Art & Photography Books

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Book SynopsisThe long-anticipated monograph on OMA New York by Shohei Shigematsu and Jason Long is sure to be the design and architecture book of the season. Presenting more than 20 radical architectural projects from a new generation of the firm, this mammoth volume is the first compendium by OMA, since Content and Rem Koolhaas’s S, M, L, XL. Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as “a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.” OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolvTrade Review"There is something about architecture firm OMA’s new monograph, with its glossy, razor thin pages and jam-packed spreads, that calls to mind the Uline catalogue. Covered in a plastic sheath, the hefty coffee table book unpacks 23 projects past and present as a way into the question: what is OMA NY? Expert witnesses are called. Pioneers like Virgil Abloh, Alice Waters, David Byrne and Massimiliano Gioni all make a case for what continues to put the design studio ahead of its time." —CULTURED"For the New York office’s first monograph, OMA NY: Search Term (Rizzoli), the firm partners Shohei Shigematsu and Jason Long re-examine their most influential projects: residential skyscrapers in Miami and San Francisco, mixed-use developments in Tokyo and Houston, more intimate spaces such as the studio for artist Cai Guo-Qiang, and more." —SURFACE

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Book SynopsisCreative and practical, Kicking Glass is a step-by-step guide for those wanting to practice the popular craft of stained glass. From simple suncatchers and boho lamps to exquisite 3D constructions and delicately-poised glass butterflies, experienced artist Neile Cooper guides you through the magical world of stained glass with a creative handbook for both the novice and more experienced crafter alike. Beautifully illustrated with photographs of Neile’s own work including her glorious glass cabin in the woods as well as pieces from some of today’s most stylish designers, Kicking Glass is packed with ideas to guide and inspire. This book provides comprehensive technical instruction in the copper foil method, covering everything from tools and supplies to exploratory techniques such as including foraged and found objects into your work. Skills are demonstrated through tutorials with photos, instructional drawings and 16 stunning patterns. Whether you’re looking to decorate your windows, create lovely gifts for friends and family or design your own epic masterpiece, Kicking Glass is the essential modern guide to stained glass making.Trade ReviewA thorough, enthusiastic guide to the art, full of beautiful projects, helpful advice, and inspiring thoughts from working stained glass artists * Foreword *Novices can expect all the familiar faces of how-to books: tools and supplies, an examination of materials, and clear directions on finishing, all well illustrated with quality color photographs. * Booklist *Neile’s warm and supportive approach comes across as she shares the vision behind the creation of her own sanctuary – a cabin in her garden that she is lovingly decorating with reclaimed window frames and stained glass designs based on her love of the natural world. [...] Kicking Glass offers comprehensive training and a liberal helping of motivation through beautiful imagery and practical designs to try. * Contemporary Glass Society *When I’m ready to dip my toes, Kicking Glass by Neile Cooper is where I’ll begin exploring this gorgeous hobby. Cooper’s thorough tome walks beginners through setting up a space, picking out supplies, and basic techniques required for creating stained glass. * The Mercury *The photography is stellar with lushly colorful clear pictures and tutorial explanations. The author provides project lists with tools and supplies and step by step instructions. The book feels like a small, well organized workshop with a well spoken and competent teacher. The projects are varied and attractive and are a mix of more traditional looking and modern. -- Nonstop ReaderThe book is full of beautiful, full colour illustrations, and instructions are easy to follow, if not easy to master. This is great guide for anyone considering starting in the hobby. -- Novel ObsessionTable of ContentsAcknowledgments Introduction Studio setup & safety Tools & supplies Glass Cutting glass Using patterns Foiling Layout Soldering Finishing Clean, patina, & polish Designing patterns Suncatchers 3D construction Reclaimed windows Patterns Suppliers

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Book SynopsisThis book covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown.This 4th edition has been thoroughly updated throughout to include detailed information on the latest lighting and camera equipment, as well as expanded and updated discussion on the following areas: shooting on a budget, color spaces with emphasis on the new UHD standards, the decision-making process in choosing what lights and equipment to use, considerations concerning power issues, safety and what electrical supply is needed for various types of lights, an examination of the cinematographerâs role in preproduction, and much more. Topics Include:â Visual storytellingâ Continuity and coverageâ Cameras and digital sensorsâ The tools and basics of film lightingâ Methods of shooting a sceneâ Continuity and coverageâ Exposureâ Colorâ Understanding digital imagesâ Using linear, gamma, and log videoâ Image control and grading on the setâ Data management and the DITâ Optics and focusâ Camera movementâ Set operationsâ Green screen, high speed, and other topics.Whether you are a student of filmmaking, someone just breaking into the business, working in the field and looking to move up the ladder, or an experienced filmmaker updating your knowledge of tools and techniques, this book provides both the artistic background of visual language and also the craft of shooting for continuity, lighting tools and methods, and the technical side of capturing images on digital or on film.The companion website (www.routledge.com/cw/brown) features additional material, including lighting demonstrations, basic methods of lighting, methods of shooting a scene, using diffusion, and other topics.Trade Review'It’s been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!'Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts'As a practicing cinematographer who also teaches, I consider The Filmmaker’s Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I’m one of them.Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University‘Just when you think a textbook can’t get any better, Brown comes up with this. Explanatory diagrams and illustrations from films give insight into the thought process and methods of the cinematographer. Brown illuminates both the large gestures and the finer points of the art and craft of cinematography.’James Henderson, Filmmaker/photographer/educator‘This is a welcome updated version of Cinematography: Theory and Practice, which keeps the traditional approaches to camerawork, and includes additional chapters on technological developments, such as Cameras, Image Control including a section on LUTs, and DIT & Workflow. This is an essential book for teaching camera techniques to students in the changing world of cinematography technologies.’Jeremy Bubb, Chair of NAHEMI. Filmmaker, and Academic.'It’s been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!'Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts'As a practicing cinematographer who also teaches, I consider The Filmmaker’s Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I’m one of them.Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University‘Just when you think a textbook can’t get any better, Brown comes up with this. Explanatory diagrams and illustrations from films give insight into the thought process and methods of the cinematographer. Brown illuminates both the large gestures and the finer points of the art and craft of cinematography.’James Henderson, Filmmaker/photographer/educator‘This is a welcome updated version of Cinematography: Theory and Practice, which keeps the traditional approaches to camerawork, and includes additional chapters on technological developments, such as Cameras, Image Control including a section on LUTs, and DIT & Workflow. This is an essential book for teaching camera techniques to students in the changing world of cinematography technologies.’Jeremy Bubb, Chair of NAHEMI; Filmmaker, and AcademicTable of Contents'It’s been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!'Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts'As a practicing cinematographer who also teaches, I consider The Filmmaker’s Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I’m one of them.'Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University‘Just when you think a textbook can’t get any better, Brown comes up with this. Explanatory diagrams and illustrations from films give insight into the thought process and methods of the cinematographer. Brown illuminates both the large gestures and the finer points of the art and craft of cinematography.’James Henderson, Filmmaker/photographer/educator‘This is a welcome updated version of Cinematography: Theory and Practice, which keeps the traditional approaches to camerawork, and includes additional chapters on technological developments, such as Cameras and Image Control including a section on LUTs, and DIT & Workflow. This is an essential book for teaching camera techniques to students in the changing world of cinematography technologies.’Jeremy Bubb, Chair of NAHEMI; Filmmaker, and Academic

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Book Synopsis This is the first full biography from childhood of the eminent British Architect Sir Herbert Baker. Written with the full cooperation of his family and with access to his archive and private papers, it gives an account of his remarkable life as the leading architect to the British Empire. From London, through the commemoration of the empire''s war dead in France, via South Africa and Australia to India, he celebrated the might of an empire that once ruled a quarter of the world. He was an intimate friend of many of most fascinating men of his age, including Cecil Rhodes, Lawrence of Arabia, John Buchan, Jan Smuts and, of course, his fellow architect Sir Edwin Lutyens. After a Victorian architectural apprenticeship in London and on to becoming the most prolific architect of his age in South Africa, he built the new imperial capital of New Delhi in India with Lutyens, before returning to London. These built or rebuilt such landmark buildings as the Bank of England, South Africa HouTable of Contents Acknowledgments Preface Introduction 1. 1862–1892: "The Spirit of England" 2. 1892–1896: "Land of Hope and Glory" 3. 1897–1901: "Imperial March" 4. 1901–1904: "The Light of Life" 5. 1904–1909: "The Pipes of Pan" 6. 1909–1912: "Civic Fanfare" 7. 1912–1913: "The Crown of India" 8. 1913–1915: "A Song of Union" 9. 1915–1917: "A War Song" 10. 1917–1921: "For the Fallen" 11. 1921–1925: "Merchant Adventurers" 12. 1925–1931: "Pageant of Empire" 13. 1931–1946: "Through the Long Days" Epilogue: "Fate's Discourtesy" Chapter Notes Bibliography Index

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Book SynopsisNobles, ladies, scholars, and merchants were the subjects of Hans Holbein the Younger (1497/98–1543), an inventive German artist best known for his dazzling portraits. Holbein developed his signature style in Basel and London amid a rich culture of erudition, self-definition, and love of luxury and wit before becoming court painter to Henry VIII. Accompanying the first major Holbein exhibition in the United States, this catalogue explores his vibrant visual and intellectual approach to personal identity. In addition to reproducing many of the artist's painted and drawn portraits, this volume delves into his relationship with leading intellectuals, such as Erasmus of Rotterdam and Thomas More, as well as his contributions to publishing and book culture, meticulous inscriptions, and ingenious designs for jewels, hat badges, and other exquisite objects.

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Book SynopsisA groundbreaking introduction to the photographic work of an iconic modern artistTrade Review“This fascinating book was released to coincide with an exhibition of O'Keeffe's photography...and shines a fresh light on one of the 20th century's most innovative and iconic artists.”—Jonathan Harwood, Black & White Photography2022 PROSE Award Finalist, Art Exhibitions category“Lisa Volpe’s careful scholarship offers a new perspective on the work of Georgia O’Keeffe. As viewers, we are invited to see the intimacy of her surroundings through the act of taking pictures.”—Catherine Opie“A necessary, and beautiful, contribution to the mountain of scholarship on Georgia O’Keeffe. For the first time, we can talk about O’Keeffe as a photographer and within the long line of modern artists who used photography as a critical tool in constructing their paintings.”—Bruce Robertson, University of California, Santa Barbara“O’Keeffe had no desire to be an art photographer, this welcome study reveals, but she deeply exploited the camera’s potential to focus and frame motifs in memorable compositions. In ways unknown until now, she used her Leica and Polaroid as power tools to exercise her eye and practice her formal aesthetics.”—Wanda M. Corn, author of Georgia O’Keeffe, Living Modern“In this deeply researched and engaging book, Lisa Volpe and Ariel Plotek not only show how O’Keeffe used the same pictorial strategies in creating her photographs as she did in her paintings, but they also shed light on her life in New Mexico in her later years. In the end, this book is about artistic rejuvenation—it reveals how great artists, like O’Keeffe, repeatedly rethink their work and practice, expanding and reinvigorating it as new challenges and new opportunities present themselves.”—Sarah Greenough, National Gallery of Art

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Book SynopsisAs our closest relatives in the animal world, monkeys have always fascinated and amused humans in equal measure. Monkeys is an outstanding collection of photographs showing these complex, intelligent animals in their natural habitat. Arranged in chapters covering anatomy, family, behaviour, feeding and young, Monkeys features a wide variety of monkeys and apes, including baboons, gorillas, Orang Utans, macaques, howler monkeys, spider monkeys, marmosets, gibbons, mandrills and chimpanzees. The smallest monkey is the pygmy marmoset, which can be just 117 millimetres (4.6in) in length with a 172-millimetre (6.8in) tail and weighing just over 100 grams (3.5oz); while the massive Grauer’s gorilla can weigh over 180 kilos (400lbs). With full captions explaining how the species act in a group, communicate, hunt and feed, and rear its young, Monkeys is a brilliant examination in 230 outstanding colour photographs of these remarkable primates.Table of ContentsIntroduction 1: Old World Monkeys 2: New World Monkeys 3: Monkey relatives 4: Anatomy 5: Survival 6: Family Species included: Baboon Bonobo Capuchin Chimpanzee Gibbon Gorilla Howler monkey Red-handed howler Coiba Island howler Amazon black howler Japanese macaque Mandrill Marmoset Orang Utan Saki monkey White-nosed saki Monk saki Spider monkey Peruvian spider monkey Red-faced spider monkey Yellow-tailed woolly monkey Squirrel monkey Humboldt’s squirrel monkey Bare-eared squirrel monkey Black capuchin Tamarin Capuchins Owl monkey Woolly monkey Peruvian night monkey Black-headed night monkey Gray-bellied monkey Red-bellied titi White-eared titi

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Book SynopsisTHE SEQUEL TO THE MULTI-MILLION BESTSELLER DRAWING ON THE RIGHT SIDE OF THE BRAIN From the author of the world's most popular drawing instruction manual Drawing on the Right Side of the Brain, this new book helps you discover a new way of drawing and problem solving. Betty Edwards reveals the role our dominant eye plays in how we perceive, create, and are seen by those around us. Research shows that much like being right-handed or left-handed, each of us has a dominant eye, corresponding to the dominant side of our brain - either verbal or perceptual. Once you learn the difference and try your hand at the simple drawing exercises, you'll gain fresh insights into how you perceive, think, and create. You'll learn how to not just look but truly see. Generously illustrated throughout, Drawing on the Dominant Eye offers a remarkable guided tour through art history, psychology, and the creative process; a must-read for anyone looking for a richer understanding of our art, our minds, and ourselves. Praise for Betty Edwards' Drawing on the Right Side of the Brain: 'Hands down the best and most life-enhancing thing I've done in lockdown' India Knight 'A guide to enhancing creativity and artistic confidence' IndependentTrade ReviewPraise for Drawing on the Right Side of the Brain -- :Think you can't draw? You absolutely can . . . You will quickly amaze and delight yourself. Hands down the best and most life-enhancing thing I've done in lockdown -- India Knight * Sunday Times *A guide to enhancing creativity and artistic confidence * Independent *A consciousness-expanding work * LA Times *A landmark in drawing tuition * Leisure Painter *

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Book SynopsisHistoric places across the country have shaped England and the world beyond. They are hotbeds of invention, industry and creativity and they bring our nation's story to life. In 2017 Historic England launched the Irreplaceable: A History of England in 100 Places campaign, designed to celebrate England's remarkable places. Guided by public nominations and a panel of expert judges, including Professor Robert Winston, Mary Beard, George Clarke, David Olusoga, Baroness Tanni Grey Thompson and Bettany Hughes, we compiled a list of 100 places where remarkable things have happened and shaped our collective identity as the country we are today. The book, like the campaign, is divided into ten categories ranging from Music & Literature, through Science & Discovery to Power, Protest & Progress. The final 100 selected places are all contained within this gloriously illustrated book. From the observatory in Greenwich where the modern measurement of time began, to England's oldest inn carved into the sandstone in Nottingham, the choices are surprising, intriguing and enlightening. Some are well-known and others are less familiar, but all deserve to be celebrated as landmarks in England's history. The book explains why each of these 100 places is so important. The result is a unique history of England chosen and told by the people who live here.Trade Review'Author Philip Wilkinson has done an impressively thorough and thoughtful job of putting the 100 in context, with attractive photographs ... With the Angel of the North spreading out welcoming wings on the cover, it's a startlingly eclectic collection.'Stephen McClarence, The Magazine, The Yorkshire PostTable of Contents1. Science and Discovery 2. Travel and Tourism 3. Homes and Gardens 4. Sport and Leisure 5. Music and Literature 6. Loss and Destruction 7. Faith and Belief 8. Industry, Trade and Commerce 9. Art, Architecture and Sculpture 10. Power, Protest and Progress

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Book SynopsisSophie Williamson is Programme Curator: Exhibitions at Camden Arts Centre, London. She has written for frieze, Art Monthly and Aesthetica, and was the first recipient of the Gasworks Curatorial Fellowship in 2016 as well as completing a research residency at SOMA, Mexico City, through which she built a body of research on cultural translation and molecular curation.

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Book SynopsisThy Phu explores photographs produced by dispersed communities throughout Vietnam and the Vietnamese diaspora, both during and after the Vietnam War, to complicate prominent narratives of conflict and memory and to expand understandings of how war is waged, experienced, and resolved.Trade Review“Thy Phu presents a searing and moving lesson in unlearning US imperialism and its entanglement with photography. Through diverse visual archives, she brilliantly shakes core assumptions about photography and war, including the ‘Vietnam War’—actually an ‘American war’ in Vietnam—and what came to be its iconic photographs and overlooked images. Phu's careful work of upsetting imperial geographies and imaginaries of the Cold War (such as North/South) brings that war back home to the South Vietnamese diaspora in a way that presciently speaks to the current moment.” -- Ariella Aïsha Azoulay, author of * Potential History: Unlearning Imperialism *"In this elegant and insightful study, Thy Phu turns to Vietnamese photographers, considering journalistic work, personal and family photos, reenactments, and artistic uses, all with the intent of exploring how Vietnamese people saw themselves and each other through the lens. From the homeland to the diaspora and back, she shows the power of photography to mobilize nations and communities, commemorate loss and absence, and provoke solidarity. What Phu finally shows, so powerfully and persuasively, is that Vietnamese people have always seen and been seen by themselves if not by others.” -- Viet Thanh Nguyen, author of * The Sympathizer *"Intriguing. . . . [Phu] is an elegant, accomplished writer. . . ." -- Thomas A. Bass * Mekong Review *"Warring Visions ... provokes a reevaluation of war photography, of socialist visuality, of memory, loss and diaspora. Reading it has not displaced the lasting power of the image of Kim Phuc from my visual memory, but it has made me think anew about what the stubborn persistence of this image has rendered invisible." -- Hirsch, Marianne * Canadian Literature *"Warring Visions is an effective examination of the multifarious ways that the tool of photography signifies. . . . Valuable for anyone interested in visual culture, archival studies, and diasporic identity against the grain of Western visions of imperialism." -- Collin Hawley * Lateral *"Phu’s book . . . has tremendous importance as a pioneering study of the visual archive produced through national struggle in North and South Vietnam. In fact, I contend that Warring Visions is essential reading for anyone interested in the war and its influence on visual culture." -- Meghan Tibbits-Lamirande * Pacific Affairs *Table of ContentsAcknowledgments vii Note on Language ix Warring Visions: Introduction 1 Part I. Socialist Ways of Seeing Vietnam 1. Aesthetic Form, Political Content 31 2. Revolutionary Vietnamese Women, Symbols of Solidarity 83 Part II. Refractions 3. Reenactment and Remembrance 121 4. Unhomed: Domestic Images and the Diasporic Art of Recollection 147 Epilogue: Visual Reunion 187 Notes 195 Bibliography 213 Index 227

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Book SynopsisAn insightful overview of how Millet influenced and inspired many modernist artists that followed him

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Book SynopsisMaterials have the power to affect human experiences and emotions by helping us build intimate connections with inanimate objects through touch and feel. Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new techniques, and elicit distinct responses from their audiences. Material Matters 04: Paper showcases stunning creative interpretations of the common material across a variety of mediums. From the simple act of folding or tearing different sheets up to create complex new shapes to burning random pieces to make radical elements for an artwork, this edition explores the compelling ways with which the unique characteristics of paper can be cleverly drawn upon or manipulated to shape the outcome of a particular project, with insights into the key techniques featured.

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Book SynopsisMichael Sorkin's iconic list is now in a handsome printed package, a perfect gift for any architect, student of architecture, or design-savvy urbanist. By turns poetic and humorous, practical and wise, this book is a joyful celebration of the craft of architecture. A posthumous book by critic, architect, urban theorist, and educator, Michael Sorkin (1948-2020), 250 Things An Architect Should Know is filled with details that architects love to obsess over, from the expected (golden ratio and the seismic code) to the unexpected (the heights of folly and the prismatic charms of Greek islands.)

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Book SynopsisAre you looking for the perfect fashion templates to capture your creativity? Fashionary have seen the stiff, impractical fashion templates available, and come up with a modern alternative. Their set of 100 pose cards are accurately proportioned, with practical poses that cover basic style to couture to sportswear – even including a built-in filing system to accommodate the busy fashion professional. The guide book includes detailed step by step demonstrations of fashion sketching, beautifully drawn by fashion illustrator Connie Lim.

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Book SynopsisAlison Smith is a sewing expert and tutor. Her sewing school, the Alison Victoria School of Sewing, is the largest independent sewing school in England. Alison regularly speaks at specialist sewing shows, is a regular contributor to Sewing World magazine, and has appeared on the ITV television series Ladette to Lady. In 2013 Alison was awarded an MBE for services to sewing and corsetry.

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Book SynopsisDelve into the popular and competitive world of heroine design as 50 of the world’s finest character artists from the fields of animation, illustration, comics, and games share a behind-the-scenes look at their stunning sketchbook pages, showcasing over 2,500 drawings! A range of styles and genres are explored, including classic comic book superheroines and magical princesses, plus historical, fantasy, and sci-fi heroines from across time and space. From concept sketches and initial thumbnails, to emotions and expressions, outfit variations, and an engaging chosen design, artists share their previously unseen explorations alongside expert advice for crafting compelling heroine designs. Further pages explore action and pose – a library of dynamic sketches with invaluable basic-shape overlays, offering a revealing collection of each artist’s ideas and experiments. "3dtotal Publishing launched a brand-new design series, with the recent release of Character Design Collection: Heroines. This series aims to present inspirational sketches and pose explorations by some of the best character artists out there. This first edition is simply incredible, and perfect for ushering in what I'm sure will be continued greatness ahead with future volumes... This book will surely serve as a fantastic reference for inspiration and a great tool in learning character creation. Highly recommended!” Nick Charles @ Renderosity MagazineTrade Review"3dtotal Publishing launched a brand-new design series, with the recent release of Character Design Collection: Heroines. This series aims to present inspirational sketches and pose explorations by some of the best character artists out there. This first edition is simply incredible, and perfect for ushering in what I'm sure will be continued greatness ahead with future volumes... This book will surely serve as a fantastic reference for inspiration and a great tool in learning character creation. Highly recommended!”Nick Charles @ Renderosity Magazine

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Book SynopsisThis personal notebook reveals Rachel Ashwell’s thoughts about everything she loves, and through her visual story telling she shares her poetic view of life. Painted Stories is a feast for the eyes, heart and soul, and a journey for your mind to wander through. Divided into themed sections which focus on fabric, wallpapers, lighting, bed linens, curtains, slipcovers and upholstery, furniture, rugs, objet d’art and flowers, it is a truly inspirational sketchbook of ideas and is for anyone who has an appreciation for beauty. Interwoven with practical thoughts and tips are Rachel’s thoughts about beauty and aesthetics, and poetry that illuminates her thoughts. Illustrated with watercolour illustrations from a variety of artists, including Ben Peck-Whiston, Rachel believes the ambiguity of artwork over photographs gives a more mindful and timeless approach. This allows the reader to more easily layer in their own thoughts and observations and hopefully be inspired too to tap into their own creativity by pulling together a notebook of their own favourite things which tell their own story.Trade ReviewLooking through the pages is a journey through a Shabby Chic wonderland. You’ll also want to read through the text, which gives insight into Ashwell’s design philosophy and favorite styles... There are also plenty of great design ideas and tips – Forbes

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Book SynopsisTable of ContentsIntroduction 1 Part 1: Fast Track to Super Snaps 5 Chapter 1: First Steps, First Shots 7 Chapter 2: Choosing Basic Picture Settings 53 Part 2: Beyond the Basics 79 Chapter 3: Taking Charge of Exposure 81 Chapter 4: Controlling Focus and Depth of Field 137 Chapter 5: Mastering Color Controls 165 Chapter 6: Putting It All Together 187 Chapter 7: Recording Video 203 Part 3: After the Shot 231 Chapter 8: Playback Mode: Viewing Your Photos 233 Chapter 9: Working with Picture and Video Files 253 Part 4: The Part of Tens 275 Chapter 10: Ten More Customization Settings 277 Chapter 11: Ten Retouch Menu Tricks 287 Chapter 12: Ten Features to Try on a Slow Day 297 Appendix: Intro to Nikon SnapBridge 305 Glossary of Digital Photography Terms 321 Index 329

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Book SynopsisThe Japanese artist Kawanabe Kyōsai (1831–1889) was celebrated for his exciting impromptu performances at calligraphy and painting parties. Dynamic, playful and provocative, Kyōsai delighted his audience with spontaneous and speedy paintings of demons, skeletons, deities and Buddhist saints. These were often satirical, reflecting a time of political and cultural change in Japan. Among his most charming and inventive works are his brilliant depictions of animals, which humorously play the roles of protagonists of modern life. Kyōsai’s important place in Japanese art is here explored in depth by Sadamura Koto, a leading authority on the artist, in this catalogue of the exceptionally rich holdings of the Israel Goldman Collection.Table of ContentsPresident’s Foreword by Rebecca Salter pra 7 Foreword by Israel Goldman 8 Preface by Timothy T. Clark fBa 11 Notes to the Reader 14 Painter at a Boisterous Party: Kyōsai’s Creative Environment in Late Nineteenth-century Japan 17 Catalogue plates and entries 1 From Tradition to Innovation 39 2 Laughing at Modernity 85 3 The Artist Meets His Public 119 Kawanabe Kyōsai (1831–1889): A Chronology 178 Endnotes 182 Bibliography and References 183 Inscriptions and Lists of Artists 186 Index 188

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Book Synopsis“With great power there must also come great responsibility!” Discover the most memorable and funniest Spider-Man moments with this collectible tiny book of quotes!Spider-Man is associated with some of the most famous quotes in all of comics’ history. From hilarious quips to wise proclamations about heroism and responsibility, few super heroes are as quotable as Spider-Man. Now, fans can enjoy their favorite Spidey quotes with this comprehensive, pocket-sized collection. • Take Spider-Man’s heroism with you wherever you go: With its 1.34” x 1.73” size, this tiny book fits in the palm of your hand. • More than 150 quotes: Packed with plenty of one-liners, quips, and inspirational sayings, this tiny book is the ultimate guide to the most quotable moments in Spider-Man history. • Great for collectors of all ages: As a stocking stuffer or a novelty gift for your favorite Marvel fan, this tiny book will delight comic book enthusiasts of all ages. • The perfect addition to your Marvel library: A miniscule but mighty companion to your Marvel collection, Marvel Comics: Spider-Man is the most quotable addition to Insight Editions’ line of tiny books covering Captain America, classic Disney films, and more.

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Book SynopsisMore photos are taken than ever before, but most are neglected and unused. This book suggests new creative directions and explains how you can produce distinctive and exciting works of art. Packed with technical advice and in-depth practical detail, it shows you how to use cameras and equipment for experimental photography. There are ideas on how to develop a creative eye and a personal photographic style. It explains when to use the rules of composition, and when to break them and shows you how to create amazing pictures from everyday objects. It provides inspiration, ideas and techniques for making abstract and pattern pictures, and using textures for artistic impact. Finally, it advises on using software to convert pictures to artwork and how to present art images for maximum effect. Through step-by-step guides and stunning examples, it also helps you create images that tell a personal story. It’s an essential guide to help you take photos that count, not just click away.

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Book SynopsisFirst released in 1901, Thought-Forms was an in-depth exploration on the visual manifestations of thoughts and the notion that they exist as objects. Conceived by renowned theosophists Annie Besant and C.W. Leadbeater, the book consists of 58 illustrations based on Besant and Leadbeater’s clairvoyant observations on how music, emotions, experiences, and colors affect thought forms. Expanding beyond its original readership, the book would have great influence on twentieth-century art and go on to inspire many artists including Wassily Kandinsky, Hilma af Klint, Piet Mondrian, and Paul Klee. This updated edition features a new introduction by famed occult author, Mitch Horowitz.

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Book SynopsisPedro de Mena y Medrano (1628-1688) is the most highly regarded master of Spanish Baroque sculpture, on a par with his contemporaries, the great seventeenth-century painters Velázquez, Zurbarán and Murillo. Mena's contributions to Spanish Baroque sculpture are unsurpassed in both technical skill and expressiveness of his religious subjects. His ability to sculpt the human body was remarkable, and he excelled in creating figures and scenes for contemplation. This first monograph of Pedro de Mena shows incredible details and remarkable images of his hyper-realistic sculptures, full of passion. In addition to text by curator Xavier Bray, Pedro de Mena also features important contributions by José Luis Romeo Torres, curator of the exhibition Pedro de Mena, to be held in Málaga in 2019.

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Book SynopsisThis extensively illustrated volume focuses on William Morris (1834–1896), placing his wallpaper designs within the context of the radical changes in taste witnessed during the Victorian era. Against a backdrop of the fanciful, naturalistic patterns that typified fashionable papers in Morris’s youth, the impact of the Reform Movement of the mid-19th century is underscored, particularly the reformers' crusade against such multi-coloured ornamental decoration. Instead, the insistence on the concepts of honesty and propriety as promoted by A. W. N. Pugin and Owen Jones, are demonstrated as influences on Morris. The role of imported Japanese wallpapers is also explored, giving insight into a seldom-discussed cultural exchange evidenced within the story of Morris & Co, which produced wallpapers from 1864 until 1940 and, after a post-war hiatus, from the 1960s to the present. Amplifying Morris’s role in the creation of an influential and lasting style, his work is set within a selection by other designers, including Christopher Dresser and C. F. A. Voysey. Also introduced are firms of significance including Jeffrey & Co. and Arthur Sanderson & Sons, both of whom block-printed the Morris wallpapers. In a highly visual presentation, what is revealed are influences across time and within a global context, as pertinent to the creation of wallpaper art in the 19th century as it is today.

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Book SynopsisMany of the most successful and recognizable protest movements in the world make use of branding techniques, even when they simultaneously reject the general concepts of branding. Branded Protest dives into this antithesis. It researches the power of branding and the influence it has on current protest movements and gives iconic examples of unique branding-efforts that support protests. We are all exposed to branding: from a torn sheet of cardboard scrawled with handwriting to slick corporate advertising campaigns. Here, we take up the term branding to assess the visualization of iconic protest movements, and to identify the unique tools used to attract the general public and activate people to join in. Branding has become a means to unify a movement and to give protest a visual identity. For Branded Protest we spoke with organizers of protest movements around the world, to identify the particular techniques that help movements deliver a unique and clear message.

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Book SynopsisThe growing variety of materials available for interior applications makes the process of selecting and sampling them ever more complex and time-consuming. This manual from the Construction and Design series provides concise information on the subject alongside a wealth of inspiration. It offers an overview of materials suited to particular components of a building – including walls, ceiling, and floors – and objects. Both traditional and new materials are described in a knowledgeable and practical manner. It is not only a mate­rial itself that determines the appearance of a surface, but also the design and arrangement of the joins. After a material’s surface, the chosen laying pattern is the next key aspect that influences its spatial effect. The book, therefore, includes a wide range of different laying patterns. It conveys fundamental knowledge of materials and their application, and thus serves as a reference book, a sampling guide, and a compendium for students.

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Book SynopsisOver forty million people a year travel to Vegas, more than to Mecca. It is a global celebrity, an improbable oasis, a place offering bank-breaking fortunes and instant gratification, 24/7, with no moral debits. Award-winning writer Timothy O’Grady lived in Vegas for two years. He finally began to understand it when he talked to people who had grown up there, the children of the card dealers and cocktail shakers, the jugglers and the dancers – young people who had been bearing witness to this strange city all their lives. One had her student loans and credit card limits stolen by her father. Another fled a sequence of exploiters until she found herself living in the storm drains under the casinos. There is the boy whose father entered him into a drinking contest when he was eight, the casino owner’s son, the erudite contortionist turned stripper. Each tells their own tale.In Children of Las Vegas, O’Grady renews his partnership with renowned photographer Steve Pyke. Through short essays, Pyke’s portraits and ten witness testimonies, he pierces the city’s glittering façade to reveal the darker reality that lies beneath.Trade Review'These are brave, honest, articulate stories, the children wise beyond their years . . . A modern fairy tale' Martina Evans, Irish Times

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Book SynopsisFeaturing 600+ sketches depicting a vast array of beautiful animal forms, detailed faces, and more, Draw Like an Artist: 100 Realistic Animals is a must-have visual reference book for student artists, scientific illustrators, urban sketchers, and anyone seeking to improve their realistic drawing skills. This contemporary, step-by-step guidebook demonstrates fundamental art concepts like proportion, anatomy, and spatial relationships as you learn to draw a full range of creatures, all shown from a variety of perspectives. Each set of illustrations takes you from beginning sketch lines to a finished drawing. Author Melissa Washburn is a skilled illustrator whose clear and elegant drawing style will make this a go-to sourcebook for years to come.Draw Like an Artist: 100 Realistic Animals is the third book in the Draw Like an Artist series following Faces and Figures and Flowers and Plants. The books in the Draw Like an Artist series are richly visual references for learning how to draw classic subjects realistically through hundreds of step-by-step images created by expert artists and illustrators.Table of ContentsIntroduction How to Use This Book Tips for Better Line Control SECTION 1: FAMILIAR HOUSEHOLD ANIMALS German Shepherd Greyhound Beagle Boston Terrier Corgi Puppy Tabby Cat Persian Cat Kitten Goldfish Guinea Pig Gecko Rabbit Mouse Rat Ferret Box Turtle Parakeet SECTION 2: OTHER DOMESTIC ANIMALS Horse Foal Goat Sheep Pig Cow Duck Chicken Chick Camel Llama Chinchilla SECTION 3: WILD ANIMALS Fox Wolf Tiger Lion Squirrel Chipmunk Bat Raccoon Opossum Porcupine Prairie Dog Grizzly Bear Polar Bear Panda Koala Lemur Gazelle Rhinoceros Hippopotamus Deer Elk Moose Kangaroo Beaver Giraffe Elephant Gorilla Sloth Zebra Bobcat Cheetah Chimpanzee Capuchin Monkey Otter Seal Walrus Manatee Whale Dolphin SECTION 4: BIRDS Owl Robin Flamingo Woodpecker Penguin Ostrich Heron Hummingbird Chickadee SECTION 5: REPTILES, AMPHIBIANS, CEPHALOPOD Chameleon Iguana Bullfrog Tortoise Alligator Python Octopus SECTION 6: DETAILS AND PARTS Canine Head and Features Canine Front vs. Side Pose Canine Feet Canines in Motion Feline Head and Features Feline Front vs. Side Pose Feline Feet Felines in Motion Horse Head and Features Horse Legs and Feet Horse in Motion Birds in Flight Bird Feet Drawing Fur Drawing Feathers About the Author Acknowledgments

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Book Synopsis'A really good starting point to discover what lights you up' - Emma Gannon 'Unlock your inner creativity and ease your anxiety' Daily Telegraph THE MULTI-MILLION-COPY WORLDWIDE BESTSELLER Since its first publication, The Artist's Way has inspired the genius of Elizabeth Gilbert, Tim Ferriss, Reese Witherspoon, Kerry Washington and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron guides readers in uncovering problems and pressure points that may be restricting their creative flow and offers techniques to open up opportunities for growth and self-discovery. A revolutionary programme for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life. 'Each time I've learned something important and surprising about myself and my work ... Without The Artist's Way, there would have been no Eat, Pray, Love' - Elizabeth GilbertTrade ReviewThe queen of change * New York Times *I absolutely love this book ... It's a really good starting point to discover what lights you up -- Emma GannonIt's a great tool for any type of creative person. I've given away so many copies -- Tayari JonesMorning pages has become a household name, a shorthand for unlocking your creative potential * Vogue *It's a big dog book ... [morning pages] gets all the gunk out of my head so that I can just start afresh and focus on whatever is in front of me -- Michaela ColeI talk about this book all the time - I use quotes from it when I interview people, I use techniques from it to improve how I work, I'm pretty obsessed with the book, I've read it twice, it's amazing -- Fearne CottonJulia Cameron is the queen of morning routines [and] has been unlocking our inner creative spirits for more than two decades. Everyone is doing The Artist's Way ... it'll make you more creative * The Cut *Fascinating (and fun) ... Three times in the last decade I've committed to doing The Artist's Way's program, and each time I've learned something important and surprising about myself and my work ... Without The Artist's Way, there would have been no Eat, Pray, Love -- Elizabeth GilbertIf you have always wanted to pursue a creative dream, have always wanted to play and create with words or paints, this book will gently get you started -- Anne LamottUnlock your inner creativity and ease your anxiety * Daily Telegraph *I found my way to writing to an artist workbook called The Artist's Way by Julia Cameron ... Being introduced to that book, over 20 years ago, really changed my life. I still do [the morning pages] every day; it gets everything out - right at the top of the day. All the anxiety, all the fear, all the mess - it comes out and then it cracks open and leads you to wherever it is that you're supposed to be inside your creativity. I never wrote until I started The Artist's Way, so I would say: Start there -- Billy PorterSo inspiring -- Reese WitherspoonI picked this book up for the first time when I was twenty-one years old. It completely changed my life. I did it again ten years ago and the impact was again life-altering. Something in my soul was stirring me to come back to it. So ... here we go ... I'm excited to meet myself on this path again -- Kerry WashingtonIt's for any blocked artist ... a year into making the album, I had all this incredible material, it was flowing but then it stopped. Going to the studio was too much pressure. I read a book called The Artist's Way [and] that's how I got back to writing. -- J.ColeThis is a book that addresses a delicate and complex subject. For those who will use it, it is a valuable tool to get in touch with their own creativity -- Martin ScorseseIf you'd like to learn more about getting into the creative mode, I highly recommend The Artist's Way by Julia Cameron -- John CleeseCameron wants you to have a serious think about what you really want from your life * The Times *Julia Cameron invented the way people renovate the creative soul * New York Times *Cameron is simply encouraging her readers to be a bit more open, more patient, and kinder to themselves * New Yorker *This book has been revolutionary in my creative life. It's a must-read for every artist -- Ito AghayereA classic that never loses its power -- Amanda de CadenetUnleashing our creative potential is the key to a more meaningful life * Psychologies *The Artist's Way is great ... the moment I did that, that's when [the music] started to flow -- Ed O'BrienThe book that made a real impact on me is The Artist's Way by Julia Cameron. My friend [actress and comedian] Sophie Willan recommended it to me years ago, and I still have it on my desk. It enables anyone to tap into their creative self regardless of themselves - we often get in our own way when trying to achieve. Want to write that novel? That play? This is the book. -- Lemn SissayThe Artist's Way by Julia Cameron is my favourite book -- Precious Lee * Vogue *Cameron's morning pages have shaped the lives of millions of others -- Elle Hunt * The Guardian *I've must have read thousands of books, but the one that changed my life is without a doubt The Artist's Way. I am constantly recommending it to my friends and to anyone who is going through a tough time or feels creatively blocked. I have learned so much about myself and what blocks me in my creativity, and even in my daily life, by reading this book. The Artist's Way helped me recover my sense of identity, and gave me a sense of the possibility of what I could achieve for myself ... for me it was a lifesaver -- Patricia Gibney, author of Silent Voices * The Irish Independent *Everything creative I've done has led from the freedom this book gave me. After I read The Artist's Way, I wrote a comedy show and took it to Edinburgh ... this book truly changed the path my life was taking [and] I still go back to it when I feel stuck -- Cariad Lloyd, host of Griefcast and author of You Are Not AloneAbsolutely incredible -- Naomie Harris OBEIf there's a key takeaway from Julia Cameron's cult book The Artist's Way, it's morning pages: the daily practice of three pages of longhand, stream-of-consciousness writing done first thing in the morning. Many writers and artists swear by them. * AnOther Magazine *

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Book SynopsisThe study Reimagining the Library of the Future investigates the various models of public buildings and civic space through the lens of the library. It takes a critical look at the history, present, and future transformation of this significant building typology that has recently emerged as a redefined community place, social condenser, and urban incubator for knowledge generation, storage, and sharing. In particular, the library has evolved as a vibrant and vital member of community development and as a basis for outreach efforts. This book presents 40 recent public and academic libraries from around the world, with over 200 images. As the survey of precedents shows, the historical cases have informed the design of the recent libraries and the continuous development of the building type over time. Well-designed libraries are now in abundance, and the wider view of this study includes médiathèque and learning centres. The selection of contemporary projects focuses on urban libraries in Europe (Germany, Italy, Austria, Netherlands), the US, Canada, Mexico, Australia, Japan, and China.Trade Review"Taking at a critical stance at the history, present, and future transformation of this significant building typology, the 220-page book looks at 40 recent public and academic libraries from around the world." - World Architecture Community"The primary objective… is to investigate the various models of public library buildings and explore the continuous evolution of library design." - Public Library Quarterly

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Book SynopsisAs seen in The New York Times, The Atlantic, and The Telegraph A compelling gallery of women who made their way into a man's world, shown through group portraits each featuring a lone woman An original approach to gender equality, this striking pictorial statement brings to light the compelling and undeniable phenomenon of 'the only woman': across time and cultures, groups of artists, activists, scientists, servants, movie stars, or metal workers have often included exactly and only one woman. Covering examples from nearly 20 countries, from the advent of photography until the present day, author Immy Humes reveals and reframes how women and men have related socially in surprising and poignant ways. This is a fresh contribution to visual and cultural history full of unheard stories, courage, achievement, outrage, mystery, fun, and extraordinary women. A unique focus on women and men in public life from 1860 to the present day charting the phenomenon of 'the only woman' from countries including the USA and the UK, France, Peru, Mexico, India, China, Japan, and Australia. The book features both unknown and well-known women from a diverse range of backgrounds including writers, conductors, civil-rights leaders, domestic workers, sportswomen, and lawyers as well as princesses, railway workers, boxing promoters, and astronauts.Trade Review'The Only Woman dramatizes the high price of tokenism.' – Gloria Steinem 'It only takes one woman to make magic!' – Diane von Furstenberg 'A fascinating new book ... rich pickings.' – Samira Ahmed, Front Row, BBC Radio 4 'A simple but powerful premise.' – Amanpour & Co.‘With few words, [this] book speaks volumes.’ – NPR 'Immy Humes portrays a compelling gallery of women who paved the way in journalism, politics and beyond.' –Telegraph‘Images and backstories of figures … as well as a bevy of unknowns, who defiantly left their mark on a man’s world.’ – Oprah Daily 'A compelling reflection on history and culture.' – Cool Hunting '[One of] the year';s most giftable coffee table books.' – New York Magazine, The Strategist 'Ingenious.' – Elephant 'Serves as a powerful recount of women's roles in society and the ongoing fight for a seat at the table.' – Galerie 'Deeply satisfying.' – Hyperallergic 'A giftable glimpse of history.' – Bookpage 'Women that pushed their way into the shots, climbed the ladder, and used their voices – the most powerful weapon we have – to make change.' – Sandra Maas, Trailblazing Women Series at the Women's Museum of California '100 group photos from throughout the history of photography, each of which features only one woman, while examining social equality.' – Publishers Weekly 'Get ready for a fascinating glimpse into history's unsung glass ceiling breakers.' – Stylist 'Will make for some really good conversations, and you'll learn a lot too.' – The Stripe 'Fascinating history.' – Jessica Bennett, Wait Really? 'A unique focus on women and men in public life from 1860 to the present day.' – Avocado Diaries

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Book SynopsisThe Franco-Swiss photographer Hélène Binet (b. 1959) is renowned for making images that express an intimate experience of architecture. Using a combination of analogue and digital techniques, her photographs are both a representation and a discovery of her subjects, all of them buildings that break the mould, pushing daringly at the boundaries of their time. In this selection of some ninety of her photographs – ranging from the baroque London churches of Nicholas Hawksmoor and the Jantar Mantar Observatory in Jaipur through to buildings of contemporary architects Le Corbusier, Peter Zumthor, John Hejduk, Daniel Libeskind and Zaha Hadid – her work is revealed in all its subtlety and quiet sensitivity.

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Book SynopsisHow do you divide a line into three? Or five? Or seven? Is there a simple way to marry harmony and geometry? What is the secret diagram alluded to by writers of antiquity? In this groundbreaking book, philosopher Adam Tetlow reveals the long lost Helicon, the master diagram of the ancient arts and crafts.Watch in astonishment as this magical geometric figure produces simple fractions, musical harmonies, Pythagorean triangles, perspective and more. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

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Book SynopsisIn Cosmopolitics of the Camera, the leading experts in the field present Les Archives de la Planète (The Archives of the Planet) – Albert Kahn’s stunning collection of early colour photography and documentary film – and discuss the extraordinary intellectual context from which it grew. The archives, collected between 1909 and 1932, show the cultural richness and diversity of humanity at a time of drastic geographical and historical change. Consisting of 183,000 metres of film, 72,000 autochromes and more than 6,000 stereographs, it portrays the beauty and creativity of cultures, and their fatal disappearance of which Kahn believed to be only a question of time. The Archives of the Planet was one of a string of institutions for research and international cooperation established in Kahn’s utopian World Gardens near Paris. Some of the best-known minds of the age met there regularly in order to discuss the problem of how to make new media of communication serve the cause of peace and human development. The Cosmopolitics of the Camera presents ten expert voices from seven different countries, studying the work of Kahn and his key collaborators, the geographer Jean Brunhes and the philosopher Henri Bergson, in the spirit of their culturally diverse venture, placing it in its proper historical and intellectual context, and exploring its ambitious achievements and failures. By pushing Kahn’s work back into active discussion, the analysis forces us to reflect on the ways our world is shaped and recorded by the media, and reactivates the time capsule that Kahn designed to communicate with the future.Table of ContentsIntroduction Kjetil Ansgar Jakobsen and Trond Erik Bjorli PART 1: HISTORY OF THE COLLECTION 1. The Archives of the Planet: Between Science and Action – Valérie Perlès 2. Photography, Gunpowder and Fertilizer: Albert Kahn's Norwegian Journey – Trond Erik Bjorli 3. Japan in The Archives of the Planet – Anne Sigaud 4. The Archives of the Planet and the First World War – Emmanuelle Danchin PART 2: COSMOPOLITICS 5. Pacifist Photography: Seeing the Face of Humanity – Jay Winter 6. Experimental Cosmopolitanism: The Limits of Autour du Monde-ism in the Kahn Archive – Paula Amad 7. The Kahn Archive: A Visual Memory That Is Truly Cosmopolitan? – Kjetil Ansgar Jakobsen and Milena Nikolova 8. The Archives of the Planet: Between Cosmopolitanism and Patriotism – Anne Sigaud 9. Henri Bergson and Albert Kahn: The Cosmopolitan Method – Kjetil Ansgar Jakobsen PART 3: AESTHETICS OF A WORLD ARCHIVE 10. Autochromes in Service of Human Geography: Jean Brunhes and the Aesthetics of The Archives of the Planet – Franziska Scheuer 11. Bergson's Aesthetics? Autochroming a World of Memories – Kjetil Ansgar Jakobsen 12. Digital Returns: The Archives of the Planet and the 'Rhythm of Life' – Trond Lundemo Postscript: The Digital Futures of Historical Media Archives – Wolfgang Ernst References Bibliography

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Book SynopsisDiscover the tales behind the ties in Stephen Fry''s witty companion to our most distinguished accessory''A well-tied tie is the first serious step in life'' Oscar Wilde''What do ties matter, Jeeves, at a time like this?'' ''There is no time, sir, at which ties do not matter'' P.G. Wodehouse ________ Every single one of Stephen Fry''s ties - whether floral, fluorescent, football themed; striped or spotty, outrageous or simply debonair - tells an intimate tale about a moment in Stephen''s life. Inspired by Stephen''s hugely popular Instagram posts, this book will feature beautiful, hand-drawn illustrations and photographs to celebrate his expansive collection of man''s greatest clothing companion: The Tie, in all its sophisticated glory. Distinctively funny and offering witty asides, facts and personal stories, this book will make the perfect gift for anyone who has ever worn a tie.Trade ReviewWhat do ties matter, Jeeves, at a time like this?' 'There is no time, sir, at which ties do not matter' * P. G. Wodehouse *A well-tied tie is the first serious step in life -- Oscar WildeClothes make the man. Naked people have little or no influence on society -- Mark Twain

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Book SynopsisThe photographer behind Life magazine’s first ever all-color photographic essay, Ernst Haas made—and captured—history as an early adopter of Kodachrome film. The Austrian-born artist had already established himself as a black and white photographer when he moved to America in 1951. But as a member of the renowned Magnum agency, he transformed the genre with his color-saturated images, the perfect medium for capturing America’s geographic and cultural landscapes. From desert storms, Route 66 gas stations, and Las Vegas neon to rolling prairie, dilapidated farms, small-town parades, and city sidewalks, Haas’ perfectly composed images, contain a distinct pictorial language, suffused with poetry, pattern, and light. At the same time his pictures communicate a journalist’s point of view, whether the subject is rural poverty, suburban comfort, or the myth of the American West. This remarkable book offers a vision of America that feels both poignantly distant and reassuringly familiar.

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Book SynopsisSnowdrops are known as the 'harbingers of spring' at a time when there is little else in flower in the garden to brighten the dull winter months. No-one should be without these dainty white gems which can symbolize innocence, purity and hope. The author describes all known snowdrop species, the cultivation of garden-worthy varieties and their naming as well as their history in early European and English literature. He includes the earliest reference to the English word 'Snowe Dropps' in 1615, preceding the previous earliest reference to 'Snow drops' in 1633. For novice gardeners and those who have never grown snowdrops before he describes how to grow just a few reliable varieties, with advice on buying, planting, dividing, looking after snowdrops, labelling, diseases and companion plants. He also dispels the myth that snowdrops are difficult and don't survive well in gardens, giving advice on all aspects of snowdrop culture. For galanthophiles varieties are recommended to extend their collection. This advice is based on personal experience from growing over 100 different cultivars in his town garden in Oxford. The sequence of flowering of different snowdrop varieties from October to March is described, including the autumn-flowering Queen Olga's snowdrop. This diary format of their emergence will help gardeners learn how there can be snowdrops flowering for six months of the year. The book is illustrated with a stunning selection of close-up images of different varieties of snowdrops to help aid identification of these dainty flowers. Included in the chapter on snowdrop art are many historical images from the earliest-known snowdrop woodcut in Dodoens' European Herbal, 1568 to more recent 19th century images. No other author on snowdrops has attempted such an extensive description of snowdrop art over the centuries, including advice from Jacquie Hibbert on how to paint snowdrops, or has described the evolution of this art form for snowdrops. The book concludes with a useful index of all 22 recognized species and over 100 varieties with reference to international collections.

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Book SynopsisThis textbook introduces design students to key principles of three-dimensional form, bridging aesthetics and practical design objectives. It explores how we see and what it is that characterises visually appealing and satisfactory design.Written by an experienced designer, educator and researcher, The Aesthetics of Industrial Design equips students with the knowledge and understanding of how aesthetically superior design is distinct from lesser work. It explains the key principles and concepts they can incorporate into their own designs, encourages readers to investigate and experiment with real design problems and enables them to verbally communicate their design intentions. The book prompts readers to critically reflect on their work and surroundings. Through numerous clear examples and illustrated case studies, which are guided by cognitive science and the application of aesthetic theory, the book brings together the basic aspects of design as form-giving. ITrade Review"This book covers a wide range of issues which are important for the future of design. The fact that the author gives tasks throughout the book is a helpful feature. I appreciate that the author encourages discussions when things don’t easily fall into categories or are more complex so there are no simple answers. I believe this book which attempts to merge theory and practice is important to publish. It gives us all a possibility to discuss the complexity of such an undertaking and start discussions about how we formulate basic aesthetic principles that are free from judgement and when value judgements are made that apply principles in specific design processes." - Cheryl Akner-Koler, Professor, Department of Design, Interior Architecture and Visual Communication / Industrial Design, University of Arts, Crafts and Design, Stockholm, Sweden"A much needed and highly lucid exposition of the thought and technique behind successful industrial design for students of this and allied professions. Endearingly opinionated and idiosyncratic in places, the book offers a path from professional philosophy to thoughtful execution of high class industrial design work. Useful exercises and debating points are provided for the benefit of tutors and students alike." - Peter Barker, Head of School, Design and Communication, Plymouth College of Art, UK"This book is a brilliant example of why Kurt Lewin was right in stating that there is "nothing as practical as a good theory" (1943). Through a row of examples of good, functional, robust, aesthetically appealing and beautiful design as well as "design mistakes" and "bad designs", the author, associate professor Richard Herriott from Design School Kolding takes us through theories about visual perception, constrains, lines, surfaces and curvature, product semantics and craftmanship and discusses the implications of these theories for design. Even if some of the theories are complicated reading, Herriott takes the reader by hand and illustrates the theoretical concepts and terms via reference to examples from real world design, models and drawings. The book covers an impressive number of ideas and invites the reader to think about and re-think design as well as reflecting upon the role of the designer in the contemporary design practice. Doing this, the book is a great vehicle for designers aiming to create and analyse objects that are aesthetically pleasing and for others to understand the science of forms and the building blocks of good design."- Lene Tangaard, Rector of the Kolding Design School, Denmark"Disagreeing with Richard Herriott is a source of great pleasure. Not because standing at the opposing end during an argument lends one a feeling of superiority - far from it - but because few people can make a point the way Richard does. His immense knowledge provides him with references that are, at the very least, curiously entertaining and at best enlightening. His intellect then allows Richard to process these select references in highly original a manner. I’m delighted that this book provides many people with the opportunity to sneak a peek into Richard Herriott’s singular mind. They may agree or disagree with what they find - but they will certainly be all the wiser for it." - Christopher Butt, writer and design critic, founder of Auto-Didakt and Design Field Trip"The human brain is a mystery. Barely developed since mankind evolved itself into this peculiar world, we still react on basic instincts and pre-coded assumptions. We think we know, but we don’t. We think we’re in control, but we’re not. So we need to learn. And of all our senses, our visual perception is our least reliable. Richard Herriot has created a fantastic book that enlightens us and opens our mind to understand better how our brain acts and reacts on our visual surroundings, such as form, function, design and visual perception in general. In a well ridden and richly illustrated piece, he guides us through various elements in modern design such as the human visual system, the complexity in form and function, how we look at and understand shapes and form etc. Starting with the already known theories, Richard Herriot describe and discusses the complexity and compromises we make daily in our visual world. Wisdom and knowledge mixed with simple illustrations and easy to use exercises. It’s a must read for everybody working with visual art forms, teachers, designers, photographers, architects, artists etc, a need to read for everybody interested in how our brain works when it comes to visual perception - and a nice to read for everybody else that just want to know. A welcoming and necessary book in a time where everything runs so fast that we tend to forget what we already know." – Kåre Birk, teacher in Furniture, Space and Products; Scandinavian Design College, Denmark"This book covers a wide range of issues which are important for the future of design. The fact that the author gives tasks throughout the book is a helpful feature. I appreciate that the author encourages discussions when things don’t easily fall into categories or are more complex so there are no simple answers. I believe this book which attempts to merge theory and practice is important to publish. It gives us all a possibility to discuss the complexity of such an undertaking and start discussions about how we formulate basic aesthetic principles that are free from judgement and when value judgements are made that apply principles in specific design processes." - Cheryl Akner-Koler, Professor, Department of Design, Interior Architecture and Visual Communication / Industrial Design, University of Arts, Crafts and Design, Stockholm, Sweden"A much needed and highly lucid exposition of the thought and technique behind successful industrial design for students of this and allied professions. Endearingly opinionated and idiosyncratic in places, the book offers a path from professional philosophy to thoughtful execution of high class industrial design work. Useful exercises and debating points are provided for the benefit of tutors and students alike." - Peter Barker, Head of School, Design and Communication, Plymouth College of Art, UK"This book is a brilliant example of why Kurt Lewin was right in stating that there is "nothing as practical as a good theory" (1943). Through a row of examples of good, functional, robust, aesthetically appealing and beautiful design as well as "design mistakes" and "bad designs", the author, associate professor Richard Herriott from Design School Kolding takes us through theories about visual perception, constrains, lines, surfaces and curvature, product semantics and craftmanship and discusses the implications of these theories for design. Even if some of the theories are complicated reading, Herriott takes the reader by hand and illustrates the theoretical concepts and terms via reference to examples from real world design, models and drawings. The book covers an impressive number of ideas and invites the reader to think about and re-think design as well as reflecting upon the role of the designer in the contemporary design practice. Doing this, the book is a great vehicle for designers aiming to create and analyse objects that are aesthetically pleasing and for others to understand the science of forms and the building blocks of good design."- Lene Tangaard, Rector of the Kolding Design School, Denmark"Disagreeing with Richard Herriott is a source of great pleasure. Not because standing at the opposing end during an argument lends one a feeling of superiority - far from it - but because few people can make a point the way Richard does. His immense knowledge provides him with references that are, at the very least, curiously entertaining and at best enlightening. His intellect then allows Richard to process these select references in highly original a manner. I’m delighted that this book provides many people with the opportunity to sneak a peek into Richard Herriott’s singular mind. They may agree or disagree with what they find - but they will certainly be all the wiser for it." - Christopher Butt, writer and design critic, founder of Auto-Didakt and Design Field Trip"The human brain is a mystery. Barely developed since mankind evolved itself into this peculiar world, we still react on basic instincts and pre-coded assumptions. We think we know, but we don’t. We think we’re in control, but we’re not. So we need to learn. And of all our senses, our visual perception is our least reliable. Richard Herriot has created a fantastic book that enlightens us and opens our mind to understand better how our brain acts and reacts on our visual surroundings, such as form, function, design and visual perception in general. In a well ridden and richly illustrated piece, he guides us through various elements in modern design such as the human visual system, the complexity in form and function, how we look at and understand shapes and form etc. Starting with the already known theories, Richard Herriot describe and discusses the complexity and compromises we make daily in our visual world. Wisdom and knowledge mixed with simple illustrations and easy to use exercises. It’s a must read for everybody working with visual art forms, teachers, designers, photographers, architects, artists etc, a need to read for everybody interested in how our brain works when it comes to visual perception - and a nice to read for everybody else that just want to know. A welcoming and necessary book in a time where everything runs so fast that we tend to forget what we already know." – Kåre Birk, teacher in Furniture, Space and Products; Scandinavian Design College, DenmarkTable of Contents1. How do we see? 2. Resolving the constraints 3. Lines, surfaces and curvature 4. Craftsmanship 5. The meaning of the object and its elements: Product semantics

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Book SynopsisA magnificently illustrated showcase of the work of 300 women photographers from all over the world, from the invention of the medium to the dawn of the 21st century. As in many fields of art history, the work of women photographers has often been overlooked, and few of their names are now widely recognized. However, women were closely involved in all major photography movements of the 19th and 20th centuries, and have used the camera as an extraordinary tool for emancipation and experimentation. These are artists who never stopped documenting, questioning and transforming the world, breaking down social boundaries, challenging gender roles and expressing their imagination and sexuality. To capture the diversity of this global body of work, Luce Lebart and Marie Robert have invited 160 international women writers to contribute to this volume, which is a bold and beautifully illustrated manifesto as well as an invaluable work of reference.Trade Review'Even when they have been recognized in their lifetime, women photographers have been erased from the history of the medium. This beautiful book sets the record straight' - Charlie Hebdo'A landmark publication' - Elle'A huge variety of expression and experimentation by women photographers … Magisterial!' - Madame Figaro'Encyclopedic ... Teems with fascinating mini-biographies and introduces us to a truly inspiring cast of characters' - Rangefinder'A volume of considerable importance ... With the publication of [this book], Lebart & Robert are expanding the history of photography and creating a world we want' - Art Photo Collector'As 'A World History of Women Photographers' demonstrates, women have been involved at every stage in the development of the medium, frequently in the front ranks ... There are many famous names in this vast survey...but the surprise pleasures are the lesser known' - The New York Times Book Review'This beautifully illustrated showcase is an exceptional reference book of photography through the decades' - New Statesman'Excellent ... This epic book is sure to play a significant role in creating a richer, more accurate and balanced narrative' - Amateur Photographer'A vital, beautiful and eye-opening look at the many ways women have used the camera as a tool for experimentation and self-expression' - The i'This is life caught on the wing, from China to Mexico and the streets of Palermo, as poignantly local in its angles of view as it is revealing' - The Tablet'An encyclopedic collection of images that goes back to the beginning of the medium' - The Globe and Mail

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Book SynopsisMila Azul is one of MetArts all-time top models, a vivacious brunette with a sweet face and huge natural breasts. The adorable Ukrainian babe takes such obvious pleasure from sharing her spectacular body, her smile bewitching as she bares her flawless ass and lets her big, beautiful breasts bounce enticingly. Her slender frame and tiny waist make those whopping natural wonders all the more astonishing. Since her first appearance in 2016 at the tender age of 19, Mila has been viewed on MetArt more than three million times, and she is frequently voted the worlds number one erotic star by its members. Her innate self-assurance and playful sex appeal are simply irresistible, whether shes dressed up in sexy lingerie, playing the charming girl-next-door, or perfectly nude. And whenever she gets naked, her dark eyes shine with such naughtiness you cant help falling a little bit in love. MetArt listet Mila Azul als eines der "Allzeit-Top-Models". Die lebhafte Brunette punktet mit süßem Gesicht und ihren natürlichen Brüsten. Die begehrenswerte ukrainische Schönheit genießt es sichtlich, Ihren Körper zu präsentieren und flirtet hemmungslos mit der Kamera. Ihr Lächeln betört uns genauso wie ihr strammer Hintern und ihre prächtigen Brüste, die mehr bieten als die übliche aristokratische Handvoll. Die gertenschlanke Figur und schmale Taille bringen diese zwei hüpfenden Wunderdinger magisch zur Geltung. Seit ihrem Debut mit 19 Jahren haben die MetArt-Freunde den Auftritt dieses antörnenden Springinsfelds mehr als 3 Millionen mal angeschaut. Und sie wird von den MetArt-Abonnenten fortwährend als weltweit bester Erotik-Star ausgezeichnet. Ihr heißer und spielerischer Sexappeal ist einfach unwiderstehlich, egal ob in Lingerie, als Girl von nebenan oder ganz nackt. Und wenn Mila frech mit ihren dunklen leuchtenden Augen schaut, dann kann man als entfernter Voyeur durchaus Regungen einer ersten Liebeswallung empfinden Wie definieren Sie Schönheit? Mit dieser Frage beschäftigt sich MetArt seit zwanzig Jahren. Als weltweit führendes Unternehmen im Bereich der künstlerischen Aktfotografie und des Films hat es sich MetArt zur Aufgabe gemacht, die bezauberndsten Mädchen zu präsentieren, die unseren Planeten zieren, wobei viele von ihnen sich zum ersten Mal vor der Kamera ausziehen. Besuchen Sie noch heute www.MetArt.com und erlangen Sie Zutritt zum grössten Erotik-Portal der Welt.

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