Art & Photography Books

Book SynopsisJari Silomäki’s Atlas of Emotions is the result of an elaborate research process. For this, the artist—who is primarily known as a photographer—studied the stories of people who actively participate in digital discussion forums. Who are the people who hide behind alter ego names on digital platforms? Silomäki researched their backgrounds—also to find out how sometimes bizarre opinions are formed in the first place. He compiled his research in a manuscript and had actors reenact this fusion of imagination and reality in his studio, interpreting the scenes and domestic environments.

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Book SynopsisThe works of Christo and Jeanne-Claude are monuments of transience. Gigantic in scale, they are always temporary, created to exist only for a limited time and to leave unique, unrepeatable impressions. “From the smallest of the Packages made in Paris in the early 1960s, to the delicate pattern of hundreds of branches embraced by a translucent fabric veil... in Christo and Jeanne-Claude’s works there is nothing abstract, nothing imagined; it is all there—corporeal and tangible.” (Lorenza Giovanelli) Part biography, part critical analysis, part catalogue, this updated edition brings back TASCHEN’s best-selling Collector’s Edition. It spans Christo and Jeanne-Claude’s entire work, from early drawings and family photos to plans for future projects. Hundreds of photographs and original works trace the couple’s projects from the past 10 years, including The Floating Piers and The London Mastaba, as well as works in progress such as The Mastaba, Project for the United Arab Emirates and L’Arc de Triomphe Wrapped, Paris. Together with the comprehensive photographic documentation by Wolfgang Volz this book is a celebration of the work of two artists whose imagination has affected the landscape of every continent.Trade Review“The Christo Monument.” * FigaroScope *“Each project is like a slice of our lives, part of something that I will never forget.” * Christo *“Each project is like a slice of our lives, part of something that I will never forget.” * Christo *

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Book Synopsis“If you can’t explain it simply, you don’t understand it well enough.” —Albert Einstein Our everyday lives are filled with a massive flow of information that we must interpret in order to understand the world we live in. Considering the complex variety of data floating around us, sometimes the best—or even only—way to communicate is visually. This unique book presents a fascinating perspective on the subject, highlighting the work of the masters of the profession, creators of breakthroughs that have changed the way we communicate. Information Graphics has been conceived and designed not just for graphics professionals, but for anyone interested in the history and practice of communicating visually. The in-depth introductory section, illustrated with over 60 images (each accompanied by an explanatory caption), features essays by Sandra Rendgen, Paolo Ciuccarelli, Richard Saul Wurman, and Simon Rogers. Looking back all the way to primitive cave paintings as a means of communication, this section gives readers an excellent overview of the subject. The second part of the book is entirely dedicated to contemporary works by today’s most renowned professionals, presenting 200 graphics projects, with over 400 examples—each with a fact sheet and an explanation of methods and objectives—divided into chapters by the topics Location, Time, Category, and Hierarchy. Includes: 200 projects and over 400 examples of contemporary information graphics from all over the world—ranging from journalism to art, government, education, business and much more Four essays about the development of information graphics since its beginnings

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Book SynopsisThis book explores the transformative impact of AI on architectural design, examining its integration in education and practice, and presenting case studies and guidelines on leveraging AI for creative and efficient design processes.

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Book SynopsisSend valentines full of sugar, spice, and everything nice (and possibly Chemical X™) with these deluxe super valentines inspired by The Powerpuff Girls™. Make sure all your friends have an X-tra special Valentine’s Day with this awesome set of The Powerpuff Girls™ Valentines! 28 CARDS AND ENVELOPES: With seven each of four unique card designs, coordinating envelopes, and exclusive The Powerpuff Girls™ temporary tattoos, this set contains everything you need to save both Townsville™ and Valentine’s Day. GLITTER TATTOOS: Apply one of the temporary glitter tattoos to sparkle and shine just as bright as Blossom™, Buttercup™, and Bubbles™. ADD TO YOUR COLLECTION: Add more fun super valentines from Insight Editions to your collection with Harry Potter: Honeydukes Scratch & Sniff Sticker Valentines, Harry Potter: Owl Post Super Valentines, and Scooby-Doo: Scooby Snacks Scratch & Sniff Sticker Valentines.

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Book SynopsisDelve into the Dark Arts of with this exclusive set that includes a tiny book filled with facts and unique insights into the darker side of the Harry Potter films and a collectible Dark Mark enamel pin. NOVELTY TINY BOOK: Completely legible, printed in full color, and encased in a slipcase with a ribbon marker, the novelty tiny book on the Dark Arts is filled with fun facts and unique insights on the darker side of the Harry Potter filmsfrom basic curses and jinxes to Dark creatures like the Basilisk and the Dark Lord himself. COORDINATING PIN: The set includes a glow-in-the-dark enamel pin of the Dark Mark that can be worn or added to a tote bag or lanyard to show your dark side. ADD TO YOUR COLLECTION: Add more fun tiny book and pin sets from Insight Editions to your collection with Harry Potter: Hogwarts Tiny Book and Pin Set, DC Comics: The Joker Tiny Book and Pin Set, and DC Comics: Harley Quinn Tiny Book and Pin Set.

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Book SynopsisA revelatory resituation of Van Gogh’s familiar works in the company of the surprising variety of nineteenth-century art and literature he most revered

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Book SynopsisClaes Oldenburg's commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg's profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York's changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg's innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.Trade Review"Smith's book will be valuable for those interested in urban art, multidisciplinary urbanism, or the history of ideas." * CHOICE *Table of ContentsAcknowledgments Introduction 1. Streets 2. Stores 3. Holes 4. Plugs 5. Binoculars Epilogue Notes Bibliography List of Illustrations Index

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Book SynopsisTrade Review"Winner of the Alice Davis Hitchcock Medallion, Society of Architectural Historians of Great Britain""Winner of the President’s Award for Research in History and Theory, Royal Institute of British Architects""One of the Financial Times' Summer Books of 2020: Architecture""Winner of the First Book Prize, International Planning History Society""Highly commended for the inaugural Architectural Book of the Year Award, History Category""This is one of those books that turns a discipline upside down – the cold war, state socialism, eastern Europe and 20th-century architecture all look different in the light of its findings . . . [it is] a pioneering work of revisionist history that ought to be read far beyond the those already interested in architecture . . . what [Stanek] achieves here is enormous: a book that rewrites not only the history of the cold war, but also the history of globalisation and global urbanization."---Owen Hatherly, The Guardian"A fascinating snapshot of a historic moment in which the future was in flux."---Edwin Heathcote, Financial Times"Architecture in Global Socialism strikes a generally successful balance between theoretical exposition and historical analysis, liberally illustrated, suitably informed but accessible to the general reader."---Alexander Adams, The Critic"This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long held notions about modernization and development in the global South."---Georgina Johnston, World Architecture News"An epic, revisionist study many years in the making, centering on how Non-Aligned countries in the post-war era employed professionals from Eastern and Central Europe to plan and build their post-colonial urban spaces."---Owen Hatherley, Tribune"[Stanek’s] omniscience is impressive."---Jonathan Meades, Literary Review"[Architecture in Global Socialism] challenges cold-war preconceptions of the roles played by those from Eastern European socialist countries who worked collectively to urbanise and develop the Global South during the Soviet era."---Michael Boncza, Morning Star"Rather than describing global urbanisation as a process that was visited upon societies in the developing world by western consultants, Stanek’s history reveals the role played by socialist architects in constructing a negotiated future in which local rulers, authorities and communities took an active interest in shaping their own destinies. Free from big-name architects and landmarks, Architecture in Global Socialism also gives voice to a largely forgotten body of professionals who travelled to the non-aligned world – neither communist nor pro-West – during the Cold War and whose lives and careers were enriched and globalised in the process."---Nick Leech, The National"Architecture in Global Socialism is not only a book that successfully lifts the curtain on the importance of the “forgotten” socialist network with its backdrop and real effects on the life and environment of millions of people. It is also a refreshing point of view that allows you to look with valid optimism at the complex reality that surrounds us and the possibilities of understanding and describing it."---Alicja Gzowska, Polish History"Stanek’s book is extraordinarily well researched, clearly written and convincing in its conclusions. Being the first comprehensive presentation of an important chapter in recent architectural history, there is no doubt that it will soon become a classic in the field."---Florian Urban, Planning Perspectives"An important correction to architectural history’s neglect of detailed studies into West Africa and the Middle East."---Ben Tosland, Architectural Histories"Beautifully illustrated, extremely well researched, and extensively documented, this is a fascinating examination of the role played by architects, planners, and sometimes builders from the communist countries of Eastern Europe in the architecture of newly independent countries in Africa and the Middle East in the post–WW II era. . . . The large format of the volume does justice to the numerous illustrations, including drawings and buildings, a great many in color; these are accompanied by Stanek's perceptive comments, a host of endnotes, and an extensive bibliography. The result is an impressive investigation of an overlooked topic in 20th-century architectural history." * Choice *"The book will be a milestone, not just because of the almost encyclopaedic completeness of the contents but because it offers a repeatable research methodology, capable of communicating multiple dialogues between different cultures and identities."---Fabrizio Gallanti, Arbitare"Architecture in Global Socialism provides important lessons on many levels. It is not only groundbreaking in terms of filling an enormous “blind spot” in historiography, or through its development of a methodology that is not simply postulated but works in practice – it also proves to be relevant in discussions about the current urban condition."---Alicja Gzowska, View: Theories and Practices of Visual Culture"Architecture in Global Socialism is a much needed revisionist account of architectural practice and urbanism in the second half of the twentieth century."---Hannah Neate, Eurasian Geography and Economics"A welcome addition to the growing body of scholarship reassessing socialist architecture and urban design within the Cold War’s myriad economic and diplomatic networks . . . this book sets an undoubtedly strong precedent for further research on socialist architecture in a global context. . . . Architecture in Global Socialism [is] a truly compelling study."---Holly Bushman, Art Margins"A book about architecture, modernity and the world system of 'actually existing socialism' in the Soviet bloc and its allies. With rare photographs and designs, Stanek takes a tour through the forgotten world of the future society and cities architects planned and built."---Gerry Hassan, Scottish Review"Architecture in Global Socialism constitutes a significant contribution to the historiography of modern architecture in Eastern Europe, West Africa, and the Middle East. It is the kind of book we need more of: expansive in scope, specific in analysis, and rigorous in argumentation. It recognizes the pluralism of actors and contexts in the Global South, which further dismantles the myth of a monolithic modernism and demands additional scholarship that both revises and builds. Stanek’s book promises to remain an essential reference for scholars and students well into the future."---David Rifkind, Art Bulletin"[In Architecture in Global Socialisms,] Łukasz Stanek shifts the lens to the so-called weak actors of Eastern European socialist states, as well as to professional groups that ‘built’ modernity—architects, but also contractors, building supervisors, and foreign trade representatives. This excellent study thus shows, convincingly, that global processes—in this case urbanization—were not monolithic and one cannot talk of exceptions to an existing rule of ‘globalization.’ —Victor Petrov, H-Net Reviews""Architecture in Global Socialism is an indispensable contribution to our understanding of the multifaceted process of globalization. . . . [The book is] the first study of its kind in architectural history. Ambitious in scope and breadth, it compellingly conveys the sheer scale and magnitude of the presence and work of architects from the socialist bloc in West Africa and the Middle East from 1957 (the year of Ghana’s independence) to the end of the Cold War. . . . The importance of [this book] cannot be overestimated."---Ayala Levin, Journal of the Society of Architectural Historians"Architectural historians have recently discovered the outsize role that the former socialist world played in the Global South in the postwar decolonization process. Łukasz Stanek’s book Architecture in Global Socialism . . . was a signal achievement in this respect, as it mapped for the first time the astonishing extent of architectural exports from Eastern Europe to Africa and the Middle East."---Vladimir Kulić, The Architect’s Newspaper "Architecture in Global Socialism provides much-needed cornerstones to advance spatial political economy."---Franklin Obeng-Odoom, Housing Studies

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Book SynopsisTrade Review"Beautifully illustrated. . . . [Pastoureau] unpicks the meanings of the colour by delving into a broad range of cultural references, from history, clothing and myth to art and etymology, and shows the different roles each colour has played in society and how they have changed."---Michael Prodger, The Times"Yellow is in part the story of gold, but that was just the beginning, Michel Pastoureau points out in the fifth of his lively, informative, brightly illustrated series about individual colours."---Rachel Campbell-Johnston, The Times"Pastoureau’s main aim is not simply to record how hues have been used, but to seek out the various values they have expressed and embodied in different times. . . . Yellow is worth buying as much for its sumptuous images as its scholarship."---Kevin Jackson, Literary Review"The French scholar Michel Pastoureau investigates how individual colours have been viewed and used in the past. Yellow: The History of a Colour is the successor to similar volumes on blue, green, black and red. But it turns out that yellow has had an intriguing, though chequered, time."---Martin Gayford, The Spectator Australia"Yellow: The History of a Color is the fifth such volume that Pastoureau has produced. Like its predecessors, which recount the visual and cultural histories of blue (2001), black (2009), green (2013), and red (2017), this one is elegant and engaging — as alluring to gaze at as it is compelling to read. Yellow may be an unsettling color, but this is a lovely and striking book."---Jeff Jacoby, Boston Globe"Like Pastoureau’s earlier volumes, this is a beautifully produced book and an impressive work of scholarship . . . it is a fascinating and sensual celebration of our complex love-hate relationship with what Goethe called this 'joyous colour'."---Peter D. Smith, The Guardian"If you are contemplating going to a museum, or purchasing a painting for millions for your private collection, this book is going to involve less gas or less investment, and the outcome might be more nourishing."---Anna Faktorovich, Pennsylvania Literary Review"[Yellow: The History of a Color] tells the fascinating story of yellow’s evolving place in art, religion, literature and science from its sacred and symbolic status in antiquity, through its demonic associations with lawlessness when tinged with green, but in its pure state, still engendering feelings of pleasure and abundance, to its positive position in Asian societies and its lasting status as the colour of Buddhism."---Wendy and Ian Lipke, Queensland Reviewers Collection"Richly illustrated and impressively wide-ranging." * The Week *"Michel Pastoureau continues his study of colors, following up on similar works about blue, black, green and red. Pastoureau’s book, a measured and scholarly approach, is filled with images of art and artifacts as well as the color’s interesting role in world history."---Diane Cowen, Houston Chronicle"Yellow: The History of a Color takes readers on a Eurocentric tour of the color."---Alicia Eler, Minneapolis Star Tribune"Yellow is perhaps the most difficult of the colors Pastoureau has undertaken so far. Nonetheless, he handles it with the same sure hand and informed historical perspective he did its predecessors (Blue, Green, Red, and Black). . . . Visuals are handsome and accompanied by text that is both scholarly and easily readable, and that addresses subjects ranging from perception, philology, etymology, and dyes and pigments, to the artistic and symbolic use of color from antiquity onward."---R.M. Davis, Choice

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Book SynopsisLandscape painting is one of the most popular subjects for painters working in the medium of oils. In The Elements of Landscape Oil Painting, author and noted instructor/painter Suzanne Brooker presents the fundamentals necessary for mastering landscape oil painting, breaking landscapes down into component parts: sky, terrain, trees, and water.

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Book SynopsisA beautiful, lively tour through the portraits of one of the most celebrated painters of 17th century EuropeTrade Review“The reader cannot help but race alongside Van Dyck in his meteoric and short career.”—Xavier Salomon, The Art Newspaper

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Book SynopsisErin B Taylor is the Managing Director of Finthropology based in The Hague, the Netherlands. She specializes in how people's financial behaviour is changing along with innovation in financial services. Anette Broløs is the Director of Finthropology based near Odense, Denmark. She is an experienced fintech leader working on strategic innovation, partnerships, open banking and digital transformation and has held roles as the CEO of Copenhagen FinTech Innovation and Research and the CFO and Head of Development at Fionia Bank.

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Book SynopsisAn expansive and revelatory study of Robert Smithson’s life and the hidden influences on his iconic creations This first biography of the major American artist Robert Smithson, famous as the creator of the Spiral Jetty, deepens understanding of his art by addressing the potent forces in his life that were shrouded by his success, including his suppressed early history as a painter; his affiliation with Christianity, astrology, and alchemy; and his sexual fluidity. Integrating extensive investigation and acuity, Suzaan Boettger uncovers Smithson’s story and, with it, symbolic meanings across the span of his painted and drawn images, sculptures, essays, and earthworks up to the Spiral Jetty and beyond, to the circumstances leading to what became his final work, Amarillo Ramp.While Smithson is widely known for his monumental earthwork at the edge of the Great Salt Lake, Inside the Spiral delves into the arc of his artistic production, recognizing it as a response to his family’s history of loss, which prompted his birth and shaped his strange intelligence. Smithson configured his personal conflicts within painterly depictions of Christ’s passion, the rhetoric of science fiction, imagery from occult systems, and the impersonal posture of conceptual sculpture. Aiming to achieve renown, he veiled his personal passions and transmuted his professional persona, becoming an acclaimed innovator and fierce voice in the New York art scene.Featuring copious illustrations never before published of early work that eluded Smithson’s destruction, as well as photographs of Smithson and his wife, the noted sculptor Nancy Holt, and recollections from nearly all those who knew him throughout his life, Inside the Spiral offers unprecedented insight into the hidden impulses of one of modern art’s most enigmatic figures. With great sensitivity to the experiences of loss and existential strife that defined his distinct artistic language, this biographical analysis provides an expanded view of Smithson’s iconic art pilgrimage site and the experiences and works that brought him to its peculiar blood red water.Trade Review "Only someone who has immersed themselves in the life and art of Robert Smithson for forty years could have written a biography as deep and engaging as Inside the Spiral. Suzaan Boettger illuminates the artist’s religious thought, examines the complexities of his gender identity, and takes a psychoanalytic lens to his sources and esoteric symbolism, bringing coherence to our understanding of this remarkably complicated artist, his body of work, and his writings. A monumental achievement."—Jonathan Fineberg, University of the Arts, author of Modern Art at the Border of Mind and Brain "Suzaan Boettger’s long-awaited Inside the Spiral: The Passions of Robert Smithson is the first biography of this 'enantiomorphic' artist, whose oeuvre encompassed geological and sacred time alongside the moment of the snapshot, the 'dematerialized' theorizing and mapping of the non-site alongside the absolute site-specificity—viewable from outer space—of the Great Salt Lake. Boettger reveals fascinating and hitherto unexplored aspects of Smithson’s earliest formation, including his status as a 'replacement child' for a dead older brother, while her fearless exploration of the artist’s Christological bent, his hermeticism, and his difficult navigation of sexuality yields nuanced psychological insight. Unburdened by academic jargon, the work is supported by extensive reference to Smithson’s writings, notes, interviews, library, and other records, of which Boettger has long been recognized as the foremost scholar."—Judith Rodenbeck, University of California, Riverside "This book sheds important new light on Robert Smithson. Meticulously researched and wide-ranging in scope, it explores the intricate connections between Smithson’s personal history and his art. While revealing a great deal of new information about Smithson’s life and psychology, Suzaan Boettger also engages with his art in a focused and detailed way and writes about individual works with great perceptiveness. Readers will come away from this book with a fresh and enlarged understanding of Smithson’s life and art."—Jack Flam, editor of Robert Smithson: The Collected Writings"[An] extensive biography of an artist I have stood by for some fifty years which is impossible not to consider definitive, particularly in its investigation of the artist’s unconscious as well as conscious motives."—Joseph Masheck, The Brooklyn Rail "That his art appears larger after reading Inside the Spiral is as much credit to his own capacious imagination as it is to Boettger’s ingenious attempts to contain it."—Artforum"Inside the Spiral is one of the most informative and well written biographies I have ever had the pleasure of reading. To use the American vernacular, Suzaan Boettger can write like 'hot-damn'!" —Robert Maddox-Harle, Leonardo Reviews

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Book SynopsisThe life and art of the 18th-century naturalist Mark Catesby, and his pioneering work depicting the flora and fauna of North America, are explored in vibrant detail This book explores the life and work of the celebrated eighteenth-century English naturalist, explorer, artist and author Mark Catesby (1683–1749). During Catesby’s lifetime, science was poised to shift from a world of amateur virtuosi to one of professional experts. Working against a backdrop of global travel that incorporated collecting and direct observation of nature, Catesby spent two prolonged periods in the New World – in Virginia (1712–19) and South Carolina and the Bahamas (1722–6). In his majestic two-volume Natural History of Carolina, Florida and the Bahama Islands (1731–43), esteemed by his contemporary John Bartram as ‘an ornament for the finest library in the world’, he reflected the excitement, drama and beauty of the natural world. Interweaving elements of art history, history of science, natural history illustration, painting materials, book history, paper studies, garden history and colonial history, this meticulously researched volume brings together a wealth of unpublished images as well as newly discovered letters by Catesby, which, with their first-hand accounts of his collecting and encounters in the wild, bring the story of this extraordinary pioneer naturalist vividly to life.Distributed for the Paul Mellon Centre for Studies in British ArtTrade Review“In the early eighteenth century, Mark Catesby, an amateur naturalist from East Anglia, vividly documented the flora and fauna of America from the tiniest ‘tumble-turd’ beetle to the flowering umbrella tree. His watercolours, beautifully reproduced (often in full-size plates) speak of an early modern world in which distinctions between amateur and professional, art and science were decidedly blurry.”—Rachel Campbell-Johnston, The Times, “Books of the Year: Art” “[The] definitive study of Catesby’s life and art. . . . Gorgeous. . . . Accessible. . . . Ms. McBurney’s book perfectly matches its multifaceted subject, offering us nothing less than a natural history of Catesby’s remarkable imagination.”—Christoph Irmscher, Wall Street Journal “Interweaving elements of art history, history of science, natural history illustration, painting materials, book history, paper studies, garden history and colonial history, Henrietta's meticulously researched volume shines new light on the role of art and the artist in the exploration of the natural world.”—Society of Antiquaries of London Online Newsletter “This is an exemplary monograph in every sense, adding both personal insight and a discerning eye to the growing body of works on Catesby . . . including many individual contributions, all carefully referenced. It forms a fitting monument to a major figure in eighteenth-century natural history, now very firmly delineated.”—Arthur MacGregor, Journal of the History of Collections “Shedding new light on the role of art and the artist in exploring the natural world, this richly illustrated book explores the life and work of the celebrated eighteenth-century English artist, naturalist and author who travelled the world collecting specimens and observing nature.”—Artmag “This celebration of the life and work of Mark Catesby, an eighteenth-century artist, explorer and naturalist, is packed full of stunning watercolours that bring the natural world to life.”—The Arts Society “McBurney’s book is a tribute to Catesby’s determination and endurance. Taking the reader on a journey through Catesby’s identity in chapters titled ‘Naturalist’, ‘Artist’ and ‘Horticulturalist,’ McBurney offers a multifaceted examination of an extraordinary man filled with perennial wonder at the world, continually discovering the beauties it has to offer.”—Almanac “A joy to read and a visual delight. Perhaps the most exciting chapter, helped by the superb reproductions, concerns Catesby’s development as an artist.”—Jenny Uglow, Times Literary Supplement “A beautiful new book.”—House & Garden “It is precisely this mixture of art and science, anthropology and personal experience, and documentation and commentary that makes this book—just like Catesby’s own publication—such a treasure.”—Anna McNay, Art Quarterly “[B]eautifully designed and laid out. . . . Burney’s meticulously researched volume brings together a wealth of unpublished images as well as newly discovered letters by Catesby, which, with their first-hand accounts of his collecting and encounters in the wild, bring the story of this extraordinary pioneer naturalist vividly to life.”—Peter Bower, The Quarterly “This well-researched book by a historian is a fascinating read, and it reproduces well many of Catesby’s paintings and other illustrations about his life. I’m sure that it will turn out to be the definitive study of this great and versatile naturalist and artist Mark Catesby.”—Ghillean Prance PPLS, The Linnean “Meticulously researched and sumptuously illustrated. . . . McBurney wears her scholarship lightly, but it shines through on every page. Far from the shadowy figure of earlier biographies, Catesby emerges as a multifaceted man of his times. This account of his life and achievements is unlikely to be equalled.”—John Edgington, Garden History Winner of the 2023 SHNH Natural History Book Prize

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Book SynopsisNo other artist, apart from J. M. W. Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cézanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.Trade Review“This is the only readily available publication that gives a complete record of Monet’s work—in other words, it is definitive.” * The Good Book Guide *

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Book SynopsisJames Laver, the 20th century's leading authority in Britain on the history of costume and fashion, was Keeper of the Department of Prints and Drawings and of Paintings at the Victoria and Albert Museum, London, from 1938 until 1959. Amy de la Haye is Rootstein Hopkins Chair of Dress History & Curatorship at London College of Fashion. She was formerly Curator of Twentieth-Century Dress at the Victoria and Albert Museum, London. Andrew Tucker is a fashion journalist and author of The London Fashion Book; Dries Van Noten; and Fashion: A Crash Course.Table of ContentsForeword • 1. How it all began • 2. Greeks and Romans • 3. Early Europe • 4. The Renaissance and the sixteenth century • 5. The seventeenth century • 6. The eighteenth century • 7. From 1800 to 1850 • 8. From 1850 to 1900 • 9. From 1900 to 1939 • 10. Rationed fashion to pluralistic style • 11. At the turn of the millennium • 12. Fashion since 2010

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Book SynopsisIn The Urban Sketching Handbook: Techniques for Beginners, artist and Urban Sketcher correspondent Suhita Shirodkar shares essential skills for sketching architecture, people, and everyday objects on location. You'll learn the basics of value, color mixing, and perspective through helpful studies and exercises, whether at home, in studio, and on location. The Urban Sketching Handbook: Techniques for Beginners is perfect for anyone who’s just getting started in this fascinating art form, or who wants to develop their observational and drawing aptitude by reinforcing basic concepts.TheUrban Sketching Handbook series offers location artists expert instruction on creative techniques, on-location tips and advice, and an abundance of visual inspiration. These handy references come in a compact, easy-to-carry format—perfect to toss in your backpack or artist’s tote.Table of ContentsAbout This Series Introduction KEYS I Starting Out II What to Sketch: Objects III What to Sketch: Places IV What to Sketch: People V Bringing It All Together Contributors Acknowledgments About the Author

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Book SynopsisLearn how to create effective illustrations to match children's stories for different age groups. The art of illustration for children has a long and rich tradition, and for generations has been loved by countless readers. Illustrating Children's Books shows you how to create beautiful artwork for children, examines the approaches taken by advanced-level students and leading artists and describes how their ideas evolve from start to finish through step-by-step sketches. - Identify the techniques used by successful children's illustrators and get advice on how to tackle fantasy, fairy tale, realism and nature drawings - Learn tips on working in a wide variety of media and receive professional advice on illustrating for different age groups and types of publication - Discover how to interpret and enrich the text, build consistent character identities, and create vibrant settings that will stir readers' imaginations - Find out how to create storyboards and layouts, work to brief, and present your work professionally - Explore specific examples such as picture books for little ones, storybooks for older children and educational books, with the final chapters devoted to design and typography and the business of getting publishedTrade ReviewFollow Martin Salisbury's tips and instructions and, if you have the aptitude, you could find yourself producing pictures good enough for printing. * Writing Magazine *Table of ContentsA Brief History Drawing Media, Materials, and Techniques Character Development The Picture Book Illustration for Older Children Non-fiction Illustration Design and Typography Getting Published Glossary Resources Index and Credits

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Book Synopsis365 daily design mantras for both graphic design professionals and the growing group of non-designers who want some guidance.Trade Review"Amid all this talk of rule breaking, ugliness and work-that's-so-bad-it's-good, Graphic Design Rules aims to redress the balance in favour of design that recognises that there are certain known knowns, as they say. It's either a guide to prevent rookie mistakes or a list of challenges to take head on." * Creative Review *Table of ContentsForeword Type and Typography Layout and Design Colour Imagery and Graphics Production and Print The Practice of Design Index and Credits

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Book SynopsisExpand your exploration of the Zentangle process with Zentangle 2, Expanded Workbook Edition! Inside you’ll find more than 40 new tangle patterns and border designs to use in embellishing scrapbooks, sketchbooks, journals, cards, paintings, quilts, and more. Discover the possibilities of decorating words and turning simple line drawings like butterflies and animals into exquisite art. Use the new interactive workbook section to play, experiment, and create. Tantalizing color brings your art to life as the calming and reflective process of Zentangle brings your life into your art.

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Book SynopsisThis visually stunning deluxe edition of DREAMWORKS ANIMATION’s The Art of DreamWorks The Wild Robot celebrates a tale of resilience, kindness, and shared humanity Delighting both animation aficionados and fans of Peter Brown’s bestselling book series about a robot stranded on an uninhabited island, this deluxe edition of The Art of DreamWorks The Wild Robot features a clamshell cover, exclusive prints of visual development art from production designer Raymon Zibach and his team, a thirty-two-page booklet of original never-before-seen sketches and storyboards of the characters and key moments from the film by three-time Academy Award–nominee writer-director Chris Sanders. Also included are autographed bookplates from the author and director to accompany the original hardcover book, which presents hundreds of character designs and concept art from the making of the movie, along with exclusive interviews from the writers, artists, cast, and filmmakers. This insider’s guide details the elaborate artistry involved in creating the ultimate celebration of nature, family, and the emotional journey of becoming more than one is programmed to be. This Deluxe Edition includes: A copy of The Art of DreamWorks The Wild Robot with an exclusive dust jacket and a bookplate signed by author Jerry Schmitz An exclusive Chris Sanders: The Art of the Storyboard 32-page booklet of the director’s sketches for the movie, with a bookplate signed by Chris Sanders Five exclusive high-quality prints from the movie’s artists All enclosed in a premium-presentation cloth clamshell box

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Book SynopsisDrew Struzan has created some of the most iconic movie poster images of the last 30 years, from "Raiders of the Lost Ark" to "Star Wars: Episode III". This is the first book to cover his movie work in depth. Featuring over 300 pieces of artwork, including previously unseen poster art for "Harry Potter and the Chamber of Secrets" and "Hellboy II", this is a treat for movie buffs and artists alike.Trade Review"If you love movie posters you’ll want to have this on your bookshelf, or coffee table." -- Leonard Maltin"The Art of Drew Struzan is required reading for any fan of the artist, any fan of the films he did art for, and any fan of movie posters in general." -- comingsoon.net"...visual chocolate for every lover of movie posters..." -- Tor.com"Page after gorgeous page of draft compositions and alternate posters that, until now, went unseen by the public at large." -- Cinematical"Drew’s work evokes the magic of cinema and his raw passion for it is right there on every single page." -- Film Junk"The art alone would make this a worthwhile book to pick up — but it's the context and history you get along the way that seals the deal. The Art of Drew Struzan should be on the reading list of any movie buff." -- Blog Critics"The Art of Drew Struzan immortalizes a man who contributed much more than film advertisements. He gave America icons and the magic to remember them by." -- One Metal

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Book SynopsisThis enthralling and comprehensive new book on Henri Matisse is an eye-opener for all students and art lovers interested in early twentieth-century art. Taking fifty of Matisse's most iconic works of art, John Cauman provides an accessible narrative about the man and his work, deciphering the themes, methods and intentions of this truly great artist. Chronologically spanning from the late nineteenth century to the mid 1950s, each painting, drawing and mural is described and analysed in beautiful detail, within the context of the period, so that the reader can really understand what the artist was hoping to achieve with each work. The paintings are prefaced by an informative introduction that presents the milieu and key characters that featured in Matisse's life. Among his most famous works, this book includes Luxe, calme et volupté (1904), Le Bonheur de vivre (The Joy of Life) (1905–6), Self-Portrait in a Striped Shirt (1906), Blue Nude (Memory of Biskra) (1907), Bathers by a River (1909-17), Harmony in Red (1908), Dance I (1909), Entrance to the Casbah (1912-13), Pianist and Checker Players (1924), Still Life with a Magnolia (1941), Memory of Oceania (1951–2) and The Snail (1953).Trade Review'A gem and a treasure about an artist whom you thought you knew' * New York Journal of Books *'Pleasant and informative' * The Artist *

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Book SynopsisThis pack contains 500 high-quality origami sheets printed with 12 different vibrant colour combinations.

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Book Synopsis

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Book SynopsisWilliam Morris's patterns are enduringly popular for their originality and colour, and have captured the imagination of countless designers and artists. This colouring book explores the intricate work of William Morris and his Arts & Crafts contemporaries and allows you to invent your own colourways to complete their patterns. - 45 patterns to color, interspersed by full-colour reproductions of the original designs - Organized into four sections Nature, Colour, Pattern, and Craft to highlight different aspects of the designs, and the crafts and skills behind them - Explores Morris's love of nature, his artistry, mastery of colour, and innovation in pattern design in concise introductory texts

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Book SynopsisIn many ways the history of civilization is a history of our relationship with nature and landscape. Drawing on all aspects of mankind's creativity and ingenuity, and bringing together the key stories that have shaped our man-made landscapes, this title sets out to chronicle this intimate connection.Trade Review'This book will become essential to our discipline, encouraging not only those in academia to experience landscape architecture as a multilayered profession' - Landezin.com'This is a book that one can dip into with pleasure, and will delight all those with an interest in architecture, archaeology, and social history' - Current World ArchaeologyTable of ContentsIntroduction: Imagining Nature as Landscape • 1. Roots: On the Origins of Landscapes • 2. Hydraulic Civilizations: The Geometry of Water in Landscapes • 3. From Temenos to Physis: Sacred Landscapes in Greece • 4. Of Villas and Woods: Roman and Barbarian Landscapes • 5. The Rule of Faith • 6. Gardens of Perspective: Architectural Landscapes in the Renaissance • 7. The Measure of Reason • 8. Gravity: The Constant of Nature • 9. Combustion and the Exotic: Romantic Landscapes as Escape • 10. Acceleration: Landscapes of the 20th Century • 11. Terrain Vague • 12. Topology: Rediscovering Meaning in the Landscape • Afterword: Towards a Cultural Revolution in Nature

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Book SynopsisThe memopad is designed for idea mapping and to work in harmony with Fashionary sketchbooks & tools The flexibility of the memo pad allows you to create your idea-mapping wall, laying out all the designs as well as allowing mixing, matching and rearranging. Developing your collection will be much easier – and much more fun. Contains figure and technical templates Perfect for creating mood boards & production plans Water-resistant calico cover The Atelier Collection The fundamentals of The Atelier Collection portrays a "Less is More" concept hence the minimalistic touch. The sketchbook speaks for authenticity on an exquisite artistry level. It provokes an individual's creativity with no boundaries, which is demonstrated from the subtle memopad appearance. Easy for Mixing and Matching The versatility of our Memopad facilitates your brainstorming process through mixing, matching drawings quick and easily. Elevate your efficiency and accuracy. With Fashionary templates, you can just focus on your ideas and unreveal the undiscovered emerging out from your stick & matching process. Water-resistant Calico Cover The cover is made from one of the most familiar fabrics for fashion designers- cotton calico. It also represents ideas, creation and development. The material forms a high durability water-resistant cover, exquisite quality intended to be used along your designing journey. Hence, the calico cover contains natural cottonseeds, giving every sketchbook that unique touch. Figure Templates + Technical Templates The memopad provides the flexibility for creating your collection: Front Side - Women's Figure Templates Flip Side - Women's Technical Templates Organizing your Ideas Make sure efficiency is on point as a busy fashion designer, time must be well utilized and organisation is the key. Fashionary templates are lightly printed on every sheet without you needing to worry about getting the accurate proportions on every one of your designs. Just focus on your ideas and forget about getting the right figures when it's all laid out for you. Perfect Match with Fashionary Products Memopad is designed to work in harmony with Fashionary sketchbooks & tools. Simply slip Fashionary Poses underneath the Memo sheet or sketchbooks and you can freely draw other dynamic poses and designs without feeling distracted. 360 templates Good ideas come from continuous sketching. With 180 memo papers and 360 templates, there is nothing to stop the creative flow.

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Book SynopsisTake this perfectly portable little adult coloring book along wherever you go, and you'll always be ready to color whenever inspiration strikes! Inside you'll find dozens of adorable owls, mandalas, flowers, rainbows, hearts, and so much more. Each charming design is just waiting to be filled with your favorite watercolors, colored pencils, markers, crayons, gel pens, or crayons. Color Cute Coloring Book includes helpful advice on choosing colors, with suggested color palettes and fully colored examples to inspire your imagination. With a lay-flat, top-edge binding, this book is small enough to color anywhere, but big enough for creative fun. Printed on one side only of archival-grade, acid-free, 200-year paper, each perforated page detaches easily for gifting or display.

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Book Synopsis

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