Art & Photography Books

Book SynopsisAn alternative history of capitalist urbanization through the lens of the commons Characterized by shared, self-managed access to food, housing, and the basic conditions for a creative life, the commons are essential for communities to flourish and protect spaces of collective autonomy from capitalist encroachment. In a narrative spanning more than three centuries, Against the Commons provides a radical counterhistory of urban planning that explores how capitalism and spatial politics have evolved to address this challenge.Highlighting episodes from preindustrial England, New York City and Chicago between the 1850s and the early 1900s, Weimar-era Berlin, and neoliberal Milan, Álvaro Sevilla-Buitrago shows how capitalist urbanization has eroded the egalitarian, convivial life-worlds around the commons. The book combines detailed archival research with provocative critical theory to illuminate past and ongoing struggles over land, shared resources, public space, neighborhoods, creativity, and spatial imaginaries.Against the Commons underscores the ways urbanization shapes the social fabric of places and territories, lending particular awareness to the impact of planning and design initiatives on working-class communities and popular strata. Projecting history into the future, it outlines an alternative vision for a postcapitalist urban planning, one in which the structure of collective spaces is ultimately defined by the people who inhabit them.Trade Review "Against the Commons rewrites the history of capitalist urbanization since the eighteenth century by focusing on the role of planning in struggles around social reproduction. This fresh and exciting book is an invitation to scholars, students, and practitioners in planning, architecture, and urban studies to rethink the past and the future of urbanization."—Łukasz Stanek, University of Manchester "Against the Commons is one of the most important, original, and radical contributions to planning theory and history in the past fifty years. While Álvaro Sevilla-Buitrago offers a sharply critical perspective on the project of planning under capitalism, he also provides an inspiring call for new forms of collective self-management that protect, extend, and empower the commons."—Neil Brenner, University of Chicago "Against the Commons draws attention to the sparsely studied negative agency of urban planning and capitalist urbanization in the demise of achieving improvements associated with the commons, such as collectivization of society and creation of communal space." —Environment & Urbanization "Against the Commons is a truly ground-breaking work, which both deepens our understanding of the genealogies of urban planning and opens up several avenues for discussion and critique." —Housing Studies

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Book SynopsisA fascinating new look at the artistic legacy of the Tudors, revealing the dynasty’s influence on the arts in Renaissance England and beyond Ruling successively from 1485 through 1603, the five Tudor monarchs changed England indelibly, using the visual arts to both legitimize and glorify their tumultuous rule—from Henry VII’s bloody rise to power, through Henry VIII’s breach with the Roman Catholic Church, to the reign of the “virgin queen” Elizabeth I. With incisive scholarship and sumptuous new photography, the book explores the politics and personalities of the Tudors, and how they used art in their diplomacy at home and abroad. Tudor courts were truly cosmopolitan, attracting artists and artisans from across Europe, including Hans Holbein the Younger (1497/8–1543), Jean Clouet (ca. 1485–1540), and Benedetto da Rovezzano (1474–1552). At the same time, the Tudors nurtured local talent such as Isaac Oliver (ca. 1565–1617) and Nicholas Hilliard (ca. 1547–1619) and gave rise to a distinctly English aesthetic that now defines the visual legacy of the dynasty. This book reveals the true history behind a family that has long captured the public imagination, bringing to life the extravagant and politically precarious world of the Tudors through the exquisite paintings, lush textiles, gleaming metalwork, and countless luxury objects that adorned their spectacular courts.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 10, 2022–January 8, 2023) The Cleveland Museum of Art (February 26–May 14, 2023) Fine Arts Museums of San Francisco (June 24–September 24, 2023) Trade Review“Excellent. . . . The Tudors was an immensely enjoyable exhibition and the catalogue is a gorgeous document, well written, thoroughly researched, and extensively footnoted. It will be a welcome addition to the library of any interested art lover.”—Matthew F. Reese, Anglican and Episcopal History

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Book SynopsisThe first publication on the personal and professional relationship between Manet and Degas, two giants of nineteenth-century French art Friends, rivals, and at times antagonists, Édouard Manet and Edgar Degas maintained a pictorial dialogue throughout their lives as they both worked to define the painting of modern urban life. Manet/Degas, the first book to consider their careers in parallel, investigates how their objectives overlapped, diverged, and shaped each other’s artistic choices. Enlivened by archival correspondence and records of firsthand accounts, essays by American and French scholars take a fresh look at the artists’ family relationships, literary friendships, and interconnected social and intellectual circles in Paris; explore their complex depictions of race and class; discuss their political views in the context of wars in France and the United States; compare their artistic practices; and examine how Degas built his personal collection of works by Manet after his friend’s premature death. An illustrated biographical chronology charts their intersecting lives and careers. This lavishly illustrated, in-depth study offers an opportunity to reevaluate some of the most canonical French artworks of the nineteenth century, including Manet’s Olympia, Degas’s The Absinthe Drinker, and other masterworks. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: Musée d’Orsay, Paris (March 27–July 23, 2023) The Metropolitan Museum of Art, New York (September 24, 2023–January 7, 2024)

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Book SynopsisThroughout its long history in Western art, canvas has played an influential role in the creative process. From the Renaissance development of oil painting on canvas to the present day-through Impressionism, Abstract Expressionism, and other art historical movements-the use of canvas has enhanced the scale of painting, freedom of brushwork, and spontaneity in technique. This book recounts some of that rich history in relation to corresponding developments in conservation practice. Rather than concentrating on the familiar concerns of cleaning and varnish removal, this volume considers the preservation of a painting's structure. By focusing on recent studies on the fundamental nature of canvas and its mechanisms of deterioration, the book explains new approaches to the conservation of both contemporary and historical art-including reversible, passive, and preventive treatments, particularly with respect to lining. Written by Stephen Hackney, a conservation practitioner and leader in conservation research, On Canvas is the first book to take a comprehensive look at this important subject and is destined to become an invaluable resource for the field.

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Book SynopsisArtists are makers of things. Yet it is a measure of the disembodied manner in which we generally think about artists that we rarely consider the everyday items they own. This innovative book looks at objects that once belonged to artists, revealing not only the fabric of the eighteenth-century art world in France but also unfamiliar-and sometimes unexpected-insights into the individuals who populated it, including Jean-Antoine Watteau, Francois Boucher, Jean-Baptiste Greuze, and Elisabeth Vigee-LeBrun. From the curious to the mundane, from the useful to the symbolic, these items have one thing in common: they have all been eclipsed from historical view. Some of the objects still exist, like Jean-Honore Fragonard's color box and Jacques-Louis David's table. Others survive only in paintings, such as Jean-Simeon Chardin's cistern in his Copper Drinking Fountain, or in documents, like Francois Lemoyne's sword, the instrument of his suicide. Several were literally lost, including pastelist Jean-Baptiste Perronneau's pencil case. In this fascinating book, the authors engage with fundamental historical debates about production, consumption, and sociability through the lens of material goods owned by artists

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Book SynopsisThis book traces the fascinating history of how and why ancient Mesoamerican objects have been collected. It begins with the pre-Hispanic antiquities that first entered European collections in the sixteenth century as gifts or seizures, continues through the rise of systematic collecting in Europe and the Americas during the nineteenth and twentieth centuries, and ends in 1940—the start of Europe’s art market collapse at the outbreak of World War II and the coinciding genesis of the large-scale art market for pre-Hispanic antiquities in the United States. Drawing upon archival resources and international museum collections, the contributors analyze the ways shifting patterns of collecting and taste—including how pre-Hispanic objects changed from being viewed as anthropological and scientific curiosities to collectible artworks—have shaped modern academic disciplines as well as public, private, institutional, and nationalistic attitudes toward Mesoamerican art. As many nations across the world demand the return of their cultural patrimony and ancestral heritage, it is essential to examine the historical processes, events, and actors that initially removed so many objects from their countries of origin.Table of ContentsIntroduction: The Art of Ancient Mesoamerica, Collections Forged before 1940 - Mary E. Miller From the Market to the Museum: Nineteenth-Century Circulation, Display, and Scholarly Study of Mesoamerican Artifacts in Italy and Beyond - Davide Domenici “An Idol, a Human Crane, an Incrusted Frilly Blue Mosaic Work Once Made for Magic Oracles”: Curious Things from Mexico in Early German Collections, 1525–1835 - Viola König Ciriaco González Carvajal and Archaeological Collectionism in Late Bourbon New Spain - Leonardo López Luján The Objects of History and the History of Objects - Matthew H. Robb The Chapultepec Castle Chimalli: A Habsburg-Repatriated Aztec Ocelot- Hide Shield - Laura Filloy Nadal and María Olvido Moreno Guzmán Collections and Recollections of “the Greatest of Nineteenth-Century Don Quixotes”: Maximilian I’s Imperial Legacy in the Yale Peabody Museum - Brooke Loukkala Beyond the Bazaar: The Making of the Archaeological Collection at the National Museum of Mexico - Miruna Achim National Guardians and Imperial Contenders: The Development of Mexico’s Archaeological Inspectorate - Adam T. Sellen Lost at the Exposition: The Missing Collection of the First National Museum of Guatemala - Oswaldo Chinchilla Mazariegos Casting for Quirigua: Edgar L. Hewett, the School of American Archaeology and Ancient American Research, 1907–1916 - Khristaan D. Villela Maya on the Mersey: Thomas Gann and Collecting in Early Twentieth- Century Britain - Andrew D. Turner “American Antiquities for an American Museum”: Frederick Church, Luigi Petich, and the Founding Decades of the Metropolitan Museum of Art (1870–1914) - Joanne Pillsbury World Collecting Mesoamerican Art before 1940: A New World of Latin American Antiquities Imperialist Ambitions, Black Gold, and Stone Figures: Collecting Huastec Sculptures before 1940 - Kim N. Richter Branding West Mexico: How Collectors and Dealers Reshaped the Archaeological Discourse - Christopher S. Beekman Changing Geographies of the Mesoamerican Antiquities Market circa 1940: Pierre Matisse and Earl Stendahl - Megan E. O’Neil Afterword: Object Amnesia and the Archive - Megan E. O’Neil

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Book SynopsisWhile today we are experiencing a revival of world art and the so-called global turn of art history, encounters between art historians and anthropologists remain rare. Even after a century and a half of interactions between these epistemologies, a sceptical distance prevails with respect to the disciplinary other. This volume is a timely exploration of the roots of this complex dialogue, as it emerged worldwide in the colonial and early postcolonial periods, between 1870 and 1970. Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses connections and rejections between art historians and anthropologists—often in the contested arena of “primitive art.” It presents better- and lesser-known actors, from the art historian-anthropologist Aby Warburg to the modernist Brazilian artist Tarsila do Amaral, and from curators-museum directors such as Alfred Barr and René d’Harnoncourt to the curator-impresario Leo Frobenius. Entering the current debates on decolonizing the past, this collection will prompt reflection on future relations between these two fields.Table of ContentsIntroduction - Peter Probst The Allure of Architectural Ornament: Ethnographic Art and the “Shortcomings” of Inka Stonemasonry - Carolyn Dean Anatomy of a Chronological Hallucination: The Category of Primitive Art and Élie Faure’s L’art medieval - John Warne Monroe Ethnology at the Margins of “General Art History”: The Case of Alois Hein - Priyanka Basu What Happens When Natives Draw? Theodor Koch-Grünberg and the Beginnings of World Art History - Claudia Mattos Avolese Boas and Semper: From the Biology of Images to Primitive Art - Carlo Severi Empathy with the Unknown: Reproducing “World Art” after 1900 - Joseph Imorde Fatal Attraction: Carl Einstein’s “Ethnological” Turn - Charles W. Haxthausen Pathos and Paideuma: Aby Warburg, Leo Frobenius, and the Demons of Culture - Peter Probst Ernst Vatter: A Forgotten Pioneer of Art Ethnology - Karl-Heinz Kohl The Anthropologist as Critic: Claude Lévi-Strauss - Boris Wiseman René d’Harnoncourt, Twentieth-Century Cultural Broker: Bridging Art History and Anthropology through the Display of Indigenous Art - Nancy Lutkehaus Outside and Inside Art History: Anthropologists, Art Historians, Curators, and the Recognition of Aboriginal Art - Howard Morphy Contributors Illustration Credits Index

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Book SynopsisThe powerful life story and photography of an esteemed Black photojournalist from Orangeburg, South CarolinaCecil Williams is one of the few Southern Black photojournalists of the civil rights movement. Born and raised in Orangeburg, South Carolina, Williams worked at the center of emerging twentieth-century civil rights activism in the state, and his assignments often exposed him to White violence perpetrated by law officials and ordinary citizens. Williams's story is the story of the civil rights era.Williams and award-winning journalist Claudia Smith Brinson combine forces in Injustice in Focus: The Civil Rights Photography of Cecil Williams. Together they document civil rights activism in the 1940s through the 1960s in South Carolina. Williams was there, in South Carolina, to witness and document pivotal movements such as then-NAACP legal counsel Thurgood Marshall's arrival in Charleston to argue the landmark case Briggs v. Elliott and the aftermath of the infamous Orangeburg Massacre. Featuring eighty stunning photographs accompanied by Brinson's rich research, interviews, and prose, Injustice in Focus offers a firsthand account of South Carolina's fight for civil rights and describes Williams's life behind the camera as a documentarian of the civil rights movement.

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Book SynopsisPaint sweet watercolor fantasy characters and scenes, including all skin tones and hair types. Journey to a magical fantasy land! Learn to paint fairies, mermaids, creatures, and their realms with step-by-step watercolor demonstrations. The book includes information and demos on: • Materials and basic techniques • Fairy heads, bodies, and wings • Flower fairies, snow fairies, fairy families, fairy houses, and woodland scenes • Mermaid heads, bodies, and tails • Mermaids, mermaid families, and under-the-sea scenes • Fantasy creatures, including magical owls, rabbits, seahorses, unicorns, bears, cats, and dragons

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Book SynopsisChristopher Hart, the bestselling author and expert on all things manga, brings fans and aspiring artists a brand-new collection of the most popular manga character types.Manga 100 is bursting with the most popular and fun-to-draw characters found in manga and anime, including schoolgirls and boys, humorous kids, fantasy characters, exotic animals, and other fan favorites. The step-by-step projects range from very simple faces and figures to more complex characters and scenes. Many of the characters showcase big emotions, a hallmark of manga, and eye-catching action poses. While drawing these varied and appealing characters, artists will learn important basics of drawing manga faces and bodies, expressions, poses, and even simplified backgrounds. The characters in Manga 100 include: • Essential manga characters: handsome high-school boy, cute teen girl, funny 12-year-old, master villain • Popular school characters: baffled student, tattletale, reliable friend, girl with a grudge, aloof boy • Characters with cool jobs: wedding-dress maker, helicopter pilot, emcee at a manga convention, archeologist, coffee-shop owner • Cosplay outfits: steampunk, space invader, J-pop boy band, warlock • Adorable and huggable creatures • Animal friends: endangered and unusual species • Fantasy characters: samurai girl, boy with a dragon pet, mermaid, boy android • Modern princesses

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Book SynopsisNicholas Hawksmoor (1662-1736) is considered one of Britain's greatest architects. He was involved in the grandest architectural projects of his age and today is best known for his London churches - six idiosyncratic edifices of white Portland stone that remain standing today, proud and tall in the otherwise radically changed cityscape. Until comparatively recently, however, Hawksmoor was thought to be, at best, a second-rate talent: merely Sir Christopher Wren's slightly odd apprentice, or the practically minded assistant to Sir John Vanbrugh. This book brings to life the dramatic story of Hawksmoor's resurrection from the margins of history.Charting Hawksmoor's career and the decline of his reputation, Owen Hopkins offers fresh interpretations of many of his famous works - notably his three East End churches - and shows how over their history Hawksmoor's buildings have been ignored, abused, altered, recovered and celebrated. Hopkins also charts how, as Hawksmoor returned to prominenceduring the twentieth century, his work caught the eye of observers as diverse as T. S.Eliot, James Stirling, Robert Venturi and, most famously, Peter Ackroyd, whose novel Hawksmoor (1985) popularized 12 the mythical association of his work with the occult. Meanwhile, passionate campaigns were mounted to save and restore Hawksmoor's churches, reflecting the strange hold his architecture can have over observers. There is surely no other body of work in British architectural history with the same capacity to intrigue and inspire, perplex and provoke as Hawksmoor's has done for nearly three centuries.Trade Review'A valuable new chart of Hawksmoor's potent and mysterious creations. Its originality lies in the way Owen Hopkins traces the influence of the great Baroque architect on our present moment. Written with the verve of an enthusiast and the rigour of a scholar.' - Iain Sinclair, author of London Orbital, Lights Out for the Territory, American Smoke and Lud Heat.

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Book SynopsisMany people know that Vincent van Gogh (1853-90) was a 19th-century Dutch artist, a leading light of the Post-Impressionist movement who painted 'Sunflowers' and cut off his own ear. What, perhaps, they don't know is that he sold, in his lifetime, only one of the 2,100 artworks he painted; that, in 1998, his work 'Self- Portrait Without Beard' sold for $71.5 million; that he wrote over 800 letters; and that he sent that famous ear wrapped in brown paper to a brothel. Biographic: Van Gogh presents an instant impression of his life and work, with an array of irresistible facts and figures converted into infographics to reveal the artist behind the pictures.

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Book SynopsisWe all need a creative space: a blank canvas where we can doodle our masterpieces; a white page where we can jot down our innermost thoughts; a secret place where we can unleash our wildest imaginings and let them roam free for a while. And what could be finer than finding that creative space populated by flights of fancy that help stir those very doodles, scribbles and imaginings? The Creative Space Journal is a journal through 100 art projects, offering prompts and projects, sparks and nudges, ideas and inspirations for activities to reflect, enhance or change your mood. Its pages present beautifully illustrated exercises designed to add some art and mischief to your world, and to make your life more imaginative and inventive. They are surrounded by frames and spaces, lines and bullets, where you can record your adventures. The journal provides a safe place where you can retreat and allow your creativity to flourish. Organised to reflect your head space - Happy, Sad, Angry, Relaxed, Playful, Bored, Wired or Sleepy - it's the perfect companion to dip in and out of, explore by mood or fill with your creativity from cover to cover. Travel into your creative space, and create a journal that is uniquely yours.

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Book SynopsisThe Biographic series presents an entirely new way of looking at the lives of the world's greatest thinkers and creatives. It takes the 50 defining facts, dates, thoughts, habits and achievements of each subject, and uses infographics to convey all of them in vivid snapshots. Many people know that Christian Dior (1905-1957) was a French fashion designer, the founder of the world famous fashion house that carries his name. What, perhaps, they don't know is that he once owned a small art gallery selling work by artists including Pablo Picasso; that he employed a young Yves Saint Laurent as his assistant; that he included a garment in each of his shows named after his home town of Granville; and that he had a superstitious belief in the number 8, with the house of Dior being housed over 8 workshops in an 8-storey building in the 8th district of Paris. Biographic: Dior presents a visual catwalk through his life and work, with an array of irresistible facts and figures converted into infographics to reveal the genius behind the garments.

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Book SynopsisThe Landscape Photography Workshop is a comprehensive guide from two leading photographers to taking awe-inspiring landscape shots. Two of the UK's leading landscape photographers come together to share their wealth of experience and teaching skills in this new title. The Landscape Photography Workshop aims to take the reader from the very basics of equipment and exposure through to advanced techniques. Landscape essentials, such as composition and filtration, are covered in depth and explained in a precise yet easy-to-understand manner. This book also has chapters dedicated to post-processing and printing, enabling the reader to go successfully from camera to print, plus practical assignments to encourage development. Revised edition – updated photography and equipment information Bestselling original book has sold over 35,000 units Written by two of the UK’s leading landscape photographers Expert advice covering the entire process, from choosing your equipment to post-processing Helpful instructions to exposure, composition, lighting and filtration Guidance on shooting different landscapes, including woodlands, hills and mountains, coastal scenes and rural vistas Trade ReviewIf you’re after an all-round guide to landscape photography, look no further than Mark Bauer and Ross Hoddinott’s comprehensive guide. Designed as a workshop in a book, it was first released in 2012 and has been updated for 2023 with new images and the latest technical and gear advice. It covers everything from equipment, exposure settings and camera set-up to landscape essentials such as composition and filtration. It also has chapters dedicated to post-processing and printing, plus a number of practical assignments to help you raise your game. * Outdoor Photography magazine *Table of ContentsIntroduction 6 Chapter One > Equipment 8 The digital SLR 10 Lenses 12 Lenses for landscape photography 14 Camera supports 16 Accessories 18 Camera care 20 Chapter Two > Exposure 22 Exposure 24 Aperture 26 Shutter speed 28 Depth of field 30 Exposure modes 32 Histograms 34 White balance 36 Chapter Three > Composition 38 Rules of composition 40 Balance and harmony 43 Symmetry 46 Creating depth 48 Other compositional tricks 51 Breaking the rules 53 Chapter Four > Lighting 56 Direction of light 58 Quality of light 60 Shooting at dawn and sunrise 64 Shooting at sunset and dusk 67 Colour theory 70 Chapter Five > Filtration 72 Filter systems 74 Polarizing filters 76 Neutral density filters 79 Graduated neutral density filters 81 Extreme neutral density filters 83 Skylight and UV filters 86 Chapter Six > Types of Landscape 88 Coastal 90 Rural 93 Mountains, hills and moorland 96 Woodland 98 Water in the landscape 101 Buildings within the landscape 104 Chapter Seven > Advanced Technique 106 Hyperfocal distance 108 Maximizing image sharpness 110 Exposing to the right 112 Visualizing black and white 114 Exposure blending 116 Low-light photography 118 Chapter Eight > Post-processing 120 FILE FORMATS 122 Processing a Raw file part 1 124 Processing a Raw file part 2 126 Processing ‘exposed to the right’ images 128 Exposure blending tutorials 130 Processing black and white images 134 Stitched panoramics 136 Chapter Nine > Printing 138 Printer types 140 Calibration 142 Resolution 144 Paper types 146 Printing your landscape 148 Chapter Ten > Creative Assignments 152 Exposure 154 Breaking the rules 156 Filtration 158 Great images in poor weather 160 Finding order in chaos 162 Simplicity and minimalism 164 Frequently asked questions 166 Glossary 170 Useful websites and downloads 172 About the authors 173 Index 174

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Book SynopsisIf you like the natural, rustic look in your home and want to make furniture and home accessories to suit, then look no further: this comprehensive, step-by-step guide tells you all you need to know to make a range of stunning pieces for inside and out using wood sourced from pallets. Pallet wood is versatile, great to work with, readily available, doesn't break the bank and lends itself to a myriad of projects. The 20 projects within this book are achievable for complete DIY novices – all that's required is a few basic tools, some pallet wood and a bit of free time to work through the steps. You'll be amazed at what you can create from so few materials in such little time. Concise step-by-step instructions and clear photographs guide you from start to finish. There's also plenty of advice on sourcing pallet wood, including for free, instructions on how to dismantle pallets safely and easily, plus a tools and other materials section to make sure you have everything you need to hand. It couldn't be simpler! AUTHOR: Emma Basden spent the early part of her career working in property and has always had a good eye for what makes a home desirable and unique. She has worked for the BBC as a presenter of various property programmes and now owns a boutique B&B in Sussex and runs a weddings and events business. Emma has poured her creative flair into these ventures and can be often found making unusual and beautiful things out of pallet wood to decorate her stylish guest accommodation or as wonderful, inexpensive props for weddings and events. SALES POINTS: . 20 step-by-step projects for indoor and outdoor pieces . Pallet DIY is an environmentally-friendly, inexpensive and trendy craft . Projects are suitable for DIY novices, using simple tools and techniques . Projects include: garden corner sofa, boot rack, coffee table, children's teepee, bed headboard, mirror, dog bed and decorative star 230 colour photographs

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Book SynopsisPhotography and Korea is the first history of Korean photography for a Western readership. The book moves from the late nineteenth century, when Korean travellers brought Western photographic technology home from China, through to modern times. Jeehey Kim presents multiple visions of the country, including the divided North and South Korea as imagined through foreign eyes, Korean diasporas, important Korean artists, and local professional and vernacular photographers. Kim also addresses studio and institutional practices during the Japanese colonial period, how photography is interwoven with Korean political and cultural history, and the divergence of practices after the division of Korea. Featuring numerous striking images, this book is essential reading for all who are interested in the history of photography in Korea.

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Book SynopsisA new insight into celebrated artist, naturalist and author John James Audubon.

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Book SynopsisThis beautifully illustrated book invites readers to explore over fifty iconic University libraries dating from the thirteenth to the twenty-first centuries.

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Book SynopsisMaría Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody's muse.Did Félix really bring baby crocodiles to the Cartier boutique to request lifelike copies in a necklace? The story may be apocryphal, but it perfectly encapsulates her powerful, independent and unconventional persona. This book first examines Félix's life and work, reviewing her films and acting style and considering what they say about gender norms and a woman's place on screen. It then turns to her role as curator and benefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.

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Book SynopsisThe self-portrait of Baccio Bandinelli in the Isabella Stewart Gardner Museum, Boston, shows the scupltor pointing not to a work of marble or bronze, but to a drawing. Bandinelli was particularly proud of his skills as a draughtsman, and he was prolific in his production of works on paper. This set him apart from contemporaries in his profession; many Renaissance sculptors left us no drawings at all. Accompanying an exhibition at the Gardner Museum, this publication will put Bandinelli's portrait in context by looking at the practice of drawing by scupltors from the Renaissance to the Baroque in Central Italy. A focus of the book will be Bandinelli's own drawings and the development of his practice across his career and his experimentation with different media. Bandinelli's drawings will be compared with those of Michelangelo and Cellini. The broader question considered, however, is when, how, and why scupltors drew. EVery Renaissance sculptor who set out to make a work in metal or stone would first have made a series of preparatory models in wax, clay, and/or stucco. Drawing was not an essential practice for sculptors in teh way it was for painters, and indeed, most surviving sculptors' drawings are not preparatory studies for works they subsequently executed in three dimensions. By comparing bot rough sketches and more finished drawings with related three-dimensional works by the same artists, the importance of drawing for various individual sculptors will be examined. When sculptors did draw, it often indicated something about the artist's training or about his ambitions. Among the most accomplished draftsmen were artists like Pollaiuolo, Verrocchio, and Cellini, who had come to sculpture by way of goldsmithery, a profession that required profieciency in ornamental design. Artists who soought to become architects, meanwhile - the likes of Michelangelo, Giambologna, and Ammanati - similarly needed to learn to draw, since architects had to provide plans, elevations, and other drawings to assistants and clients and had to imagine the place of individual figures within a larger multi-media ensemble. Certain kinds of projects, moreover - fountains and tombs, for example - required drawings to a degree that others did not. Sections on the Renaissance goldsmith-sculptor and sculptor-architect will allow comparison of the place drawing had in various artists' careers. Beginning with a chapter dedicated to the importance of draftsmanship in the education of sculptors, showing works by Finiguerra, Cellini Bandinelli, and Giambologna, the book will be split up into chapters dealing with the various challenges scupltors faced while drawing objects in the round, reliefs, and architectural structures. A central section will focus on Bandinelli, demonstrating the importance drawing held for him while he was preparing sculptures and as an independent token of his artistry.

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Book SynopsisA major new history of architecture in Britain and Ireland that looks at buildings and their construction in detail while revealing the cultural, material, political, and economic contexts that made them Architecture in Britain and Ireland, 1530–1830 presents a comprehensive history of architecture in Britain during this three-hundred-year period. Drawing on the most important advances in architectural history in the last seventy years, ranging across cultural, material, political, and economic contexts, this book also encompasses architecture in Ireland and includes substantial commentary on the buildings of Scotland and Wales. Across three chronological sections: 1530–1660, 1660–1760, and 1760–1830, this volume explores how architectural culture evolved from a subject carried solely in the minds and skills of craftsmen to being embodied in books and documents and with new professions—architects, surveyors and engineers—in charge. With chapters dedicated to towns and cities, landscape, infrastructure, military architecture, and industrial architecture, and beautifully illustrated with new photography, detailed graphics, and a wealth of historic images, Architecture in Britain and Ireland, 1530–1830 is an invaluable resource for students, historians, and anyone with an interest in the architecture of this period, and promises to become a definitive work of scholarship in the field.Trade Review“Like J M Richards all those decades ago, I can confidently predict that this will be the standard textbook for many years to come.”—William Whyte, Literary Review"This major new publication looks set to enter the canon of architectural history... filled with countless enlightening details and illustrated examples that any interested reader will enjoy" —House and Garden

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Book SynopsisGriselda Pollock reintroduces an important feminist forerunner in this new, full-colour setting of Helen Rosenau’s 1944 book Woman in Art Helen Rosenau (1900–1984) was part of the influential migration of European Jewish intellectuals who fled to Britain and the United States during the 1930s, bringing with them exciting innovations in art history’s methods. Only Rosenau, however, centred gender in her analysis. The result—her book Woman in Art: From Type to Personality—is a feminist art-historical project, as relevant today as when it was first published in 1944, in which Rosenau drew on contemporary discussions of gender in anthropology, philosophy, sociology, law, theology, history, and literature. In this new volume, ahead of the eightieth anniversary of its original publication, Rosenau’s erudite and accessible text is prefaced with a personal memoir by Adrian Rifkin, who was once her student, new research into the refugee experience by Rachel Dickson, and a portrait of Rosenau as feminist intellectual by Griselda Pollock. In conversation with this new setting of the original text, richly illustrated with colour images, Pollock offers eye-opening new readings of key aspects of Rosenau’s methods, concepts, arguments, and interpretations of famous artworks, establishing the place of Rosenau’s “little book of 1944” in the historiographies of both feminist thought and cutting-edge art history across two centuries. A digital facsimile of Woman in Art (1944) can be found on the Internet Archive (archive.org)

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Book SynopsisArchitecture is a constant presence in the study of human interaction—acting as both the ground on which human social behavior is performed and a means of shaping subjectivity itself. Proxemics was an attempt to visualize and instrumentalize these dynamics, appealing to both the social sciences and the emerging field of environmental design. Founded by anthropologist Edward T. Hall and taking shape between the departments of architecture and anthropology at the Illinois Institute of Technology, proxemics developed amidst cold war political tensions and intense social and civil unrest. Proxemics and the Architecture of Social Interaction presents selections from Hall’s extensive archive of visual materials alongside a critical analysis that traces transformations in the fields of design and science. Together these materials illuminate a moment in American history when new spatial practices arose to challenge the environmental conditions of cultural, political, and racial identity.

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Book SynopsisHeritage occupies a privileged position within the built environment. Most municipalities in the United States, and nearly all countries around the world, have laws and policies to preserve heritage in situ, seeking to protect places from physical loss and the forces of change. That privilege, however, is increasingly being unsettled by the legacies of racial, economic, and social injustice in both the built environment and historic preservation policy, and by the compounding climate crisis. Though many heritage projects and practitioners are confronting injustice and climate in innovative ways, systemic change requires looking beyond the formal and material dimensions of place and to the processes and outcomes of preservation policy—operationalized through laws and guidelines, regulatory processes, and institutions—across time and socio-geographic scales, and in relation to the publics they are intended to serve. This third volume in the Issues in Preservation Policy series examines historic preservation as an enterprise of ideas, methods, institutions, and practices that must reorient toward a new horizon, one in which equity and sustainability become critical guideposts for policy evolution.With contributions from Lisa T. Alexander, Louise Bedsworth, Ken Bernstein, Robin Bronen, Sara C. Bronin, Shreya Ghoshal, Scott Goodwin, Claudia Guerra, Victoria Herrmann, James B. Lindberg, Randall Mason, Jennifer Minner, David Moore, Marcy Rockman, Stephanie Ryberg-Webster, A.R. Siders, Amanda L. Webb, and Vicki Weiner.

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Book SynopsisLaura Brouwers--widely known as Instagram sensation @Cyarine--has created her first book to share with her fans and aspiring artists. In Expedition Sketchbook: Inspiration and Skills for Your Artistic Journey, Laura takes readers through techniques that build better a better artist. In a fun and easy-to-follow manner, each page is full of inspiration to help every reader improve their own art. Expedition Sketchbook includes: - All forms of sketches, drawings, and doodles - Practice drills to sharpen technique - Projects and challenges to hone skills - Tips to cultivate your own personal style - Guides for use of materials Laura's personal story is one of triumph and perseverance. At a young age, she was diagnosed with Asperger's and autism, and told she would likely never be able to live on her own or find success in a professional career. Years of hard work, determination, and dedication to her craft has proven the opposite. In Expedition Sketchbook, Laura shares her challenges and all she has overcome to become the influencer and artistic phenomenon she is today.

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Book SynopsisFrom logos of some of the most common American brands, to film posters and opening-credit sequences, to the architectural design of one of the most seemingly mundane retail spaces in American life, Saul Bass's work and that which he inspired is all around us. In Thinking Made Visible: Movement, Narrative, and the Work of Saul Bass, Jacob Dickerson focuses primarily on Bass's poster designs for films such as The Man with the Golden Arm and corporations like AT&T. Dickerson also examines Bass's original documentary films on innovation and solar power as well as his designs for Exxon and BP service stations. The emphasis is on Bass's consistent use of motifs such as images of hands and suns, arguing for a hopeful and humanitarian interpretation of his work. Dickerson also explores the role of space-both visual and physical-and how Bass created a sense of motion to tell stories even within a single still image.

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Book SynopsisIn 1919, the state art school in Weimar was reopened under the direction of Walter Gropius, with a radical teaching approach and under the new name Bauhaus. Four years passed before the first exhibition took place, which conveyed a new approach to art to the enthusiastic public and carried the school’s ideas all over the world. The catalogue Staatliches Bauhaus in Weimar 1919–1923 was published in 1923 to accompany this first public appearance. In this interdisciplinary oeuvre catalogue, the idea and potential of the Bauhaus found their way onto paper for the first time. In addition to numerous project presentations, the theoretical approaches of Paul Klee, Wassily Kandinsky, and Gertrud Grunow convey the teaching methods of the various workshops. Gropius’ preface traces the structure of the State Bauhaus and presents the unique reformation approach that demands and teaches the unity of technology and art. The illustrations from the various workshops also show projects by students whose connection to the Bauhaus is less known. With the original layout by László Moholy-Nagy and the cover designed by Herbert Bayer, the book is an important testimony to that legendary avant-garde movement. This facsimile is supplemented by a commentary that places this publication, rare and long out of print, in a historical context and documents the Bauhaus from its idea to its establishment as a renowned art and design school. The German facsimile is accompanied by the first full English translation of the catalogue, making it accessible to an international audience.

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Book SynopsisFashion is one of the defining features of human evolution and culture. Spanning from the first civilizations to today’s most recent trends, this enlarged and updated edition of our bestseller analyses the importance and meaning of fashion via an in-depth approach and a rich selection of illustrations and photographs. It contains interpretative sketches and drawings of the clothes that are featured in paintings and works of art to provide an overall perspective on and a comprehensive understanding of fashion. The lavish visuals, which many other titles in this field lack, truly bring the clothes and fashion accessories to life. In this book, the reader will discover the beauty and mystery of fashion throughout the ages, the roles it has played in society and the creativity and inventive power it has held throughout history.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThis exquisite photo collection showcases awe-inducing moments from around the world, including stunning sights such as the aurora borealis, cities made of neon lights, a great wildebeest migration, a contortionist on display--and more.      In life, there are certain events that are as beautiful as they are unforgettable--from a majestic desert standstorm to the secrets of a deep blue ice cave to the world's largest library. These rarely seen moments shock us in their diversity, their complexity, and their epic scale, bringing us the miraculous beauty of our planet. Featuring more than 200 color images from acclaimed National Geographic photographers, this volume presents a dazzling array of natural wonders, unusual phenomena, and amusing curiosities. Each page will enlighten and inspire, presenting our world.Trade Review“Can we still be awed by pictures, in a world in which everyone with a cellphone is a documentarian? NatGeo again makes the case that the best photographers have something new and, yes, awe-inspiring to show us.” –USATODAY.com "National Geographic has been known for publishing breathtaking photos for 130 years. Now it has put together 200 of its most spectacular images in a collection chosen by the organization's editors.The photos depict an array of marvels ranging from a shark feeding frenzy in the depths of the ocean to the blue blaze of burning sulfur to lava during a volcano eruption." –USA Today"It was common for me to turn the page and be completely blown away." –Doingdeweydecimal.com“How in the name of Christmas are you going to surprise and delight your friends and family with fun and festive gifts they’ll remember forever? …a breathtaking collection of inspiring photographs curated by National Geographic editors…features more than 200 astounding photographs depicting an array of marvels.” –Travel by Entree “Wow National Geographic has done it again. Another awesome book chock full of beautiful photographs capturing nature, cities, and people. It is simply breathtaking.” –A Bookish Way of Life “There are no words to describe the gorgeous images showcased in this book.” –What is That Book About “This book is the perfect reminder of just how awe-inspiring the world we live in and the people who live in it can be.” –Thoughts from a Highly Caffeinated Mind“WOW. That’s it. Nothing more need be written.” –Broken Teepee “The photographs are so fantastic on their own, that it will be hard to tear your eyes away from them.” –Books are My Thing

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Book SynopsisThis powerful photography collection drawn from the celebrated National Geographic archive celebrates the lives of women from around the globe, accompanied by revelatory new interviews and portraits of contemporary trailblazers including Oprah Winfrey, Jane Goodall, and Christiane Amanpour. #MeToo. #GirlBoss. Time's Up. From Silicon Valley to politics and beyond, women are reshaping our world. Now, in anticipation of the 100th anniversary of the 19th amendment, this bold and inspiring book from National Geographic mines 130 years of photography to showcase their past, their present, and their future. With 300+ stunning images from more than 50 countries, each page of this glorious book offers compelling testimony about what it means to be female, from historic suffragettes to the haunting, green-eyed 'Afghan girl.' Organized around chapter themes like grit, compassion, and joy, the book featuresTrade Review“My initial expectation was that I would read through this book and see famous women spanning time and the globe. In reality, I saw the average woman spanning time and the globe. Some images I recognized from National Geographic, mostly they were new to me and drew me in. These images are exquisite and the layout was perfect. The images depict women in different stages of their lives, the compilation of images and interviews comes across as inspiring and powerful. ⭐⭐⭐⭐⭐” –Instagram: @crystals_library “…a brilliant look at women around the world, across the ages, in photos taken by the most creative photographers. It's a book to savor, and each time you open it up, you see something new that captures your attention.” –Bookchickdi “I’ve never met a National Geographic book I didn’t like, and this one is no different. This collection of stunning photography also includes interviews with many of the influential women pictured. In one word: BEAUTIFUL!” –Literary Quicksand “It's just an amazing collection of images and stories, it's inspirational from the first to the last page, every step of the way.” –Stranded in Chaos “It is so special, memorable, and inspiring, and my adjectives don’t express well enough all the feelings this book induces. The photographs are as stunning as you expect from National Geographic. There are also interviews that will take your breath away. Varied cultures are represented, including some of the iconic photos you may have seen before in Nat Geo’s vast collection. I am completely smitten and overwhelmed with and by this book.” –Jennifer – Tar Heel Reader “This collection provides a unique perspective on history by displaying herstory in raw and vivid detail, in a way only photographs can. You get the privilege of seeing a split second in the lives of these women, but the photos evoke much more than a mere sliver of their stories. The power of these pictures is in the resonating quality. The way they linger inside your brain until you begin to imagine the things that came before and after they were taken.” –Amy’s Book-et List “There are photographs that made me smile and those that made me catch my breath and made me tear up and feel strong emotion. From the fanciful to the gritty, all aspects of women are captured.” –Kahakai Kitchen Oh my, gorgeousness!...beyond stunning. I fell in so deep with this beautiful tome chock full of images of women from all over the world. These photographs captured so much emotion, history, and livelihood - they were brilliant.” –A Bookish Way of Life “It’s a celebration and a gorgeous book to spend time reading through slowly, well worth checking out.” –Instagram: @sixminutesforme

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Book SynopsisA glorious new volume of Sartore’s signature animal portraits, this time highlighting the fascinating shapes, patterns, and expressions of animals both familiar and little known. Joel Sartore, on a mission to photograph all the animal species in human care, now delights us with more photographs, this time selected to represent the amazing diversity of the world’s animals. The book’s four chapters -- Pattern, Shape, Extra, and Personality -- invite us to revel in these photographs, many cleverly paired into amusing and often surprising comparisons, like the catfish and the mouse with the same stripes down their backs, the tarantula and the poison dart frog both cobalt blue, or the tiny lizard and the weighty ox both sporting pointed horns. Each photograph gets its own page or two-page spread. Scientifically accurate captions highlight distinctive features. Throughout, Sartore recalls telling moments from his

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Book SynopsisZentangle[registered] is an easy-to-learn method of pattern drawing that reduces stress while promoting creativity. This book will introduce readers to the basic theory of Zentangle and provide instructions for drawing over 100 tangle patterns from such Certified Zentangle Teachers as Suzanne McNeill, Sandy Steen Bartholomew and Marie Browning. This beautiful book is filled with examples of Zentangle drawings as well as other art projects and compelling stories from those who have improved their well-being through Zentangle.Trade ReviewThis book may change your life. Zentangle is the newest craze to hit the crafting world. This easy-to-learn, relaxing, and fun illustration technique is a great way to create beautiful images by drawing structured patterns. It's easy to learn and, after doing a few Zentangle pieces, you'll begin to notice the world around you in a different way-it will seem brighter, more colorful, more in focus. You'll also master illustration techniques that you never thought possible. Traditional Zentangle designs are done in black ink on a white square tile of paper. A simple pattern can be broken down into several small sections and each section contains a different doodle or illustration. There is no right or wrong when creating a Zentangle design, just relax and let yourself go! There are also several ways to use Zentangle, as outlined in Joy of Zentangle. You could use it to decorate your home, create beautiful backgrounds for scrapbooks and cards, or simply decorate a margin of a business memo as you sit in your morning meeting. Joy of Zentangle makes jumping into this addicting illustration technique easy and fun. With step-by-step full color photographs and detailed written instructions, this is a great guide for those who are new to or curious to learn more about this addicting hobby. Reviewed by Melissa ConnerJoy of Zentangle an EXCELLENT choice for the beginning Tangler to start on their Zentangle Journey with well crafted how-to steps, excellent pictures, inspirational stories and beautiful examples. All you need is pen, paper, and this book book to get you started on your Zentangle journey. Certified Zentangle Teachers: Suzanne McNeill, Sandy Steen Bartholomew and Maria Browning have authored most of the first 6 Zentangle books. Now the best of the best from these books and a few new tangles have been added to this Overview edition. Find 101+ tangles in one place. The differences between the small books 16-20 pagse and this book and this 160 page book is the high presentation quality. The photography is very nice and most of the pages are dedicated to a single tangle with how-to steps and inspiration concepts or thought to give futher understanding to the Joy that Zentangle has brought to many lives. Additional info is included to offer the new budding artist exploring Zentangle an understanding what focus means to cultivating creativity, stress reduction and relaxation. Ideas for working with 3-D object, Zendala / Mandalas, and much more are included. -- Sharla R. Hicks CZT, Soft Expressions

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Book SynopsisMaster the challenges of drawing on location with this collection of insider know-how and expert tips and techniques. Illustrator, architect, and international workshop instructor and Urban Sketcher Stephanie Bower has collected 101 of her best insider drawing tips, hacks, and techniques and shares them in this fully illustrated, portable book. Learn shortcuts to getting your perspective right, determining your composition, and balancing your light and shadow. This book collects many basic drawing techniques into one handy volume: How to draw a great line Using ellipses to draw arches How towers are like wedding cakes The importance of your eye level line in sketching and 97 things more! The book also features beautiful example illustrations from Urban Sketchers around the globe! Whether you are new to sketching or are an experienced artist, this book is chock-full of useful, practical, and clever tips to take your drawing to the next level. The Urban Sketching Handbook series offers location artists expert instruction on creative techniques, on-location tips and advice, and an abundance of visual inspiration. These handy references come in a compact, easy-to-carry format—perfect to toss in your backpack or artist’s tote.Table of ContentsCONTENTS About This Series 4 Introduction 7 KEYS On Your Mark, Get Set. 9 It All Starts with a Good Line 7 The Values of Tone 31 Compelling Compositions 41 Good Bones. 55 It’s All About Your Eye Level 65 Towers Are Like Wedding Cakes (& Other Ah-Ha Moments) 77 C’mon in, the Water Is Fine 91 Challenges 110 Contributors 111 Acknowledgments 112 About the Author 112

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Book SynopsisThis beautifully illustrated book is the first practical step-by-step guide to using coloured pencils in botanical painting and is written by Ann Swan, one of the top exponents of the genre.Water-soluble and oil-based coloured pencils are becoming increasingly popular for botanical painting as they are easier to use than traditional watercolour and are more forgiving, yet they produce the same stunning effects. They are especially suitable for the accuracy needed to paint in the botanical style of illustration.In this book Ann Swan gives helpful advice on all aspects of working with coloured pencils, including the techniques you will have to master underpainting, layering and burnishing. She also demontrates how to mix and build up colour, and how to add those finishing touches that will complete your painting successfully.Several full step-by-step demonstrations are included to show how these techniques are put into practice. The book concludes with a gallery of coloured pencil worksTrade Review‘… a beautiful book… Richly illustrated with impressive examples by the author… The vibrant artworks that result are rich in accurate botanical information.’ – The GardenTable of ContentsThe first book on using coloured pencils for botanical painting Huge increase in the popularity of both water-soluble and oil-based coloured pencils as they are easier to use than watercolour Author is a member of the prestigious Society of Botanical Artists and has a popular following in the UK and the US.

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Book SynopsisIn Cute Chibi Animals, popular Instagram artist Phoebe Im (@bobblejot) teaches you the art of chibi, step by adorable step. Learn how to master this popular anime and manga drawing style with this book that focuses on drawing 75 animals, including an anteater, chinchilla, manatee, dolphin, sloth, axolotl, pangolin, owl, narwhal, and much more. Chibi is Japanese slang for “short,” and the characters in Cute Chibi Animals live up to this description with their cute roly-poly bodies that make them extremely lovable and huggable. Learn how to draw adorable: Mammals Birds Fish Reptiles Amphibians Along with the step-by-step tutorials, Phoebe shares her tips and tricks for drawing the animals with either pen and pencil or digitally; coloring, shading, and highlighting your characters; and giving them accessories for added cuteness. There are also coloring pages in the back of the book for some extra fun. So, get out your drawing supplies and start creating your animal kingdom!Trade Review"Without a doubt Cute Chibi Animals will take pride of place on many bookshelves." * Sequential Tart *Table of ContentsHello! What Is Chibi? How to Use This Book Tools Tips and TricksLand Mammals Alpaca, Anteater, Arctic Fox, Bat, Bear, Boar, Chinchilla, Cat, Cow, Deer, Dog, Elephant, Ferret, Fox, Giant Panda, Giraffe, Goat, Hamster, Hedgehog, Horse, Kangaroo, Koala, Lion, Monkey, Mouse, Pig, Pangolin, Rabbit, Reindeer, Raccoon, Ram, Red Panda, Rhinoceros, Skunk, Sloth, Zebra, Squirrel, Tiger, WolfAquatic & Semi Aquatic Mammals Beaver, Dolphin, Hippopotamus, Manatee, Moose, Narwhal, Orca, Otter, Platypus, Seal, WhaleBirds Chicken, Cockatiel, Duck, Kiwi, Ostrich, Owl, Peacock, Penguin, Swan, ToucanAmphibians, Fish, Reptiles & More Alligator, Axolotl, Bee, Chameleon, Crab, Frog, Jellyfish, Manta Ray, Octopus, Seahorse, Shark, Snail, Snake, Turtle, Whale Shark

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Book SynopsisAn essential guide to the techniques of making and using slips. In this book, explore the many techniques for making and using slips - liquid clay which can be used for decoration on its own or covered with glaze - such as brushing, dipping, trailing and sgraffito amongst others. You can also find out how to make up slips and use them at higher temperatures, both with and without glazes. As well as examples of techniques, discover what can be achieved with many images of beautiful finished pieces from contemporary potters, and find inspiration through illustrations of potters in action, showing their own personal styles and how they have adapted traditional methods to suit their work today in a modern context.Trade ReviewFascinating and informative. * Craftsman Magazine (July 2010) *Whether you have never used slips before, use them occasionally, or have considered branching out to include slip decoration in your work, this book is for you. Take my advice; get this book * Clay Times (Summer 2010) *Excellent photographs, easy to read. A useful book for those wishing to develop their knowledge on modern day slip methods. * Kent Potters Association newsletter (August/September 2010) *Table of ContentsAcknowledgements Introduction 1. A Selected History of Using Slips 2. Application Techniques 3. Mixing Slips 4. Colour in Slips 5. Using Slips Without a Glaze 6. Slips and Raku 7. Slips with Glaze at Earthenware Temperatures 8. Slips with Stoneware and Porcelain 9. Slips with Salt and Soda Glazing Glossary Health & Safety Websites Bibliography Suppliers Index

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Book SynopsisTracing a career of more than thirty years, this celebration of the prodigiously talented Dutch photographer includes vibrantly colored portraiture, landscapes, still lifes, abstract compositions and fashion editorials. From her early African-inspired work to her more recent experiments in interventionist techniques, Viviane Sassen has gained international acclaim for her striking, dynamic images that explore a range of themes and subjects-from identity, gender, and the body, to race, fashion, and the environment. This retrospective book brings together both well- and lesser-known works and includes pieces from her recent series, "Paint Studies," in which early photographs are reimagined with ink and painterly marks, and "Venus and Mercury", a collection of exquisite photomontages based on the history of the Palace of Versailles. An introductory essay and interview with the artist combine with additional illuminating texts to make this the definitive overview of an important and ever-evolving photographer.

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Book SynopsisPerspective is a discipline often set aside when it comes to general art study, though it is essential to master in order to produce any piece of art that is and feels realistic. Framed Perspective 1 equips artists with the technical knowledge needed to produce successful visual storytelling-related drawings: from understanding the basics of the space around us and how we perceive it, all the way to more sophisticated endeavors, like creating entire locations that will become the believable set ups our characters and stories will happen within. As intimidating as perspective may seem, best-selling author and artist Marcos Mateu-Mestre delivers each lesson in an accessible and informative way that takes the mystery out of achieving successful scenes. The book includes extensive step-by-step practical explanations of how to build objects and environments of all sorts, taking that first sketch to a fully rendered artwork with many of his finished illustrations as examples. Sure to be the most popular book in your art library, it will train you to see the world in a way that allows you to enjoy every curve and slope you see in it and, more importantly, translate that vision into art with accuracy and a great sense and understanding of depth and proportion. Your perspective will never be the same!

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