Art & Photography Books

Book SynopsisThe story of fashion is woven through with colour. Vividly illustrated and compellingly written, The Colour of Fashion uncovers the colourful history of style, through 10 shades and their key moments in the spotlight – including Beyoncé in empowering yellow chiffon, Valentino's signature red gowns, and Audrey Hepburn in that Little Black Dress – and shows that colour means so much more than meets the eye.Black - Purple - Blue - Green - Yellow - Orange - Brown - Red - Pink - White Table of ContentsIntroduction • Black • Purple • Blue • Green • Yellow • Orange • Brown • Red • Pink • White • Index & credits

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Book SynopsisThis new and expanded edition of Roger Ballen’s widely acclaimed 1979 photobook Boyhood features new and unpublished images taken by the photographer in the ‘70. Quoted by André Kertesz, Bruce Davidson and Elliott Erwitt as a rare and intimate view of the spirit of youth, these images are able to bring back the childhood of everyone.In photographs and stories, Ballen leads us across the continents of Europe, Asia, and North America in search of boyhood: boyhood as it is lived in the Himalayas of Nepal, the islands of Indonesia, the provinces of China, the streets of America. Each stunning black and white photograph (culled from 15,000 boy photos shot during Ballen’s four-year quest of his subject) depicts the magic of boys revealed in their games, their adventures, their dreams, their mischief. Boyhood is able to connect boys all around the world across the borders of nationality and culture.More of an ode or a memory than a literal document, Ballen’s first book is as powerful and current today as it was 43 years ago presenting a stunning series of timeless images that transcend social and cultural particularities.

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Book Synopsis“Soules’s excellent book makes sense of the capitalist forces we all feel but cannot always name… Icebergs, Zombies, and the Ultra Thin arms architects and the general public with an essential understanding of how capitalism makes property. Required reading for those who think tomorrow can be different from today.”— Jack Self, coeditor of Real Estates: Life Without Debt In Icebergs, Zombies, and the Ultra Thin, Matthew Soules issues an indictment of how finance capitalism dramatically alters not only architectural forms but also the very nature of our cities and societies. We rarely consider architecture to be an important factor in contemporary economic and political debates, yet sparsely occupied ultra-thin "pencil towers" develop in our cities, functioning as speculative wealth storage for the superrich, and cavernous "iceberg" homes extend architectural assets many stories below street level. Meanwhile, communities around the globe are blighted by zombie and ghost urbanism, marked by unoccupied neighborhoods and abandoned housing developments. Learn how the use of architecture as an investment tool has accelerated in recent years, heightening inequality and contributing to worldwide financial instability: • See how investment imperatives shape what and how we build, changing the very structure of our communities • Delve into high-profile projects, like the luxury apartments of architect Rafael Viñoly's 432 Park Avenue • Understand the convergence of technology, finance, and spirituality, which together are configuring the financialized walls within which we eat, sleep, and work Includes dozens of photos and drawings of architectural phenomena that have changed the way we live. Essential reading for anyone interested in architecture, design, economics, and understanding the way our world is formed.

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Book SynopsisWith grace, poetry, clarity, and expert knowledge, artist Etienne Appert brings us a book about the very origins of the art of illustration—what it means and why it exists. “Why do you draw?” A simple question by a young boy moves the author to travel with him down the River of Ink, which flows from the present day back to the very first illustration drawn by a human. Along the way, they visit legendary artists of the past and encounter personal tales that explore the philosophy of communication through drawing. Why do we draw? It’s a simple question with a spellbinding and complex answer with an entirely new and entertaining look at the history of art. Also featured is an illustrated interview between Appert and comics master Scott McCloud (Understanding Comics, The Sculptor) that no reader should miss!Trade Review“Appert’s themes will resonate with both artists and their appreciators.” * PUBLISHERS WEEKLY *

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Book SynopsisCreative souls have always craved a space in which to bring forth their artistic ideas and develop their practice. Continuing the tradition of the contemporary arts practitioner working from a home studio, many creative folk will often prefer to carve out a space within their own residence. Artists' Homes examines the residences of a select group of professional artists who work across a broad range of artistic styles, from writing, photography, and painting through to music, sculpture, and pottery (and more). As well as presenting an exciting journey through the design, construction, and function of these spaces, this book provides a unique glimpse into these artists’ beautiful home environs from around the world, and shares how each of these modern craftspeople and artists takes inspiration from the transformation of their home interiors and surroundings to live a creative life.

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Book SynopsisIf you were to design a building that prioritises occupants’ happiness, what would it look like? How would the materials, form and layout support healthy ways of living and working? Delving into the evidenced-based research on architecture and mental wellbeing, The Happy Design Toolkit helps you to create happier places. It explores how factors, such as lighting, comfort, control over our environments and access to nature, exercise and social interaction, can impact how we feel. Easy-to-understand tips include bringing nature into your developments with roof gardens and living facades and countering social isolation with communal areas that encourage chance interaction. Each of the featured architectural interventions includes an analysis of the wellbeing benefits as well as the potential limitations or associated challenges. From sparking joy in individual homes and workplaces to encouraging healthier lifestyles through landscaping and urban design, this book demonstrates how wellbeing concepts can be integrated across a range of scales and typologies. Packed with inspiration and advice, The Happy Design Toolkit will breathe new life into your projects and help you create a happier and more inclusive built environment for everyone. Features real-world examples including Marmalade Lane co-housing by Mole Architects, Francis Holland School by BDP, Maggie’s Centre Oldham by dRMM Architects, Kings Crescent Estate by Karakusevic Carson Architects and Happy Street by Yinka Ilori. Over 100 hand-drawn illustrations of design details and elevations. Essential reading for architects, interior designers, landscape architects and students. Table of ContentsAcknowledgements About the Author Introduction & How to use this book Chapter 1: Light, natural and artificial Chapter 2: Comfort and materials Chapter 3: Control and autonomy Chapter 4: Nature and biophilia Chapter 5: Aesthetics and legibility Chapter 6: Activity and exercise Chapter 7: Social interaction, community and sense of place Conclusion References Index Image Credits

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Book SynopsisThe first book to chart Scott Burton's performance art and sculpture of the 1970s. Scott Burton (193989) created performance art and sculpture that drew on queer experience and the sexual cultures that flourished in New York City in the 1970s. David J. Getsy argues that Burton looked to body language and queer behavior in public spacemost importantly, street cruisingas foundations for rethinking the audiences and possibilities of art. This first book on the artist examines Burton's underacknowledged contributions to performance art and how he made queer life central in them. Extending his performances about cruising, sexual signaling, and power dynamics throughout the decade, Burton also came to create functional sculptures that covertly signaled queerness by hiding in plain sight as furniture waiting to be used. With research drawing from multiple archives and numerous interviews, Getsy charts Burton's deep engagements with postminimalism, performance, feminism, behavioral psychTrade Review"Queer Behavior . . . seek[s] to inject art objects, sculptures, and performances that we might not necessarily consider as heavy with queer politics, with a queer aesthetic that moves beyond the surfaces of identity and identity politics." * Art History *“Building on unprecedented research, Queer Behavior is the first substantial study of Scott Burton’s anti-hierarchical, eclectic, desire-oriented art of the 1970s. Getsy has written a masterful work—rigorous, encyclopedic, sympathetic, and inspired—toward a loving recuperation of an artist whose work has at times been eclipsed in histories of art and performance. Argument-driven and lushly narrated, Getsy’s writing hybridizes close analysis, critical biography, cultural history, and art historiography. The resulting book is unyieldingly good, at times breathtakingly so.” -- Dominic Johnson, author of Unlimited Action: The Performance of Extremity in the 1970s“Getsy’s long-awaited, meticulously researched volume reads like a novel. I thoroughly enjoyed it as scholarship, history, ‘deep gossip,’ and prose. He has marshaled craft and discipline to produce an accessible, nuanced, and compelling account of Burton’s unconventional and uniquely queer development. It’s a tremendously important, insightful, and lucid contribution to the field. This book is necessary reading for performance art scholars and anybody—everybody—who needs a road map to navigate the constant challenges that lonely creatives face against the pressures of prejudice and conformity.” -- Gregg Bordowitz, author of General Idea: Imagevirus, Glenn Ligon: Untitled I Am a Man, and Some Styles of Masculinity“Getsy offers a rigorously researched and beautifully rendered account of Burton’s performance practice, focusing on the lesser-known arc of Burton’s work from the 1970’s and, in the process, establishing its importance for both the art historical record and for histories of queer life. This is a substantial contribution to our knowledge of performance art, queer performance, and the performance scene of 1970’s New York.” -- Joshua Chambers-Letson, author of After the Party: A Manifesto for Queer of Color LifeArt historian and curator David Getsy has been observing how abstraction lends itself to often less obvious—though no less potent—ways of communicating aspects of queer experience and embodiment... Getsy asks the public and its institutions to grasp new alternatives that embrace multiplicity. “I’m interested in understanding that gender is as transformable as it is multiple, not limited to static options, and this implicates everything and everyone in a different way.” * ArtNet *Table of ContentsAcknowledgments Introduction: Scott Burton’s Queer Postminimalism Street and Stage: Early Experiments 1. Imitate Ordinary Life: Self-Works, Literalist Theater, and Being Otherwise in Public, 1969–70 2. Languages of the Body: Theatrical, Feminist, and Scientific Foundations, 1970–71 Performance and Its Uses 3. The Emotional Nature of the Number of Inches between Them: Behavior Tableaux, 1972–80 4. Acting Out: Queer Reactions and Reveals, 1973–76 5. Pragmatic Structures: Sculpture and the Performance of Furniture, 1972–79 Conclusion: Homocentric and Demotic Appendix: List of Performances and Additional Artworks by Scott Burton, 1969–80 Notes Selected Bibliography Index

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Book SynopsisSJ King loves museums, libraries, and building machines from scrap. King can usually be found exploring - from investigating tiny bugs, to trekking up enormous mountains.

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Book SynopsisA deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman MuseumTrade Review“A sumptuously illustrated hard-cover tome of such import that it seems long overdue. It illuminates the ways in which Cromer’s personal vision has shaped our studies of 19th-century photography in both France and the United States, with contributions from six scholars from both sides of the Atlantic.”—The Classic

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Book SynopsisBook one in the Dragons of Outland seriesAfter leaving the Ghostlands, blue dragon Tyrygosa and human paladin Jorad Mace are drawn through a dark portal and into Outland, the ruined world formerly known as Draenor, where they find a group of dragons unlike any Tyri has ever seen.

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Book SynopsisPerforming Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live. Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology. Table of ContentsChapter 1 – General Advice1. The concept2. Confidence and preparation2.1 Effective rehearsal2.2 Dealing with stage fright2.3 Stepping into the performance persona2.4 Using feedback and being prepared for rejection3. Quality of the production4. Factors that determine the setup choice4.1 The music – genre and composition4.2 The act – personality, motivation and skills4.3 Band members and skills4.4 The performance situation4.4.1 The audience4.4.2 The venue and playback system4.4.3 Risk4.4.4 Budget4.4.5 Need for portabilityTutorial and takeaway points5. ReferencesChapter 2 – DAWs and Controllers1. Non-linearity of time2. Overview of performance DAWs2.1 Ableton Live2.2 Bitwig2.3 Maschine2.4 Logic Pro X2.5 Motu Digital Performer2.6 FL studio2.7 Standalone hardware DAW equivalents3. Plugging in hardware3.1 Live arrangement3.2 One-shots and finger drumming3.3 Performing on software instruments3.4 Controlling audio effects3.5 Other external hardware4. Prepared musical material and live recording5. Collaboration6. Randomness and generative approaches7. Customising the performance interface8. Performing live in more studio-oriented DAWs9. Working with visuals10. Recording the showTutorialFrom a complex studio production to an intuitive live setLooping clipsOne-shotsFollow actionsLive effectsLive keys and vocalsVisuals11. Takeaway pointsReferencesInterview with Robert HenkeChapter 3 – MIDI and CV Performance Controllers1. CV/GATE2. The MIDI protocol2.1 MIDI messages in the MIDI 1 protocol2.2 MIDI 2.03. Types of performance controllers3.1 Buttons3.2 Continuous signals: knobs, faders, sliders3.3 Controllers that resemble traditional musical instruments.3.4 Modular controllers3.5 Motion-controlled performance hardware3.6 Turning non-musical hardware into MIDI controllers3.7 MIDI Polyphonic Expression3.8 Sequencers3.9 Clock signals and MIDI routingTutorial4. Takeaway pointsReferencesChapter 4 – DJing and Turntablism1. A short history of DJing2. Types of DJ in the present day2.1 Touring artist-DJs2.2 Resident DJs2.3 Mobile event DJs2.4 Radio DJs2.5 Online DJ-producers3. DJ techniques3.1 Mixing techniques and turntablism3.2 Virtuoso turntablism3.3 Effects and audio processing3.4 Programming4. DJ tools available today4.1 DJ software and hardware controllers4.2 CDJs4.3 Going retro: using Vinyl for DJing4.4 Headphones, monitors and microphones4.5 Streaming tracks from online platformsTutorial: three DJ setups presented by Dan MurrayPreparationDJ skills and techniquesBeatmatching on vinylGetting creative on CDJsWorking with a hybrid setupPerformance styles5. Takeaway pointsReferencesInterview with Alex M.O.R.P.HChapter 5 - Incorporating Acoustic Instruments and Vocals 1. Traditional instruments in electronic music2. Fusion genres3. Live instruments and vocals that are not on the record4. Instruments that are on the record but not on stage5. Microphones and DI boxes6. Effects and sound manipulation6.1 Vocal effects processing6.2 Vocoders and talk boxes6.3 Effects for other instrumentsTutorial – generated live vocal harmonies, violin and synth7. Takeaway pointsReferencesInterview with Matt RobertsonChapter 6 – Live Synthesis and Sound Design1. Synthesis technology1.1 Synthesis techniques1.1.1 Additive synthesis1.1.2 Subtractive synthesis1.1.3 FM synthesis1.1.4 Waveshaping synthesis1.1.5 Sampling1.1.6 Granular synthesis1.1.7 Wavetable synthesis1.1.8 Physical modelling synthesis1.2 Controls typically found on commercial synthesizers1.2.1 Oscillators1.2.2 Amplifier1.2.3 Amplitude envelope1.2.4 Filters1.2.5 Modulation1.2.6 Clock1.2.7 Effects, sequencing and arpeggiators1.2.8 Playback controls2. A rich history of artists shaping their sound through synthesis2.1 Retro-leaning synths used by current artists3. A brief history of sampling4. Using synths and samplers on stage4.1 Playing live on hardware synthesizers and samplers4.1.1 Choosing hardware synths4.1.2 Working with pre-programmed sequences4.1.3 Modular synthesizers on stage4.2 Performing live with software synthesizersTutorial5. Takeaway pointsReferencesChapter 7 – Performing without a Laptop1. Building blocks of a laptop-free setup1.1 Sound sources1.2 Control signal generators1.2.1 Clock signal generators1.3 Control signal routing tools1.4 Sound processors and effects1.5 Mixers2. All-in-one hardware tools3. Cabling and connectionsTutorial: a modular synthesizer setup (Matt Gooderson)Modular SystemsComponents of the Hardware SetupMelodyRhythmSound SourcesUtility ModulesMultipleQuantiserSample and HoldMixerAudio ModifiersComposition and Performance4. Takeaway pointsReferencesChapter 8 – Programming Custom Performance Tools1. Getting started with programming1.1 What is a program?1.2 What programming language should you learn?2. Inspiring artist examples2.1 Complete playback solutions2.2 Effects plug-ins and software instruments2.3 Expanding the functionality of hardware2.4 Automatic performance tools2.5 Letting the outside environment control the soundTutorial: introducing BBC R&D’s Audio Orchestrator, featuring Jon Francombe and Stephen DavismoonHow does Audio Orchestrator work?The Sequences pageThe Controls pageThe Audio pageThe Appearance pageThe Export page3. Patch It: modular music programming environments3.1 Max/MSP3.2 Pure Data3.3 Other node-based programming environments3.4 Node-based programming in action3.4.1 Effects processing3.4.2 Generative music3.4.3 Sampling and sequencing3.4.4 Working with external hardware3.4.5 Theatre showsTutorial: generative music in Max / MSP, featuring Francesc Moya SerraFirst steps and audio outputMetronome and timingSound triggering with the select objectUsing MIDI notes to perform on a VST synthRandom pitches in a subpatchAdding further complexityRandom note velocities and durationsModulating synthesis parametersFitting the random note pitches to a musical scalePercussionThe performance GUI4. Live coding: making EDM with algorithmsTutorial: an introduction to SuperCollider, featuring Eli FieldsteelThe interfaceGetting startedOscillator UGensCross-fading between soundsWorking with pre-recorded audio samplesWhat else is possible in SuperCollider?5. Takeaway PointsReferencesInterview with Holly HerndonChapter 9 – Building Custom Hardware Tools1. New instruments built from scratch2. The human body as musical instrument3. Adding functionality to existing instruments4. Performing music on toys and household items5. How can you get started?Tutorial: Optical Theremin inside a Game Boy Shell with Rainbow Trash (Dominique Pelletier)What you will needCasingElectronicsTesting connectionsSoldering connectionsClosing up the caseOther things you can do...6. Takeaway pointsReferencesChapter 10 – The Performance Setting1. Common live sound technology2. The soundcheck3. Live sound mixing4. Spaces4.1 Arenas and stadiums4.2 Large Festivals4.3 Nightclubs4.4 Warehouse raves4.5 Concert halls4.6 Outdoor theatres4.7 Small and intimate shows4.8 Controlled acoustic spaces4.9 Installations4.10 Remote settings and streamingTutorial: a large redundancy playback rig, featuring Steven MasseyStems for playbackUninterruptible power supplyRedundancy playback rigOutput routing via a split rackThe monitor mixThe live mix5. Takeaway pointsReferencesInterview with Laura EscudéChapter 11 – Stage Design and Visual Parameters1. Tools for creating visual interest1.1 Moving visuals1.2 Lighting1.3 Dancing and acting1.4 Fashion1.5 Stage design2. What determines the choice of visual stage parameters?2.1 Artist identity2.2 Visual parameters that convey a narrative2.3 Creating an abstract connection between what is seen and heard2.4 Amplifying performance parametersTutorial 3. Takeaway pointsReferencesChapter 12 – Planning and Promotion1. Music branding principles1.1 Artist identity1.2 Target audience2. Creating marketing materials2.1 Visual materials2.2 Biography2.3 Press release2.4 Website2.4.1 A clear representation of the artist image2.4.2 Layout and content2.4.3 Search engine optimization2.5 Social media2.6 Hardcopy marketing materials3. Networking and gig opportunitiesTutorial: music industry Dos and Don’ts presented by Woody van EydenWhere am I now?Where do I want to be?What do I need to do to get there?Who can help me?What should I do in terms of networking?4. Takeaway pointsReferencesChapter 13 – Conclusion1 What do electronic musicians do on stage?2 What constitutes a great electronic music performance?3 How do I choose the concept for my show?3.1 A compelling Performance persona3.2 Virtuosic skills3.3 Technical know-how3.4 A compelling performance setting3.5 Liveness3.6 Core values3.7 Visual interest4 What does my audience expect?5 I am quite shy but I would like to perform live. What can I do?6 I cannot play any instruments or sing. Can I still perform live?7 Should I be a solo artist or form a band?8 What kind of tools do I need to perform electronic music live?9 There are so many different options. What is the right setup for me?10 Who creates electronic performance equipment?11 Where can I try out and buy performance equipment?12 I produce music in a DAW. How can I turn this into a live show?13 Should my live show sound like my record?14 What does "live" mean? Should every sound be created in the moment, or are backing tracks acceptable?15 Is it bad to mime and pretend that I am doing something on stage when I am not?16 I have never produced any music. Where do I begin?17 How should I prepare for my show?17.1 Practice17.2 Sound check17.3 Feedback18 How can I find gig opportunities?Thank you!

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Book SynopsisMemory Art in the Contemporary World deals with the ever-expanding field of transnational memory art, which has emerged from a political need to come to terms with traumatic historical pasts, from the Holocaust to apartheid, colonialism, state terror and civil war. The book focuses on the work of several contemporary artists from beyond the Northern Transatlantic, including William Kentridge, Vivan Sundaram, Doris Salcedo, Nalini Malani and Guillermo Kuitca, all of whom reflect on historical situations specific to their own countries but in work which has been shown to have a transnational reach. Andreas Huyssen considers their dual investment in memories of state violence and memories of modernism as central to the affective power of their work.This thought-provoking and highly relevant book reflects on the various forms and critical potential of memory art in a contemporary world which both obsesses about the past, in the building of monuments and museums and an emphasis on retro and nostalgia in popular culture, and simultaneously fosters historical amnesia in increasingly flattened notions of temporality encouraged by the internet and social media.Trade Review‘The art of memory allows us to ask a crucial question: what can we do to prevent these violent, traumatic events from happening again? Andreas Huyssen writes an essential book to imagine alternatives.’ – Andrea Giunta, ReVista: Harvard Review of Latin AmericaTable of Contents1. Disappearances/Spaces of Violence: Kuitca’s Painting and Salcedo’s Sculpture; 2. Installation as Form: Sundaram’s Memorial and Salcedo’s Casa Viuda and Untitled; 3. Installation in Urban Space: Salcedo, Noviembre 6&7, Kentridge, Triumphs and Laments; 4. The Shadow Play as Medium: Nalini Malani and William Kentridge; 5. Traveling Trauma Tropes: Salcedo Atrabiliarios, Sundaram, 12 Bed Ward/ Trash/The Ascension of Marian Hussain; 6. Re-coding Museum Space: Salcedo, Shibboleth and Sundaram, History Project; 7. Memory Museums: Santiago de Chile’s Museo de la Memoria y los Derechos Humanos and Bogotá’s Fragmentos; Coda: Space/Time: Guzmán, La Nostalgia de la luz and Kentridge The Refusal of Time

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Book SynopsisThe first book to publish the entirety of Franz Kafka’s graphic output, including more than 100 newly discovered drawingsTrade Review“Franz Kafka’s drawings are neither ‘scribblings’ (as he called them) nor illustrations meant as mere accompaniments to text. . . . Kafka saw pictures and words as not complementary but independent, even irresolvable. The figures he drew stand alone as stories in themselves.”—Lauren Christensen, New York Times Book Review“[Kafka] was serious about the visual as well as the verbal. . . . His figures are grotesques, sometimes comical, sometimes cruel, their bodies, often drawn in dark black ink, like Rorschach blots come to life.”—Max Norman, Wall Street Journal“The more you move through this book, the more drawing and writing seem to exist for Kafka on a single and intricate plane, and it begins to change all the usual perspectives.”—Adam Thirlwell, Times Literary Supplement“Exquisitely produced. . . . In these drawings we see Kafka, unshackled from the cognitive cage of verbal meaning, remembering how to play. . . . Kilcher’s discussion of the influence on Kafka of Asian art . . . is especially interesting.”—George Prochnik, Literary Review“Until the legal resolution of their ownership in 2019, very few [of Kafka’s drawings] were seen by the public. Now Yale has revealed them all, publishing the complete catalogue raisonné.”—David Hayden, RA“A sumptuous volume. . . . As windows into Kafka’s elusive, elliptical imagination [his drawings] are fascinating.”—Robert Douglas-Fairhurst, Apollo“Fascinating and question-begging. These are wild and impromptu drawings, off the cuff, many of them in pencil. . . . What we had not expected were such bolts of fiery humour. Kafka was not always in the grip of pained self-haunting, it seems. And especially not when very young, as we see him here.”—Michael Glover, The Tablet, “Best New Art Books”“The uncanny animatedness, that which strikes us in Kafka’s prose even before we are enraptured by its depths, lives everywhere in the evidence of his hand. It lives in his cursive script, in these faces and bodies and windswept horses, in these self-portraits we encounter having somehow always known he was there, staring into us, waiting to be seen.”—Jonathan Lethem, author of The Fortress of Solitude“An important and original book. Informative and perceptive, it illuminates a side of Kafka that has hitherto scarcely been known.”—Ritchie Robertson, author of Kafka: A Very Short Introduction“Kafka, this absorbing book shows, was both artist and art-lover: inspired by Asian art, he explored line in defiance of gravity, drawing as a counterpoint to script. An intriguing volume, with Butler’s essay as the highlight.”—Katie Trumpener, Yale University

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Book SynopsisInsights into the home of surrealists Lee Miller and Roland Penrose. Following the austere and traumatic years of World War II, surrealists Lee Miller and Roland Penrose made their home at Farleys in the Sussex countryside. Penrose, a painter, author, and collector, and Miller, a photographer and war correspondent, moved to Farleys not to settle down, but to create, entertain, and inspire. In this book their son, Antony Penrose, recalls visitors and occasions at Farleys with a fascinating insight into his parents'' lives. This accessible book includes images of the array of visitors during the 1950s against the backdrop of Farleys as it transforms from a traditional farmhouse into a twentieth-century international hub of art with unexpected innovative decoration, surreal living, and daring.

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Book SynopsisAcross the African continent, but especially in the sub-Saharan regions the light provided by the sun has a particularly stark quality, which becomes most apparent in relation to age-old buildings and in the way in which it shapes daily routines. Without relying on artificial light, architecture had to both make use of the sun light to create a light source within a building, yet also protect those living in the houses from the intensity of it. This has resulted in vernacular architecture that works with very few or small openings that render the inside of a building near pitch black while the outside is illuminated by direct sunshine that bears down mercilessly. On the initiative of the lighting company Zumtobel Group, photographer Iwan Baan and architect Francis Kéré set out to capture how the sun’s natural light cycle shapes vernacular architecture with little to no artificial light sources in Burkina Faso. They travelled to three exemplary locations: Communal compounds in Gando, the main mosque of Bobo Dioulasso and the terraced houses in Dano utilising pots to create skylights. Baan’s pictures are accompanied by architectural sketches by Francis Kéré, who himself grew up in this light environment and whose architecture is inspired by it. The stunning photographs are printed in a special technique to give a sense of being immersed in the very light conditions that are being documented.

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Book SynopsisThis is your essential guide to less harmful, but equally effective, environmentally friendly printmaking methods. Traditional printmaking techniques expose the artist and the environment to a multitude of toxic materials. In this book, Mark Graver puts the case for non-toxic printmaking and discusses the replication of traditional techniques with less harmful, but equally effective, environmentally friendly methods. This book covers engraving, etching with acrylic resists, using drypoint, making aquatints, mezzotints and collagraphs, and using photopolymers as well as combining various printmaking techniques. Highly illustrated wit the works of artists from around the world, this practical and inspiring book contains everything you need to know about switching to a non-toxic printmaking practice.Trade ReviewThe next installment in A&C Black's excellent Printmaking Handbook range...includes a series of ways to replicate traditional printmaking methods without the use of acids, solvents and petroleum-based materials which can be dangerous to inhale or be in extended contact with. * Artists and Illustrators *Table of ContentsAcknowledgements Introduction Why Non-Toxic? Materials Metals 1. Acrylic Resist Etching on Copper 2. Acrylic-Resist Hard Grounds 3. Acrylic Soft Grounds 4. Acrylic-Resist Aquatint 5. Wash Grounds, Lift Grounds, White Ground 6. Etching Copper with Ferric Chloride 7. Saline Sulphate Etch 8. Inks, Inking, Paper and Printing 9. Colour, Chine-Coll and Multi-Plate Printing 98 10. Non-Chemical Processes 11. A Survey: Is Printmaking Going Green? By Indrani Gall 12. Conclusion Appendix 1 – Some Thoughts on Non-Toxic Printmaking Appendix 2 – Original Prints and Reproductions – A Need for Definition Featured Artists Suppliers Website Resources Bibliography Index

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Book SynopsisPublished to accompany a major new exhibition at the Sainsbury Centre, this book examines the spectacular and controversial vision of art practice that raged across the Western world from the end of the 19th century: Art Nouveau.The role of nature is a key focus of the exhibition. The common theme of translating plants into patterns will be explored as a defining feature of the modern style. Art and objects will represent Art Nouveau from different countries, where it appeared characterised as flowing, tensile line, and dramatic movement, or by organic imagery combined with an informal geometry.Artists and designers include René Lalique, Edgar Degas, Charles Rennie Mackintosh, William Morris; Alphonse Mucha and Gabriel Dante Rossetti.

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Book SynopsisMarc Chagall’s remarkable oeuvre spans a variety of media; from painting, ceramics, and stained glass to illustration, tapestry, and stage sets. Regardless of the format, his singular narrative style embraced the memories of his happy childhood in Vitebsk, Russia and his roots in Jewish culture. This engaging examination of the artist and his life features stunning full- page illustrations of Chagall’s works, along with illuminating biographical details. On every page, Chagall’s genius with color and composition spring to life. Comparisons and contrasts are made to the works of other Fauve and Cubist artists among whom he lived and worked, as well as to the poetry of the era. Although he depicted the harsh anti-Semitism that his countrymen faced, Chagall nevertheless embraced a vision of humanism and tolerance that remains refreshingly poignant decades after his death.

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Book SynopsisTerence Donovan (1936-1996) was one of the foremost photographers of his generation, with a career spanning almost 40 years. He came to prominence in London as part of a post-war renaissance in art, design and music, representing a new force in fashion and, later, advertising and portrait photography. He operated at the heart of London's Swinging Sixties, both as participant in, and observer of, the world he so brilliantly and incisively captured with his camera.Born into a working-class family in East London, Donovan was fascinated by photography and printmaking from an early age. He opened his own studio in 1959 at the age of twenty-two and was immediately sought after by a range of clients, including leading advertising agencies and fashion and lifestyle magazines of the time, including Vogue, Harper's Bazaar and Elle. Terence Donovan: 100 Fashion Photos brings together the very best of his fashion photography, from his ground-breaking work in the sixties to the superlative glamour of the supermodels of the nineties.Gifted with an unerring eye for the iconic as well as the transformative, Donovan was a master of his craft, a technical genius who pushed the limits of what was possible with a camera. This stylish book contains some of his most famous shots, as well as previously unseen images, and is a perfect gift for lovers of both fashion and photography.Table of ContentsForeword by writer and curator Robin Muir, formerly a picture editor at British Vogue and the The Sunday Times Magazine • Stylish black and white and colour photography from Donovan's archive • Captions throughout.

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Book SynopsisIn summer 2017, celebrated Swiss architect Peter Zumthor curated the exhibition Dear to Me at the Kunsthaus Bregenz, marking the 20th anniversary of one of his most famous designs. Part of the program were conversations with philosophers, curators, historians, composers, writers, photographers, collectors, and craftsmen that Zumthor had invited to contribute to the exhibition. His dialogues with them offer insights into the thoughts and practice of fascinating personalities. Together with his counterparts, he explores artistic preferences and practices, reasonings, as well as practical knowledge from artisanal experience. Always charming and affectionate, he follows-up persistently, and takes his guests with gentle determination on mutual intellectual strolls. The equally serious and serene conversations with Anita Albus, Aleida Assmann, Marcel Beyer, Hélène Binet, Hannes Böhringer, Renate Breuss, Claudia Comte, Bice Curiger, Esther Kinsky, Ralf Konersmann, Walter Lietha, Olga Neuwirth, Rebecca Saunders, Karl Schlögel, Martin Seel, Ruedi Walli, and Wim Wenders are collected in 17 booklets held together in an exquisitely manufactured box. An 18th complementary booklet documents the Dear to Me exhibition in Bregenz through concise texts, images, drawings and plans.

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Book SynopsisTrade Review"A Barnes & Noble Best History Book of the Year""A Waterstones Best History Book of 2021""A CapX Book of the Year""One of Kirkus Reviews' Best Nonfiction Books of the Year""One of Kirkus Reviews' Best Biographies of the Year""A Library Journal Fall 2021 Nonfiction Must""What better escape from the woes of our present day than rolling around in the intrigues of the Roman Empire? Naughty Caesars! Pictures too! Avidly I plunge in!" * Margaret Atwood *"A mesmerizing read."---Michael Dirda, Washington Post"This deeply researched account explores how Roman art has shaped the Western world’s understanding of power for two millenniums, from ancient Roman imperial portraits to the work of the 19th-century American sculptor Edmonia Lewis." * New York Times *"Beard, a prolific author and a distinguished classical scholar, brilliantly describes the ways in which images of Roman emperors have influenced art, culture and politics for two millennia. . . . Twelve Caesars is a masterly demonstration of scholarship in a variety of fields, from republican Roman politics to Renaissance tapestry to contemporary British collage. Again and again, Ms. Beard gives us unexpected insights. . . . Twelve Caesars is wonderfully readable, with graceful prose and witty comments along the way."---Barry Strauss, Wall Street Journal"This thoroughgoing survey examines the relationship between ancient imperial imagery and the modern visual imagination. . . . With handsome illustrations of coins, canvases, frescoes, and teacups, Beard brings the prestige and power of these emperors’ half-invented faces into tighter focus." * The New Yorker *"Twelve Caesars is fascinating and not only because its author writes so engagingly. Many years in the making, the world into which it will be born is not quite the same as the one in which it was conceived. Its preoccupations—essentially, it’s about the way that images of Roman emperors from Caesar to Domitian have influenced culture across the centuries—are suddenly and newly of the moment in a Britain that has become completely fixated with statues."---Rachel Cooke, The Observer"A fantastic new book."---Tom Holland, The Rest Is History"In [Beard's] work, the consumption of classical culture is as revealing as the culture itself."---Josh Spero, Financial Times"[A] fascinating book, which embarks on a study of not just the Julio-Claudian dynasty of caesars made infamous by Suetonius and Robert Graves but also of their ubiquitous iconography—in statues, on coins, in paintings and sculpture. It’s an eye-catching field guide to these famous ancient rulers." * Christian Science Monitor *"Beard upends many of our assumptions by looking at how these rulers have been represented in art, from antiquity to the modern-day. It’s a clever and entertaining exercise in helping us reframe how we think about the distant past."---Darragh Geraghty, Irish Times ​​​​​​​"[A] rich disquisition on the Caesars’ visual representation. . . . [Twelve Caesars is] handsomely illustrated and brightly ringing with Beard’s enjoyment and scholarship. . . . Beard shows the joy of classical texts, and how they are the ultimate resource when visual art fails to be comprehensible to us."---Hermione Eyre, The Spectator"[Twelve Caesars] abounds in expert and keen-eyed readings of Roman imperial images, with insights into the meanings they might have held for those who displayed them. . . . [Beard’s] insights are always original and her lively, cheeky prose style always compelling."---James Romm, Daily Beast"Beard has written a fascinating book, one to browse happily. It sparkles with ideas, many of them characteristically provocative. Pictorially it is a sheer delight. As for the question of attribution or misattribution, well, you can read this delightful book in the spirit of a detective."---Allan Massie, The Scotsman"Beard provides a masterclass for art historians and classicists on the challenges of interpretation and the potentialities of meaning in this neglected area of classical studies, so important to elite visual power politics between the 15th and 19th centuries."---Simon J. V. Malloch, Literary Review"Beard wades boldly into muddy territory and emerges with a portrait of the emperors’ afterlives that is as vivid as the busts themselves. The book leaves little room for doubt as to how influential the role of later artists and buyers has been in adding muscle to the sinews of emperors passed down from the ancient world. The twelve Caesars are arguably among the finest inventions of posterity."---Daisy Dunn, The Critic"A leading scholar as well as a writer of bestsellers, [Mary] Beard, as always, asks important questions. . . . [In Twelve Caesars,] she leads us through the best available evidence and delivers insightful answers in lucid prose accompanied by dazzling images. . . . A lively treatise on Roman art and power, deliciously opinionated and beautifully illustrated." * Kirkus Reviews, starred review *"Incisive prose and wit. . . . This lavishly illustrated volume will be accessible and interesting to a wide variety of readers; a must-read for anyone interested in classics or art history." * Library Journal *"A sumptuously illustrated, beautifully designed, gloriously rich work of history from the distinguished classicist with a lively literary voice, an extraordinary eye for telling detail, and a grand sense of humor. Twelve Caesars is a masterful, brilliant work of detection, a joy to read." * B&N Reads *"[Twelve Caesars] currently sits on my nightstand. . . . . I've been interested in power for quite a while: who has it, who doesn’t, how to acquire it and how to use it for the greater good."---Bernardine Evaristo, Elle.com"With her reputation for viewing Roman history through a feminist lens, Mary Beard may be the most popular classicist in the world. . . . Focusing on images of power throughout the ages, from ancient Rome to the present, [Twelve Caesars] will only grow her fan base." * ARTnews Magazine *"[Beard] explores in fascinating and entertaining detail how the long-dead Roman emperors have lived on in the Western imagination, providing a rich store of moral and political exemplars to instruct, warn and mock their successors. . . . Beard provides instruction as well as entertainment."---Stephen Mills, Inside Story"There’s lots of moments in this book that are surprising and very funny."---Andrew Roberts, BBC Radio Four: Start The Week"A detective masterpiece of entertaining misattributions, reinterpretations, and blatant fakes. "---Eugenia Ellanskaya, Minerva Magazine"From Beard’s reconstruction of Titian’s extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII’s famous Caesarian tapestries, Twelve Caesars includes fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever."---Angela Crocombe, Readings"An enthralling story of how images of Roman emperors have influenced art, culture, and the representation of power for more than 2,000 years. . . . Drawing on a wealth of research, and a multitude of paintings and sculptures, Beard explores the importance of portraits in Roman politics and provides interesting insights into famous pieces of art. A fascinating book." * Canberra Weekly *"Beard is a consummate reader of images. One of her great strengths is the way she is constantly alive to the potential for images to misbehave. . . . A clever, witty, thought-provoking book."---Alastair J. L. Blanshard, Australian Book Review"In discussing what the faces of imperial power looked like, Beard presents a fascinating detective story of changing identities told through a selection of historical artworks."---Lindsay Powell, Ancient History"Engaging, erudite and enormously informative. . . . Beard’s fascinating book asks its readers to be curious about, and critical of, redeployments of the images of Roman emperors from the Renaissance in Italy to 20th-century America."---Marguerite Keane, America"Beard’s style of investigation is often just as interesting as some of her find­ings. . . . 'Are we sure we know that?' is her consistent refrain. It’s a refreshing sort of intellectual humility—speak­ing confidently when an answer can be known, but also recognizing when caution is warranted."---Regina Munch, Commonweal"[Beard’s] latest triumph. Twelve Caesars takes readers on a delightful journey through artistic representations of Rome’s emperors. . . .This book could be read at the beach, then cited in a dissertation."---Mikayla Barreiro, Comitatus"An amazing, richly illustrated, book that reveals Mary Beard as a sleuth."---Scot McKnight, Christianity Today"[A] welcome contribution to the study of representation of Roman emperors in early modern visual arts."---Miryana Dimitrova, Classical Review"A tour de force of art and intellectual history."---James Corke-Webster, Greece and Rome"Twelve Caesars by Mary Beard is a brilliant and engaging historical account of the lives of twelve Roman emperors. The book is a remarkable feat of scholarship that brings to life the personal and political complexities of these powerful men." * The F *"[Mary Beard] masterfully combines expert knowledge and scholarly rigour with a clear and engaging writing style. . . .An important book with much to say about the place of the Classical World in modern society."---Donald MacLennan, The Journal of Classics Teaching

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Book SynopsisWorld-renowned architectural writer and critic Philip Jodidio delves into his selection of the Top Twenty-six of the most contemporary and current house designs from around the world, showcasing the most innovative and influential designs from Europe, United States, United Kingdom, Australia, South and Central America, India, and Asia. He provides an incisive analysis of the site-specific elements, key environmental factors of the landscape design, the use of spatial visualisations, light, sustainability, and materials, and other critical design features of each home. He expertly articulates and examines the relationships between the architecture and the intentions of the design for the people who live there, taking into account how the architecture affects human behaviour, what enhances the success of the design of each home in this collection, with an overview of current industry trends, and where to next for residential design innovation. This beautifully presented book, filled with stunning photographs and detailed plans and diagrams, celebrates residential luxury, inspirational style and design innovation from around the globe.Trade Review"In 'Built to Inspire', Philip Jodidio has included 30 projects that represent all those variables with which houses should be thought of from now on without leaving them inspiring on an aesthetic level. Time and future generations of professionals may prove him right. This is definitely the way." [Translated by Google Translate] - Isabel Margalejo, Arquitectura y Diseño

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Book SynopsisTrade Review"The gorgeously illustrated catalog provides the first survey of the American grand tour to Venice combining fine and decorative arts." * Artfix Daily *"[A] lavishly illustrated, fascinating book."---Lauren Moya Ford, Hyperallergic"[A] beautifully illustrated catalog."---William Newton, The Federalist"The lush yet sensitive design of the more than 300-page volume echoes the sumptuousness of the art enshrined in it. Scholarly essays cover the marketing of artistic Venice, the process of regenerating Venetian crafts, and American participation in the story. Glass and lace terminology is clarified through glossaries containing such exquisite words as fragole, fenicio and reticella. Engaging biographies of key artists, critics and collectors appear as an appendix."---Kate Eagen Johnson, Antiques & The Arts

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Book SynopsisMichael Peppiatt, a major art critic and close friend of Francis Bacon's, offers an entertaining and uniquely well-informed portrait of this complex artist.Trade Review'Peppiatt writes perceptively about Bacon's endlessly contradictory nature, his generosity and cruelty, his violence and tenderness, his dandyism and love of squalor, his spectacular dissipation and iron self-discipline, and what he called his "exhilarated despair"' - Daily Telegraph'Contains interviews with and recollections of the artist from the 1960s almost until his death... include[s] the full, fascinating text of Bacon’s answers when he was interviewed for the first time by his future biographer, in 1963, before celebrity began to overtake some of his responses' - Times Literary SupplementTable of ContentsIntroduction * Interviewing Francis Bacon: Interview One: From a Conversation with Francis Bacon; Francis Bacon At Work; Bacon and Picasso On La Danse (Crucifixion), 1933; An Obsession with Popes; Francis Bacon in the 1950s * Interview Two: Reality Conveyed by a Lie; The Sacred and the Profane; Mr Bacon and Miss Beston; ‘All the Pulsations of a Person’: Portraits and Self-Portraits On Four Studies for a Self-Portrait, 1967; Francis Bacon and Shakespeare * Interview Three: Provoking Accidents, Prompting Chance; Francis Bacon in Paris; On Study of George Dyer, 1971; On Seated Figure, 1974; A Strange Fascination: Michel Leiris and Francis Bacon; On Two Figures, 1975; Reflections on Francis Bacon’s Late Work * Envoi: Bacon’s Eyes

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Book SynopsisHome is where the heart is. This puzzle features an illustration from Dutch artist Lotte Dirks, and it is filled with her love for everything that grows and flourishes. As you piece it together, you may find your imagination drifting down a winding country lane, to a white picket fence with an open gate, to a yard where the flowers bloom and chickens range freely, to a special place where you can kick off your shoes and just be yourself. Featuring: 1,000 interlocking pieces Mini-poster (9 3/8 x 6 3/4) for reference or framing Completed puzzle size: 26 3/8 x 18 7/8

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Book SynopsisThe World Heritage Sites listing by The United Nations Educational, Scientific and Cultural Organization (UNESCO) aims to promote awareness and preservation of tangible and intangible cultural heritage around the world, considered to have outstanding value for all humanity, irrespective of location. UNESCO has inscribed 38 such sites in India, all of which are presented in this volume, together with commentary by architects and conservationists and stunning photographs by Rohit Chawla. The cultural sites in India are a rich repository of the country’s long, layered history, bearing witness to the creativity and influence of multiple communities, crafts and religions. The sites covered in this volume range across the length and breadth of India—from the earliest periods of rock art, Buddhist caves and Hindu temples, Sultanate and Mughal forts, palaces, tombs and memorials, medieval Hindu and Islamic cities, step-wells and observatories to Portuguese churches, Victorian and Art Deco ensembles to, finally, 20th-century industrial and modern heritage sites. The natural and mixed sites include national parks of exceptional natural beauty and sites of long interaction between people and the landscape.Trade Review"A new, lavishly illustrated book with 250 color illustrations. . . presents all 38 iconic Indian UNESCO sites of natural and cultural significance, representing the subcontinent’s diversity and reflecting the very soul of India." * Cosmopolis *

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Book SynopsisAn innovative retrospective look at the work of one of America’s most iconic artists, utilizing the concepts of mirroring and doubling, which have long preoccupied Johns

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Book SynopsisIn Sean Baker's award-winning 2017 film The Florida Project, a young girl, her single mother, and her friends live in rundown motels near Disney World, the children's summer fun contrasting with the grim conditions around them. In this book, J. J. Murphy delves deep into the movie's development and filming while also examining it within the wider context of Baker's career. Using production documents, different versions of the screenplay, and interviews with principal members of the production team, Murphy traces the evolution of The Florida Project from initial idea through its various stages of production. He highlights Baker's unconventional strategies in making a film about a marginalized subculture, including alternative scripting, guerrilla-like filmmaking, improvisation, and the unorthodox casting of local and first-time actors. Murphy also explores how Baker's impromptu style sometimes rankled crew members and caused a major crisis on set, revealing the difficulties indie filmTrade Review[The Florida Project] is a marvelous guide to the making and understanding of an important film...Rarely has a recent independent success been so meticulously and entertainingly explored. * The Film Stage *Table of ContentsIntroduction Origins of the Film The Making of The Florida Project Reception Conclusion Acknowledgments Notes Bibliography Index

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Book SynopsisThe Culture Factory: Architecture and the Contemporary Art Museum explores the key battlegrounds in the design of the contemporary-art museum, describing the intersection of art, aesthetics and politics at the highest levels, and the commitment of states, cities and wealthy individuals to the display of art. Global in scope, the book examines key examples from Europe and the Americas to contemporary China. It describes museum building as the projection of political power, but also as a desire to acquire power. So it is a book about ambitious peripheries as much as the traditional centres: Dundee and Bilbao as well as New York and Paris. It is commonplace to assume that the contemporary-art museum has become ever more spectacular, and the place of art ever more subservient within it. This book argues that a tendency to spectacle coexists with another equally powerful tendency, to make art museums that celebrate the artistic process, typically attempting to recreate the feeling of the artist's studio. That tendency is strongly represented in the designs for the Centre Georges Pompidou, completed in 1977, and arguably in the many contemporary art museums which have adapted former industrial buildings. Richard J. Williams's stimulating text includes many historical examples to illustrate how we got to where we are now, from the Centre Pompidou in Paris, to the Guggenheim museums in New York and Bilbao, London’s Tate Modern, Oscar Niemeyer's work in Brazil and beyond, and the 798 Art District in Beijing.Trade Review‘Richard J. Williams's brief but enjoyable The Culture Factory critically explores how art museums went from places of art appreciation to spaces of consumption, media, money, and entertainment over the last fifty years.’ – A Weekly Dose of Architecture Books‘The Culture Factory takes the reader on an engaging tour of many of the most significant examples of museum architecture from the mid-twentieth to the early twenty-first century, to demonstrate its role in the emergence of art as merely “one point on a continuum of consumption” […] in the contemporary experience economy.’ – Burlington ContemporaryTable of ContentsSeries Editor's Foreword; Acknowledgements; Chapter One: How Did we Get Here?; Chapter Two: Making Sense of Industrial Space; Chapter Three: Museums and Architectural Icons; Chapter Four: Landscapes in the Vicinity of Art; Notes; Further Reading; Index

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Book SynopsisFew artists are able to work successfully on both large and small scales, but throughout his career Calder brilliantly moved from the miniature to the monumental and back again. This publication focuses on the enormous stabiles he created mostly for public places, as well as his elegant hanging mobiles in sheet metal, miniature standing mobiles, and chess sets, shedding light on the social and performative aspects of his work. Essays explore how Calder approached the effects of kinetics and space, solidity and transparency, stasis and activity, volume and void. The book also looks at how Calder’s small-scale sculptures echoed the public spectacle of his larger pieces, creating a “private drama” that encouraged direct participation. Whatever the size, Calder’s works employed movement and interaction in unpredictable ways, and this enlightening book helps readers appreciate the important continuity of his oeuvre.

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Book Synopsis"A good starting point in designing beautifully, is to adapt to your surrounding architecture and nature - the materials and colours and decorate with your own personal style. Truly knowing your own style is tantamount to interior designing with that ever important personal touch. And finding your own individual style can be a difficult and confusing journey," - Katrine Martensen-Larsen. The (New) Nordic Style is here to stay. The use of rich Scandinavian materials, pure colours, and a distinctive graphic style turn out to be timeless. Yet many people who are looking to create the Scandinavian look at home do not find it easy to match these common elements of Nordic style. Step by step and using different mood boards, themes, materials, light, furniture and floor coverings, Katrine Martense-Larsen explains how to create your own ideal Scandinavian interior.

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Book SynopsisBritish Turner Prize?winning artist Keith Tyson is known for a distinctive and diverse body of work, including drawing, painting, installation, and sculpture. Showing a wide range of influences extending from mathematics and science through to poetry and mythology, he has an interest in how art emerges from the combination of information systems and physical processes that surround us every day. For over thirty years, Tyson has probed, dissected, explored, and questioned reality. Not fixed to one artistic style, Tyson?s mission is to challenge himself and the audience, while working with diverse materials?paint, clay, metal, resin?to question our knowledge of the world we perceive as real, and art?s role in representing it.Iterations and VariationsTable of Contents1. Generative Art 2. Studio Wall Drawings 3. Paintings 4. Arrays Biography Index

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Book SynopsisAn illustrated historical tour of London's 13 great railway termini, on a clockwise circuit from Paddington to Victoria. London’s railway termini are among the most recognisable and familiar landmarks in the city. Famed for their bustling platforms and architectural innovation, they comprise a fascinating mixture of Neo-Gothic exuberance and purposeful modernity. Though each owes its existence to a long-extinct Victorian railway company, these stations continue to be central to London life, with millions of visitors passing through every year. This historical whistlestop tour takes you on a circuit of London’s thirteen great railway termini, from Paddington, through King’s Cross, to Victoria. Ranging from the earliest stations to the latest restorations and ongoing developments, this beautifully illustrated book examines both their legacy and their future.Trade ReviewThis is a delightful book. * The Historian *Table of ContentsIntroduction The Stations - Paddington - Marylebone - Euston - St. Pancras - King's Cross - Liverpool Street - Fenchurch Street - London Bridge - Cannon Street - Blackfriars - Charing Cross - Waterloo - Victoria Glossary Index

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Book SynopsisIntroducing a practice to enhance mental and spiritual well-being for the enrichment of one’s life in The Path of Drawing, author Patricia Watwood offers readers a systematic approach to drawing that combines basic instruction and mindfulness exercises. Today, many people look to cultivating creativity as a means to improve one’s quality of life, to unplug, to alleviate negative conditions like stress, anxiety, and depression, and to build resilience and enjoy the present moment. Adjacent to such practices as meditation and journaling, drawing is an accessible and personal medium that can facilitate both creativity and mental and spiritual health. The sample projects in this book are designed to be approachable and manageable in a short period of time. They are not intended to be a rigorous course of study toward mastering complex skills, but, rather, are designed to offer the reader exercises that will help them enjoy time spent working creatively, and develop some technical skills and master simple concepts along the way. Readers should find that daily creative practice and being more open to observing the joys of the world around them can help build qualities of patience, confidence, calm, connectedness, and bravery.Trade Review'An art instructional book on cultivating creativity and drawing as a practice of mindfulness.' - Realism Today

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Book Synopsis A fascinating account of the story of the Yves Saint Laurent Museum in Marrakech – and a gorgeous homage to creativity Conceived as a candid diary, this remarkable book documents the 1,423 days that it took to design, build, and inaugurate a beloved architecture and fashion destination. From the moment the up-and-coming French-Moroccan practice Studio KO received a call from YSL’s longtime partner Pierre Bergé to the opening of the museum’s doors in 2017, one month after Bergé died, the entire process of bringing the building to life – its commission, the creative process behind it, and its construction – is told and illustrated here as never before.Trade Review'Worth the splurge.' - Wall Street Journal Magazine 'A new insight into Saint Laurent's design principles and values.' - The Financial Times 'An illustrated hymn of praise from Karl and Olivier to Yves and Pierre.' - World of Interiors 'Gorgeous.' - Fast Company 'A rich, inspiring journey.' - Galerie Magazine 'Gorgeous ... [a] tribute to a spectacular space'- Vanity Fair 'A love letter to Morocco and two of the country's most ardent admirers' - Elle Decor 'A visual feast.' - Wallpaper* 'Demands your attention.' - StyleZeitgeist 'There's no minute decision left unshared … as any couture connoisseur can understand (and appreciate), every little detail is significant. - AD Pro

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Book SynopsisFUTURE is a series of five or six publications by Taiyo Onorato & Nico Krebs to be published by Edition Patrick Frey over the next few years. The various chapters in the series will be published on an ongoing basis, though not according to any content-based planning or timetable. The idea is to react promptly to current events and sensibilities and publish the results swiftly too. The first installment of the FUTURE series, entitled FUTURE MEMORIES, explores how our conceptions of the future have changed over the past few decades, how that affects our take on the present and our reactions to changes that lie ahead. Re-created by Taiyo Onorato & Nico Krebs for the most part out of archival material, the pictures in this book constitute a material exploration of the fact that every vision or illustration of the future is bound to be a collage of images drawn from the past. Using a combination of large-format analog photography and various digitally controlled laser technologies, the artists have created a visual world that makes sci-fi allusions and takes an associative approach to an emotional world that swings back and forth between the optimism of the artists' childhood and the dystopianism of the present day and age.

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Book SynopsisThe art of Jeff Koons imagined anew, alongside more than 200 works from the acclaimed Pinault collection This new volume brings together the work of one of the most iconic living artists with over 200 pieces from the Museum of Civilizations of Europe and the Mediterranean in Marseille, France. Although his art encompasses a wide range of satirical sculptural work as well as digital collages and paintings, American sculptor Jeff Koons (born 1955) is best known for his unmistakable large-scale recreations of familiar objects in stainless steel. These famous mirror-finish works and other pieces from his oeuvre are placed in conversation with a series of selections from the Mucem archives, the result of a meticulous curatorial effort by the artist himself. The publication takes advantage of the richness of the Mucem’s collections, with everyday objects, traditional art, documents and photographs, encouraging readers to compare and contrast the artworks on levels both formal and symbolic.

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Book SynopsisAlso available as Art Edition (No. 1–1,000) including an exclusive, square format reproduction of the Arlecchino coffee table and a set of four numbered ocean liner interior prints. To study Gio Ponti’s prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. A synthesis of the arts, his creations expand intuitively with the Italian grandeur and studied lightness that defined his iconic style. Ponti’s rare capacity to move seamlessly between scales allowed him to approach the design of a teaspoon with the same conviction as he did an entire city. He was as much an architect and designer as he was a publisher, poet, and man. A treasure in its own regard, his contribution is also a distinctive landmark of Italy’s mid-century Renaissance and the modernist values it sought to realize. This is the most comprehensive account of Ponti’s work to date, unprecedented in scale and scope. It tracks the development of his oeuvre over 6 decades, with 136 projects indexed and reproduced in high resolution, each object framed by the context in which Ponti had created it. Like windows onto his elusive life, unpublished materials and candid imagery create new dialogues between his famous masterpieces and his lesser-known feats. A rich layer of texts, featuring an extensive biographical essay by Stefano Casciani, was produced in close collaboration with the Gio Ponti Archives offering an intimate insight on his life’s work. Materializing Ponti’s core philosophy of modernity, this book presents architecture as a performing object, a "self-illuminating" stage for his humanistic art de vivre and boundless creativity.Trade Review“TASCHEN comes through with Gio Ponti… Think of it not as a book but as a vehicle for an incredible journey.” * The Los Angeles Times *“…the iconic Italian architect and designer’s greatest works.” * eveningstandard.co.uk *“…a fascinating glimpse into the life and vast catalog of work of Italian architect Gio Ponti.” * fastcompany.com *“This prodigious volume features unpublished materials and candid imagery offering exciting new insight into both his well-known masterpieces and more obscure feats alike.” * surfacemag.com *“Gio Ponti offers a technicolor glimpse into the life and work of the godfather of Milanese design.” * interviewmagazine.com *“Gio Ponti aims to be the final say about the designer’s work and importance.” * architectmagazine.com *“…an absolute beauty about the refined Italian architect-designer who defined a vein of elegant, uncontroversial mid-century chic.” * The Financial Times *“…a tour de force investigation of the designer’s oeuvre.” * architecturaldigest.com *“There’s an irony here, that a prince of lightness such as Ponti should be remembered with something so massive, but it’s hard to do justice to his output in any other way… It successfully captures Ponti’s spirit.” * The Observer *“The book is full of revelations. But for those who know Ponti for his architecture and his furniture, the real surprise is the ways they came together in rooms that display his seemingly endless supply of creativity.” * 1stdibs.com *“The most resistant element is not wood, is not stone, is not steel, is not glass. The most resistant element in building is art. Let’s make something very beautiful.” * Gio Ponti *

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Book SynopsisParametric Design for Landscape Architects provides a sequence of tutorial-based workflows for the creation and utilization of algorithmic tools calibrated toward the field of landscape architecture. Contemporary practice and projective theory in landscape architecture require the processing and design of data associated with complex systems to adequately represent composite, emergent scenarios. Aligning to both traditional and nascent processes of analysis and digital modeling, this book unpacks and decodes the characterization of algorithmic-based automation, leveraging software that is widely accessible in both academia and professional practice. Curated throughout are workflows that apply to a multiplex of computation programs that widely support the design, analysis, and production of landscapes, primarily concentrated on digital modeling tools Grasshopper and Rhinoceros. It is a much-needed, visually accessible resource to aid in more efficient understanTrade Review"Madl grounds computational practices in the landscape – sites with urgent ecological and social implications, but which have been overlooked in the parametric focus on architectural space. This book challenges that hegemony with sequences and workflows that will provoke exploratory theoretical and technical design processes in landscape-based projects."Ron Henderson, Professor and Director, Landscape Architecture + Urbanism Program, Illinois Institute of Technology"Landscape architecture has been slow to embrace parametric tools. We have lacked instructional materials tied to landscape-specific design processes, and parametricism has been understood as a style, rather than a method. Building from using parametric software to facilitate traditional landscape design tasks into more ambitious tutorials that use those same tools to understand landscape as dynamic and ever-changing, Andrew Madl addresses both these issues at once."Rob Holmes, Assistant Professor, Landscape Architecture, School of Architecture, Planning, and Landscape Architecture, Auburn UniversityTable of Contents1. Transformations, Translations, and Vectors: Leveraging Geometric Data 2. Landform Creation: Base Modeling, Site Design, Field Conditions 3. Landform Analytics and Calculations: Automation of Site Dynamics 4. Construction Documentation: Mechanization of Standards 5. Digital Fabrication: Facilitation and File Preparation 6. Urban Morphology and Analysis 7. Cartographic Representation and Data-Driven Visualization 8. Cellular Models, Agent-Based Behaviors, and Simulation: Speculation 9. Case Studies: Deconstructing the Use of Computational Tools in Professional Landscape Architecture Projects

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