Art music, orchestral and formal music Books
Cambridge University Press A Treatise upon Modern Instrumentation and Orchestration Cambridge Library Collection Music
Book SynopsisThis is a translation of the second (1858) edition of Berlioz's treatise by Mary Cowden Clarke, daughter of music publisher Vincent Novello. The work was quick to establish itself as a standard text, and reflects Berlioz's keen understanding of instrumentation and the orchestra as both composer and conductor.Table of ContentsIntroduction; 1. Instruments; 2. Instruments played with a bow - the violin; 3. The viola; 4. The viole d'amour; 5. The violincello; 6. Double-basses; Stringed instruments played with the hand; Stringed instruments with keys; Wind instruments; Table of transposing and non-transposing instruments; Reed instruments; Wind instruments without reeds; Wind instruments with key-boards; Brass instruments with mouth-pieces; Instruments with a mouth-piece, and of wood; Voices; Instruments of percussion; New instruments; The orchestra; The orchestral conductor - theory of his art.
£29.99
Cambridge University Press Music How it Came to Be What it Is Cambridge
Book SynopsisHannah Smith (18491939) was an educator and composer for children, and published her concise history of music and musical instruments in 1898. It was aimed at the enthusiast, and allows us to see how music and its progress were regarded at the turn of the twentieth century.Table of ContentsPreface; Introduction: musical acoustics; 1. Ancient music; 2. Mediaeval music; 3. The Belgian school; 4. Music in Italy; 5. Evolution of the modern scale; 6. The opera; 7. The oratorio; 8. Instrumental music; 9. Precursors of the piano-forte; 10. Development of piano-forte playing; 11. The orchestra; Index.
£24.99
Cambridge University Press Some Ancient Christmas Carols with the Tunes to Which They Were Formerly Sung in the West of Englan Cambridge Library Collection Music
Book SynopsisA significant figure in the scientific community of his day, and a mentor to the chemist Sir Humphry Davy and his successor as president of the Royal Society, Davies Gilbert (1767â1839) also represented his native Cornwall in Parliament for almost thirty years. His love of his county and his concern to preserve its customs led him to publish in 1822 this collection of eight Christmas folk carols, the first of its kind, drawing on Cornwall's rich oral tradition. In his preface, Davies paints a heartwarming picture of the Christmas Eves of his childhood when, 'in the evening, cakes were drawn hot from the oven; cyder or beer exhilarated the spirits in every house; and the singing of Carols was continued late into the night'. From 'The Lord at first did Adam make' to 'Let all that are to mirth inclined', these simple ballads reflect the West of England's festive heritage.Table of ContentsPreface; 1. The Lord at first did Adam make; 2. When God at first created man; 3. A virgin most pure; 4. When righteous Joseph wedded was; 5. Hark! hark! what news the angels bring; 6. Whilst shepherds watched their flocks by night; 7. God's dear son without beginning; 8. Let all that are to mirth inclined.
£19.99
Cambridge University Press The Present State of Music in Germany the Netherlands and United Provinces Or The Journal Of A Tour Through Those Countries Undertaken To Collect 1 Cambridge Library Collection Music
Book SynopsisAlthough a well-connected music teacher by profession, Charles Burney (1726â1814) gained greatest recognition for his writings on music. In this 1773 work, reissued here in its 1775 second edition, Burney recounts the 1772 journey that he undertook as one of two research trips for his General History of Music (1776â89). Throughout his travels, he was welcomed by the leading musicians of the day and heard many performances of the latest music. The whole account provides an invaluable first-hand insight into European musical life in the eighteenth century. Burney's General History and The Present State of Music in France and Italy (1772), the record of his first tour, are also reissued in this series. Volume 1 includes his visits to Munich, Cologne and Frankfurt, and to Vienna where he spent considerable time with the librettist Metastasio and the composers Hasse and Gluck.Table of ContentsIntroduction; St Omers; Lisle; Courtray; Ghent; Alost; Brussels; Antwerp; Lovain; Liege; Maestrick; Aix la Chapelle; Juliers; Cologn; Bonn; Coblentz; Darmstadt; Manheim; Schwetzingen; Ludwigsburg; Ulm; Augsburg; Munich; Nymphenberg; Munich; Passau; Lintz; Vienna; Index.
£33.99
Cambridge University Press The Present State of Music in Germany the Netherlands and United Provinces Or The Journal Of A Tour Through Those Countries Undertaken To Collect 2 Cambridge Library Collection Music
Book SynopsisAlthough a well-connected music teacher by profession, Charles Burney (1726â1814) gained greatest recognition for his writings on music. In this 1773 work, reissued here in its 1775 second edition, Burney recounts the 1772 journey that he undertook as one of two research trips for his General History of Music (1776â89). Throughout his travels, he was welcomed by the leading musicians of the day and heard many performances of the latest music. The whole account provides an invaluable first-hand insight into European musical life in the eighteenth century. Burney's General History and The Present State of Music in France and Italy (1772), the record of his first tour, are also reissued in this series. Volume 2 includes his visit to Potsdam to hear Frederick the Great's flute playing, and to Hamburg where he was welcomed by C. P. E. Bach.Table of ContentsAdvertisement; Bohemia; Prague; Dresden; Leipsic; Berlin; Potsdam; Hamburg; Bremen; Low countries; Index.
£32.99
Cambridge University Press Debussy in Context
Book SynopsisExploring the many dimensions of Debussy's historical significance, this volume charts the influences, relationships and performances that shaped his creativity in the complex world of Belle Époque Paris. Reflecting the latest research, chapters focus on key aspects of his career and the sources of his enduring popularity.
£90.25
Cambridge University Press Luigi Dallapiccola and Musical Modernism in Fascist Italy
Book SynopsisTracing the history of musical modernism in Italy from the fin de siècle to the Cold War, this book follows the work of Luigi Dallapiccola, the leading Italian composer of the mid-twentieth century, as he moved from support for the fascist regime to a committed resistance to totalitarianism.Table of ContentsPreface; 1. Modernism before fascism; 2. The true spirit of Italian music; 3. Fascist modernism; 4. Protest music?; 5. The politics of commitment.
£31.90
Cambridge University Press The Cambridge History of FifteenthCentury Music
Book SynopsisThrough forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. The chapters range from overviews of major themes to provocative reassessments of humanism, the work concept, improvisation, and other central topics.Table of ContentsIntroduction Anna Maria Busse Berger and Jesse Rodin; Part I. Historiography: (a) Listening: 1. Hearing Josquin hearing Busnoys Michael Long; 2. Religion and the senses in fifteenth-century Europe Klaus Pietschmann; (b) Terms and Concepts: 3. The work concept Laurenz Lütteken; 4. The L'homme armé tradition – and the limits of musical borrowing Jesse Rodin; (c) Composer Studies: 5. Guillaume Du Fay: evidence and interpretation Alejandro Enrique Planchart; 6. Jean d'Ockeghem Lawrence F. Bernstein; 7. Josquin and epistemology Jesse Rodin; Part II. Improvisation and Composition: 8. Oral composition in fifteenth-century music Anna Maria Busse Berger; 9. Improvisation as concept and musical practice in the fifteenth century Philippe Canguilhem; 10. How did Oswald von Wolkenstein make his contrafacta? Anna Maria Busse Berger; 11. Making a motet: Josquin's Ave Maria…virgo serena John Milsom; 12. The origins of pervasive imitation Julie E. Cumming and Peter Schubert; Part III. Humanism: 13. Humanism and music in Italy James Hankins; 14. Fifteenth-century humanism and music outside Italy Reinhard Strohm; 15. Poetic humanism and music in the fifteenth century Leofranc Holford-Strevens; 16. Canterino and Improvvisatore: oral poetry and performance Blake Wilson; 17. Liturgical Humanism: saints' offices from the Italian peninsula in the fifteenth century Alison K. Frazier; Part IV. Music and Other Arts: 18. Architecture and music in fifteenth-century Italy Deborah Howard; 19. Music and feasts in the fifteenth century Anthony M. Cummings; 20. French lyrics and songs for the New Year, c.1380–1420 Yolanda Plumley; Part V. Music in Churches, Courts, and Cities: 21. Musical institutions in the fifteenth century and their political contexts Klaus Pietschmann; 22. Music and musicians at the Burgundian court in the fifteenth century David Fiala; 23. The papal chapel in the late fifteenth century Richard Sherr; 24. The beneficial system and fifteenth-century polyphony Pamela F. Starr; 25. Professional women singers in the fifteenth century: a tale of two Annas Bonnie J. Blackburn; 26. Savonarola and the boys of Florence: songs and politics Patrick Macey; Part VI. Religious Devotion and Liturgy: 27. Music and ritual M. Jennifer Bloxam; 28. Marian devotion in the fifteenth century David J. Rothenberg; 29. Affective literature and sacred themes in fifteenth-century music Anne Walters Robertson; Part VII. Theory and Practice: 30. Measuring measurable music in the fifteenth century Anne Stone; 31. The transformative impulse Emily Zazulia; 32. Transformations in music theory and music treatises Evan A. MacCarthy; Part VIII. Sources: 33. Polyphonic sources, c.1400–50 Margaret Bent; 34. Polyphonic sources, c.1450–1500 Thomas Schmidt-Beste; Part IX. Genres: 35. The polyphonic mass in the fifteenth century Andrew Kirkman; 36. The fifteenth-century motet Laurenz Lütteken; 37. Fifteenth-century song Nicole Schwindt; 38. Instrumental music in the fifteenth century Keith Polk; 39. Sacred song in the fifteenth century: cantio, carol, lauda, Kirchenlied Reinhard Strohm; 40. Plainsong in the age of polyphony Richard Sherr; Part X. Reception: 41. The most popular songs of the fifteenth century David Fallows; 42. The nineteenth-century reception of fifteenth-century sacred music Andrew Kirkman; 43. The modern reception of the music of Jean d'Ockeghem Lawrence F. Bernstein; 44. Recordings of fifteenth-century music Honey Meconi; 45. Solidarity with the long-departed: fifteenth-century echoes in twentieth-century music Richard Taruskin.
£32.99
Cambridge University Press The Cambridge Verdi Encyclopedia
Book SynopsisVerdi''s enduring presence on the opera stages of the world and as a subject for study by scholars in various disciplines has placed him as a central figure within modern culture. His operas, including La traviata, Rigoletto and Aida, are among the most frequently performed worldwide and his popularity from the mid-nineteenth century to the present day is undisputed. The Cambridge Verdi Encyclopedia covers all aspects of Verdi''s life, his music and his world. Appendices list Verdi''s known works, both published and unpublished, the characters in his operas and the singers who created them, and a chronology of his life. As a starting point for information on specific works, people, places and concepts associated with Verdi, the Encyclopedia reflects the very latest scholarship, presented by an international array of experts and will have a broad appeal for opera lovers, students and scholars.Trade Review'… commanding in its reach …' Classical CD Choice'… accessible and readable … vital and valuable.' Classical Music'A good test of any book on Verdi is how much sense the writer can make of the frequently confusing libretti (something accomplished here with great aplomb).' Barry Forshaw, Classical CD Choice'… includes the work of the leading Verdi scholars of our time. You have a multitude of highly authoritative voices which result in a remarkable stimulating read … I love that Marvin has resisted the idea of giving every single entry on every single opera exactly the same shape … each scholar has taken a different approach and that's absolutely marvellous. As you get to know Verdi better, you also get to know the people who have worked on him.' Francesco Izzo, Five Books (fivebooks.com)Table of ContentsPreface and acknowledgements; Guide to using the Encyclopedia; A-Z general entries; Appendix A. Worklist; Appendix B. Opera casts/characters tables; Appendix B1. Role creators/roles/operas; Appendix B2. Roles/operas/role creators; Appendix B3. Operas/roles/role creators; Appendix C. Chronology of Verdi's life; Bibliography and further reading.
£28.99
Cambridge University Press The Empire at the Opéra
Book SynopsisAlthough nineteenth-century legislation had tried to ensure a precise separation between genre and institution for Parisian music in the theatre, it had inadvertently laid out a field on which the politics of genre could be played out as agents and actors of all types deployed various forms of artistic power. During the Second Empire, from 1854 until 1870, the state took over day-to-day control of the Opéra in ways that were without precedent. Every element of the Opéra''s activity was subjugated to the exigency of Empire; the selection or artists, works and more general questions of artistic policy were handed over to politicians. The Opéra effectively became a branch of government. The result was a stagnation of the Opéra''s repertory, and beneficiaries were the composers of larger-scale works for competing organisations: the Opéra Comique and the Théâtre Lyrique.Table of Contents1. Introduction; 2. Technologies of power; 3. Artistic management; 4. Repertory; 5. The diplomatic imperative; 6. Opera, power and repertory; 7. Other pasts, other presents; 8. French pasts; 9. Opéra comique; 10. Conclusion.
£17.00
Cambridge University Press The Cambridge Companion to Amy Beach
Book SynopsisIn recent decades, the music of Amy Beach has made an impressive return to concerts, recordings, and the academy. This book introduces Beach's compelling music and life story to those as yet unfamiliar with her work. Drawing on recently uncovered archival sources, it will expand the resources available to students, scholars and listeners.Table of ContentsPart I. Historical Context: 1. Between composer's desk and piano bench: Amy beach's life and works E. Douglas Bomberger; 2. Amy beach and the women's club movement Marian Wilson Kimber; 3. 'A reality of glorious attainment': Amy beach's Macdowell colony Robin Rausch; 4. Amy beach and her publishers Bill F. Faucett; Part II. Profiles of the Music: 5. Amy beach's keyboard music Kirsten Johnson; 6. Songs of Amy beach Katherine Kelton; 7. 'Worthy of serious attention': the chamber music of Amy beach R. Larry Todd; 8. The power of song in beach's orchestral works Douglas W. Shadle; 9. Choral music Matthew Phelps; 10. Beach's dramatic works Nicole Powlison; Part III. Reception: 11. Phoenix redivivus: Beach's posthumous reception E. Douglas Bomberger.
£22.99
Cambridge University Press Mendelssohn Time and Memory
Book SynopsisFelix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn''s innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn''s work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn''s music, the study presents a new and provocative reading of the meaning of the composer''s work by connecting it to wider cultural and philosophical ideas.Table of ContentsIntroduction; 1. The idea of cyclic form; 2. Musical history and self-consciousness: the Octet, Op. 20; 3. Returning home: the E major Piano Sonata, Op. 6; 4. In search of lost time: the A minor Quartet, Op. 13; 5. Overcoming the past: the E flat Quartet, Op. 12; 6. Cyclicism in Mendelssohn's mature music.
£31.90
Cambridge University Press Instrumentalists and Renaissance Culture 14201600
Book SynopsisThis cultural history of instrumental music in Renaissance cities, courts and homes will appeal to a broad range of disciplines and performers. Victor Coelho and Keith Polk show that a full understanding of the contributions of instrumentalists is essential for any accurate assessment of Renaissance culture.Trade Review'… a rich and variegated picture of how instrumentalists created, functioned, and lived. Specific case studies of individual Renaissance instrumentalists and events serve to illustrate trends in instrumental practice during the long Renaissance.' Michael Eisenberg, Notes'Victor Coelho and Keith Polk have both made significant contributions to the study of instrumental music in the Renaissance … a welcome and much needed contribution to the scholarship of instrumental music in the Renaissance.' Eric Thomas, European History QuarterlyTable of ContentsPrologue: the culture of Renaissance instrumental music; 1. Renaissance instrumental music and its patrons; 2. A source-based history of Renaissance instrumental music; 3. The players; 4. Instrumental music for celebration and ceremony; 5. The instrumentalist's workshop: pedagogy, intabulation, and compositional process; 6. Renaissance instruments: images and realities; Epilogue.
£36.87
Cambridge University Press Medieval Polyphony and Song
Book SynopsisRevealing the rich variety of polyphonic music and Latin and vernacular song that developed in Europe from the early Middle Ages to the late fourteenth century, this book guides student readers and music-lovers through the techniques of melody, harmony, rhythm, and notation that characterise these different genres of medieval music.Trade Review'This excellent new introduction will transform the appreciation of medieval song. Deeming and van der Heijden have written a brilliantly concise guide without compromising on meticulous scholarship and fascinating detail. Readers will find an engaging and historically grounded account of music making in the European Middle Ages, abundantly interspersed with freshly chosen examples expertly designed to be accessible and interactive.' Ardis Butterfield, Yale University'Providing an expert introduction to seven centuries of European polyphony and song is a daunting task, but Deeming and van der Heijden meet the challenge in highly impressive fashion. Every chapter is chock-full of information, and the in-depth discussions of individual pieces provide micro-tutorials on all important aspects of medieval music theory and practice.' Thomas Schmidt, The University of ManchesterTable of Contents1. Introduction and historical outline; 2. Monastic centres in the early middle ages; 3. Court and cloister in Aquitaine and Occitania; 4. City, cathedral, and university in Paris; 5. Courts and cities in northern France; 6. Scribes, scholars, and secretaries in fourteenth-century France; 7. England after the Norman conquest; 8. On the shores of the mediterranean: Italy, Sicily, and the Iberian Peninsula; 9. The German- and Dutch-speaking lands; 10. Medievalisms: modern encounters with medieval polyphony and song; Glossary; Bibliography; Discography; Index.
£25.64
Cambridge University Press The Cambridge Companion to the Harpsichord
Book SynopsisWritten by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J. S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, the Nordic and Baltic countries, and colonial Spanish and Portuguese America. With musical examples, illustrations, a timeline of the harpsichord, and an appendix of composers, reliable editions and original sources, this book is for all who love the harpsichord, or want to learn more about it.Trade Review'This book is a valuable addition to the existing literature on this subject, to be commended to every harpsichord student or aficionado.' Thérèse de Goede, Early MusicTable of ContentsIntroduction; 1. History and construction of the harpsichord John Koster; 2. The Virginalists Pieter Dirksen; 3. England Andrew Woolley; 4. The Netherlands and Northern Germany Ton Koopman; 5. Southern Germany and the Austro-Hungarian Empire to 1750 Pieter Dirksen; 6. France Mark Kroll; 7. Italy Rebecca Cypess; 8. Portugal João Pedro d'Alvarenga; 9. Spain Águeda Pedrero-Encabo; 10. Domenico Scarlatti in Portugal and Spain João Pedro d'Alvarenga and Águeda Pedrero-Encabo; 11. Russia Marina Ritzarev; 12. The Nordic and Baltic countries Anna Maria McElwain; 13. The harpsichord in colonial Spanish and Portuguese America Pedro Persone; 14. Bach, Handel and the harpsichord Robert L. Marshall; 15. The harpsichord in ensemble Mark Kroll; 16. Contemporary harpsichord music Larry Palmer; 17. Tuning and temperament Paul Poletti.
£25.64
Cambridge University Press The Spectral Piano
Book SynopsisThe most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Liszt, Scriabin and Debussy. In The Spectral Piano, Marilyn Nonken explores these shared fascinations and the parallels between the movement's contemporary aesthetics and psychological research.Trade Review'Marilyn Nonken belongs to a generation of new music performers who bring subtlety, nuance and even humour to complex music; hers is the leading recording of the piano music of Tristan Murail, who is one of the composers featured in her new book, The Spectral [Piano]. A great value of Dr Nonken's study is that she sets the Spectral movement in a wide historical context, going back indeed to Liszt and Scriabin; another that she demonstrates the influence of Murail and Gérard Grisey (together with their teacher Messiaen) on composers beyond France, arguing convincingly for the far-reaching influence and implications of Spectral concerns. What is particularly welcome is that here is a scholar whose writing carries particular authority, based as it is on her experience of understanding and communicating the music as its performer.' Peter Hill, University of Sheffield'Marilyn Nonken's new book on spectral music for the piano is a screaming success … Few books can boast as much, and it is gratifying to encounter an international concert performer who can make so engaging a discourse around her core repertoire.' Bob Gilmore, TempoTable of Contents1. An intimate history; 2. Itinerary; 3. Protospectralists at the piano; 4. The first generation; 5. The spectral effect; 6. Spectral music and its pianistic expression Hugues Dufourt.
£29.44
Cambridge University Press French Organ Music in the Reign of Louis XIV
Book SynopsisPonsford takes a fresh approach to French Baroque organ music by analysing each genre chronologically and tracing influences from Italian and French secular music. The study enhances understanding of French influence on J. S. Bach, and will appeal to all those who play, study and admire this unique repertory.Trade Review'Here is a book the organ world has been waiting for: an authoritative account of French Baroque organ music from Louis Couperin to Clérambault, based on an examination of the repertoire by genre rather than simply by composer, thus revealing many new insights. Moreover, the links between stylistic analysis and performance practice make the book essential reading for both performers and scholars.' Kenneth Gilbert'David Ponsford's analytical book on French classical organ music is a very welcome addition to the small number of works in English on this subject … The book is well indexed and I suspect that the work's true value will be as a reference tool for organists wrestling with performance issues for specific composers and pieces. This book is a must-have for any serious organist.' William McVicker, Choir and Organ'An invaluable aid to understanding and appreciating its subject.' Early MusicTable of Contents1. Introduction; 2. Genre; 3. The conventions of notes inégales; 4. Ornaments; 5. Fingering; 6. The influence of Italian music; 7. Plein jeu; 8. Fugue; 9. Duo; 10. Récit de dessus; 11. Récit en taille; 12. Récit de basse; 13. Trio; 14. Fond d'orgue; 15. Grand jeu.
£23.99
Cambridge University Press Stravinskys Piano
Book SynopsisGraham Griffiths places Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, at the centre of a fundamental reconsideration of the composer's entire output - viewed from the unprecedented perspective of his relationship with the piano.Trade Review'… an eloquently written monograph that traces the influence of Stravinsky's pianism on his compositional process … Stravinsky's Piano is a resounding success that will be celebrated by the Stravinsky community for years to come.' Music and Letters'This is a well-written, engaging book that delves into technical discussion of compositional processes while remaining eminently readable … Highly recommended. Upper-division undergraduates, graduate students, faculty, and professionals.' K. Boyd, Choice'With this extremely readable book, Griffiths has made a significant contribution to Stravinsky research. His focus on the concept of 'pal'tserazvitiye' is particularly fascinating. His next research project is eagerly awaited.' Mai Ikehara, Ongakugaku: Journal of the Musicological Society of JapanTable of ContentsIntroduction; 1. Becoming a Russian musician; 2. Becoming a neoclassicist; 3. Stravinsky's piano workshop; 4. Departures and homecomings; Conclusions.
£25.64
Cambridge University Press Performing Operas for Mozart
Book SynopsisIan Woodfield discusses the central role played by the Prague Italian opera company in performing Mozart's works in late eighteenth-century Bohemia and Saxony. The book focuses on the organisation of the company, its annual schedules, recruitment networks, casting policies and repertoire selections.Trade Review'No less noticeable than (Woodfield's) scholarly rigour are many signs of his capacity for intriguing speculation and lateral thinking.' Early MusicTable of ContentsIntroduction; 1. Pasquale Bondini; 2. Die Entführung aus dem Serail; 3. The Italian troupe in Prague; 4. The Prague Figaro; 5. The genesis of Don Giovanni; 6. The première of Don Giovanni; 7. The casting of Don Giovanni; 8. The Leipzig Don Giovanni; 9. The 1788 Prague Don Giovanni; 10. Mozart's music in Leipzig; 11. Josepha Duschek's Academy (22 April 1788); 12. Mozart's Academy (12 May 1789); 13. Guardasoni in Warsaw; 14. The première of La clemenza di Tito; 15. The Leipzig reception of the Da Ponte operas (1792–4); 16. Guardasoni diversifies; Conclusion; Bibliography.
£31.90
Cambridge University Press The Cambridge Companion to Operetta
Book SynopsisThose whose thoughts of musical theatre are dominated by the Broadway musical will find this book a revelation. From the 1850s to the early 1930s, when urban theatres sought to mount glamorous musical entertainment, it was to operetta that they turned. It was a form of musical theatre that crossed national borders with ease and was adored by audiences around the world. This collection of essays by an array of international scholars examines the key figures in operetta in many different countries. It offers a critical and historical study of the widespread production of operetta and of the enthusiasm with which it was welcomed. Furthermore, it challenges nationalistic views of music and approaches operetta as a cosmopolitan genre. This Cambridge Companion contributes to a widening appreciation of the music of operetta and a deepening knowledge of the cultural importance of operetta around the world.Trade Review'… finally, a collection of essays published by Cambridge University Press makes some of these new debates [about operetta] available to an English speaking audience … a great overview of many new trends in scholarship … attractively packaged and priced.' Kevin Clarke, Operetta Research Center'… the editors can be congratulated on the breadth and variety of the contents. Aimed at varying levels of knowledge as the chapters are, the book should provide informative reading for operetta students of a wide range of knowledge …' Andrew Lamb, www.zarzuela.net'I defy you not to learn something and expand your knowledge by reading this Companion. It is also the sort of book to return to again and again to look up a reference, or to find information in one of the many bibliographies. In short, a veritable mine of information and well worth the small price asked … Highly recommended!' John Groves, Operetta Research Center'[This book] deserves to take its place ... on the short (but growing) bookshelf of every operetta lover.' Richard Bratby, Gramophone'The 18 essays in this excellent compendium look at the origin, development, and distinct national characteristics of various types of light musical dramatic types that came to be known collectively as operetta … this book will interest scholars of Jewish studies as well as scholars of music and drama. The bibliography is excellent, as are lists of books and films … Highly recommended.' W. E. Grim, ChoiceTable of ContentsIntroduction Anastasia Belina and Derek B. Scott; Part I. Early Centres of Operetta: 1. French operetta: Offenbach and company John Kendrick; 2. Viennese Golden-Age operetta: drinking, dancing and social criticism in a multi-ethnic empire Lisa Feurzeig; 3. London and Gilbert and Sullivan Bruno Bower; 4. Hungarians and Hungarianisms in operetta and folk plays in the late Habsburg and post-Habsburg era Lynn Hooker; 5. Operetta in the Czech National Revival – the Provisional Theatre years Jan Smaczy; Part II. The Global Expansion of Operetta: 6. Going global: the international spread of Viennese Silver-Age operetta Stefan Frey; 7. Spain and Zarzuela Christopher Webber; 8. Camping along the American operetta divide (on the road to the musical play) Raymond Knapp; 9. Operetta in Russia and the USSR Anastasia Belina; 10. Operetta in the Nordic countries (1850–1970) Pentti Paavolainen; 11. Operetta in Greece Avra Xepapadakou; Part III. Operetta since 1900: 12. The operetta factory: production systems of Silver-Age Vienna Micaela Baranello; 13. Berlin operetta Tobias Becker; 14. Operetta in Italy Valeria De Lucca; 15. Operetta in Warsaw Anastasia Belina; 16. British operetta after Gilbert and Sullivan Derek B. Scott; 17. Operetta during the Nazi regime Matthias Kauffmann; 18. Operetta films Derek B. Scott; 19. 'Jazz was the dynamite that exploded the harmlessness of the Viennese operetta!' (Interviewer: Ulrich Lenz.) Interview with Barrie Kosky.
£25.64
Cambridge University Press French Music and Jazz in Conversation
Book SynopsisThis book explores the rich historical-cultural interactions between French concert music and American jazz in the first half of the twentieth century (190065), from both perspectives. Deborah Mawer provides a set of detailed musical case studies on Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck.Trade Review'This is the book for which jazz scholarship has long been waiting: at last, the hugely significant interactions between jazz and modern concert music have been unravelled with the insight, technical understanding and contextual awareness they deserve. Professor Mawer delves deeply into this two-way process in a series of fascinating case studies which celebrate some of the most exciting and far-reaching musical cross-fertilizations of the twentieth century.' Mervyn Cooke, Professor of Music, University of Nottingham'At once an important survey of French music and jazz history, Mawer's book also brilliantly draws attention to the compelling cross-references and interactions between these worlds. The theoretical sophistication of the academy seamlessly merges with the dynamism of a jazz club, and the resulting mix has the intellectual and musical power of both.' Michael Beckerman, Carroll and Milton Petrie Professor of Music, New York UniversityTable of ContentsIntroduction. French music and jazz: cultural exchange; Part I. Locations and Relations: 1. A historical-cultural overview; 2. Critical-analytical perspectives: intertextuality and borrowing; Part II. The Impact of Early Jazz upon French Music (1900–35): 3. Debussy and Satie: early French explorations of cakewalk and ragtime; 4. Milhaud's understanding of jazz and blues: La Création du monde; 5. Crossing borders: Ravel's theory and practice of jazz; Part III. The Impact of French Music upon Jazz (1925–65): 6. Hylton's interwar 'jazzed' arrangements of French classics; 7. (Re)moving boundaries? Russell's Lydian jazz theory and its rethinking of Debussy and Ravel; 8. Bill Evans's modal jazz and French music reconfigured; 9. Milhaud and Brubeck: French classical teacher and American jazz student.
£31.90
Cambridge University Press Bachs Feet
Book SynopsisFrom 1500, the independent use of the feet in musical performance at the organ was unique to Germany and vital to its cultural standing in Europe. Yearsley presents an account of this mode of music-making spanning some 500 years, including reappraising J. S. Bach's crucial role in that history.Trade Review'There is much to enjoy in this compelling study.' Early Music'Part of [Yearsley's] intent in writing Bach's Feet, which is clearly a labor of love, is to reintroduce the organ into general musicological discourse, and perhaps even attract some lay readers. His book certainly deserves to succeed in its mission, and the organ, as he says, is 'ready for a comeback'.' NotesTable of ContentsIntroduction; 1. Inventing the organist's feet; 2. Harmonies of the feet, visions of the body; 3. Walking towards perfection: pedal solos and cycles; 4. The pedal in the cosmopolitan age of travel; 5. Treading the globe: the world-wide expansion of the German pedal ideal; 6. Bach's feet.
£23.74
Oxford University Press Inc Industry Bang on a Can and New Music in the
Book SynopsisTrade ReviewAiding Robin in his efforts to weave the history of Bang on a Can through these broader vistas are his tremendous skills as a writer, honed through his experience as a professional music critic. The result is a book that is not only illuminating but also a genuine pleasure to read. * Eric Drott, Journal of the Royal Musical Association *This book is a tribute to the survival of emerging musical forms. * S. Lenig, CHOICE *Ready-made for introducing scholars, students, and the general public to the culture of new music in the late twentieth-century. Accessible and informative, Robin—in the spirit of his subject—has written scholarship that nonetheless just might reach new people. * Journal of Musicological Research *This book is a tribute to the survival of emerging musical forms. Summing Up: Highly recommended. * CHOICE *This is an excellent book. It tells a series of interwoven stories – a tale of three composers and their music, a tale of a festival and its house band, a tale of new music in New York and how that music configured itself in relation to state and corporate funding. Industry is a reminder that a book with real scholarly significance can also be a good read. * Christopher Fox *Industry: Bang on a Can and New Music in the Marketplace, by William Robin, an assistant professor of musicology at the University of Maryland, is a colorful, insightful, and admirably evenhanded study of Bang on a Can in its early years and, by extension, of the creative upheavals in the music world at the end of the twentieth century. * Tim Page, New York Review of Books *Sparks vital conversation about what music based on solidarity might one day look like. * The Wire *In the past decade, William Robin has established himself not only as one of America's most formidable younger musicologists but also as an incisive, eloquent writer in the public sphere. His study of Bang on a Can gives lavish evidence of his multisided brilliance: it is at once an absorbing historical narrative and an exacting work of critical analysis. No scholar or fan of contemporary American music can do without it. * Alex Ross *One thing that becomes clear over the course of Industry is the degree to which the group's embrace of the market in practical terms amounted to an embrace of marketing. * Eric Drott, Journal of the Royal Musical Association *Table of ContentsList of illustrations Introduction 1. Academics 2. Horizons 3. Festivals 4. Funding 5. All-Stars 6. Lincoln Center 7. Record labels Epilogue Chronology Acknowledgements Notes Index
£48.66
The University of Chicago Press Writings Through John Cages Music Poetry Art
Book SynopsisThis volume examines the creative work of the avant-gardist John Cage, from an interdisciplinary perspective. His activities as a composer, performer, thinker and artist are explored.
£999.99
The University of Chicago Press Courtly Song in Late SixteenthCentury France
Book SynopsisUsing courtly song as a window, this work examines the culture of the French royal court. It considers the role of the air de cour in defining patronage hierarchies at court, and the relationship to the world beyond its own confines.
£999.99
The University of Chicago Press Classicism of the Twenties Art Music and
Book SynopsisThe triumph of avant-gardes in the 1920s tends to dominate our discussions of the music, art, and literature of the period. In this book, the author offers a compelling account of that movement. Focusing on the works of Stravinsky, Picasso, and T S Eliot, It shows how the turn to classicism manifested itself.Trade Review"'Classicism' in the earlier twentieth century has been extensively discussed in reference to individual writers, artists, and musicians, but Ziolkowski, dealing with individual cases from an overarching interdisciplinary and international perspective, has brilliantly expanded its multicultural horizons." (Burton Pike, City University of New York)"
£999.99
The University of Chicago Press Sibelius
Book SynopsisJean Sibelius (1865-1957) is one of the twentieth century's greatest composers. This biography explores the composer's formative experiences as a Russian subject and a member of the Swedish-speaking Finnish minority. It traces Sibelius' relationships with his creative contemporaries, with whom he worked to usher in a golden age of music and art.Trade Review"Until now, classical music listeners have not had an adequate context in which to place Sibelius's well-known and much-performed works. With Sibelius, Glenda Goss treats us to a panoramic view of the relevant Finnish background. This is idiosyncratic music from an idiosyncratic place, and Goss provides a generous overview of both. Unabashedly interpretive, this is a comprehensive and compelling look at a major composer and the culture he both influenced and drew upon. Essential reading for all Sibelians." - James Hepokoski, Yale University"
£999.99
University of Chicago Press Yor249b225 B224t225 Goes Global Artists Culture
Book SynopsisResponding to growing international interest in Yoruba culture, practitioners of bata performance - a drumming, dancing, and singing tradition - have presented themselves to the world as an emblem of traditional Nigeria. This work describes the dramatic changes and reinventions of traditional bata performance.
£999.99
The University of Chicago Press Robert Schumanns Advice to Young Musicians
Book Synopsis
£999.99
The University of Chicago Press La Traviata
Book Synopsis
£999.99
The University of Chicago Press Singing in the Age of Anxiety
Book SynopsisIn New York and London during World War I, the performance of liederGerman art songswas roundly prohibited, representing as they did the music and language of the enemy. But as German musicians returned to the transatlantic circuit in the 1920s, so too did the songs of Franz Schubert, Hugo Wolf, and Richard Strauss. Lieder were encountered in a variety of venues and mediaat luxury hotels and on ocean liners, in vaudeville productions and at Carnegie Hall, and on gramophone recordings, radio broadcasts, and films. Laura Tunbridge explores the renewed vitality of this refugee musical form between the world wars, offering a fresh perspective on a period that was pervaded by anxieties of displacement. Through richly varied case studies, Singing in the Age of Anxiety traces how lieder were circulated, presented, and consumed in metropolitan contexts, shedding new light on how music facilitated unlikely crossings of nationalist and internationalist ideologies during the interwar period.
£999.99
The University of Chicago Press The Silent Musician Why Conducting Matters
£999.99
The University of Chicago Press American Orchestras in the Nineteenth Century
Book SynopsisStudies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with. This book reveals that audiences of that era enjoyed far more diverse musical experiences than such focus would suggest.
£999.99
The University of Chicago Press Gamelan Cultural Interaction Musical
Book SynopsisThis work analyzes the music of Java and the development of the gamelan, an ensemble dominated by bronze percussion instruments. Drawing on sources ranging from 12th-century poetry to 20th-century nationalistic writing, it examines historical sources and contemporary cultural theory and criticism.Table of ContentsList of Illustrations Preface Note on Orthography Introduction 1: From Hindu to Islam: The Early History of Javanese Music 2: Javanese Interaction with European Colonialism, Islam, and the Peranakaa Chinese: A Period of Intensive Cultural Development 3: The Impact of Western Thought on Javanese Views of Music 4: Current Theories of Gendhing Conclusion Appendix: Gamelan Instruments Glossary Notes References Index
£999.99
University of Illinois Press The Creative Process in Music from Mozart to
Book SynopsisTracing the genesis of great musical worksTrade Review"An engaging investigation of the creative process and genetic criticism. These deeply thoughtful essays establish an enviable range, from Mozart through the grand figures of the German nineteenth century (Beethoven, Schumann) and beyond to three seminal figures of the twentieth (Mahler, Bartók, Kurtág). A significant contribution."--Richard Kramer, author of Unfinished Music"Few scholars would be able to deftly navigate through material as diverse as the musical sketches of both Mozart and György Kurtag with the ease, perspective, analytical rigour and insight of Kinderman. A masterly chapter on an unfinished piano trio by Beethoven was no surprise from a scholar well known for his research into the latter’s Diabelli Variations, but other chapters devoted to Schumann, Mahler or Bartók are equally probing. The methodology successfully channels Critique génétique, the French literary subdiscipline devoted to the scientific study of creative process in literature, and the many case studies full of musical excerpts could well be adapted to a classroom setting." --Jonathan Goldman, associate professor of musicology, University of Montreal"A significant contribution to musical scholarship."--Fontes Artis Musicae"The Creative Process in Music from Mozart to Kurtág is a remarkable piece of work in terms of both depth and breadth. William Kinderman has succeeded in weaving analytical and historical perspectives into a compelling discourse about how music is created and what it means. Even more astonishing is the scope of this undertaking. Most sketch-study scholars work within the context of 'their composer.' This book expands that context to embrace the past two hundred years. In so doing, Kinderman has raised the bar for all of us."--Friedemann Sallis, author of Music Sketches"This fascinating study explores the way in which an understanding of a composer's creative process may enhance appreciation and the interpretation of the music. In an introductory chapter Kinderman, an authority of sketch studies . . . traces the arguments surrounding the discipline of what has been termed 'genetic criticism.' The Beethoven chapter . . . is but one of the illuminating case studies in a book rich in musical, historical and interpretative detail and which promises to attract new attention to the growing field of genetic criticism."--Arietta
£999.99
University of Illinois Press Bach Perspectives Volume 12
Book SynopsisJohann Sebastian Bach was a Lutheran and much of his music was for Lutheran liturgical worship. As these insightful essays in the twelfth volume of Bach Perspectives demonstrate, he was also influenced by--and in turn influenced--different expressions of religious belief. The vocal music, especially the Christmas Oratorio, owes much to medieval Catholic mysticism, and the evolution of the B minor Mass has strong Catholic connections. In Leipzig, Catholic and Lutheran congregations sang many of the same vernacular hymns. Internal squabbles were rarely missing within Lutheranism, for example Pietists' dislike of concerted church music, especially if it employed specific dance forms. Also investigated here are broader issues such as the close affinity between Bach's cantata libretti and the hymns of Charles Wesley; and Bach's music in the context of the Jewish Enlightenment as shaped by Protestant Rationalism in Berlin. Contributors: Rebecca Cypess, Joyce L. Irwin, Robin A. Leaver, Mark NTrade Review"While many of the previous volumes will be of interest primarily to musicians, the current volume contains studies that will interest many readers of church history, especially Lutherans, and those interested in the relationship of various Christian denominations with each other. " --Lutheran Quarterly"This volume is interesting and contains a wide variety of topics for the reader. . . .This serves as a very specialized collection of essays for the discerning scholar and student, regardless of his or her interest and association with Kantor Bach." --Concordia Theological Quarterly
£999.99
University of Illinois Press Composing a World
Book SynopsisComposing a World is the definitive work on Lou Harrison, the prolific California composer often cited as one of America''s most original and influential figures. The product of extensive research, including seventy-five interviews with the composer and those associated with him over half a century, Composing a World includes chapters on music and dance, intonation and tuning, instrument building, music criticism, Harrison''s political activism, homosexuality, Asian influences, and final years. This edition features an updated catalog of works reflecting compositions completed after 1997. It also includes an annotated work list detailing more than 300 compositions and a CD featuring over seventy-four minutes of illustrative Harrison compositions, including several unique and previously unrecorded works.A compelling and deeply human portrait, Composing a World offers an indispensable study of a beloved musical pioneer.Trade Review"Garrulous and loving, remarkably successful in distilling abstruse musical manipulation--e.g., the mathematics governing the many kinds of tuning in Harrison's music--this is one of those rare musical biographies that draws you close to the subject with words of kindness rather than scholarly gobbledygook or scabrous patter."--Alan Rich, San Francisco Sunday Examiner"An inspirational assessment of the American maverick."--BBC Music Magazine"[S]eemingly manages the impossible in striking a perfect balance between convention and alterity, seriousness and humor, scholarship and celebration, erudition and readability, macrocosm and microcosm . . . A minor musicological miracle."--David Nicholls, Notes
£999.99
MO - University of Illinois Press Aaron Jay Kernis
Book SynopsisWinner of both the Pulitzer Prize and the Grawemeyer Award, Aaron Jay Kernis achieved recognition as one of the leading composers of his generation while still in his thirties. This book offers a mid-career portrait of a major American cultural figure.Trade Review"It is all too rare to have such a comprehensive account of a living composer, one, in fact, of a composer who is still at the height of his creative powers. So Leta Miller's fascinating new book about Aaron Jay Kernis is extremely welcome, not only because it shines light on many of his important compositions, but because it is also a really good read! In revealing that the life of a present day composer can be every bit as compelling as the biographies of the so-called old masters, hopefully it will encourage authors and publishers to further mine the life stories of other leading music creators of our time."--Frank J. Oteri, composer and founding editor of NewMusicBox"Aaron Jay Kernis is one of the most important and original voices in contemporary music. Writing about a living composer and explaining contemporary music present enormous challenges. Leta Miller meets them with uncanny skill. Illuminating Kernis' life and getting to the core of his music, she finds fascinating and important links between them."--Hugh Wolff, Director of Orchestras and Chair of Orchestral Conducting, New England Conservatory"In Leta Miller's wonderfully intimate and detailed portrait of Aaron Kernis, she chronicles his personal and professional progression to become one of the world's leading voices in new music. Her book inspires me to revisit the works I know with new insight, to listen to the works I have missed and to anticipate many years of amazing new creations."--David Shifrin"Enjoyable and readable. The sections on the Pulitzer and Grawemeyer; his studies with Wuorinen; the accounts of rehearsals of his music by Jacob Druckman, Zubin Mehta, and Kurt Masur; the music itself; the variety of styles that he drew from; brief connections to minimalism, rap, jazz, and popular music--all were interesting to read. I found her discussion of turning points within his career, and consistencies within his style (including eclecticism itself), to be strongly supported by the presentation and analyses of his music. Not only does she point out Judaic, popular, and personal references in the music, she provides a wider context of understanding about their meaning in his output as a whole."--Sharon Mirchandani, author of Marga RichterTable of ContentsACKNOWLEDGMENTS vii 1. Introduction 1 2. Learning the Craft: Early Years and Training (1960-1983) 7 3. Kernis Meets the New York Philharmonic 26 4. Coming to Grips with History (1984-1991) 43 5. War, with Interludes (1991-1995) 71 6. Triumphs and Tribulations: Big Commissions, Big Risks, Big Rewards (1995-2001) 100 7. Family Matters (2002-2009) 126 8. Looking to the Future 152APPENDIX: CHRONOLOGICAL LIST OF WORKS 163SUGGESTED LISTENING 171NOTES 173INDEX 185
£999.99
University of Illinois Press The Beautiful Music All Around Us
Book SynopsisTrade ReviewJudith McCulloh Public Sector Award, Society for Ethnomusicology, 2016. ASCAP Deems Taylor Award, 2013. Award for Excellence for Best Research in Folk, Ethnic, or World Music, Association for Recorded Sound Collections (ARSC), 2013. "Extraordinary. . . . A masterpiece of humane scholarship.”--The Wall Street Journal“These stories and the recordings — capturing the voices of everyday people, not pop stars — simply crackle.”-Los Angeles Times"Offers an understanding not only of a musical thread vital to American culture, but of America itself."--Publishers Weekly "Astonishing. . . . These stories are compelling, moving and revelatory."--Chicago Tribune "As compelling as a good detective story, this investigation of field recordings of a bygone era will be embraced by music fans. This book reminds readers that they don't need pop icons to experience passionate music."--Library Journal"A unique, personal, thoroughly documented book, a labor of love. . . . valuable for those with an interest in folklore, popular music, southern cultures, and race relations. . . . Highly recommended."--Choice"A thorough and creative exploration of the histories of recordings made for the Library of Congress in the 1930s and the artists who made them. Stephen Wade has gathered a prodigious quantity of new information and left no stone unturned. Of interest and use to anyone interested in American music."--Norm Cohen, author of Long Steel Rail: The Railroad in American Folksong"Superbly illustrated and with a hundred pages of notes and bibliography, The Beautiful Music All Around Us is at once an essential reference work and a thoroughly enjoyable book."--Times Literary Supplement "In revisiting the human transactions at the heart of these recordings, Wade essentially grants the songs a new life for a new age. Among the book's many virtues are its lively and imaginative narrative interpolations, its vivid song descriptions, its fascinating investigative work, its many colorful personalities and absorbing life-histories, and its often astonishingly trenchant accumulation of detail. A magisterial, monumental book of tremendous sympathy, scope, and imaginativeness."--Robert Cantwell, author of If Beale Street Could Talk: Music, Community, Culture "Wonderfully evocative of a lost America."--Shepherd Express "Combines the persistence of an investigative reporter with the loving hand of a storyteller who keeps peeling away the layers of the lives of his subjects. . . . Remarkable."--The Christian Science Monitor
£15.19
Little, Brown Spark Mozarts Starling
Book Synopsis
£16.14
Random House USA Inc Journey of a Thousand Miles
Book Synopsis“Number One” was a phrase my father—and, for that matter, my mother—repeated time and time again. It was a phrase spoken by my parents’ friends and by their friends’ children. Whenever adults discussed the great Chinese painters and sculptors from the ancient dynasties, there was always a single artist named as Number One. There was the Number One leader of a manufacturing plant, the Number One worker, the Number One scientist, the Number One car mechanic. In the culture of my childhood, being best was everything. It was the goal that drove us, the motivation that gave life meaning. And if, by chance or fate or the blessings of the generous universe, you were a child in whom talent was evident, Number One became your mantra. It became mine. I never begged my parents to take off the pressure. I accepted it; I even enjoyed it. It was a game, this contest among aspiring pianists, and although I may have been shy, I was bold, even at age five, when faced
£14.24
WW Norton & Co The Compleat Mozart
Book SynopsisA Guide to the musical works of Wolfgang Amadeus Mozart.
£23.75
WW Norton & Co The Gesualdo Hex
Book SynopsisA riveting investigation of one of the most provocative musicians of the Renaissance, who continues to captivate composers, artists, and audiences today.Trade Review"[A] brilliant look at how cultural influences propagate through time in strange and unpredictable ways…" -- Library Journal"With his second wonderfully illuminating book on Gesualdo, Watkins reconfirms the extremely significant role he has played in the further understanding of this remarkable prince’s life and work." -- Brett Dean
£26.60
WW Norton & Co Music in the Renaissance
Book SynopsisRenaissance music in its cultural, social, and intellectual contexts.Table of ContentsPart I: Beginnings 1. Music and the Cultures of the Renaissance 2. Learning to Be a Musician Part II: Before 1500 3. Music at Court and a Songbook for Beatrice 4. Piety, Devotion, and Ceremony 5. Structures and Symbols in Cantus Firmus and Canon Part III: Around 1500 6. Number, Medicine, and Magic 7. Music and the Ideal Courtier 8. Josquin des Prez and the "Perfect Art" 9. Scribes, Printers, and Owners Part IV: After 1500 10. Music and the Literary Imagination 11. Music and the Crisis of Belief 12. The Arts of Improvisation, Embellishment, and Variation 13. Empire, Exploration, and Encounter 14. Tradition and Innovation around 1600
£45.12
Associated String Quartet No 2 1959 Set of Parts
Book Synopsis
£30.39
Hal Leonard Corporation Hymns in the Style of the Masters
Book Synopsis
£10.92
G. Schirmer, Inc. A Streetcar Named Desire Vocal Score
Book Synopsis
£48.75
Hal Leonard Corporation Passacaglia
Book Synopsis
£8.54
