Art & Photography Books

Book SynopsisSmall footprint design that proves living better doesn't have to mean living larger. Following the success of their first book, the second volume of Never Too Small showcases 30 new and outstanding homes from around the world that explore small space living. Framed by five small-footprint design principles, the book features beautiful photography, detailed floor-plans and accessible architectural commentary on each of the 30 homes. Championing the work of award-winning architects and designers, Never Too Small offers an inspiring model for the future of housingone where sustainability and style, comfort and affordability can co-exist. Praise for Never Too Small: Full of inspiration we can each apply to our own spaces, this is a book that offers hope and inspiration for a future of our cities and their citizens in which sustainability and style, comfort and affordability can co-exist. Never Too Small proves living better doesn't have to mean living larger. - Uro Books After year

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Book SynopsisResisting interpretation or classification, Mark Rothko (1903–1970) was a prominent advocate for the artist’s consummate freedom of expression. Although identified as a key protagonist of the Abstract Expressionist movement, first formed in New York City, Rothko rejected the label and insisted instead on “a consummated experience between picture and onlooker.” Following a repertoire of figurative works, Rothko developed his now iconic canvases of bold color blocks in red, yellow, ochre, maroon, black, or green. With these shimmering, pulsating color masses, Rothko stressed that he had not removed the human figure but rather put symbols or shapes in its place. These intense color forms contained all the tragedy of the human condition. At the same time, Rothko explicitly empowered the viewer in the expressive potential of his work. He believed “A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer.” From his early development through to his most famous color fields, this book introduces the intellect and influence of Rothko’s dramatic, intimate, and revolutionary work.

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Book SynopsisInitiating readers in the fascinating and complex history of witchcraft, from the goddess mythologies of ancient cultures to the contemporary embrace of the craft by modern artists and activists, this expansive tome conjures up a breathtaking overview of an age-old tradition. Rooted in legend, folklore, and myth, the archetype of the witch has evolved from the tales of Odysseus and Circe, the Celtic seductress Cerridwen, and the myth of Hecate, fierce ruler of the moonlit night. In Witchcraft we survey her many incarnations since, as she shape-shifts through the centuries, alternately transforming into mother, nymph, and crone—seductress and destroyer. Edited by Jessica Hundley, and co-edited by author, scholar, and practitioner Pam Grossman, this enthralling visual chronicle is the first of its kind, a deep dive into the complex symbologies behind witchcraft traditions, as explored through the history of art itself. The witch has played muse to great artists throughout time, from the dark seductions of Francisco José de Goya and Albrecht Dürer to the elegant paean to the magickal feminine as re-imagined by the Surrealist circle of Remedios Varo, Leonora Carrington, and Leonor Fini. The witch has spellbound through folktales and dramatic literature as well, from the poison apples of The Brothers Grimm, to the Weird Sisters gathered at their black cauldron in Shakespeare’s Macbeth, to L. Frank Baum’s iconic Wicked Witch of the West, cackling over the fate of Dorothy. Throughout this entrancing visual voyage, we’ll also bear witness to the witch as she endures persecution and evolves into empowerment, a contemporary symbol of bold defiance and potent nonconformity. Featuring enlightening essays by modern practitioners like Kristen J. Sollée and Judika Illes, as well interviews with authors and scholars such as Madeline Miller and Juliet Diaz, Witchcraft includes a vast range of cultural traditions that embrace magick as spiritual exploration and creative catharsis.Trade Review“…takes the fraught history of witches and imbues it with a magic befitting its subject… Witchcraft is a celebration of true, even threatening power—by those who possess it least, and deserve it most.” * W Magazine *“Eye-opening and thought-provoking.” * widewalls.ch *“A lavish coffee-table book. [Witchcraft] surveys the shadow and the light the witch has cast across the Western imagination.” * The New York Times *“A tour de force, taking you all the way through the global history of witchcraft.” * elitedaily.com *“A visually vibrant volume that isn't so much a book as it is a spellbinding tribute to a figure and a practice that are as old as time.” * cnn.com *“Witchcraft offers a deep dive into the many facets of a centuries-old tradition in the Western world.” * cnn.com *“A densely packed book that takes a deep dive into the many archetypes the witch has taken throughout the course of time.” * hypebeast.com *“[This] powerful new book blows away the satanic baby-eating myths.” * The Guardian *“In this compendium of witchy women, from Renaissance paintings to modern Wicca, the caricature of the evil hag is turned upside down.” * The Guardian *“In scouring the history of art to back up their modern-pagan perspective, the editors point to something remarkable.” * The Guardian *“Delves into the witch’s complex history, symbols, and depictions across time...” * hyperallergic.com *“Going so soon? I wouldn’t hear of it. Why, my little party’s just beginning!” * The Wicked Witch of the West, “The Wizard of Oz” *“I think that all women are witches, in the sense that a witch is a magical being.” * Yoko Ono *

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Book SynopsisThough very much an individual and spiritual artist, Alphonse Mucha was a defining figure of the Art Nouveau era and is loved for his distinctive lush style and images of beautiful women in arabesque poses among the plethora of paintings, posters, advertisements and designs he produced. Admire a whole range of his work here in its full glory with succinct accompanying text.

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Book SynopsisThe history of Dior as seen through the mythical Parisian address of 30, avenue Montaigne, home to the House’s headquarters and ateliers.Celebrating 30, avenue Montaigne, this sophisticated volume—published on the occasion of the House’s 75th anniversary in 2022—presents the public and unseen life of the iconic headquarters. Located in the heart of Paris’s posh Triangle d’Or, 30, avenue Montaigne has been linked to the House of Dior’s story since 1946. Christian Dior chose this hôtel particulier to establish his couture house and present his collections, including the inaugural 1947 fashion show that marked the New Look era’s debut. Since then, Christian Dior and his successors—from Yves Saint Laurent to Maria Grazia Chiuri—have designed and created all the House’s collections here. 30, avenue Montaigne is where the ateliers are still based, making it a fabled address of Parisian haute c

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Book SynopsisThe go-to for all things Vuitton' TatlerFounded as a luxury leather goods house in 1854, Louis Vuitton was for many decades one of the world's leading trunk and accessories makers. It was after launching its first fashion collections in 1998, however, that the house reached unprecedented global fame, and pioneered high-profile collaborations with artists such as Richard Prince, Takashi Murakami and Stephen Sprouse. Louis Vuitton Catwalk is a complete and unrivalled overview of the world's top fashion house. The book opens with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director 19982014, and Nicolas Ghesquière, who helms the brand today, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images. Showcasing hundreds of spectacular clothes, details, accessories, beauty lTrade Review'The go-to for all things Vuitton' - Tatler'[This] 632-page tome extensively retraces the house’s first two decades' - WWD'Gorgeous' - Sunday Times'Sumptuous … this is pure eye-candy' - The i Newspaper'Lavish' - Daily Mail'A valuable reference for fashion fans' - GLASS'The infamous Catwalk book series, published by Thames & Hudson, are made up of the modern day fashion worshipper’s holy bibles ... The Catwalk books are extraordinary in mapping out fashion trajectories lost to the pre-digital age' - SHOWStudioTable of ContentsIntroduction • The Collections: Louis Vuitton by Marc Jacobs, 1998–2014 • Louis Vuitton by Nicolas Ghesquière, 2014–2018

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Book SynopsisTake an inspiring walk with legendary photographer Daido Moriyama while he explains his groundbreaking approach to street photography. For over half a century, Moriyama has provided a distinct vision of Japan and its people. Here he offers a unique opportunity for fans to learn about his methods, the cameras he uses, and the journeys he takes with a camera.Trade Review"…a straightforward learn and Moriyama’s method has the advantage of being unpretentious and accessible, making the compact an incredible reward (or self-gift) for somebody constructing their confidence." * fooshya *

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Book SynopsisThe 'Masters of Photography' series is a new approach to photography how-to. Each volume is dedicated to the work of one key photographer who, through a series of bite-sized lessons and ideas, tells you everything you always wanted to know about their approach to taking photographs. From their influences, ideas and experiences, to tech tips and best shots.The series begins with Joel Meyerowitz, who will teach you, among other essentials: how to use a camera to reclaim the streets as your own, why you need to watch the world always with a sense of possibility, how to set your subjects at ease, and the importance of being playful and of finding a lens that suits your personality.Praise for Joel Meyerowitz's retrospective, Where I Find Myself:"So let me say it plainly: Joel Meyerowitz's Where I Find Myself is a compelling, wonderful, deeply pleasing collection of an essential photographer's work. [it] is a necessary book. Necessary because of its size and scope. Necessary because of the way it holds the aesthetic of the artist in the air." LensCulture"More than just a career retrospective, Meyerowitz's book is a personal celebration of photography as an art form." Publishers Weekly"After over half a century of making pictures, Meyerowitz is noted as one of the most influential photographers living today. A new book titled Joel Meyerowitz's Where I Find Myself brings together his tremendous archive to create a portrait of not only America during the 20th and early 21st centuries, but also a prolific artist with a lifetime of groundbreaking work." BuzzFeed"Joel Meyerowitz's Where I Find Myself is a pièce de résistance, a masterful feat of publishing that sets the bar as high as it can possibly reach. The photographer's magnum opus opens in the present day, with his most recent body of work and unfolds in reverse chronological order, leading us through a spellbinding life in photography that is simply unparalleled." Feature Shoot"After 40 years Meyerowitz continues to entice and enthrall with a consistency of vision that reshapes subject matter in his own light. If you are a fan of Meyerowitz's work and especially of Cape Light, this lifetime retrospective will be a treasured addition." New York Journal of Books

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Book SynopsisThe best-selling single Bible edition according to Booktrack, now with an attractive new slipcase and binding, this pocket-sized white Bible is an ideal gift for anyone being Christened.The full text of the ever-popular Authorized King James Version Bible, with all its literary beauty and poetic grandeur, in an attractive size and with beautiful binding and slipcase making it an ideal gift.

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Book SynopsisA remarkable, heartfelt, beautifully written analysis of the late work of 19 major artists that Max Porter describes as completely and utterly marvellous'. Painting exists and exults in immortal thoughts' William Blake In 2020, as the spread of Covid-19 causes pandemonium worldwide, an elderly artist returns to his childhood home to watch the transcendent beauty of the seasons and reflect on the final work of the artists he most admires. It seems to him that in their final art works their late style that they have something remarkable in common. This has more to do with intuition and memory than with rationality or reason and comes from trying to write about painting itself. Immortal Thoughts: Late Style in a Time of Plague is an anthology of these reflections. In this personal and moving account, nineteen short essays on artists are interspersed with short accounts of the cataclysmic global progress of the disease in poignant contrast to the beauty of the seasons in the isolated house and garden, narrative strands that are closely intertwined. From Cézanne's last watercolours to Michelangelo's final five drawings, Rembrandt and suffering to Gwen John and absence, Christopher Neve dwells on artists' late ideas, memory, risk, handling and places, in the terrible context of Time and mortality. As much art history as a discussion of great art in the context of the Dance of Death, Neve writes with renewed passion about Bonnard, Michelangelo, Morandi, Poussin, Soutine and many others in his distinctive style.

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Book SynopsisIt''s the great undoing of my heart as I know it.Daisy Haites thought she''d left everything about her old life in the past: the crime, her family and the man she loves. But when her safety is threatened once again, she finds herself back under the watchful eyes of her gang-lord brother Julian and her ex-boyfriend Christian, both desperate to keep her safe.Everything gets more complicated when beautiful, broken-hearted socialite Magnolia Parks enters the scene and Julian finds himself entangled with her. Because for Julian, falling in love isn''t just unwelcome - it could be deadly for everyone involved . . .READERS LOVE THE MAGNOLIA PARKS UNIVERSE ''Magnolia and BJ have embedded themselves into my DNA.'' ⭐⭐⭐⭐⭐ ''This book gave drama, love triangles, toxicity, chaos and I ate up every single moment.'' ⭐⭐⭐⭐

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Book SynopsisFrom the author of the home decorating bestseller, For the Love of White, comes an inspirational and informative guide to creating a welcoming home through the seasons using a white and neutral palette.'Unsurprisingly for a book created by The White Company Founder Chrissie Rucker, this showcases 10 stylist interiors - divided into chapters named after the four seasons - each with a high concentration of white, be it on walls, furniture, textiles or accessories. What it demonstrates is that white need not be bland. Taking a close look at each composed and elegant case study, Chrissie points out the elements that make a room interesting, why a fabric or piece of furniture elevates a scheme, or how the simple addition of a table setting might render it the perfect serene and welcoming space to host a dinner party. The home rituals dispersed throughout provide useful tips on how to refresh your house as the seasons change.' Christabel Chubb, House & Garden'Packed with gorgeous inspiration and clever ideas, it'll help you create unique, characterful rooms with with the palest of shades.' House Beautiful 'White Company founder Chrissie Rucker's new coffee-table book offers plenty of ideas for decorating your home in her signature, soothing style.' The Telegraph, Best Home Christmas Gifts 2022 'Chrissie Rucker, founder of The White Company shows how people use shades of white to great effect in their own homes. ' Good Housekeeping'An absolute delight.' Woman & Home'These homes will inspire anyone who loves tranquil surroundings.' Sunday Express'Beautiful.' Grazia'I love a home to feel warm, inviting, personal and lived-in - and mastering how to decorate with white and neutrals is a wonderful way to achieve this.' - CHRISSIE RUCKERIn her much-anticipated second book, The Art Of Living With White, Chrissie Rucker, Founder of The White Company, explores 10 inspirational homes that illustrate beautifully different ways to use white and neutrals through the seasons. The homes vary in size, style and location - from a minimalist city pied-à-terre to a New England-style country house - but what unites them all is the welcoming, stylish and calm feel that their owners have each created.The homes are grouped into the four seasons and each chapter ends with a summary of seasonal rituals that will work in any home. A concluding chapter - Inspiration & Resources - considers finding your own style, how to create a good balance between work and home in interior spaces, the art of simple entertaining and the importance of scent and touch in a truly comfortable home.Praise for The White Company: For the Love of White'A testament to the power of neutrals' - House and Garden'A visual feast with a passion for all things white at its heart' - House Beautiful

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Book SynopsisA unique, illustrated history of Tudor England told through its art and artefacts.The volatile years of England's Tudor dynasty (14851603) and the five monarchs who ruled England during this period continue to fascinate and intrigue. Thanks to the paintings of artists like Hans Holbein, we have very definitive ideas about the appearance and personalities of Henry VII, Henry VIII, Edwards VI, Mary I and her successor Elizabeth I. It is through their eyes of artists that we still see the dynasty which ruled England for just over a century. Yet, iconic though they are, when it comes to Tudor art, portraits and monarchs are far from the whole story.Throughout the sixteenth century, images and objects were employed for political, religious, social and scientific ends, by a greater range of people than ever before. The Church and the royal court, archbishops, monarchs, and courtiers, were some of the most important patrons, commissioning artists in painting, tapestry, print and other materials, to convey particular messages and promote them as individuals and office-holders. But in this period too, the middling sort', professional men and women, increased in power, wealth and influence. They also wanted to promote themselves, and used not only art, but also a plethora of other objects to do so.In this novel and unique exploration of England's Tudor dynasty, Christina Faraday uses the art of the era both images and objects - as a means of investigating every facet of the period. As well as deconstructing sometimes familiar portraits of Tudor kings, queens and noblemen, Faraday will bring a forensic eye to bear on a broad and heterogeneous array of artefacts charters, clocks, cushions, coins, devotional artworks, furniture, jewels, manuscripts, miniatures, sculptures, scrolls and tapestries thereby providing the reader with a vivid and detailed feel for the political, social, economic and cultural texture of sixteenth-century England.

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Book SynopsisFilled with delightfully cute characters, Fuzzballs Super Cuteness Overload Colouring Book invites you to colour Timmy the Tiger, Whisky the Cat, and Ollie the Bunny in fun scenes.

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Book SynopsisDraw the cutest kawaii pictures for a whole year this fun book for the young and young at heart covers the widest range of kawaii motifs ever 365 of them no less! Topics featured include animals, food, plants, clothes, household objects, musical instruments, people, vehicles, buildings and landmarks, weather icons and even space motifs.Table of ContentsThe Secrets of Drawing Kawaii Animals Bee Beehive Caterpillar Butterfly Spider Ladybird Snail Shell Crab Tortoise Puffer Fish Goldfish Squid Octopus Jellyfish Seahorse Whale Ray Shark Orca Dolphin Seal Penguin Flamingo Ostrich Peacock Pigeon Swan Owl Parrot Feather Robin Chick Mouse Hamster Rabbit Ginger Cat Black Cat Grey Cat Poodle Dog Sheep Pig Cow Elephant Hippopotamus Giraffe Lion Camel Zebra Unicorn Dragon Dinosaur Snake Gorilla Monkey Llama Koala Red Panda Panda Polar Bear Skunk Beaver Fox Doe Reindeer Wolf Bat Squirrel Hedgehog Frog Plants Lily Pad and Lotus Flower Rose Tulip Sunflower Daisy Little Cactus Big Cactus Aloe Vera Bonsai Shamrock Dandelion Lily of the Valley Holly Log Leaf Acorn Mushroom Food Garlic Onion Chili Corn on the Cob Pickle Radish Beetroot Lettuce Cauliflower Bell Pepper Broccoli Leek Aubergine Pumpkin Carrot Pea Pod Tomato Ravioli Swiss Cheese Camembert Sandwich Baguette Fried Egg Boiled Egg Chicken Leg Steak Hot Dog Pizza Hamburger Fries Salt and Pepper Soup Onigiri Sushi Maki Teabag Cup of Tea Teapot Hot Chocolate Milk Carton Glass of Milk Baby Bottle Ice Cube Soda Cup Soda Can Cocktail Juice Carton Pitcher Clementine Lemon Avocado Grapefruit Pineapple Watermelon Banana Apple Pear Cherries Raspberry Strawberry Yoghurt Jam Jar Toast and Jam Chocolate Spread Chocolate Bar Muffin Cupcake Slice of Cake Rainbow Cake Christmas Pudding Gingerbread Man Cookie Pancakes Croissant Pain au Chocolat Chocolate Éclair Chocolate Choux Bun Macarons Donuts Candyfloss Toffee Apple Popcorn Candy Cane Lollipop Sweet Easter Basket Easter Egg Marshmallow Ice Cream Cone Sundae Soft Ice Cream Ice Lolly Choc Ice Household Objects Fridge Oven Toaster Kettle Casserole Dish Cauldron Saucepan Ladle Whisk and Bowl Rolling Pin Knife Cutlery Grocery Bag Dustbin Flask Teeth Toothbrush Toothpaste Plaster Thermometer Poop and Paper Tissues Soap Bathtub Perfume Lipstick Nail Polish Eye Palette Hairbrush Hairdryer Washing Machine Iron Vacuum Cleaner Table Lamp Alarm Clock Bed Armchair Office Chair Chair Wardrobe Treasure Chest Cardboard Box Bucket Watering Can Gardening Tools Swiss Army Knife Hammer Spanner Screwdriver Screw Paint Pot Paint Palette Paintbrush Pencil Crayon Pencil Sharpener Pencil Case Eraser Scissors Sticky Tape Battery Torch Lightbulb Match Candle Snowglobe Gift Bauble Christmas Tree Bell Musical Notes Trumpet Accordian Drum Maracas Piano Violin Electric Guitar Acoustic Guitar Saxophone Harmonica Musical Box Microphone USB Stick Laptop Smart Phone Camera Basketball and Hoop Bowling Ball and Skittle Ping Pong Ball and Paddle Skateboard Balloon Crown Envelope Book Key Diamond Calculator Notes Purse Backpack Suitcase Hat Cap Flipflops T-shirt Slippers Fan Umbrella Mitten Stocking Characters Father Christmas Mother Christmas Snowman Elf Angel Devil Skeleton Vampire Witch Ghost Voodoo Doll Scarecrow Knight Princess Pirate Wizard Mermaid Fairy Magic Lamp Genie Explorer Mummy Pharaoh Cleopatra Pink Kokeshi Blue Kokeshi Green Kokeshi Red Kokeshi Goth Girl Rabbit Boy Little Red Riding Hood Ballerina Chef Astronaut Alien Transport Flying Saucer Rocket Aeroplane Hot Air Balloon Helicopter Fire Engine Car Scooter Gondola Sailing Boat Pirate Ship Cruise Ship Submarine Around the World Desert Island Tepee Circus Tent Windmill House Castle Big Ben Leaning Tower of Pisa Eiffel Tower Statue of Liberty Pyramids Sun Sun, Clouds and Rainbow Rainclouds, Rain and Lightning Tornado Fire Volcano Mountain Wave Water Droplet Earth Saturn Meteor Shooting Star Moon

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Book SynopsisA SUNDAY TIMES HISTORY BOOK OF THE YEAR 'A triumph' Guardian 'Glorious ... makes the past at once familiar, exotic and thrilling.' Dominic Sandbrook 'A brilliant book' Mail on Sunday Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different to our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule. In this richly-illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored and experienced their physical selves in the Middle Ages, from Constantinople to Cairo and Canterbury. Unfolding like a medieval pageant, and filled with saints, soldiers, caliphs, queens, monks and monstrous beasts, it throws light on the medieval body from head to toe - revealing the surprisingly sophisticated medical knowledge of the time in the process. Bringing together medicine, art, music, politics, philosophy and social history, there is no better guide to what life was really like for the men and women who lived and died in the Middle Ages. Medieval Bodies is published in association with Wellcome Collection.Trade ReviewA brilliant book ... beautifully illustrated ... A triumphant piece of historical writing -- Kathryn Hughes * Mail on Sunday *An extraordinary story and a wonderfully rich study of the Middle Ages ... Hartnell's idea of approaching the medieval worldview through the body is inspired ... This beautifully illustrated book succeeds brilliantly in bringing this much maligned period to life ... A triumph of scholarship. -- PD Smith * Guardian *One of the achievements of this splendid book is to make our world view seem more narrow and fragmented than that of the extensive period we place somewhere between the Dark Ages and the Renaissance ... at every point you'll encounter wit, learning and riveting stories. A wonderful read. -- Melanie McDonagh * Evening Standard *An erudite, wide-ranging, thoughtfully illustrated book -- Laura Freeman * The Times *'Glorious ... makes the past at once familiar, exotic and thrilling.' Dominic Sandbrook, The Sunday Times -- Dominic Sandbrook * Sunday Times *A thick, spicy plum pudding of a book * London Review of Books *

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Book SynopsisOriginally published in German in 1964, Professor Gottfried Bammes’ Die Gestalt des Menschen is still considered the definitive guide to drawing the human form. Having undergone numerous editions since it was first published and still much in demand today, this, the first ever English translation of the complete work, has been long awaited. Based on the most recent German edition and faithful to the original, it contains over 1200 photographs, diagrams and drawings, including work by the author himself, and spans over 500 pages. Now, both new and experienced English-speaking artists and illustrators can benefit from the vast body of knowledge accumulated and lovingly presented by Professor Bammes in his acclaimed work. This comprehensive guide begins with the history of human anatomy for artists, and its influence on the development of the artistic visualisation of the body. Bammes goes on to explore in depth the human skeleton and musculature; the proportions of the body; the static and dynamic laws of posture and movement; body language; and the interrelationships of the various elements of the body. Through his systematic and practical approach to teaching, the reader will acquire an in-depth knowledge of anatomy and the ways in which it can be used to express the human form in art.Trade ReviewFirst published in German in 1964 at a time when contemporary art school theory in the UK did not see figure drawng as central to perceptual education, this book's 500 pages have endured a 10th edition, published now for the first time in English. Drawing from life is in revival today, popularly pursued as a fundamental discipline, and wealth of illustration here in every aspect of configuration of pose analysed graphically, photographically, by muscle, along with examples of master drawings and technique makes compulsive reading for anyone so occupied. For practising artists this book allows contemplation before and after a study and more essentially the 'science' and 'art' of drawing meet in reference in a way which it is hard to see able to improve upon. * Galleries magazine *July 2017 This is the most substantial volume on anatomy and figure drawing I've ever seen, and it might also be the most accessible. The secret I think is that by giving himself space Gottfried Bammes does have to cram everything in together. Each drawing includes just enough information to illustrate the point in hand and no more. All the skeletal and muscle structure is there, but in artistic, rather than medical detail. Photographs, block diagrams and classical examples serve to enhance the experience. The book is structured so that you're only aware of the section you're in, and never intimidated by the rest. This is a thorough course and not really for the beginner, but niether do nyou need to be a specialist to appreciate it. * The Artist *March 2017 Gottfried Bammes (1920-2007), once Professor of Artistic Anatomy at the Dresden Academy of Fine Arts, was the prolific author of many successful books on life-drawing, some published in English. The Complete Guide to Anatomy for Artists & Illustrators, initially published in 1964 as Die Gestalt des Menschen, is undoubtedly his masterpiece. The nine editions of this book in German are a measure of its success and impact and this – the tenth and the first in English – is very welcome. The bulk of the book consists of six chapters devoted to regional anatomy, each integrating descriptions of the structural components in relation to the dynamics of function and to artistic expression. The final section of each chapter gives relevant examples from works of art. Throughout, the emphasis is on providing the teacher with progressive methods of instructing the student to acquire an integrated approach that combines art and science. Three further chapters address more general issues: bodily proportions in relation to age and gender; the dynamics and bearing of the human body; and the “building blocks” of the body, namely, the skeleton, muscles, and skin and fat. The English text sometimes betrays its origin but any weakness in translation is fully compensated for by the wonderful range of more than 1,200 illustrations which speak a universal language. The anatomical drawings are notable for both their clarity and attractiveness. There are also sketches and diagrams by the artist-author and photographs of nude models that cover a wide variety of ages and body-forms. The diagrams of silhouetted figures and limbs in action, with the skeleton and muscle delineated, are particularly informative. The medical historian will be interested in the introductory chapter, showing how Renaissance humanism called for more than the simple rendering of the human form, which had previously satisfied the demands of mediaeval religious painting. Leonardo da Vinci, though not the first anatomist, launched the study of anatomy as an artistic, dynamic process. Vesalius set new standards for scientific observation, discrediting Galen, and, with Stephan von Calcar, reached new heights of artistic anatomical representation This volume can be warmly recommended as an essential reference book for professional figurative artists and illustrators, for teachers of life drawing, and for keen students of the art. http://bshm.org.uk/notice-board/book-reviews-alt/ * Barry Hoffbrand - British Society for the History of Medicine *Apr-17 Gottfried Bammes's The Complete Guide to Anatomy for Artists & Illustrators was originally published in Germany in 1964 and is considered to be the definitive guide to drawing the human body. It has now been translated into english for the first time and contains over 1200 photographs, diagrams and drawings within its 500 pages. A must for anyone serious about capturing the human form in detail * The Leisure Painter *This is the most substantial book I’ve seen on the subject of anatomy. Substantial, however, doesn’t mean incomprehensible and, looking into its pages, it becomes possible to believe the jacket’s claim that the original German edition is “bestselling” – even though I doubt it would have troubled the literary pages of the Frankfurter Allgemeine. Gottfried Bammes does a remarkable job of explaining every aspect of both anatomy and the practice of drawing it in a way that simplifies without reduction to absurdity. Anatomy, rather like perspective, is complex and comes with the additional hazard that, when writing about art, any author needs to avoid something that looks like a medical textbook. That Gottfried avoids this is, in large part, down to the quality of the drawings he uses to illustrate everything. He has a lightness of touch that, while it might be out of place in a hospital lecture theatre, is more than adequate in a drawing studio. The result is not only manageable, but looks and feels manageable. On top of this, the way the book is structured makes each section a unit in its own right; you can concentrate on the room without feeling weighed down by the rest of the building, large and ornate though it is. I’d hesitate to recommend this as a primer but, if you’re interested in anatomy for artistic purposes, I doubt you’ll ever find a better, and certainly not a more complete, guide. * Artbookreview *Originally published in Germany in 1964, this has become a definitive guide to drawing the human figure. This is the first English translation of the complete work. The tome contains over 12,000 drawings, diagrams and photographs covering all aspects of the human form. Structure, function and anatomical processes are all described in detail. It is a systematic approach to learning anatomy offering steps and exercises to reveal practical development for the artist. It provides an in-depth look at the subject. The book includes Anatomy For Artists Past and Present; The Proportions of The Human Body; Bearing and Movement; Building Blocks; Lower Extremities; Skeleton; Muscles; Upper Extremities; Neck; Head including facial features and Artistic Freedom. It talks about measuring processes, developmental stage and proportion3-dimension and space, poses and all factors that have to be taken into account when drawing. The developmental sequences, for example, of knee construction are fascinating. The highly detailed instruction is probably beyond the Sunday painter, but for any serious painter of the human form, this is the best book I have seen. Illustrated with fine examples of well-known artists such as Michelangelo, Matisse and Durer. Brilliant. * yarnsandfabrics.co.uk *

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Book SynopsisWhat Makes Great Art showcases a selection of 80 outstanding paintings and sculptures from around the world and throughout time, assessing just what it is that makes them so great.

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Book SynopsisA photographic record of daily life in Istanbul from the 1940s to the 1980s. It shows the city's melancholy aesthetic as it oscillates between tradition and modernity.Trade Review'Turkey’s greatest photographer … Güler’s work asks age-old questions about progress and innocence, and ultimately leaves it up to the viewer to decide which is more important to society' - Amateur Photographer

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThe divide between the digital and the real world no longer exists: we are connected all the time. How do we find out who we are within this digital era? Where do we create the space to explore our identity? How can we come together and create solidarity? The glitch is often dismissed as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology and the body that it creates. The glitch offers the opportunity for us to perform and transform ourselves in an infinite variety of identities. In Glitch Feminism, Russell makes a series of radical demands through memoir, art and critical theory, and the work of contemporary artists who have travelled through the glitch in their work. Timely and provocative, Glitch Feminism shows how the error can be a revolution.Trade ReviewOur software and our wetware are constantly glitching. How could it be otherwise? Rather than try for perfect order, let's embrace the glitch and find out how else it all could play out. Let's just admit we're done with the old empire of imperatives about both flesh and tech and tune in to those who are playing in the ruins, hacking their way through to another life. This book takes you there. -- McKenzie Wark, author of Capital is DeadGLITCH FEMINISM offers wry insights into the opportunities inherent in the implications of formerly discarded traces of both ourselves and our culture. This fascinating, profound and engrossing book places Legacy Russell as one of the more provocative, radical and original thinkers of her generation.' -- Lynn Hershman Leeson, artist and filmmakerRussell helps us understand that the components of our identity are in fact technologies. Glitch Feminism offers a powerful shift in mindset that empowers a generation of activist remixers. -- Lil MiquelaA timely rethinking of cyberfeminism from an intersectional perspective-a deeply personal investigation of blackness and queerness in and through technology. This erudite, vividly-rendered text weaves astute discussions of contemporary artistic practices with personal narrative, capital-T Theory, and virtuosic riffs on twenty-first-century slanguage. -- Mark Tribe, founder of RhizomeA glitch is an error, a mistake and a failure to function," and with this warning, Legacy Russell takes us on a lightening tour through the terminologies and theories of AFK, IRL, Glitch Ghosts, Digital Dualism, Binary Bodies, and other markers in the current lingo of on-line criticism. She translates the Internet world as she lives it right now. Russell is an important writer to follow as she points out shifting viewpoints of Internet politics in real time. -- RoseLee Goldberg, Director of PerformaGlitch Feminism offers technological failure, machinic anxiety, and seams in the interface as the very platforms from which we may begin to rework singular identities into inventive networks, proposing a reboot of feminist discourse. While channeling the boldness of the manifesto form, Legacy Russell offers a nuanced look at inspiring artists whose works reprogram systems of race, gender, and sexuality in the virtual places between living bodies and data bodies. Here, the paradox is the opportunity: the glitch shows you how things work, just as they don't. -- Malik GainesRussell's book is as expansive and plural as the identities it explores, considering art, aesthetic theory, queerness, Blackness and anti-Blackness and, necessarily, the modalities and futures of activist practice. * BerlinArtLink *Combining art, tech, feminism, Blackness, queerness and critical theory, Russell offers an alternative to error and encourages us to embrace the glitch. -- Karla Strand * Ms. Magazine *Luminous ... [Glitch Feminism is] a gorgeous document of a number of mostly Black trans, queer, and gender-nonconforming artists working today, from E. Jane and Juliana Huxtable to Shawné Michaelain Holloway, Wu Tsang, and American Artist. -- Rahel Aima * Bookforum *Luminous ... [Glitch Feminism is] a gorgeous document of a number of mostly Black trans, queer, and gender-nonconforming artists working today, from E. Jane and Juliana Huxtable to Shawné Michaelain Holloway, and American Artist. -- Rahel Aima * Bookforum *Glitch Feminism is a vital new manifesto and Russell's research as a curator breaks new ground on themes of gender, performance, digital selfdom, internet idolatry, and new-media ritual. * artnet News *Glitch Feminism portrays the online avatar as a laboratory where black, queer, and gender non-conforming artists have explored, experimented, and ultimately expanded notions of the self. -- Mikkel Rosengaard * Bookforum *A pocketbook, guide, and beautiful envisioning of a radical art history ... Glitch Feminism upends the notion of "glitch-as-error," reapplying the term in a cyberfeminist context to explore how the glitch disrupts the governance of race, gender, and sexuality. * ATM Magazine *The feminism we need to break and remake the systematic regimes of power, not just in the digital world (and where is that line anyway?) but from the bottom up. * VNS_Matrix *Compelling ... Russell is concerned with how race, gender and sexuality influence and affect the way that our identities are performed, but she's not in search of a simple answer or an easy way out. She asks whether we can free ourselves from our bodies, not just on the Internet, in a forum or on our phones, but all the time. ... What is radical and genuinely exciting is the conviction that [Russell] has in glitch feminism as a political project outside of the mainstream, as a form of collective joy and identity-making. -- Sanjana Varghese * Hyperallergic *Glitch Feminism is a rallying cry, a recapturing of cyberfeminism oriented to include and spotlight the many queer and non-white voices who in their practice live out the awesome potential of an enmeshed digital feminism: the glitch. ... The deftness with which Russell wields language is artwork in itself. Like the vibrant contrast of the book's cover, Glitch Feminism is a bright declaration, an ecstatic embrace of the new futures that lurk just behind hegemonic defaults. -- Jesse Damiani * Forbes *The greatest pleasure of Russell's thin book comes from its sense of solidarity and community with the queer POC artists and poets whose transformative work is never slight, and which Russell pulls from and praises in equal and sustaining measure. -- Quinn Latimer * Mousse Magazine *[In Glitch Feminism] Russellis serving roses. But they are wild, shape-shiftingroses, outrageously lush and wondrous, and it iscertainly worth taking a moment to find out whatyet-unimagined visions we might have if we stop fora moment to smell them. -- Hanne Blank * Women's Review of Books *Most powerfully, Glitch Feminism suggests that by refusing to inhabit the binary online, the force of the binary in our lives 'AFK' is revealed. Glitch feminism as a practice can expose the gender binary for the strange, violent trick that it is, and unpick its role in keeping our world turning 'under the sun of capitalism', as Russell puts it in characteristically beautiful prose. -- R. V. Campbell * The White Review *A celebratory homage to glitch's refusal of negrophobic, patriarchal, capitalist forms of production. -- Darla Migan * Spike Art Magazine *Grounded in theory (from Edouard Glissant to Donna Haraway) but a fast, percussive read, [Glitch Feminism] is also a guide to the growing field of art practices - notably driven by Black and queer creators - that dissolve the boundary between "internet art" and physical performance, activism and community-building. -- Siddhartha Mitter * New York Times (Best Art Books of 2020) *Glitch Feminism explores the socio-techno construct of gender and sexuality, and the generative potential of glitches, malfunctions or errors in the social machine. Within it all, identity is both fugitive and multiple, with representations of this provided by artists such as boychild, Sondra Perry and American Artist. The book's parting shot: USURP THE BODY! BECOME YOUR AVATAR! * ArtReview Power 100 *Spellbinding -- Johanna Fateman * Artforum *[Glitch Feminism is] an urgent, compelling read and one we should take to heart as the glitches promise to cascade in coming months and years. -- Brian Merchant * OneZero ("Best Tech Books of 2020") *An exceptional read that excels at offering a radical politics of the body. Russell writes convincingly, poetically and with urgency. Her content is wide-ranging, highly detailed, and - importantly - hugely enjoyable to read. -- Sam Riley * The Quietus *[Glitch Feminism] explores the experiences of queer, nonbinary, and trans BIPOC in digital and internet spaces (a terminally capitalist, patriarchal realm) through a record of boundary-pushing contemporary artists. -- Tessa Solomon * ARTnews (Best Art Books of 2020) *Glitch Feminism has become a critical resource since its publication, especially when brainstorming for the future, helping assemble the language we need to imagine and build a better tomorrow. * Cultured Magazine *Russell's literary debut issues a corrective to the predominantly white domain of cyberfeminist theory, shining a light on artists who leverage digital media to challenge systems of gender and colonialism. -- Camille Sojit Pejcha * Document Journal *Glitch Feminism is an internet text, bringing together references and anecdotes from visual art, cultural theory, and popular culture, creating a commonplace of resistance. -- Lucy Holt * Cleveland Review of Books *Russell holds liberation on her horizon. Her achievement amounts to what Toni Cade Bambara once affirmed as the very 'task of the artist' ... the task for the artist whose community's survival depends upon political change is 'to make the revolution irresistible'. -- Amber Husain * Radical Philosophy *Glitch Feminism offers [a] syllabus for resistance and change. -- Sara Black McCulloch * Los Angeles Review of Books *[Glitch Feminism] offers new possibilities away from the canon that originally defined aesthetics as a field of study, by transforming the failure to be recognized into a form of ideological and artistic affirmation. -- Olivier Berggruen * Brooklyn Rail *A short critical work that acknowledges the radical potential of technology, while simultaneously presenting a deep, nuanced awareness of its current shortcomings, as well as our need to overcome them. -- Benjamin Carpenter * Medium *A pocket-sized book that packs a punch ... Glitch Feminism is a tour de force, leaning into the paradoxical and using it to educate, inspire, and radicalize. -- Nicola Alexander * Art New England *Russell thoughtfully frames every chapter around case studies of artists, writers, and fellow cyborgs who practice refusal and embody glitch - a perfect brew of glitch feminist theory and praxis ... Glitch Feminism is a monumental publication in its (re)framing of glitch as feminist and as the power of "no." -- Pauline Nguyen * Femme Art Review *

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Book SynopsisDiscover the FLOURISHING CRAFT of HAND-PRINTING with 35 beautiful projects for stylish and practical HOMEWARES and BAGS. Introduces you to techniques such as stamping, lino printing and stencilling, which you can do at home using INEXPENSIVE TOOLS and UPCYCLED MATERIALS.

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Book SynopsisThe award-winning, highly acclaimed Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." In recent decades, the art gallery and the museum have become a place for participatory art, where an audience is encouraged to take part in the artwork. This has been heralded as a revolutionary practise that can promote new emancipatory social relations. What was it is really? In this fully updated edition, Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan.Bishop challenges the political and aesthetic ambitions of participatory art this practise. She not only scrutinizes the emancipatory claims, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. In response Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.Trade ReviewClaire Bishop has articulated an important historical overview of the global emergence of participatory art ... Her controversial and thought-provoking conclusions courageously trouble our assumptions about the effectiveness of political artworks, questioning their oppositional quality, their effects on the audiences they reach, and their relation to the institutions that promote them. * Frank Jewett Mather Award, 2013 *Bishop's arguments are convincingly supported and potentially very contentious...A critically challenging work of vital scholarship. * Publishers Weekly *An essential title for contemporary art history scholars and students as well as anyone who has witnessed a participatory art 'happening' and thought, 'Now that's art!' or 'That's art?' * Library Journal *Bishop seeks a standard for judging participatory works...She draws on the writings of French philosopher Jacques Rancière to argue that art must maintain a degree of autonomy and unreadability in order to resist co-option by the political and economic forces intent on imposing a false social consensus. -- Eleanor Heartney * Art in America *Pellucid -- Alexander Provan * New York Observer *The good intentions of contemporary artists frequently pave a road to hell. Claire Bishop follows their descent into the inferno and invites her readers to share her fascination with what she finds along the way. Artificial Hells combines vast historical knowledge with a precise analysis of individual artistic practices. So much so that at the end of her new book we have begun to fall in love with hell-under the condition that it remains artificial. -- Boris Groys, author of Art Power

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Book SynopsisArtron is the foremost printing enterprise in China. As the core project of Artron’s printing culture industry, the Artron art website is actively setting up to create archives for artists. Moreover, since the site is at the periphery of the city, the art center will need to be conceived with a one-stop multi-service printing facility and cultural center. The site of Shenzhen’s Artron Art Center is located on the city edge, surrounded by three highways. In order to keep away from the noisy and chaotic environment, the building is idealized to be a landmark to define this area. Since the main view of this building will come from the three adjacent highways, the building shape should be continuous and integrated with the large-scale urban infrastructure to form a dialogue between the two. Taking into account the volume as a whole, the architects must think about how to digest this huge volume. On the one hand, on the premise of integrity and continuity, the gaps between the different parts of the volumes were created to bring people the comfortable visual impression when walking in this territory.

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Book Synopsis"A clearly articulated manifesto for those trying to preserve Tokyo’s emergent properties, Emergent Tokyo helps distil lessons for other cities" —Benjamin Bansal, Urban Studies Journal This book examines the urban fabric of contemporary Tokyo as a valuable demonstration of permeable, inclusive, and adaptive urban patterns that required neither extensive master planning nor corporate urbanism to develop. These urban patterns are emergent: that is, they are the combined result of numerous modifications and appropriations of space by small agents interacting within a broader socio-economic ecosystem. Together, they create a degree of urban intensity and liveliness that is the envy of the world's cities. This book examines five of these patterns that appear conspicuously throughout Tokyo: yokocho alleyways, multi-tenant zakkyo buildings, undertrack infills, low-rise dense neighbourhoods, and the river-like ankyo streets. Unlike many of the discussions on Tokyo that emphasise cultural uniqueness, this book aims at transcultural validity, with a focus on empirical analysis of the spatial and social conditions that allow these patterns to emerge. The authors of Emergent Tokyo acknowledge the distinct character of Tokyo without essentialising or fetishising it, offering visitors, architects, and urban policy practitioners an unparalleled understanding of Tokyo's urban landscape.Trade Review"A clearly articulated manifesto for those trying to preserve Tokyo’s emergent properties, Emergent Tokyo helps distil lessons for other cities" - Benjamin Bansal, Urban Studies Journal

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Book SynopsisThis irresistible chunky box of postcards features a vibrant selection of 100 different oversized colour chips from Pantone, the world colour authority.

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Book Synopsis

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Book SynopsisAn epic fantasy written and illustrated by the legendary director Hayao Miyazaki! An addition to the perennially popular line of Studio Ghibli art books—which include interviews, concept sketches, and finished animation cels—of classic animated films such as Spirited Away and My Neighbor Totoro. Hayao Miyazaki’s Nausicaä of the Valley of the Wind, based on his own manga, was released in 1984 and has been a cult classic ever since. In a long-ago war, humankind set off a devastating ecological disaster. The earth is slowly submerging beneath the expanding Sea of Decay, an enormous toxic forest that creates mutant insects and poisonous spores. Beyond the sea lies the Valley of the Wind, a kingdom of barely 500 citizens and home to Nausicaä, who risks everything to save her people and bring peace and health to the valley. Includes sketches, developmental water colors, cel animation, and more.

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Book SynopsisA facsimile edition of Werner's classic taxonomy of nature's colours, as used by Charles Darwin.Trade Review'This is a fascinating historic document that grabs the attention much more than you would expect.' The Artist

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Book SynopsisThe New York Times Bestseller "I wish I had read these rules forty years ago and carried them around like a bible. By chance or design I've followed most of them at some point but it took me a lifetime as an artist to find what worked. They are the generous, loving, enthusiastic, bullshit-free advice of a master communicator, just reading them makes me want to charge back into the studio" - Grayson Perry"Being an artist is a lonely pursuit - twenty-four hours a day, seven days a week, for the rest of your life. Most of the time it hurts. This book will help the pain" - Tracey EminOne of Elizabeth Gilbert's 2020 Quarantine Book Recommendations"Joy is palpable in these pages. We need such thinking right now" - Apollo MagazineAs the witty and passionate chief art critic for New York magazine, Jerry Saltz is often approached by artists, both amateur and professional, asking him for advice: How do I get started? How do I get better? Is what I'm doing even art at all? They want to know, in short, how to be an artist. Now, expanding on his viral cover story for New York magazine - and drawing on his decades of immersion in the art world - Saltz has the answers. How to Be An Artist is an indispensable book of practical inspiration for creative people of all kinds. Brimming with dozens of brand new rules, prompts, exercises, and tips designed to break through creative blocks, ignite motivation, and conquer bad habits, this book is designed to help artists of all kinds - painters, photographers, writers, performers - realize their dreams. Includes such advice as:- Make art for now, not the future- No, you don't need graduate school- Recognize convention, and resist constraint- Get lost- Listen to the wildest voices in your head- Know what you hate (it's probably you)- Finish the damn thing!- How to recover from critical injuriesTrade ReviewInspiration leaps off the pages from Jerry Saltz's new book on creativity. One wants to say he's revealing secrets, but really, he's revealing intuition - intuition formed from decades of thinking about art. This book is for the artist or non-artist, for the person who gets plain English, for the person who understands that practical talk can coax out the mystical messages that lie underneath - Steve MartinIn How to Be an Artist, Jerry Saltz is so right-on it scares me - Cindy ShermanJerry is an impassioned lover of all art and all artists, heartbroken when they're not good and joyous when they are. You don't read so much as bathe in his prose, turbulent but clear, emerging each time as hopeful as this morning - Peter SchjeldahlAn inspiring guide to making your art, putting it out into the world, and dealing with the consequences. I found a lot to steal here, and you will too - Austin KleonWhat is an artist? If most things make you bored or sad, but creating things makes you feel better, that's a sign that Fate is ushering you over to a tiny, rickety chair with a sign overhead that says, Hey, you. You might be an artist. The challenge then is, how to be a better artist. And Jerry Saltz is right: The truest answer is work. Practice. Make mistakes. Tear it up. Do it again. Get better. Keep going - Roz ChastI am so blown away by the astonishing simplicity of what Jerry Saltz succeeds at - the act of naming what it means to be an artist. The way he hands away the keys, offering these tips to anyone, is an inspiring move, because it takes the tools of the literal masters and offers them to whoever wants them. Any reader would be lucky to escape their self-doubt to indulge in this straightforward, funny, and delightful guide - Jill SolowayAh! How to Be An Artist is such a fun and juicy read for artists of all kinds. 'Artists are cats,' he says - such a simple but brilliant description of the artist's relationship to the world. I read this and thought, I guess I am a real artist! - Kim Gordon, Sonic YouthI was so moved by Jerry Saltz's incredible new book, How to Be An Artist...Deep and beautiful insights into how humans create - Amy Sedaris

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Book SynopsisTrade ReviewProvocative, enlightening... Calder is the perfect guide around some of mankind's most substantial achievements, but never swerves away from asking hard questions -- Best Books of 2021 * Herald *[An] engaging study... It has something of the appeal of Jared Diamond's Guns, Germs and Steel - that of grounding historical mysteries in material facts... Partly a hymn or elegy to the world that fossil fuels made, partly a warning of the disasters they are bringing... Calder makes a simple and important point, often with engaging and unexpected detail: architecture is indeed made by energy, which makes crucial the next stage of its evolution -- Rowan Moore * Observer *A survey of construction and its entanglement with energy use... Superb * Financial Times *An essential read: clarifying, alarming, but hopeful * Architects' Journal *An insightful, often impassioned journey through the history of buildings -- Simon Ings * New Scientist *[A] powerful, disturbing account of architecture and energy since ancient times -- Andrew Robinson * Nature *Calder has written an energetic global history of architecture - energetic both in the vim he brings to a colossal subject, and in its particular focus... For the general reader, it's an entertaining and original introduction to the history of architecture. For the architect, it helpfully sets the daunting challenges of our day in lively and inspiring context -- Will Wiles * RIBA *A highly readable world history of architecture... This book will help to reinforce the crucial role of architecture in tackling the climate crisis -- Catherine Croft * RIBA Journal *Calder's brilliant book [...arises from] a truly astonishing depth and breadth of research [...and] develops a new frame for architectural writing which frankly makes some of the previous architectural histories look at best parochial, or at worst irrelevant in the face of the global climate crisis -- Professor Jeremy Till * Buildings and Cities *A brilliantly written and timely investigation into a fundamental truth that is often overlooked: energy, in particular the availability of certain types of fuel, is perhaps the single most important driver of architectural design -- Florian Urban, Professor of Architectural History, Glasgow School of ArtBrave and brilliant, Barnabas Calder's Architecture is a global history and a call to arms -- William Whyte, Professor of Social and Architectural History, University of OxfordArguably the most important new contribution to the field of architectural history in decades -- James Benedict Brown * Journal of Architecture *Fierce and elegantly written, this book tells the "energy story of architecture" from the agrarian millennia onwards, as we hurtle towards the pending cataclysm. Read here of fossil fuel dependency, sometimes hidden and surprising, and wander the City of London, or, virtually, Shenzhen and repent. Barnabas Calder has written a fine alternative architectural history, with a venomous sting in its tail -- Gillian Darley, author of Excellent EssexFinally a book to replace Pevsner's standard history of architecture. Calder retells the story of architecture for the climate change generation. A dazzling tour of the history of architecture told through the lens of energy use -- Dr. James W. P. Campbell, Head of Department of Architecture, University of CambridgeWith this fascinating deep dive into the energy economies behind buildings, from bone huts to the Barbican, Calder reframes the entire history of architecture for the age of climate emergency. Through this prism, our time of crisis suddenly makes so much sense -- Joe Giddings, Architects Climate Action NetworkA century-spanning, globe-spinning treatise on the thorny relationship between energy and architecture. This book will quickly turn you into an archi-geek -- Bradley Garrett, author of Bunker[An] imaginative and ambitious new history of architecture... Engaging throughout... It really is a must-read -- Jeremy Williams * The Earthbound Report *Calder's book presents architecture as an awe-inspiring history of technology, but is also a record of our exploitation of the earth's resources. In doing so it helps us form a new perspective on how we begin to produce a more regenerative approach to buildings and our planetary environment -- Peter Clegg, Professor of Architecture, University of Bath and founding partner, FCB StudiosBarnabas Calder's excellent book makes the direct link between the evolution of architecture and society's access to energy. He shows that the ability to build, whether by grain fuelled humans, or fossil fuelled machinery, has determined the scale and nature of architecture across all cultures and all centuries. Within these insights into the past, lie the future solutions to building in a climate crisis. Architects designing for a zero carbon future should absorb these ideas -- Simon Sturgis, Founder, Targeting ZeroGrand in scope... A splendid pause for thought -- Alistair Fitchett * International Times *One of the most significant architectural publications in recent years... A fascinating history of architecture, a must-read for anyone interested in the relations between energy and architecture in history, and an important contribution to the discourse on energy in light of the climate emergency * The Drouth *Detailed and insightful -- Nick Newman * RIBA Journal *Groundbreaking -- Philip Kennicott * Washington Post *

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Book SynopsisDrawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters with artists, exhibition makers and thinkers - Hans Ulrich Obrist looks to inspire all those engaged in the creation of culture. Moving from meetings with artists to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev, skipping between exhibitions, continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.Trade ReviewOne of the most colourful figures in the artworld today . . . Hans Ulrich Obrist [is] not so much a curator as a human whirlwind * Guardian *An engaging and erudite work that argues persuasively for the continued relevance of curating for the arts and wider society. His book is about the curator's role as a maker of exhibitions, a task that involves tracing hidden connections between artworks and forging untrammelled routes across culture in search of new ways of experiencing art; new ways of looking at the world around us. If that sounds like an impossibly romantic definition it's because this is an unapologetically personal account of the profession's development -- Ekow Eshun * Independent *The sheer energy [Obrist] has brought to working with artists themselves is the abiding impression of Ways of Curating -- Brian Dillon * Literary Review *This is a highly intelligent, thoughtful and thought-provoking book. Obrist emerges as both scholarly and energetically engaged with the proliferation of ideas in modern culture today * Financial Times *

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Book SynopsisDennis Morris is a British photographer, best known for his images of Bob Marley and The Sex Pistols. His previous books include Growing Up Black (Autograph ABP, 2012). Laurie Hurwitz is Senior curator at the Maison Européenne de la Photographie in Paris. Previous exhibitions she has curated include Boris Mikhailov Ukrainian Diary, Zanele Muholi and Erwin Wurm Photographs.

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