice." - Alan Hardiman, Lighting & Sound America "Bill Sapsis’s Entertainment Rigging for the 21st Century gives us a collection of writings by experienced working professionals explaining topics on which they are undeniably experts. Taken individually, each fills in a small area of the mental map each rigger has of the ever expanding craft of entertainment rigging. Taken together they begin to document what entertainment rigging has become (and is becoming). We can hope that there will be future editions of this book, with similar anthologies to follow to document in print more of the constantly expanding entertainment rigging body of knowledge." - Steve Nelson, Theatre Design & Technology Table of ContentsForeword Chapter 1: Forces & Formulas Chapter 2: Structural Behavior Chapter 3: Lighting Truss Chapter 4: Arena Rigging Chapter 5: Outdoor Roof Structures Chapter 6: Counterweight Rigging Chapter 7: Aerialist Rigging Chapter 8: Performer Flying Chapter 9: Stage Automation Chapter10: The Mechanics of Stage Automation Chapter11: Training in the Twenty-First Century (US version) Chapter12: Training in the Twenty-First Century (UK version) Chapter 13: Working Safely at Height Chapter 14: Medical Issues in Fall Arrest/Rescue
£44.64
Taylor & Francis Landscape Theory in Design
Book SynopsisPhenomenology, Materiality, Cybernetics, Palimpsest, Cyborgs, Landscape Urbanism, Typology, Semiotics, Deconstruction - the minefield of theoretical ideas that students must navigate today can be utterly confusing, and how do these theories translate to the design studio?Landscape Theory in Design introduces theoretical ideas to students without the use of jargon or an assumption of extensive knowledge in other fields, and in doing so, links these ideas to the processes of design. In five thematic chapters Susan Herrington explains: the theoretic groundings of the theory of philosophy, why it matters to design, an example of the theory in a work of landscape architecture from the twentieth and twenty-first centuries, debates surrounding the theory (particularly as they elaborate modern and postmodern thought) and primary readings that can be read as companions to her text. An extensive glossary of theoretical terms also adds a vital contribution to studentsâ comprehension of Trade ReviewThis book is a remarkable contribution to landscape architecture as a practice and as a discipline. Herrington brings clarity to what is often obtuse in design theory, while revealing the significance of tackling theory whether as a student, a teacher, or a practicing professional. Provocative images and questions framed by equally thoughtful prose comprises a rich body of landscape and design thinking and experience. This book will be a core resource in teaching and will more broadly increase the intellectual rigor of the discipline. Thaisa Way, Professor, Landscape Architecture, University of WashingtonWhat is Landscape Theory in Design? In her new book addressed to students, Susan Herrington shares her insights and experience as a professor of architecture and landscape architecture giving valuable answers. Timely, clear, and easily accessible with a wealth of case studies from around the world and numerous color illustrations, Herrington illuminates the theories that can help us analyze, understand, and interpret designed landscapes. From phenomenology to cybernetics, semiotics to deconstruction, readers will learn how these ideas and concepts relate to designed landscapes. A first of its kind, Landscape Theory in Design is also a manifesto for meaningful and critical landscape design and activism.Sonja Dümpelmann, Harvard University Graduate School of DesignSusan Herrington takes us on a courageous, critical excursion in this clearly written and richly illustrated book, providing an overview of ideas that guide thinking through the design process. In an explicit attempt to help students examine their design thinking and motivations, Herrington unravels the roots of landscape architectural theory from philosophy to sociology in order to identify sources of normative theory in landscape architecture. This is further demonstrated through a valuable analysis of projects completed by designers and artists. Herrington also incudes suggested questions and readings, a glossary, and a comprehensive bibliography. This will become a ‘must have’ text in schools of landscape architecture.Marcella Eaton, Associate Professor of Landscape Architecture, University of Manitoba.Table of Contents1. Forming, 2. Spatial Practices, 3. Material Matters, 4. Language, 5. Systems Logic
£58.89
Taylor & Francis Ltd Night Photography and Light Painting
Book SynopsisLance Keimig, one of the premier experts on night photography, has put together a comprehensive reference that will show you ways to capture images you never thought possible. This new edition of Night Photography presents the practical techniques of shooting at night alongside theory and history, illustrated with clear, concise examples, and charts and stunning images. From urban night photography to photographing the landscape by starlight or moonlight, from painting your subject with light to creating a subject with light, this book provides a complete guide to digital night photography and light painting.Table of ContentsForeword: The Vargas Brothers: Unsung Heroes of Night Photography Introduction: Why Night Photography?PART I: GETTING STARTED Chapter 1: Developing Your Night Vision Chapter 2: Night Photography EquipmentChapter 3: Basic Procedures for Night PhotographyPART II: TYPES OF NIGHT PHOTOGRAPHY Chapter 4: Short Exposures – Ambient Artificial Lighting Scenarios Chapter 5: Short Exposures – Natural Light Chapter 6: Long Exposures – Natural Light Chapter 7: Time Lapse Photography Chapter 8: Light Painting – Lighting Your Subject Chapter 9: Light Writing or Drawing – Your Subject is Light Resources
£35.99
Taylor & Francis Ltd Creating Solo Performance
Book SynopsisCreating Solo Performance is an innovative toolbox of exercises and challenges focused on providing you the performer with engaging and inspiring ways to explore and develop your idea both on the page and in the performance space. The creation of a solo show may be the most rewarding, liberating and stressful challenge you will take on in your career. This book acts as your silent collaborator as you develop your performance, by helpfully arranging exercises under the following headings: Beginnings Creating character Generating material Using your performance space Technology Endings Collaboration Exercises can be explored in sequence, at random or according to your specific needs and interests as a performer. By enabling you to create a bespoke formula that best applies to your specific subjecTrade Review"A welcome addition to an actor's bookshelves." - Susan Elkin, The StageTable of ContentsChapter 1 Introduction to contemporary solo performance; Chapter 2 Beginnings; Chapter 3 Character/persona: Performer as vehicle; Chapter 4 Generating material; Chapter 5 Creating, mapping and using your performance space; Chapter 6 Approaching technology; Chapter 7 Structures and endings; Chapter 8 Collaboration;
£31.99
Taylor & Francis Lighting Design
Book SynopsisBy reading this book, you will develop the skills to perceive a space and its contents in light, and be able to devise a layout of luminaires that will provide that lit appearance.Written by renowned lighting expert Christopher (Kit) Cuttle, the book: explains the difference between vision and perception, which is the distinction between providing lighting to make things visible, and providing it to influence the appearance of everything that is visible; demonstrates how lighting patterns generated by three-dimensional objects interacting with directional lighting are strongly influential upon how the visual perception process enables us to recognize object attributes, such as lightness, colourfulness, texture and gloss; reveals how a designer who understands the role of these lighting patterns in the perceptual process may employ them either to reveal, or to subdue, or to enhance the appearance of selected object attributes by cTable of ContentsIntroduction 1. The Role of Visual Perception 2. Ambient Illumination 3. Brightness Patterns 4. Illumination Hierarchy 5. Lighting Patterns 6. Luminous Elements 7. Getting it all together
£56.04
Taylor & Francis Ltd Games As A Service
Book SynopsisThe games industry is serious business and the role of a games designer has dramatically changed over just the last few years. Developers now have to rethink everything they know about the creative, technical and business challenges to adapt to the transition to games as a service. Games as a Service: How Free to Play Design Can Make Better Games has been written to help designers overcome many of the fears and misconceptions surrounding freemium and social games. It provides a framework to deliver better games rather than the evil' or manipulative' experiences some designers fear with the move away from wasteful Products to sustainable, trustworthy Services.Oscar Clark is a consultant and Evangelist for Everyplay from Applifier. He has been a pioneer in online, mobile and console social games services since 1998 including Wireplay (British Telecom), Hutchison Whampoa (3UK) and PlayStationHome. He is a regular columnist on PocketGameTrade Review"The writer has not only researched widely, he has also read extensively. For non-games professionals, the notes themselves are a treasure trove of information and reference sources to follow up on, even if the thought of playing games is anathema to you." -- Monty Munford, founder of Mob76 OutlookTable of ContentsChapter 1: Introduction Exercise 1: Coming up with an initial conceptChapter 2: What is a game? Exercise 2: Who Are Your Players?Chapter 3: The Anatomy of Play Exercise 3: What is the Mechanic?Chapter 4: Player Lifecycle Exercise 4: What is the Context Loop?Chapter 5: The Rhythm of Play Exercise 5: What is the MetaGame?Chapter 6: Building on Familiarity Exercise 6: What is Your Bond Opening?Chapter 7: Counting on Uncertainty Exercise 7: What is Your Flash Gordon Cliffhanger?Chapter 8: Six Degrees of Socialization Exercise 8: What is your Star Wars Factor?Chapter 9: Engagement Led Design Exercise 9: What is Your Columbo Twist?Chapter 10: Delivering Discovery Exercise 10: What makes your game social?Chapter 11: Counting on Data Exercise 11: How Does Your Design Encourage Discovery?Chapter 12: Service Strategies Exercise 12: How Will You Capture Data?Chapter 13: The Psychology of Pricing&
£44.64
Taylor & Francis Outdoor Action and Adventure Photography
Book SynopsisThe difference between getting the shot and missing the shot comes down to split seconds and how you manage your gear and your technique. In Outdoor Action and Adventure Photography professional adventure sports photographer Dan Bailey shows readers how to react quickly to unfolding scenes and anticipate how the subject and the background might converge. Capturing those significant moments to produce powerful imagery that evoke the feel and mood of adventure requires specialized skills and a wide variety of creative ideas.This book teaches photographers how to think geometrically and how to pull together the elements that make for a successful shot, all while being immersed in the action. The practical manual will improve your technique for creating more compelling adventure imagery, whether youâre shooting ultra-marathoners splattered in mud, rock climbers in a crevasse, or mountain bikers hurtling past you.In this book, youâll:â Discover the necessary equipment for shooting action, learn how to use it to its full potential, and develop a comprehensive adventure photography camera system that you can adapt to different shooting situations.â Learn specific techniques and creative ideas that help you freeze the moment and create images that convey excitement, mood, and the feel of adventure.â Learn advanced skills that can help you start defining your own particular style of action photography and create a brand of photography thatâs based around your passion and your vision.â Examine case studies that break down the process for shooting different types of action subjects and see the nuts and bolts of how to create powerful imagery from start to finish.Trade Review"This new title from Dan Bailey aims to help photographers think geometrically and pull together all the elements that make for a successful shot, all while being immersed in the action and having just a second to get it all right. This isn't one of those coffee table books to inspire you through pages of large images, but rather a book to read, write all over and use in a practical sense. It's a text book, a reference guide, one that any budding adventure photographer will benefit from." - Shutter Hub"From the first sentence, you just know this is a professional talking - and a professional with a passion for his work. I don't know many people who are both crazy talented at photography, and are also able to pen a seriously gripping book. Trust me, Dan Bailey is one of those few. [...] Dan's mastered the art, and the quality of his images, as well as the publications (Outside Magazine, National Geographic Adventure, The New York Times, etc.) in which his imagery appears, are all testament to that." - Outdoor Chics"If you want to learn what is needed to be an outdoor action and adventure photographer this new book will teach you." - Paul W. Faust, TravelPhotographers.netTable of ContentsChapter 1: On Being An Adventure PhotographerChapter 2: The GearChapter 3: Technical ConcernsChapter 4: CreativityChapter 5: LightingChapter 6: Going ProChapter 7: Photographer Profiles
£35.99
Taylor & Francis Construction Detailing for Landscape and Garden
Book SynopsisDesigns for gardens and landscapes need to contain accurate information to ensure that both the designerâs intent is clear and to enable the highest quality constructions. This book contains the elements most often used when detailing surfaces, with key information on standards, guidance and construction that the practitioner must be aware of. Alongside the text are 2D and 3D images with suggestions of measurements, design considerations and materials. Key topics covered in this book are: Vehicular paving Pedestrian paving and patios Steps and ramps Margins, edges and kerbs Drainage channels To be used in conjunction with the book is an innovative online library of freely downloadable CAD (SketchUp format) details which link directly to those in the book. These details are available for the reader to edit, adapt and use in their own designs - and make the task of detailing for projTable of ContentsIntroduction 1. Vehicular Paving 2. Pedestrian Paving 3. Drainage Channels 4. Margins, Edges, Kerbs and Trims 5. Steps and Ramps
£56.04
Taylor & Francis Ltd The Photography Reader History and Theory
Book SynopsisFollowing on from its hugely successful first edition, The Photography Reader: History and Theory provides deeper insight into the critical discussions around photography its production, its uses and its effects. Presenting both the historical ideas and the continuing theoretical debates within photography and photographic study, this second edition contains essays by photographers including Edward Weston and László Moholy-Nagy, and key thinkers such as Walter Benjamin, Roland Barthes and Susan Sontag.Along with its companion text The Photography Cultures Reader: Representation, Agency and Identity this is the most comprehensive introduction to photography and photographic criticism.This new edition features: Over 50 additional photographs New essays from photographers and academics Revised introductions, setting ideas and debates in their historical and theoretical context Sections on Art photTrade Review‘A valuable and accessible resource … an outstanding aid for photography students and enthusiasts … highly recommended.’ - Media International Australia inc Culture & PolicyTable of ContentsContentsList of IllustrationsNotes on contributorsAcknowledgementsGeneral IntroductionPART ONE Reflections on Photography Introduction1 Roland Barthes Extracts from Camera Lucida 2 Marjorie PerloffWhat Has Occurred Only Once: Barthes's Winter Garden/Boltanski’s Archives of the Dead 3 Walter Benjamin Extracts from The Work of Art in the Age of Mechanical Reproduction 4 W. J. T. Mitchell Benjamin and the Political Economy of the Photograph 5 Siegfried Kracauer Photography 6 André Bazin The Ontology of the Photographic Image 7 Susan Sontag Photography within the Humanities 8 Wright Morris In Our Image PART TWO Photographic Seeing Introduction 9 Hubert Damisch Five Notes for a Phenomenology of the Photographic Image 10 Osip Brik What the Eye does not See 11 László Moholy-Nagy A New Instrument of Vision 12 Tina Modotti Manifesto by Tina Modotti "Sobre la Fotografía" (On Photography)13 John Szarkowski Introduction to The Photographer's Eye 14 Edward Weston Seeing Photographically PART THREE Meaning and InterpretationIntroduction15 Roland Barthes Rhetoric of the Image 16 Umberto Eco A Photograph 17 Victor Burgin Looking at Photographs 18 Ian Walker Through the Picture Plane: On Looking into Photographs 19 Estelle Jussim The Eternal Moment: Photography and Time 20 Elizabeth Edwards Objects of Affect: Photography Beyond the Image 21 Christian Metz Photography and Fetish 22 Peter Wollen Fire and Ice PART FOURArt PhotographyIntroduction23 Abigail Solomon-GodeauPhotography After Art Photography 24 Rosalind Krauss Photography’s Discursive Spaces: Landscape/View25 Andy Grundberg, The Crisis of the Real: Photography and Postmodernism 26 Steve Edwards Snapshooters of History: passages on the postmodern argument 27 Lucy Soutter Why Art Photography? 28 Victor Burgin Conversation with Hilde Van Gelder PART FIVEDocumentary Introduction 29 John Tagg Evidence, Truth and Order: Photographic Records and the Growth of the State 30 Darren NewburyPhotography and the Visualisation of Working Class Lives in Britain 31 Martha RoslerIn, Around, and Afterthoughts (On Documentary Photography) 32 Lisa Henderson Access and Consent in Public Photography 33 Sarah Kember ‘The shadow of the object’: photography and realism 34 Hilde Van Gelder and Jan Baetens Introduction: A Note on Critical Realism Today 35 Lynn Berger The Authentic Amateur and the Democracy of Collecting Photographs 36 Edmundo DesnoesCuba Made Me So PART SIXPhotomedia Introduction 37 David Bate, Sarah Kember, Martin Lister and Liz Wells Editorial Statement 38 Geoffrey Batchen Photogenics 39 Daniel Palmer Redundancy in Photography 40 Lev Manovich The Paradoxes of Digital Photography 41 Fred Ritchin Extracts from Of Pixels and Paradox 42 Martin Lister Introduction from The Photographic Image in Digital Culture 43 Matthew BiroFrom Analogue to Digital Photography: Bernd and Hilla Becher and Andreas Gursky 44 Steven Skopik Digital Photography: Truth, Meaning, Aesthetics Index
£128.25
Taylor & Francis Ltd (Sales) The Photography Cultures Reader Representation
Book SynopsisThe Photography Cultures Reader: Representation, Agency and Identity engages with contemporary debates surrounding photographic cultures and practices from a variety of perspectives, providing insight and analysis for students and practitioners. With over 100 images included, the diverse essays in this collection explore key topics, such as: conflict and reportage; politics of race and gender; the family album; fashion, tourism and surveillance; art and archives; social media and the networked image. The collection brings together essays by leading experts, scholars and photographers, including Geoffrey Batchen, Elizabeth Edwards, Stuart Hall, bell hooks, Martha Langford, Lucy R. Lippard, Fred Ritchin, Allan Sekula and Val Williams. The depth and scope of this collection is testament to the cultural significance of photography and photographic study, with each themed section featuring an editorâs introduction that sets the ideas and debates in context. Along with its companion volume â The Photography Reader: History and Theory â this is the most comprehensive introduction to photography and photographic criticism. Includes essays by: Jan Avgikos, Ariella Azoulay, David A. Bailey, Roland Barthes, Geoffrey Batchen, David Bate, Gail Baylis, Karin E. Becker, John Berger, Lily Cho, Jane Collins, Douglas Crimp, Thierry de Duve, Karen de Perthuis, George Dimock, Sarah Edge, Elizabeth Edwards, Francis Frascina, Andrà Gunthert, Stuart Hall, Elizabeth Hoak-Doering, Patricia Holland, bell hooks, Yasmin Ibrahim, Liam Kennedy, Annette Kuhn, Martha Langford, Ulrich Lehmann, Lucy R. Lippard, Catherine Lutz, Roberta McGrath, Lev Manovich, Rosy Martin, Mette Mortensen, Fred Ritchin, Daniel Rubinstein, Allan Sekula, Sharon Sliwinski, Katrina Sluis, Jo Spence, Carol Squiers, Theopisti Stylianou-Lambert, Ariadne van de Ven, Liz Wells, Val Williams, Judith Williamson, Louise Wolthers and Ethan Zuckerman.Table of ContentsGeneral IntroductionPart OneThe Photographic GazeIntroduction1 Roberta McGrathRe-Reading Edward Weston: Feminism, Photography and Psychoanalysis 2 Jan AvgikosCindy Sherman: Burning Down the House 3 Sarah Edge and Gail BaylisPhotographing Children: The Works of Tierney Gearon and Sally Mann 4 Lucy R. LippardDoubletake: The Diary of a Relationship with an Image 5 Catherine Lutz and Jane CollinsThe Photograph as an Intersection of Gazes: The example of National Geographic 6 Ariadne van de VenThe Eyes of the Street Look Back: In Kolkata with a Camera Around My Neck 7 Theopisti Stylianou-Lambert Tourists with Cameras: Reproducing or Producing 8 Louise WolthersSurveilling Bodies: Photography as Control, Critique and Concern Part TwoReportage – Image as AgentIntroduction9 John BergerPhotographs of Agony 10 Fred RitchinOf Them, and Us 11 Francis FrascinaFace to Face: Resistance, Melancholy and Representations of Atrocities 12 Liam KennedyFraming Compassion 13 Sharon SliwinskiOn Photographic Violence 14 Ariella AzoulayThe Ethic of the Spectator: The Citizenry of Photography 15 Elizabeth Hoak-DoeringA Photo in a Photo: The Optics, Politics and Powers of Hand-held Portraits in Claims for Justice and Solidarity 16 André GunthertDigital Imaging Goes to War: The Abu Ghraib Photographs 17 Ethan ZuckermanCurating Participation 18 Mette MortensenWhen Citizen Photojournalism Sets the News Agenda: Neda Agha Soltan as a Web 2.0 Icon of Post-Election Unrest in IranPart ThreeImage and IdentityIntroduction19 David A. Bailey and Stuart HallThe Vertigo of Displacement 20 Rosy Martin and Jo SpencePhoto-Therapy: Psychic Realism as a Healing Art?21 George Dimock"The Negro As He Really Is": W. E. B. Du Bois and Arthur Radclyffe Dugmore22 bell hooksIn Our Glory: Photography and Black Life 23 Annette KuhnPhotography and Cultural Memory: a Methodological Exploration 24 Lily ChoCitizenship, Diaspora and the Bonds of Affect: The Passport Photograph Part FourSnapshot Culture and Social MediaIntroduction25 Pat HollandFamily Snaps, Introduction: History, Memory, and the Family Album26 Martha LangfordStrange Bedfellows: Appropriations of the Vernacular by Photographic Artists 27 Geoffrey BatchenObserving by Watching: Joachim Schmid and the Art of Exchange 28 Lev ManovichWatching the World 29 Daniel Rubenstein and Katrina SluisA Life More Photographic: Mapping the Networked Image Part FiveMedium and MeditationsIntroduction30 Roland BarthesOrnamental Cuisine and The New Citroën 31 Judith WilliamsonTiffany, Porsche Panamera and Microsoft Cloud 32 Yasmin IbrahimThe Pornography of Food Imaging: The Aesthetics of Capturing Food Online33 Karin E. BeckerPhotojournalism and the Tabloid Press 34 Carol SquiersClass Struggle: The Invention of Paparazzi Photography and the Death of Diana, Princess of Wales35 Karen de PerthuisThe Synthetic Ideal: The Fashion Model and Photographic Manipulation 36 Ulrich LehmannChic Clicks: Creativity and Commerce 37 Val WilliamsA Heady Relationship: Fashion Photography and the Museum, 1979 to the Present Part SixContexts: Art, Archives, EducationIntroduction38 Douglas CrimpThe Museum’s Old, the Library’s New Subject 39 Thierry Du DuveArt in the Face of Radical Evil 40 Allan Sekula Reading an Archive: Photography Between Labour and Capital 41 Elizabeth EdwardsPhotographs: Material Form and the Dynamic Archive 42 Liz WellsWords and Pictures: On Reviewing Photography43 David BateArt, Education, Photography
£35.99
Taylor & Francis Ltd (Sales) Whats the Story
Book SynopsisTable of ContentsSpaciousness Narrative Heat Limits Error Politics Arrest Empathy Opposition Collaboration Sustenance
£29.99
Taylor & Francis Ltd (Sales) Decoding Theoryspeak An Illustrated Guide to
Book SynopsisExistentialism; Urbanism; Aporia; Deontic; Tabula Rasa; Hyperspace; Heterotopia; Metareality; StructuralismâWhat does it all mean?The unique language used in architectural theory â both in speech and writing â can appear daunting and confusing, particularly to new architectural students. Decoding Theoryspeak provides an accessible guide to the specialized language of contemporary design for the next generation of thinkers, architects and design leaders. It includes: definitions of over 200 terms clear cross-references illustrations throughout. It is an essential pocket-sized resource for students and practitioners alike.Table of ContentsList of Contributors. Acknowledgements. Preface. Introduction. Theoryspeak. List of Terms. Further Reading
£34.19
Taylor & Francis Ltd Reframing Photography
Book SynopsisTo fully understand photography, it is essential to study both the theoretical and the technical. In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history and technique to bring photographic education up-to-date with contemporary photographic practice. Reframing Photography is a broad and inclusive rethinking of photography that will inspire students to think about the medium across time periods, across traditional themes, and through varied materials. Intended for both beginners and advanced students, and for art and non-art majors, and practicing artists, Reframing Photography compellingly represents four concerns common to all photographic practice: vision light/shadow reproductive processes editing/ presentation/ evaluation. Each part includes an extensive and thoughtful essay, providing a broad cultural context for each topic, alongside discussion of pTrade Review'Reframing Photography is excellent – very well-written, beautifully designed, clear and innovative in its structure – an ideal introduction to the current debates about theory and practice in photography.' – Louise Milne, Edinburgh Napier University, UK'Reframing Photography is a wonderful accomplishment with its seamless treatments of theory and a liberated sense of photographs, how they can be made, and how they can look. It will end the senseless separation of photography and art, and technique from idea, right from the beginning. It reframes photography education.' – Terry Barrett, University of North Texas, USA'The essays effortlessly link photography to a history of ideas, not simply a history of cameras and chemical processes. The book does not separate historical work from contemporary work, nor does it separate technique from theory. Past and present are in constant communication with the reader who becomes aware of inter-generational, historical, technological, cultural and transdisciplinary influences in photographic practice. This is how the best teachers understand the world and relate information to their students. A contemporary education in photographic practice has come of age with this book.' – Barbara DeGenevieve, School of the Art Institute of Chicago, USA'This is a timely book which will be of enormous help to photography and arts students. It combines photography history, useful descriptions of artist’s practices and ideas, and technical information and tips, and encourages experimentation. The volume and website demystify a lot of aspects of practice that are not covered in more conventional books, and make it clear how enjoyable fine art photography can be.' – Michelle Henning, University of the West of England, UK'Modrak and Anthes' handbook has all the qualities to become a pioneer in the effors to bridge the gap between the technical and the theoretical. Their work strikes a perfect balance between what one can find in technical handbooks on photography and what one should expect from a theoretically well-inspired study of the medium.' – Leonardo On-line'Reframing Photography, the 560-page encyclopedic book on the subject includes everything about photography and then some. The book is for students, teachers and those in the self-taught orbit who want to do it themselves with a little help... There are fabulous essays written by the two authors, Rebekah Modrak and Bill Anthes, in each of the four subject parts, and they live up to the encyclopedia: dense, with history, science, and an interweaving of anecdotes of present day usage that reverberate with photography’s past.' – the art blog‘...the content [of Reframing Photography] is literally mind-blowing. Bringing together rigorous theory, idiot proof "how to" tutorials, artistic works that illustrate each concept and method might sound a bit too much for a sole book written by only two authors but somehow, it works. Theory, techniques and illustrative works complement each other efficiently.’ – we make money not artTable of ContentsSelected Contents: Part 1: Vision Essay: Vision: The Eye, Perception and Conventions of Sight Essay: Mediated Vision: Photography & Optical Devices Tools, Materials & Processes: Vision Part 2: Light and Shadow Essay: Light and Shadow Tools, Materials & Processes: Light and Shadow Part 3: Copying, Capturing and Reproducing Essay: Copying, Capturing & Reproducing Tools, Materials & Processes: Reproductive Processes Part 4: Editing, Presentation and Evaluation Essay: Series and Sequence Essay: Word and Image Tools, Materials & Processes: Editing, Presentation and Evaluation
£42.99
Taylor & Francis Ltd Eleven Exercises in the Art of Architectural
Book SynopsisThis book deals with the critical nature and crucial role of architectural drawings. A manual which is essentially not a manual; it is an elucidation of an elegant manner for practising architecture. Organized around eleven exercises, the book does not emphasize speed, nor incorporate many timesaving tricks typical of drawing books, but rather proposes a slow, meditative process for construing drawings and for drawing constructing thoughts. This is an indispensable reference text and an effective textbook for students seeking to advance their appreciation of the nature and exercise of architectural drawings.Trade Review"Profound humanism is vividly evident on the pages of this book, humanism in two senses: a body of ancient and modern learning, and a philosophy of human existence. Each of Frascari’s drawings and discussions sparkles with wit, acute insight, and humane wisdom. For architects and other readers who are concerned with our built environment it is a work that should be carefully studied and pleasurably savored."David Leatherbarrow, University of Pennsylvania"Woven among the poetic sketches of these eleven lessons is a simple but profound message. Drawing is an embodied act of imagination and a creative way of thinking. It is a metaphoric power that has seduced architects since the first fragment of a design idea was drawn with a stick in the sand. While architecture schools today scurry to add still another software to their visual media, Frascari reminds us that what is being lost is quite possibly the capacity of the architect to think."Harry Francis Mallgrave, College of Architecture, Illinois Institute of Technology"Reminding us of the fact that architects (for the most part) make architectural images rather than buildings, Frascari sets about re-establishing the embodied act of drawing as the primary locus of architectural thinking – providing an urgent corrective to the too-often uncritical adoption of ever more disembodied digital design technologies. The culinary master-metaphor offers up a rich diet of historical dishes, resulting in an intellectual banquet of almost Bacchanalian proportions."Jonathan Hale, Reader in Architectural Theory, University of Nottingham, UKTable of ContentsPreface 1. Architectural Iconoclasm 2. The Cosmopoiesis of Architectural Drawings 3. Festina Lente 4. Drawings as Loci for Thought 5. The Pregnancy of Drawings 6. Nullo die sine linea 7. Architectural Consciousness 8. Architectural Brouillons: Work Intended to be Recopied 9. Cosmopoiesis and Elegant Drawings 10. Traces and Architecture 11. Tools for Architectural Thinking 12. Disegnare Designare 13. The Light of Drawing Imagination 14. Cosmopoiesis and World-Making. Postface
£45.59
Taylor & Francis Ltd An Introduction to NineteenthCentury Art
Book SynopsisUsing the tools of the new art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art.Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe.The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the Table of ContentsAcknowledgements Illustrations Introduction 1. A Time of Transition 2. Classical Influences and Radical Transformations 3. Re-presenting Contemporary History 4. Romanticism 5. Shifting Focus: Art and the Natural World 6. Colonialism, Imperialism, Orientalism 7. New Audiences, New Approaches 8. Photography as Fact and Fine Art 9. Realism and the Urban Poor 10. Imagined Communities: Views of Peasant Life 11. Crisis in the Academy 12. Impressionism 13. Symbolism 14. Individualism and Collectivism Epilogue: Looking Toward the Twentieth-Century Bibliography Glossary Index
£46.99
Taylor & Francis The Visual Culture Reader
Book SynopsisTen years after the last edition, this thoroughly revised and updated third edition of The Visual Culture Reader highlights the transformed and expanded nature of globalized visual cultures. It assembles key new writings, visual essays and specially commissioned articles, emphasizing the intersections of the Web 2.0, digital cultures, globalization, visual arts and media, and the visualizations of war. The volume attests to the maturity and exciting development of this cutting-edge field.Fully illustrated throughout, The Reader features an introductory section tracing the development of what editor Nicholas Mirzoeff calls critical visuality studies. It develops into thematic sections, each prefaced by an introduction by the editor, with an emphasis on global coverage. Each thematic section includes suggestions for further reading. Thematic sections include: Expansions War and Violence Attention and Visualizing Economy BTrade Review'This volume is required reading for anyone interested in media studies or visual culture. It brings critical visuality studies up to the moment and introduces new directions for future work. Summing Up: Essential. Graduate students, researchers, faculty.' - A. M. Laflen, Marist College in CHOICE 'This is a first rate collection covering the range and the depth of critical visual studies today. An essential guide for anyone concerned with the power of the image and the image of power.' - McKenzie Wark, Eugene Lang College, USA 'This 3rd edition of Nicholas Mirzoeff’s The Visual Culture Reader is unrecognizable from the collection’s first edition published way back in the last millennium. Its content, character, and urgency are invigorating and galvanizing. If the Reader’s first edition gave shape to Visual Culture Studies as an interdisciplinary field of inquiry, this 3rd edition will, I believe, mould visual culture itself.' - Marquard Smith, Founder and Editor-in-Chief, Journal of Visual Culture & Director of Institute for Modern and Contemporary Culture, University of Westminster, UK 'With this volume, Mirzoeff has assembled an invaluable resource for scholars and practitioners of visual culture across disciplinary and geographic boundaries. Combining foundational texts and cutting-edge contemporary scholarship, the Third Edition of the VCR charts the emergence of critical visuality studies and brings the field into the twenty-first century.' - A. Joan Saab, University of Rochester, USA Table of ContentsPART 1 Expansions Chapter 1: "There are No Visual Media" W. J. T. Mitchell Chapter 2: "The (In)human condition: A Visual Essay" Ariella Azoulay Chapter 3: "Mapping Non-Conformity: Post-Bubble Urban Strategies" Teddy Cruz Chapter 4: "X-reality: Interview with the Virtual Cannibal" Beth Coleman Chapter 5: "On Software, or the Persistence of Visual Knowledge" Wendy Hui Kyong Chun Chapter 6: "Notes on the Photographic Image" Jacques Rancière Chapter 7: "Queer Faces: Photography and Subcultural Lives" J. Jack Halberstam Chapter 8: "Currents of Worldmaking in Contemporary Art" Terence E. Smith Chapter 9: "Sublimated with Mineral Fury: Prelim Notes on Sounding Pandemonium Asia" Sarat Maharaj Chapter 10: "The Sea and the Land: Biopower and Visuality after Katrina" Nicholas Mirzoeff PART 2: GLOBALIZATION, WAR AND VISUAL ECONOMY War and Violence Chapter 11: "The Archaeology of Violence: The King’s Head" Zainab Bahrani Chapter 12: "The Actuarial Gaze: from 9-11 to Abu Ghraib" Allen Feldman Chapter 13: "American Military Imaginaries and Iraqi cities" Derek Gregory Chapter 14: "Zeroing In: Overheard Imagery, Infrastructure Ruins, and Datalands in Afghanistan and Iraq" Lisa Parks Chapter 15: "What Greg Roberts Saw: Visuality, Intelligibility, and Sovereignty - 36,000km Over the Equator." Trevor Paglen Chapter 16: "Media and Martyrdom" Faisal Devji Chapter 17: "Live True Life or Die Trying" Naeem Mohaiemen Attention and Visualizing Economy Chapter 18: "Kino I, Kino World: Notes on the Cinematic Mode of Production" Jonathan L. Beller Chapter 19: "On Virtuosity" Paolo Virno Chapter 20: "Faking Globalization" Ackbar Abbas Chapter 21: "Creativity and the Problem of Free Labor" Andrew Ross Chapter 22: "It’s easier to imagine the end of the world than the end of capitalism" Mark Fisher Chapter 23: "Do It Yourself Geo-Politics" Brian Holmes PART 3: THE BODY, COLONIALITY AND VISUALITY Bodies and Minds Chapter 24: "Optics" René Descartes Chapter 25: "Blindness and Visual Culture: An Eye-Witness Account" Georgina Kleege Chapter 26: "Reduplicative Desires" Carol Mavor Chapter 27: "The Persistence of Vision" Donna Haraway Chapter 28: "The body and/in representation" Amelia Jones Chapter 29: "Mami Wata: A Transoceanic Water Spirit of Global Modernity" Henry Drewal Histories and Memories Chapter 30: "The Mobilized and Virtual Gaze in Modernity: Flâneur/Flâneuse" Anne Friedberg Chapter 31: "Tourism and Sacred Ground: The Space of Ground Zero" Marita Sturken Chapter 32: "Maps, Mother/Goddesses and Martyrdom in Modern India" Sumathi Ramaswamy Chapter 33: "Museums in Late Democracies" Dipesh Chakrabarty Chapter 34: "The Fact of Blackness" Frantz Fanon Chapter 35: "The Case of Blackness" Fred Moten (Post/De/Neo)Colonial Visualities Chapter 36: "Orientalism and the Exhibitionary Order" Timothy Mitchell Chapter 37: "The Colonial Harem" Malek Alloula Chapter 38: "Vodun Art, Social History and the Slave Trade" Suzanne Preston Blier Chapter 39: "Between Cult and Culture: Bamiyan, Islamic Iconoclasm and the Museum," Finbarr Barry Flood Chapter 40: "The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition." Okwui Enwezor Chapter 41: "Urban Warfare: Walking Through Walls" Eyal Weizman PART 4: MEDIA AND MEDIATIONS Chapter 42: "U.S. Operating Systems at Midcentury: The Intertwining of Race and UNIX" Tara McPherson Chapter 43: "Rethinking the Digital Age" Faye Ginsburg Chapter 44: "The Unworkable Interface" Alex Galloway Chapter 45: "On the Superiority of the Analog" Brian Massumi Chapter 46: "Race 2.0: Neoliberal Colorblindness in the Age of Participatory Media" Lisa Nakamura Chapter 47: "Imagination, Multimodality and Embodied Interaction: A Discussion of Sound and Movement in Two Cases of Laboratory and Clinical Magnetic Resonance Imaging" Lisa Cartwright and Morana Alac
£59.84
Taylor & Francis Ltd Business Principles for Landscape Contracting
Book SynopsisBusiness Principles for Landscape Contracting, fully revised and updated in its third edition, is an introduction to the application of business principles of financial management involved in setting up your own landscape contracting business and beginning your professional career. Appealing to students and professionals alike, it will build your knowledge of financial management tools and enable you to relate their applications to real-life business scenarios. Focusing on the importance of proactive financial management, the book serves as a primer for students in landscape architecture, contracting, and management courses and entrepreneurs within the landscape industry preparing to use business principles in practice. Topics covered include: Financial management and accountability Budget development Profitable pricing and estimating Project management Creating a lean culture Personnel management and employee prodTrade Review'Business Principles of Landscape Contracting has been a valuable supplement to our curriculum. While our students earn a minor in Business Management, Dr. Cohan's excellent text helps them apply what they learn in their business courses to the Green Industry.' Phil Allen, Certified Landscape Professional, Brigham Young University, USA. Table of ContentsPreface Acknowledgements Structuring for accountability Budget development Profitable pricing Estimating Financial management Project management Financial ratios Software applications Managing human assets Productivity basics Creating a lean culture Professional development Bottom-line leadership Economic sustainability Appendices Index
£39.99
Taylor & Francis Ltd Music A Social Experience
Book SynopsisBy taking a thematic approach to the study of music appreciation, Music: A Social Experience, Second Edition demonstrates how music reflects and deepens both individual and cultural understandings. Musical examples are presented within universally experienced social frameworks (ethnicity, gender, spirituality, love, and more) to help students understand how music reflects and advances human experience. Students engage with multiple genres (Western art music, popular music, and world music) through lively narratives and innovative activities. A companion website features streaming audio and instructor's resources.
£80.74
Taylor & Francis Ltd Photography 4.0 A Teaching Guide for the 21st
Book SynopsisTrade Review"In this book Michelle Bogre has interviewed many of the best photography teachers around and they share their thoughts as well as many assignments with the reader. The comments are interesting and to the point. The assignments are varied and challenging." - Apogee Photo MagazineTable of ContentsIntroductionPhotography Confidential: Educators SpeakAssignments Confidential: Educators Share
£43.99
Taylor & Francis EcoResponsive Environments
Book SynopsisEcoResponsive Environments integrates our current knowledge of designing for human needs, with a deeper understanding of natural systems. The book offers both a call to action and a comprehensive yet pragmatic framework for practising the art and science of settlement design, called EcoResponsive Design.Bridging the gap between theory and generic policy on the one hand, and design for specific places and sites on the other, the book is aimed not only at the professionals involved in planning, designing and developing these places, but also the wider range of communities interested in creating better spaces for our everyday lives.EcoResponsive Design encompasses all scales, ranging from the overall form of settlements and the landscapes in which they sit, to buildings and the detailed design of public spaces. Drawing from projects, places and best practices in many different countries and contexts across the world, it demonstrates how positive changes at the loca
£31.99
CRC Press Fire from First Principles
Book SynopsisFire safety is a fundamental requirement of any building, and is of concern to several professions which contribute to the construction process. Following on from the success of the previous three editions, Paul Stollard has returned to update and expand this classic introduction to the theoretical basis of fire-safety engineering and risk assessment. Avoiding complex calculations and specifications, Fire From First Principles is written with architects, building control officers and other construction professionals without fire engineering backgrounds in mind. By tackling an overview of the factors which contribute to fire risk, and how building design can limit these, the reader will gain a fuller understanding of the science behind fire regulations, safe design, and construction solutions. All regulations content is fully updated, and has been expTable of ContentsIntroduction Glossary of Fire Terms 1. Theory 2. Prevention 3. Communication 4. Escape 5. Containment 6. Extinguishment 7. Assessment 8. Information 9. A Brief Overview of the Building Regulatory System in the United States 10. Legislation, Codes of Practice and Standards in Hong Kong and Mainland China
£45.59
Taylor & Francis The Death of Drawing
Book SynopsisThe Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design.The author explores many ways in which this displacement is affecting architecture: the dominance of performance criteria in the evaluation of design decisions; the blurring of the separation of design and construction; the undermining of architects' authority over their projects by automated Trade ReviewThis is a significant book at the time of widespread uncertainty and confusion in architectural theory, education and practice. - Juhani Pallasmaa, architect and author of The Eyes of the SkinIn this timely and important study, David Scheer offers a lucid analysis of a dramatic, unprecedented, epistemological shift in architecture and its production. - Michael Sorkin, architecture critic, Distinguished Professor of Architecture and Director of the Graduate Program in Urban Design, City College of New YorkDavid Scheer offers a clear and unvarnished assessment of what architects have to lose and gain as we move from representative to simulated experiences, from controlling to collaborative practices, and from Euclidean to parametric/algorithmic form-making. - Thomas Fisher, author of Designing to Avoid Disaster, professor of architecture and the Dean of the College of Design, University of MinnesotaDavid Scheer's important book on the role of drawing in the digital and virtual age reminds us that the actual relationship between the hand and the mind is neither casual nor expendable. - Renata Hejduk, Assistant Professor of Architectural History and Theory in the School of Architecture, Arizona State UniversityAs an architect and educator, engaged in professional debates in the United States, David Ross Scheer is a credible writer on contemporary architectural practice. The discussion is well grounded and contextualized within architectural history and it is timely, given substantial policy and commercial incentives for better information management through building life cycles. - Jennifer Whyte, University of Reading, UKIf one wants to know what is going on in the profession and schools of architecture, this book is a must read… Scheer says we need to understand the myriad tools available to us, but be smart enough to lead with design rather than performance. – Sophia A. Gruzdys, Architectural RecordNo question: Scheer is an ideas junkie and has done his homework. In the book you will find Immanuel Kant’s theories on knowledge and beauty mixed with practical details and the theoretical foundations of CD and BIM simulations. If you believe ideas shape the expectations of what is seen, and that seeing the novel and universal is a desired outcome for designers of great buildings, this is a matchup you will want to follow and a book to read. – J. Michael Redd, 15 bytesTable of ContentsIntroduction; Chapter One: Representation and Simulation Chapter Two: Drawing and Architecture Chapter Three: Building Information Modeling Chapter Four: Computational Design Chapter Five: Simulation and Architecture Chapter Six: Simulation and Ideation Postscript.
£45.59
Taylor & Francis Landscape and Urban Design for Health and
Book SynopsisIn this book Gayle Souter-Brown explores the social, economic and environmental benefits of developing greenspace for health and well-being. She examines the evidence behind the positive effects of designed landscapes, and explains effective methods and approaches which can be put into practice by those seeking to reduce costs and add value through outdoor spaces. Using principles from sensory, therapeutic and healing gardens, Souter-Brown focuses on landscape's ability to affect health, education and economic outcomes. Already valued within healthcare environments, these design guidelines for public and private spaces extend the benefits throughout our towns and cities.Covering design for school grounds to public parks, public housing to gardens for stressed executives, this richly illustrated text builds the case to justify inclusion of a designed outdoor area in project budgets. With case studies from the US, UK, Africa, Asia, Australasia and Europe, iTrade Review"You will not find a more comprehensive, informative, and well-researched compendium of healing, sensory, and therapeutic gardens, with real-life examples and case studies, written with a tangible passion for the subject. This book, containing answers to all your questions, is a definite must have!" - Marta Ratajszczak, Landscape Architects Network, landarchs.com"Presenting greenspace as a human lifeline, this is an excellent and accessible read for the practitioner and students alike. Concepts of architecture, design, sustainability and well being are blended with whole of life costing approaches to make the case for a supportive urban environment in which individuals, families, communities and business can thrive." - Teena Hale Pennington, CEO New Zealand Institute of Architects (NZIA)"A good, practical blueprint for creating urban spaces that offer health through nature." - Richard Louv, journalist, author and co-founder of the Children & Nature Network"Both comprehensive and informative, this publication adds immeasurably to the growing interest in the health-giving properties of green space to enhance liveable, sustainable cities. Covering design from school grounds to public parks, from public housing to private gardens, this richly illustrated text builds the case for including green spaces throughout our urban environments......It is refreshing to see coverage not just of the health benefits of urban green space but how interventions - large and small - provide social and economic benefits to communities. This is a rare, inclusive approach to thinking about how green nature can support us in our homes, neighbourhoods, schools, workplaces and healthcare facilities......This book is a rich and welcome addition to the debate." – World Health Design, Clare Cooper Marcus, University of California, Berkeley, USATable of ContentsIntroduction Part 1: The Origins And Evolution Of Healing Gardens 1. The History: What Were Gardens For? 2. Why Do We Need Gardens For Health And Well-Being Today?’ 3. Urban Space Degradation 4. Sustainable Communities Are Healthy Communities Part 2: Who Will Benefit From Healing Gardens? 5. Healing Gardens For Children 6. Healing Gardens For Adults 7. Healing Gardens And Cityscapes For Disabled Children And Adults 8. Healing Gardens For Stressed Executives 9. Cost Benefits Of Greening The Urban Environment Through Healing Gardens Part 3: Designing Healing Gardens Using An Inclusive, Salutogenic Approach 10. The Salutogenic Design Process 11. Salutogenic Design Guidelines - Simple Is Best 12. Inclusive Design - Key Design Elements Part 4: Additional Resources 13. Funding Sources For Public Sensory, Therapeutic And Healing Gardens 14. How And Where To Develop Community Green Space
£45.59
Taylor & Francis The Filmmakers Guide to Digital Imaging
Book SynopsisCovering the technical and practical aspects of production on the set, data management at the DIT cart and post-production, including the new Academy of Motion Picture Arts and Sciences ACES Workflow. Technical issues are presented in a readable but thorough manner with many diagrams and illustrations to explain the concepts.Trade Review"It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!"- Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts"As a practicing cinematographer who also teaches, I consider The Filmmaker’s Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them." - Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University"It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!"- Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts"As a practicing cinematographer who also teaches, I consider The Filmmaker’s Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them." - Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University"Read this book and not only will you know what photons do, you’ll be able to make them dance to your tune. Whether you are a working cinematographer, camera assistant, or postproduction artist, or if want to pursue one of these careers, you will learn both theory and practical techniques in these pages." - Leo Sopicki, Blogcritics.orgTable of ContentsIntroduction Sensors Cameras The Digital Image Measurement Linear, Gamma, Log Exposure Digital Color Codecs Formats Image Control The DIT Cart Data Management Workflow ACES Metadata Timecode Acknowledgements
£45.59
