Architecture Books

Book SynopsisAuthored by The American Institute of Architects (AIA), this guide is the updated architecture profession's standard on practice issues. This indispensable resource covers all aspects of architectural practice, including legal, financial, marketing, management, and administrative issues.Table of ContentsForeword vii Preface ix Acknowledgments xi About the 15th Edition of the Handbook xv PART 1 THE PROFESSION 1 1 Ethics and Professional Practice 2 1.1 The AIA Code of Ethics and Professional Conduct 2 1.2 Ethics and Architectural Practice 13 1.3 Design Beyond Ethics 19 2 Diversity and Demographics 27 2.1 Diversity and Practice Management 27 2.2 Demographics of Practice: 2012 AIA Firm Survey 36 3 Career Development 52 3.1 Regulation of Professional Practice 52 3.2 Intern Development 68 3.3 The Career Paths of an Architect 82 3.4 AIA Continuing Education System 93 3.5 Participating in Professional Organizations 99 3.6 Participating in Architectural Education 113 4 Public Interest Design 117 4.1 Socially Responsible Design Overview 117 4.2 The Role of Architects in Disaster Response and Recovery 131 4.3 Architects in the Nonprofi t Sector 147 4.4 Public Service and Community Involvement 156 PART 2 FIRM MANAGEMENT 167 5 Organizational Development 168 5.1 Architects and the Law 168 5.2 Entrepreneurial Practice: Starting an Architecture Firm 185 5.3 Strategic Planning for the Design Firm 203 5.4 Firm Growth and Development: How to Build a Creative Culture 216 5.5 Leader Effectiveness 227 5.6 Ownership Transitions 237 5.7 Small-Firm Collaboration 252 5.8 Practicing in a Global Market 262 5.9 Developing and Managing Multiple-Office Firms 275 5.10 Offi ce Administration 291 5.11 Knowledge Management 308 5.12 Information Management and Services 321 6 Marketing and Business Development 332 6.1 Marketing Architectural Services 332 6.2 Developing Marketing Strategy 342 6.3 Public Relations and Communications 355 6.4 Networking and Business Development 370 6.5 Qualifi cations, Proposals, and Interviews 381 7 Financial Management 396 7.1 Navigating Economic Cycles 396 7.2 Financial Management Overview 409 7.3 Financial Management Systems 418 7.4 Developing Annual Budgets and Profit Planning 428 8 Human Resources 444 8.1 Human Resources Management Overview 444 8.2 Compensation Strategy and Philosophy 461 8.3 Recruiting and Hiring: Strategies and Methodology 475 8.4 Professional Development and Mentoring 487 PART 3 PROJECT DELIVERY 507 9 Design Project Delivery 508 9.1 Project Delivery Methods 508 9.2 The Architect’s Role in Construction Manager-Constructor Project Delivery 520 9.3 Integrated Project Delivery Overview 530 9.4 Contractor-Led Design-Build 541 9.5 Architect-Led Design-Build 555 9.6 Architect Developer 563 9.7 Emerging Issues in Project Delivery 577 10 Design Project Management 584 10.1 Managing Architectural Projects 584 10.2 Project Teams 603 10.3 Project Budgets, Work Planning, and Monitoring 621 10.4 Project Management with Building Information Modeling Processes 641 10.5 Design Phases 654 10.6 Construction Drawings 668 10.7 Construction Specifi cations 689 10.8 Bidding and Negotiation 701 10.9 Construction Phase Services 713 10.10 Project Completion and Post-Construction 729 11 Technology in Practice 740 11.1 Technology in Practice Overview 740 11.2 Technology in Project Delivery Phases 754 11.3 Small Firms, Small Projects, and Building Information Modeling 764 11.4 Collaborative Technologies 780 11.5 Technology Management 785 11.6 Emerging Technology in Practice 798 12 Quality Management 810 12.1 Origins and Development of Quality Management 810 12.2 Quality Management in Schematic Design 822 12.3 Checklists 833 12.4 Quality Management in Construction Procurement, Contract Administration, and Post-Construction 847 13 Building Codes, Standards, and Regulations 857 13.1 Building Codes and Standards 857 13.2 Planning, Urban Design, and the Regulatory Environment 880 14 Research in Practice 899 14.1 Research in Practice Overview 899 14.2 Research Methods 911 14.3 Research and Practice 920 14.4 Evidence-Based Design 937 PART 4 CONTRACTS AND AGREEMENTS 951 15 Project Definition 952 15.1 Defi ning Project Services 952 15.2 Services and Compensation 961 15.3 Negotiating Agreement 975 16 Risk Management 989 16.1 Risk Management Strategies 989 16.2 Insurance Coverage for Business and Professional Liability 1007 16.3 Risks and Emerging Practices 1021 16.4 Dispute Management and Resolution 1030 17 Agreements and AIA Document Program 1040 17.1 Agreements with Owners 1040 17.2 Project Team Agreements 1055 17.3 Owner-Generated Agreements 1070 17.4 Construction Contracts 1083 17.5 The AIA Documents Program 1093 Appendix A: Allied Professional Organizations 1113 Appendix B: Glossary 1117 Index 1141 About the Companion Website 1166

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Book SynopsisThe New Pastoralism demonstrates how small-scale additions or conversions using planting and wildlife can bring about engaging, delightful and efficient structures and spaces. The book s numerous contributors each showcase a particular Nature device that they used to enhance their built proposals.Trade ReviewThe ideas are thought provoking and very often beyond reality, but this serves the purpose of making us question things and look at them from an entirely new perspective. (Building Engineer, August 2013)Table of ContentsEditorIal 5 Helen Castle About the GUEST-EDITOR 6 Mark Titman Spotlight 8 Visual highlights of the issue Introduction 14 Dualism is Dead; Long Live the Pastoral Mark Titman Samuel Palmer and the Pastoral Vision 20 Colin Harrison The Golden Age: Between Wilderness and Utopia 26 Dominic Shepherd ‘You Can Touch But Do Not Read’: The ‘Future-Rustic’ Work of Kathryn Findlay 32 Mark Titman The Land of Scattered Seeds 40 John Puttick Wild City: MVRDV – Weaving Nature and the Urban 48 Marta Pozo Gil Surviving Versus Living: Nature and Nurture 56 May Leung Origin of Species 60 Michael Sorkin 68 Quit the Grey Limbo and Return to Paradise68 Matthew Cannon and Mascia Gianvanni Brave New Now 74 Liam Young Dirty Futures: Or How I Learned to Stop Worrying and Love Mother Nature 82 Geoff Ward The Persistence of the Pastoral 86 Nic Clear Landscape Utopianism: Information, Ecology and Generative Pastoralism 94 Gregory Marinic Digital Cottage Industries 100 Mike Aling iPastoral 106 Mark Morris Exist-Stencil 112 Jeffrey James Open Fields: The Next Rural Design Revolution 118 Alastair Parvin Next-Door Instructions 126 François Roche Pastoral Manoeuvres: Ecologies of City, Nature and Practice 134 Duncan Berntsen 138 counterpoint 138 Et in Arcadia ego Et in Arcadia est Kevin Rhowbotham Contributors 142

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Book SynopsisThe new edition of the acclaimed guide to strategic decision-making in community planning, development, and collaboration Based on the results of more than a decade of research by the Pew Partnership for Civic Change, Smart Communities provides directions for strategic decision-making and outlines the key strategies used by thousands of leaders who have worked to create successful communities. Outlining seven leverage points for decision-making used by thousands of leaders who have worked to create successful communities, this new Second Edition offers leaders from both the public and private sectors the tools they need to build a civic infrastructure and create a better future for all the community''s citizens. Second Edition has been thoroughly updated with current knowledge and research Covers new developments from current design thinking and strategy literature to innovation and invention in communities Advises on how toTable of ContentsPreface ix Acknowledgments xxi The Author xxiii 1 Building the Foundation for Community Change 1 2 Investing Right the First Time 27 3 Working Together 55 4 Building on Community Strengths 79 5 Practicing Democracy 101 6 Preserving the Past 121 7 Growing New Leaders 149 8 Inventing the Future 167 References 183 Index 199

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Book SynopsisBecoming an Architect will inspire future architects, career consultants, and human resources professionals alike, providing all the information you ll need to make intelligent decisions about careers in architecture.Table of ContentsForeword xi Preface xiii Acknowledgments xv 1 The Definition of an Architect 1 What Do Architects Do? 2 Design Process 3 Why Architecture? 4 Is Architecture for You? 4 Question—What is Architecture? 5 Career Profiles 12 Profile of the Profession 36 Salary 36 Diversity 37 Question—What Are the Most Important Skills an Architect Needs to Be Successful? 38 Career Profiles 45 2 The Education of an Architect 71 Preparation 72 Activities 72 Programs 72 Academic Coursework 73 Exploration 74 Visits 75 Summers 76 After-School Programs 77 Question—What Advice Would You Provide to Someone Who Wants to Be an Architect? 78 Career Profiles 86 Paths to an Accredited Degree 100 Bachelor of Architecture (B.Arch.) 100 Pre-Professional Bachelor of Science (B.S.) and Master of Architecture (M.Arch.) 100 Undergraduate Degrees (B.A./B.S.) in Fields Other Than Architecture and Master of Architecture (M.Arch.) 102 Doctor of Architecture (D.Arch.) 102 Joint Degrees 102 Post-Professional Degrees 103 Decision-Making Process 103 You 105 Institution 105 Architecture Program 106 Resources 109 Promotional Materials, Videos, Catalogs, and Websites 109 Guide to Architecture Schools/ ARCHSchools.org 110 Career Days in Architecture 110 Campus Visits/Open Houses 110 Admissions Counselor/Administrator 111 Students, Faculty, Alumni, and Architects 111 National Architectural Accrediting Board (NAAB) 111 Architecture Program Report (APR) / Visiting Team Report (VTR) 111 Ranking of Architecture Programs 112 Application Process 112 Application 113 Application Essay/Personal Statement 113 Researching a Graduate Program 114 Test Scores 115 Transcripts 115 Portfolio 115 Recommendations 117 Scholarships/Fellowships/Competitions 118 Career Profiles 119 You Are an Architecture Student 135 Student Performance—Educational Realms and Student Performance Criteria 136 Courses 140 Architecture Electives: A Sample 144 Tools 144 Academic Enrichment 145 Off-Campus Programs (Study Abroad) 145 Independent Study 145 Minors/Certificates 146 Double Major/Degrees/Joint Degrees 146 Lecture Series/Exhibits/Reviews 147 Community Service 148 Mentoring 149 Student Organizations 149 Conclusion 150 Career Profiles 150 3 The Experience of an Architect 167 Gaining Experience as a Student 168 Shadow 168 Volunteer 168 Research with Faculty 168 Externship 168 Internship 169 Cooperative Education 170 Preceptorship 171 Career-Related Experience 171 Gaining Experience as an Emerging Professional 171 Full-Time Positions 171 Volunteer 172 Design Competitions 172 Mentoring 172 Professional Associations 172 Question—What Do You Look for When Hiring a New Designer? 173 Career Profiles 178 A.R.C.H.I.T.E.C.T. 201 Assessment 201 Research 201 Connections 201 Help 202 Interim Positions 202 Tools 202 Experience 203 Commitment 203 Transition 204 Moving toward Licensure 204 Intern Development Program (IDP) 204 Architect Registration Examination (ARE) 206 Intern Development Program (IDP) Experience Categories and Areas 207 NCARB Certificate 210 Conclusion 210 Career Profiles 210 4 The Careers of an Architect 237 Career Designing 237 Assessing 238 Exploring 240 Decision Making 242 Planning 243 Career Profiles 245 Career Paths 266 Architectural Practice 267 Architect Positions 267 Outside Traditional Practice 268 Beyond Architecture 269 The Career Paths of an Architect 272 Career Profiles 273 5 The Future of the Architecture Profession 297 Sustainability 299 New Technologies/Social Media 299 Building Information Modeling (BIM) 300 The Future of Architects 300 New Practices 301 Integrated Project Delivery (IPD) 302 Collaboration 302 Diversity 302 Globalization 303 Public Interest Design 303 Distance Education/Learning 303 The Future 304 The Next Architect: A New Twist on the Future of Design 304 Question—What Do You See as the Future for the Architecture Profession? 305 Appendix A: Resources of an Architect 313 Collateral Organizations 313 Architecture-Related Associations 314 Associations-Related Careers 316 Architectural History 316 Construction 316 Design (Graphic, Industrial, Furniture, Lighting) 316 Historic Preservation 317 Interior Design 317 Planning/Landscape Architecture 318 Technical/Engineering 318 Dedicated to Architecture 319 Community Service 320 Recommended Reading 321 Websites 326 Appendix B: Accredited Architecture Programs in the United States and Canada 329 Appendix C: Career Profiles 341 Index 345

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Book SynopsisCities in Relations advances a novel way of thinking about urban transformation by focusing on transnational relations in the least developed countries. Examines the last 20 years of urban development in Hanoi, Vietnam, and inOuagadougou, Burkina Faso Considers the ways in which a city's relationships with other places influences its urban development Provides fresh ideas for comparative urban studies that move beyond discussions of economic and policy factors Offers aclear and concise narrative accompanied by more than 45 photos and maps Trade Review“This would be especially valuable in continuing the study of urban developments in the post-communist environment.” (Geographica Helvetica, 1 May 2015)Table of ContentsList of Figures vii List of Tables x Acronyms xi Series Editors’ Preface xiii Preface and Acknowledgements xiv 1 Comparing Cities in Relations 1 Relating Hanoi, Ouagadougou … and Palermo 4 A Brief Introduction to Two Distant Cousins 5 World-city Research Beyond the West 9 Relational Geographies 12 Comparing Cities 17 The Structure of the Book 26 2 Trajectories of Urban Change in Two Ordinary Cities 31 Regime Change in Hanoi and Ouagadougou 33 Forms of Relatedness 42 Conclusion 55 3 Transnational Policy Relations 60 Mobile Planners and City Networks 63 Concrete and Paper in Hanoi’s Urban Development 64 Ouagadougou’s Competing Worlds of Policy Relations 76 Conclusion 87 4 Public Space Policies on the Move 92 A Repertoire of Translocal Connections 94 Public Space: Understandings, Practices and Things 97 Translocal Connections and Public Space Policy in the Making 103 The Politics of Translocal Connections 108 Traveling Participation and Public Space Design 110 Conclusion 116 5 Connecting to Circuits of Architectural Design 120 Stretched Geographies of Design 121 Circuits of Architectural Design in Hanoi and Ouagadougou 123 Hanoi: Design Spaces of an Emerging Economy 125 Ouagadougou: Architectures of Development 131 Grounding Design 136 Conclusion: Transnational Learning Processes and “Banal” Nationalism 140 6 On Road Interchanges and Shopping Malls: What Traveling Types Do 145 Modernization as Morality and Power 147 Modernization Through Ouagadougou’s Built Environment 150 Staging New Social Identities in Hanoi’s Shopping Malls 159 Conclusion 166 Conclusion: For a Politics of Urban Relatedness 171 Comparing Processes, Worlds of Relations, and Relational Effects 172 The Evolving Relational Worlds of Cities 175 An Assets-based Politics of Relatedness 178 References 181 Index 196

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Book SynopsisA building fire is dynamic. A continually changing hostile fire environment influences time relationships that affect fire defenses and risks to people and building functions. The fire and fire defenses in each building interact with different sequences and distinct ways. Risks are characterized by the building's performance. Significantly updated and restructured new edition Fire Performance Analysis for Buildings, 2nd Edition organizes the complex interactions into an analytical framework to evaluate any building - at any location - built under any regulatory jurisdiction or era. Systematic, logical procedures evaluate individual component behavior and integrate results to understand holistic performance. The Interactive Performance Information (IPI) chart structures complex time-related interactions among the fire, fire defenses, and associated risks. Quantification uses state-of-the-art deterministic methods of fire safety engineering and fTable of ContentsPreface xxiii Acknowledgements xxv 1 Fire Performance and Buildings 1 1.1 The Dynamics of Building Fire Performance 1 1.2 The Anatomy of Building Fire Safety 1 Part I The Foundation 7 2 Preliminary Organization 9 2.1 Introduction 9 2.2 Overview of Evaluations 9 Part One: Organizational Concepts 12 2.3 The Diagnostic Fire 12 2.4 Anatomy of a Representative Fire 12 Part Two: Barriers, Spaces, and Connectivity 15 2.7 Spaces and Barriers 15 2.8 Barriers and Fire 15 Part Three: Fire Defenses 23 2.14 Fire Defenses 23 2.15 Active Fire Defenses 24 2.17 Closure 30 3 Tools of Analysis 31 3.1 Introduction 31 Part One: The Logic 32 3.2 The Framework Logic 32 3.3 The Major Parts 32 Part Two: Space–Barrier Connectivity 51 3.14 Introduction 51 3.15 Room Connectivity 51 Part Three: Additional Tools 55 3.19 Networks and Charts 55 3.20 Organizational Charts 55 4 An Introduction to the Interactive Performance Information Chart 59 4.1 Introduction 59 4.2 The Basic Template 59 5 Quantification 73 5.1 Performance Evaluations 73 5.2 Information Accessibility 74 Part II The Parts 79 6 The Room Fire 81 6.1 Introduction 81 Part One: Room Fire Concepts 82 6.2 Fire 82 6.3 The Role of Heat: Ignition 82 Part Two: Room Fire Descriptors 94 6.17 Introduction 94 6.18 Fuels 94 7 The Room Fire: Qualitative Analysis 119 7.1 The Role of Qualitative Analysis 119 7.2 Qualitative Estimates for Room Fires 120 Part One: Bottom‐up Estimates 121 7.3 Bottom‐up Scenario Estimates 121 7.3.1 Realm 1: FFS to IG 121 Part Two: Top‐down Estimates 133 7.7 Qualitative Room Classifications 133 7.8 FGP Comparisons 133 8 Beyond the Room of Origin 147 8.1 Introduction 147 8.2 The Inspection Plan 147 Part One: Barrier Effectiveness 149 8.3 Barrier Functions in Buildings 149 8.4 Barrier Fire Functions 149 Part Two: Barrier–Space Modules 159 8.8 Introduction 159 8.9 Barrier–Space Modules 159 Part Three: Qualitative Fire Analysis 165 8.17 Introduction 165 8.18 The Process 165 9 Smoke Analysis 175 9.1 Introduction 175 9.2 The Plan 176 10 The Diagnostic Fire 191 10.1 Diagnostic Fires 191 10.2 Interactive Performance Information (IPI) Chart and the Diagnostic Fire 191 10.3 Closure 192 11 Fire Detection 193 11.1 Introduction 193 Part One: Automatic Detection 194 11.2 Instrument Detection 194 11.3 Detection Instruments 194 Part Two: Human Detection 200 11.6 Concepts in Human Fire Detection 200 11.7 Human Detection Analysis 200 11.8 Closure 202 12 Alarm: Actions After Detection 203 12.1 Introduction 203 Part One: Alert Occupants 205 12.2 Focus on Alert 205 12.3 Alerting Occupants 205 Part Two: Notify Local Fire Department 209 12.5 Introduction 209 12.6 Human Notification (MN) 209 12.7 Discussion 212 12.8 Automated Notification Services 213 12.9 Discussion 216 Part Three: Building System Interfaces 217 12.10 Release Services 217 13 Fire Department Extinguishment: Arrival 219 13.1 Introduction 219 13.2 Organizing the Topic 219 Part One: Manual Extinguishment Overview 221 13.3 The Role of the Fire Department 221 13.4 Building Analysis Overview 221 13.5 Part A: Ignition to Notification 223 Part Two: Community Fire Departments 226 13.8 Fire Department Organizations 226 13.9 Fire Companies 226 Part Three: Community Fire Response 231 13.11 Fire Department Response Time 231 13.12 Communications Centers 231 14 Fire Department Extinguishment: First Water (MA) 237 The Fire Fighter and the Engineer 237 14.1 Introduction 239 Part One: An Overview of Manual Extinguishment Analysis 241 14.2 The Process 241 14.3 Phase 1: Initial Water Application (MA) 242 14.4 Summary 248 Part Two: A Brief Look at Fire Fighting 249 14.5 Initial Fire Ground Actions 249 14.6 Information 249 14.7 Pause for Discussion 251 14.8 Manual Fire Fighting 252 14.9 No Two Fires Are Alike 253 14.10 Summary 253 Part Three: Supply Water Analysis 254 14.11 Introduction 254 14.12 Scenario Analysis 254 14.13 Supply Water Analysis 258 Part Four: Interior Fire Attack Analysis 278 14.29 Introduction 278 14.30 Overview of Stretching Interior Attack Lines 278 14.31 Task Modules 279 Part Five: Phase 1 Analysis 290 14.39 Introduction 290 14.40 Phase 1 Comments 290 15 Fire Department Extinguishment: Control and Extinguishment 295 15.1 First Water Applied… Now What? 295 15.2 The Engineer and the Incident Commander 295 16 Automatic Sprinkler Suppression 305 16.1 Introduction 305 16.2 Sprinkler System Performance 305 Part One: Sprinkler Systems 307 16.3 Sprinkler Extinguishment 307 16.4 The Sprinkler System 308 16.5 Types of Sprinkler Systems 309 Part Two: Sprinkler Performance 312 16.6 Organization for Thinking 312 16.7 Agent Application (AA) 312 16.8 Agent Application Events 313 16.19 Automatic Suppression 323 16.20 Closure 324 17 The Composite Fire 325 17.1 Introduction 325 17.2 The Fire Limit (L) 325 18 Materials, Codes, Standards, Practices, and Performance 331 18.1 Introduction 331 Part One: Building Construction 333 18.2 The Structural Frame 333 18.3 Material Behavior in Fires 334 Part Two: Historical Perspective 338 18.4 The Built Environment Around World War I 338 18.5 Structural Practice Around World War I 338 Part Three: Fire Endurance Testing 345 18.12 Fire Test Interpretations 345 18.13 The Standard Fire Endurance Test 345 18.14 Fire Endurance Test Discussion 346 Part Four: Fire Severity 349 18.15 Introduction 349 18.16 Fuel Loads 349 18.17 The Ingberg Correlation 352 Part Five: Transitions 363 18.25 The Issue 363 19 Concepts in Structural Analysis for Fire Conditions 365 19.1 Introduction 365 19.2 Structural Fire Performance 365 Part One: Building Design 367 19.3 The Development Process 367 19.4 Building Design 367 19.5 Information Technology 368 Part Two: Structural Engineering and Building Design 371 19.6 The Master Builder 371 19.7 The Rise of Engineering 371 19.8 The Building 372 Part Three: Structural Engineering 377 19.13 Introduction 377 19.14 Beam Analysis 377 Part Four: Structural Analysis for Fire Conditions 387 19.18 Introduction 387 19.19 Outcomes 387 20 Target Spaces and Smoke 401 20.1 Introduction 401 20.2 Orientation 401 21 Life Safety 411 21.1 Introduction 411 21.2 Human Reaction to Products of Combustion 412 21.3 Tenability 414 21.4 Fire Fighter Safety 414 22 Risk Characterizations 417 22.1 Introduction 417 22.2 The Exposed 417 Part One: Human Safety 419 22.3 Life Safety 419 22.4 Overview of Life Safety Alternatives 419 Part Two: Other Risks 431 22.16 Property Protection 431 22.17 Continuity of Operations 431 23 Fire Prevention 435 23.1 Introduction 435 Part One: Prevent Established Burning 436 23.2 Prevent EB 436 23.2.1 Ignition Potential 436 23.2.2 Initial Fire Growth 437 Part Two: Automatic Special Hazard Suppression 442 23.7 Introduction 442 23.8 Carbon Dioxide Systems 443 Part III The Analysis 449 24 Fire Performance: Framework for Analysis 451 24.1 Organizational Concepts 451 24.2 Performance Evaluations 451 24.3 Analytical Framework 452 24.4 Fire, Risk, and Buildings 454 25 The Diagnostic Fire 455 25.1 Introduction 455 25.2 Top‐down Estimates 456 26 Fire Detection 463 26.1 Introduction 463 Part One: Automatic Detection 464 26.2 Detection Analysis 464 26.3 Detection Example 466 26.4 Detection Estimate 469 26.5 Detector Reliability 469 Part Two: Human Detection 471 26.6 Concepts in Human Detection Analysis 471 26.7 Human Detection Analysis 471 26.8 Closure 473 27 Fire Department Notification 475 27.1 Introduction 475 27.2 The Human Link in Notification 475 28 Fire Department Extinguishment 483 28.1 Introduction 483 28.2 Framework for Analysis 483 29 Automatic Sprinkler Suppression 501 29.1 Introduction 501 29.2 Agent Application (AA) 502 30 The Composite Fire 517 30.1 Introduction 517 30.2 Event Logic Description 517 31 Structural Performance 521 31.1 Introduction 521 31.2 Interactive Performance Information (IPI) Documentation 521 32 Target Space Smoke Analysis 525 32.1 Introduction 525 32.2 Success or Failure? 526 32.3 Target Room Performance Bounds 527 33 Life Safety Analysis 531 33.1 Introduction 531 33.2 The Exposed 531 34 Prevent Established Burning 541 34.1 Introduction 541 Part One: Established Burning Prevention 544 34.2 Ignition Potential 544 34.3 Established Burning Evaluation 544 Part Two: Special Hazards Protection 550 34.6 The Role of Special Hazards Suppression 550 34.7 Framework for Analysis 550 Part IV Managing Uncertainty 555 35 Understanding Uncertainty 557 35.1 Introduction 557 35.2 Window of Uncertainty 557 36 Visual Thinking 581 36.1 Introduction 581 36.2 A Case Study 581 37 Introduction to Risk Management 597 37.1 Introduction 597 Part One: The Process 598 37.2 Audience 598 37.3 Fire Safety Management 598 Part Two: Information Acquisition 604 37.8 Introduction 604 37.9 Understand the Problem 604 Part Three: Develop a Risk Management Program 608 37.13 Structure a Risk Management Program 608 37.14 Evaluate “Prevent EB” 608 38 Analytical Foundations 615 38.1 Historical Origins 615 Part One: Logic Diagrams and Networks 617 38.2 Event Trees 617 38.3 Fault and Success Trees 618 Part Two: Probability 628 38.12 Meanings of Probability 628 38.13 Fire Safety Applications 629 Part Three: The Role of Judgment 632 38.17 Introduction 632 38.18 Building Decisions 632 Appendix A Organizational Structure 637 A.1 The Organizational Framework 637 A.2 Basic Organization 637 A.3 The Composite Fire 637 A.4 The Diagnostic Fire (Ī) 639 A.5 Fire Department Manual Extinguishment 640 A.6 Detection 640 A.7 Notification 642 A.8 Notification to Arrival 643 A.9 Arrival to Extinguishment 645 A.10 Automatic Sprinkler System 646 A.11 Building Response: Structural Behavior 647 A.12 Building Response: Space Tenability 648 A.13 Risk Characterizations 648 A.14 Occupant Movement 650 A.15 Other Risks 651 A.16 Prevent Established Burning (EB): Occupant Extinguishment 651 A.17 Prevent EB: Special Hazards Protection 653 A.18 Closure 653 Appendix B Model Building 655 Description 655 Plans 655 Index 661

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Book Synopsis* gives key information in each area with where to go for more detailed guidance * strong focus on engineering and craft solutions * offers a comprehensive overview of a multi-disciplinary area to encourage disparate groups of professionals to work more closely * full colour throughout .Table of ContentsPreface vi Contributors viii 1 The past in the future Michael Forsyth 1 2 Architectural history and conservation Martin Cherry 9 3 Conservation and authenticity Martin Robertson 26 4 Regeneration and the historic environment Duncan McCallum 35 5 Problems and opportunities in rural conservation Jeremy Lake 46 6 Sustainable reuse of historic industrial sites Keith Falconer 74 7 Realms of memory: changing perceptions of the country house Giles Waterfield 88 8 Conserving buildings of the Modern Movement John Winter 96 9 Conservation and historic designed landscapes Jonathan Lovie 107 10 International standards and charters Philip Whitbourn 123 11 Conservation legislation in the United Kingdom: a brief history Colin Johns 131 12 Conservation legislation in the United Kingdom: looking ahead Colin Johns 140 13 The role of the archaeologist Peter Davenport 14514 Preparing the conservation plan James Maitland Gardner 156 15 Costing and contracts for historic buildings Adrian Stenning and Geoff Evans 175 16 Maintenance in conservation Nigel Dann and Timothy Cantell 185 17 Building preservation trusts Colin Johns 199 18 Valuing our heritage David H. Tomback 204 Index 211

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Book SynopsisWriting Built Environment Dissertations and Projects will help you to write a good dissertation or project by giving you a good understanding of what should be included, and showing you how to use data collection and analysis tools in the course of your research.Table of ContentsAuthor biographies ixPreface xAbout the companion website xii1 Introduction 11.1 Introduction 11.2 Terminology; nomenclature 21.3 Document structure 31.4 Possible subject areas for your research 71.5 Professional bodies and the non]technical or technical dissertation or project 81.6 Qualitative or quantitative analysis? 101.7 The student/supervisor relationship and time management 141.8 Ethical compliance and risk assessments 171.9 House style or style guide 221.10 Writing style 231.11 Proofreading 271.12 Extra support? 291.13 A research proposal 291.14 A viva or viva voce 30Summary 31References 312 The introduction chapter to the dissertation or project 332.1 Introduction contents 332.2 Articulation or description of the problem and provisional objectives 35Summary of this chapter 37References 383 Review of theory and the literature 393.1 Introduction 393.2 Style and contents of a literature review 413.3 Judgements or opinions? 433.4 Sources of data 443.5 Methods of finding the literature 483.6 Embedding theory in dissertations and projects 493.7 Referencing as evidence of reading 533.8 Citing literature sources in the narrative of your work 543.9 References or bibliography or both? 583.10 Common mistakes by students 593.11 Using software to help with references 603.12 Avoiding the charge of plagiarism 62Summary of this chapter 64References 644 Research goals and their measurement 674.1 Introduction 684.2 Aim 704.3 Research questions 714.4 Objectives 714.5 Variables 744.6 A hypothesis with one variable 754.7 A hypothesis with two variables: independent and dependent 774.8 Writing the hypothesis: nulls and tails – a matter of semantics 814.9 ‘Lots’ of variables at large, intervening variables 834.10 Ancillary or subject variables 834.11 No relationship between the IV and the DV 884.12 Designing measurement instruments; use authoritative tools and adapt the work of others 894.13 Levels of measurement 934.14 Examples of categorical or nominal data in construction 954.15 Examples of ordinal data in construction 964.16 Examples of interval and ratio data in construction 974.17 Types of data 984.18 Money and CO2 as variables 1024.19 Three objectives, each with an IV and DV: four variables to measure 1034.20 Summarising research goals; variables and their definition 104Summary of this chapter 105References 1055 The Methodology chapter; analysis, results and findings 1075.1 Introduction 1075.2 Approaches to collecting data 1105.3 Data measuring and collection 1125.4 Issues mostly relevant to just questionnaires 1205.5 Ranking studies 1295.6 Other analytical tools 1315.7 Incorporating reliability and validity 1325.8 Analysis, results and findings 137Summary of this chapter 138References 1396 Laboratory experiments 1406.1 Introduction 1416.2 Test methodology 1426.3 Sourcing test materials 1436.4 Reliability and validity of findings 1436.5 Sample size 1456.6 Laboratory recording procedures 1456.7 Dissertation/project writing (introduction, methodology and results) 1466.8 Health and safety in the laboratory; COSHH and risk assessments 1496.9 Role of the supervisor 1516.10 Possible research topics for technical dissertations or projects, construction and civil engineering 1536.11 Examples of research proposals 1536.12 Research objectives and sample findings by the author 154Bibliography 1637 Qualitative data analysis 1657.1 Introduction 1657.2 The process of qualitative data collection 1667.3 Steps in the analytical process 168Summary of this chapter 175References 1768 Quantitative data analysis; descriptive statistics 1778.1 Introduction 1778.2 Examples of the use of descriptive statistical tools 1788.3 Ancillary variables 1868.4 Illustration of relevant descriptive statistics in charts 1908.5 Normal distributions; Z scores 1918.6 A second variable for descriptive analysis; an IV and a DV 197Summary of this chapter 201References 2029 Quantitative data analysis; inferential statistics 2039.1 Introduction 2049.2 Probability values and three key tests: chi]square, difference in means and correlation 2069.3 The chi]square test 2109.4 Determining whether the dataset is parametric or non]parametric 2209.5 Difference in mean tests; the t]test 2239.6 Difference in means; the unrelated Mann–Whitney test 2259.7 Difference in means; the related Wilcoxon t]test 2309.8 Difference in means; the parametric related t]test 2329.9 Correlations 2369.10 Using correlation coefficients to measure internal reliability and validity in questionnaires 2439.11 Which test? 2439.12 Confidence intervals 2479.13 Summarising results 250Summary of this chapter 250References 25010 Discussion, conclusions, recommendations and appendices 25110.1 Introduction 25110.2 Discussion 25210.3 Conclusions and recommendations 25310.4 Appendices 25510.5 The examiner’s perspective 25610.6 Summary of the dissertation or project process 258Summary of this chapter 259References 259List of appendices 260Appendix A: Glossary to demystify research terms 261Appendix B: Research ethics and health and safety examples 268Appendix C: An abstract, problem description and literature review 272Appendix D: Eight research proposals 279Appendix E: Raw data for a qualitative study 309Appendix F: Statistical tables 340Index 350

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Book SynopsisOrganised into 9 parts that highlight a wide range of architectural motives, such as ''Architecture as Theatre'', ''Stretching the Vocabulary'' and The City of Large and Small', the workbook provides inspiring key themes for readers to take their cue from when initiating a design. Motives cover a wide-range of work that epitomise the theme. These include historical and Modernist examples, things observed in the street, work by current innovative architects and from Cook's own rich archive, weaving together a rich and vibrant visual scrapbook of the everyday and the architectural, and past and present.Trade Reviewa stimulating primer for architecture students and practitioners alike. (Building Engineer, April 2016) Cook remains an outspoken provocateur and his book is a visual feast of classics and forgotten delights (RIBA Journal, July 2016)Table of Contents008 Motive 1: Architecture as Theatre 018 Motive 2: Stretching the Vocabulary 054 Motive 3: University Life and its Ironies 100 Motive 4: From Ordinary to Agreeable 128 Motive 5: The English Path and the English Narrative 154 Motive 6: New Places and Strange Bedfellows 186 Motive 7: Can We Learn From Silliness? 210 Motive 8: The City – Then The Town 240 Motive 9: On Drawing, Designing, Talking and Building 248 Select Bibliography 249 Index 255 PICTURE Credits

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Book SynopsisThe BIM Manager''s Handbook: Guidance for Professionals in Architecture, Engineering, and Construction Building Information Modelling (BIM) is a design and construction software that manages not just graphics, but also informationinformation that enables the automatic generation of drawings and reports, design analysis, schedule simulation, facilities management, and cost analysisultimately enabling any building team to make better-informed decisions. This allows a range of professionalsarchitects, engineers, construction managers, surveyors, cost estimators, project managers, and facility managersto share this information throughout a building''s lifecycle. BIM is now recognized worldwide for the efficiencies it delivers in terms of working collaboratively, communication, processes, cost savings, and a property''s lifecycle management. With the widespread adoption of BIM, BIM Managers have become a much-needed new breed of professionals in architectural,Trade Review"This handbook provides an in-depth account of the breadth of activities that any BIM manager (or staff member actively engaged in the delivery of a project) might be required to undertake with appropriate theory and an emphasis on practical examples." (NBS, 2016)Table of ContentsAcknowledgements ix Introduction Why BIM Managers Count! 1 The BIM Manager: Focus on the Person behind the Title 2 Hands-On BIM 6 Revelations and Surprises 8 Chapter 1 Best Practice BIM 11 BIM Managers: Breaking Ground 12 The Rise and Rise of BIM 13 Defining Good, or Even “Best Practice,” BIM 17 When BIM Goes Wrong — Examples of “Bad BIM” 22 The Tipping Point — How Do You Become Successful Using BIM? 29 Benchmarking BIM 35 Chapter 2 Change Management 43 Technology as a Driver for Innovation and Change 45 The Cultural Dimension of Change . . . and Its Management 47 Interfacing with Your Organization’s Leadership and Management 50 Overcoming Change Resistance and Managing Expectations 57 Tips and Tricks 67 Chapter 3 Focus on Technology 77 Interfacing Design Technology with Information Technology 79 Hardware/Software License Selection for BIM 81 Sharing BIM via Networks 83 BIM in the Cloud 85 Explaining Tool Ecologies 88 Interfacing BIM 92 Future Developments 109 Chapter 4 Building Up a BIM Support Infrastructure 113 Propagating BIM 115 Starting with the End in Mind—Employer Information Requirements 117 Setting the (BIM) Standards 121 BIM Execution Plans 125 The BIM Placemat 128 The BIM Capability Statement 130 BIM Library Management 133 Reaching Out 144 Chapter 5 Day-to-Day BIM Management 147 The Broad Spectrum of BIM 149 Advancing BIM Strategically 151 Planning BIM on a Project 157 Fire-Fighting and Lending a Helping Hand 171 Chapter 6 Excelling Your BIM Efforts 175 In Search of BIM Excellence 177 Becoming a BIM Expert 179 Innovating with BIM and Educating Others 181 BIM Research 185 Reaching Out and Getting Noticed! 188 Distinguishing Your Service Offering via BIM 193 Embracing Lifecycle BIM 196 Working According to Local Guidelines and Standards 198 Moving Forward (While Catching Up) 201 Epilogue 207 Index 209

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Book SynopsisThis companion presents new critical views on crucial aspects of the large and varied field of Asian art and architectural history. The essays collected here provide scholars and the public with an opportunity to engage with the field in all its diversity - from coinage to monastic spaces to imperial commissions and beyond.Table of ContentsList of Illustrations viii Notes on Contributors xiv Acknowledgments xx Part I Introduction 1 1 Revisiting “Asian Art” 3 Rebecca M. Brown and Deborah S. Hutton Part II Objects in Use 21 2 The Material Facts of Ritual: Revisioning Medieval Viewing through Material Analysis, Ethnographic Analogy, and Architectural History 23 Kevin Gray Carr 3 Textiles and Social Action in Theravada Buddhist Thailand 48 Leedom Lefferts 4 Functional and Nonfunctional Realism: Imagined Spaces for the Dead in Northern Dynasties China 70 Bonnie Cheng 5 The Visible and the Invisible in a Southeast Asian World 97 Jan Mrázek Part III Space 121 6 Building Beyond the Temple: Sacred Centers and Living Communities in Medieval Central India 123 Tamara I. Sears 7 Urban Space and Visual Culture: The Transformation of Seoul in the Twentieth Century 153 Kim Youngna 8 Unexpected Spaces at the Shwedagon 178 Elizabeth Howard Moore 9 The Changing Cultural Space of Mughal Gardens 201 James L. Wescoat Jr. Part IV Artists 231 10 Old Methods in a New Era: What Can Connoisseurship Tell Us about Rukn-ud-din? 233 Molly Emma Aitken and Shanane Davis, with technical analysisby Yana van Dyke 11 Convergent Conversations: Contemporary Art in Asian America 264 Margo Machida 12 The Icon of the Woman Artist: Guan Daosheng (1262–1319) and the Power of Painting at the Ming Court c. 1500 290 Jennifer Purtle 13 Diasporic Body Double: The Art of the Singh Twins 318 Saloni Mathur Part V Challenging the Canon 339 14 Re-evaluating Court and Folk Painting of Korea 341 Kumja Paik Kim 15 Conflict and Cosmopolitanism in “Arab” Sind 365 Finbarr Barry Flood 16 In the Absence of the Buddha: “Aniconism” and the Contentions of Buddhist Art History 398 Ashley Thompson 17 On Maurya Art 421 Frederick Asher Part VI Shifting Meanings 445 18 Art, Agency, and Networks in the Career of Tokugawa Ieyasu (1543–1616) 447 Morgan Pitelka 19 Shiva Nataraja: Multiple Meanings of an Icon 471 Padma Kaimal 20 Sifting Mountains and Rivers through a Woven Lens: Repositioning Women and the Gaze in Fourteenth-Century East Java 486 Kaja M. McGowan 21 Dead Beautiful: Visualizing the Decaying Corpse in Nine Stages as Skillful Means of Buddhism 513 Ikumi Kaminishi 22 In the Name of the Nation: Song Painting and Artistic Discourse in Early Twentieth-Century China 537 Cheng-hua Wang Part VII Elusive, Mobile Objects 561 23 Chinese Painting: Image-Text-Object 563 De-nin Deanna Lee 24 Locating Tomyoji and Its “Six” Kannon Sculptures in Japan 580 Sherry Fowler 25 The Unfired Clay Sculpture of Bengal in the Artscape of Modern South Asia 604 Susan S. Bean 26 Malraux’s Buddha Heads 629 Gregory P. A. Levine Index 655

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Book SynopsisThe Professional Ethics Toolkit is an engaging and accessible guide to the study of moral issues in professional life through the analysis of ethical dilemmas faced by people working in medicine, law, social work, business, and other industries where conflicting interests and ideas complicate professional practice and decision-making. Written by a seasoned ethicist and professional consultant, the volume uses philosophical ideas, theories, and principles to develop and articulate a definitive methodology for ethical decision-making in professional environments. Meyers offers the benefit of his expertise with clear and practical advice at every turn, guiding readers through numerous real-world examples and case studies to illustrate key concepts including role-engendered duties, conflicts of interest, competency, and the principles that underpin and define professionalism itself. Following the format of The Philosopher's Toolkit, The Professional Ethics Toolkit is an essential companionTable of ContentsAcknowledgments xii Introduction 1 Opening Thoughts 2 Being and Acting Professional 5 Definition and Listing 6 Cases 7 Health‐care professionals and the conscience clause 7 Defending the indefensible 8 Getting by with cheaper materials 9 Note 10 References 10 Part I Theory, Concepts, and Ethics Reasoning 11 1 Historical Overview and Definitional Questions 13 1.1 Some History 16 1.1.1 The rising role of science 17 1.1.2 Impact of the European Enlightenment 18 1.1.3 Organizing to differentiate 19 1.1.4 Formalizing the standards 20 1.1.5 Establishing trust 21 1.1.6 Monopolies, money, and power 22 1.2 Defining “Professional” 23 1.3 A Working List 30 1.4 Types of Professional–Client Relationships 32 1.4.1 Agency 33 1.4.2 Paternalistic (or parentalistic) 33 1.4.3 Contractual 34 1.4.4 Affinity 34 1.4.5 Fiduciary 35 Notes 35 References 36 2 A Model of Ethics Reasoning 38 2.1 Relativism, Absolutism, and Contextualism 40 2.2 Deontology 43 2.2.1 Immanuel Kant 44 2.3 Utilitarianism 48 2.3.1 John Stuart Mill 49 2.4 Context, Context, Context 51 2.5 Ross and Pluralistic Deontology 53 2.6 A Model of Ethics Reasoning 57 2.6.1 A method and steps 59 2.7 Moral Principles 63 2.8 Case: Cutting Corners 65 Notes 66 References 66 Part II Concepts, Principles, and Norms within Professional Environments 69 3 Autonomy and Respect for Persons 73 3.1 Autonomy in the World 75 3.1.1 Kant and moral agency 77 3.1.2 Mill and developed selfhood 79 3.1.3 Variable autonomy, life plans, and identity 80 3.1.4 Contributing and detracting factors 81 3.2 The Hard Work of Being Autonomous 82 3.2.1 Additional examples 84 3.3 Case: Which Autonomous Voice? 86 Notes 88 References 88 4 Beneficence and Non‑Maleficence 90 4.1 Beneficence 93 4.1.1 Finding balance in the professions 94 4.1.2 Paternalistic beneficence? 95 4.2 Non‐Maleficence 97 4.2.1 Harm and incompetence 98 4.3 Cases 100 4.3.1 Mandatory vaccinations? 100 4.3.2 How much should you give? 101 Notes 102 References 103 5 Competency 105 5.1 Systematizing Confidence 106 5.2 Case: Sanctioning a Colleague 111 Note 112 6 Confidentiality and Privacy 113 6.1 Privacy 115 6.2 Privacy as a Moral Root of Confidentiality 116 6.2.1 Intimacy and confidentiality 117 6.2.2 Deontological and utilitarian foundations 118 6.3 Practical Considerations 120 6.3.1 Weighing confidentiality against other principles 121 6.4 Cases 122 6.4.1 Balancing principles: Privacy, beneficence, non‑maleficence, honesty, and fidelity 122 6.4.2 Tell the family? 123 Notes 124 References 125 7 Conflict of Interest 126 7.1 Definition 128 7.1.1 Situational conflict of interest 129 7.1.2 Conflict of interest and individual choices 130 7.1.3 Psychology and character 131 7.2 Types of Conflicting Inducements 132 7.2.1 Material inducements 132 7.2.2 Perceived conflict of interest 133 7.2.3 Conflicts of obligation and bias 134 7.3 Structural Conflict of Interest 136 7.3.1 Universally present 137 7.3.2 Roles and conflict of interest 137 7.3.3 Bias and conflict of interest 138 7.3.4 Managing structural conflict of interest 138 7.4 Cases 140 7.4.1 Accepting a gift 140 7.4.2 What now? 141 7.4.3 Treating everyone equally 142 Notes 143 References 144 References 144 8 Fidelity, Honesty, and Role‐Based Duties 146 8.1 Promises 148 8.1.1 Moral foundations 149 8.2 Honesty 150 8.2.1 Professionals’ duty to be informed 151 8.2.2 Commission versus omission 152 8.2.3 Honesty and wisdom 153 8.2.4 Balancing duties 154 8.2.5 Honesty and roles 155 8.3 Cases 156 8.3.1 Committed to the company? 156 8.3.2 A contract is a contract 158 8.3.3 The lying ethicist 159 Notes 160 References 161 9 Formal Justice, Bias, and Allocation of Resources 162 9.1 Arbitrary Features 163 9.2 The Complexity of Justice 165 9.3 Formal Justice 166 9.3.1 Justice and objectivity 167 9.3.2 Negative impacts 168 9.3.3 Circumstantial responses 168 9.4 Bias 170 9.4.1 Managing bias 171 9.5 Distributive Justice 172 9.5.1 What is fair? 173 9.5.2 Rawls’s theory 174 9.6 Cases 176 9.6.1 Equal treatment for cheaters? 176 9.6.2 Bias and just representation 178 9.6.3 A just allocation of health‐care resources 179 Notes 180 References 181 Epilogue: Democratization and the Changing of Professions 182 Some History 184 Democratization 185 Shifting power and inclusivity 185 Commercialization 186 Transforming Society and the Professions 187 Notes 189 References 189 Index 191

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Book SynopsisCare and Design: Bodies, Buildings, Citiesconnects the study of design with care, and explores how concepts of care may have relevance for the ways in which urban environments are designed. It explores how practices and spaces of care are sustained specifically in urban settings, thereby throwing light on an important arena of care that current work has rarely discussed in detail.Table of ContentsNotes on Contributors ixPreface xiii 1 Designing with Care and Caring with Design 1 Rob Imrie and Kim Kullman 1.1 Introduction 1 1.2 Care as a concept and practice 3 1.3 The problem of ‘good urban form’ 6 1.4 The collection 10 References 15 2 Age‐inclusive Design: A Challenge for Kitchen Living? 18 Sheila Peace 2.1 Introduction 18 2.2 The interface between age and care 18 2.3 The position of design 22 2.4 Environment and ageing 23 2.5 Learning from the NDA programme 24 2.6 Re‐designing the kitchen 25 2.7 Conclusion: the relationship between care and design 31 References 32 3 Curating Space, Choreographing Care: The Efficacy of the Everyday 37 Daryl Martin 3.1 Introduction 37 3.2 Maggie’s: care by design 39 3.3 The accommodation of the everyday 42 3.4 Working the table 45 3.5 Familiarity bonds and the communal encounter 49 3.6 Conclusion: hospitality, generosity and the practice of care 51 Acknowledgements 53 References 53 4 ‘I Don’t Care About Places’: The Whereabouts of Design in Mental Health Care 56 Ola Söderström 4.1 Introduction 56 4.2 The design/care nexus 57 4.3 Spaces of design/geographies of mental illness 59 4.4 Everyday urban geographies of mental health 61 4.5 Designing landscapes of mental health care 68 References 70 5 The Sensory City: Autism, Design and Care 74 Joyce Davidson and Victoria L. Henderson 5.1 Introduction 74 5.2 Methodology and meaning 78 5.3 Global sensory themes: connections, confusions and pressures to conform 79 5.4 Coming to our senses: pragmatic considerations 81 5.5 Making space for autism: discussion and recommendations 85 5.6 Closing thoughts: on being open to embodiments of autistic sensory difference 88 References 91 6 Configuring the Caring City: Ownership, Healing, Openness 95 Charlotte Bates, Rob Imrie and Kim Kullman 6.1 Introduction 95 6.2 Ownership 98 6.3 Healing 103 6.4 Openness 108 6.5 Conclusion 113 Acknowledgements 114 References 114 7 ‘Looking after Things’: Caring for Sites of Trauma in Post‐Earthquake Christchurch, New Zealand 116 Jacky Bowring 7.1 Introduction 116 7.2 Wounding 121 7.3 Dwelling 122 7.4 Fragility 123 7.5 Empathy 125 7.6 ‘Treatment’ 129 7.7 Re‐wounding? 134 Acknowledgements 135 References 135 8 Empathy, Design and Care – Intention, Knowledge and Intuition: The Example of Alvar Aalto 138 Juhani Pallasmaa 8.1 Preamble 138 8.2 The flesh of the world 140 8.3 Empathy in design 140 8.4 Architecture as a medical instrument 142 8.5 The acts of identification and homecoming 145 8.6 The promise of beauty 145 8.7 Synthetic design 146 8.8 Art and evidence‐based design 148 8.9 The power of intuition 150 8.10 The loss of empathic wisdom 152 References 153 9 Architecture, Place and the ‘Care‐Full’ Design of Everyday Life 155 Jos Boys 9.1 Introduction 155 9.2 What counts as care in architectural education and practice? 156 9.3 The care‐full design of place 160 9.4 Re‐imagining caring in architectural and urban design 164 9.5 Caring differently? 165 9.6 Conclusion: from places to practices? 174 References 175 10 Ageing, Care and the Practice of Urban Curating 178 Sophie Handler 10.1 Introduction 178 10.2 ‘Urban curating’ and the spatialised practice of care 179 10.3 ‘Making space for older age’ 181 10.4 Other stories on growing old 183 10.5 Acting ‘otherhow’: extending duties of care 186 10.6 A vocabulary of caring labours 189 10.7 Subverting the ‘hierarchy of needs’ 191 10.8 Conclusion: adopting the language of care 194 References 196 11 Caring through Design?: En torno a la silla and the ‘Joint Problem‐Making’ of Technical Aids 198 Tomás Sánchez Criado and Israel Rodríguez‐Giralt 11.1 Introduction: the issue of technical aids in post‐austerity Spain 198 11.2 An open‐source wheelchair kit: expanding the relationship between people in wheelchairs and their social and urban environments 201 11.3 Opening up space for a briefcase, unleashing the wheelchair’s possibilities 204 11.4 Radicalising design through small object interventions: care as ‘joint problem‐making’? 211 11.5 Concluding remarks: ‘joint problem‐ making’ as a careful design mode in post‐austerity times? 215 Acknowledgements 216 References 216 12 Design and the Art of Care: Engaging the More than Human and Less than Inhuman 219 Michael Schillmeier 12.1 Introduction 219 12.2 Re‐design as artful contrast 219 12.3 Evoking mess 220 12.4 Social wellbeing 222 12.5 The art of rift‐design 224 12.6 Design, care and temporality 225 12.7 Design, care and spatiality 225 12.8 Caring about and resisting the habitual 226 12.9 More than human and less than inhuman 227 12.10 The ‘more than human’ of ideas 228 12.11 Less than inhuman 229 12.12 Design as care 232 References 234 Afterword: Caring Urban Futures 236 Charlotte Bates and Kim Kullman Index 241

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Book SynopsisThe first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions tTable of ContentsList of Illustrations ix Notes on Contributors xvii Acknowledgments xxv Introduction 1Kelly Chorpening and Rebecca Fortnum Part I The Power of Drawing 11 1 The Black Index 13Bridget R. Cooks 2 A State of Alert: The Politics of Eroticism in South American Drawing 29Sofia Gotti 3 Graphic Witness 55Kate Macfarlane 4 Drawn from Communism: Anti-Capitalist Drawing from Central-Eastern Europe 71Magdalena Radomska 5 Differencing Drawing: Feminist Perspectives on Line, Surface, and Space 95Griselda Pollock 6 A Dirty Double Mirror: Drawing, Autobiography, and Feminism 123Rebecca Fortnum 7 Between the Sky and the Handle: Shilpa Gupta’s Drawings in the Contemporary 147Parul Dave Mukherji 8 Drawing as Contagion 161Jade Montserrat 9 Curating Drawing: Exhibitions and the Centering of Drawing in Contemporary Art 167João Ribas Part II The Condition of Drawing 183 10 Observation and Drawing: From Looking to Seeing 185Paul Moorhouse 11 “Drawing’s Impropriety” 203Lucien Massaert 12 Drawing in Atopia: An Exploration of “Drift” as Method 221Beth Harland 13 Works on/in/with Paper: Approaching Drawing as Responsive Marking 239Marina Kassianidou 14 Indexical Drawing: On Frottage 257Margaret Iversen 15 Ground as Critical Limit 271Laura Lisbon 16 Drawing’s Finish 287Stephanie Straine 17 Radical Antinomies: Drawing and Conceptual Art 309Anna Lovatt 18 Drawing Desires 325Sunil Manghani 19 Drawing from Life and the Twenty-first Century Art School 343Kelly Chorpening Part III The Expanse of Drawing 367 20 Marking Time, Moving Images: Drawing and Film 369Ed Krčma 21 Digital Drawing 389Tamarin Norwood 22 The Dot and the Line: Drawing Amongst Computers 407Jane de Almeida 23 Installation/Drawing: Spaces of Drawing Between Art and Architecture 431Sophia Banou 24 Informational Drawing 451Matthew Ritchie 25 Drawing Towards Sound – Notation, Diagram, Drawing 471David Ryan 26 Chinese Calligraphy: A Drawing Ecology 493 Eric Wear 27 The Enduring Power of Comic Strips 513Simon Grennan Index 531

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Book SynopsisThe essential resource for becoming more effective in the highly competitive architectural marketplace Handbook for the Architectural Manager offers architects a comprehensive resource that brings together critical information on four interlinked areas: managing the architectural office, projects, stakeholders, and learning. Unlike other books on the topic that only stress management of the business or the management of projects, this book offers a guiding framework that encompasses the architectural manager's role in developing the practice's competitive strategies and overseeing the project portfolio. Written by noted experts in the field, Handbook for the Architectural Manager is grounded in current research in which, for the first time, the components of architectural management have been analyzed systematically, tested, and developed for practical application. Designed to explore typical architectural management issues, the book provides clear and concise direction with practicTable of ContentsPreface ix 1 Introduction 1 1.1 An Argument for a Management Framework 1 1.2 Agenda 4 1.3 Structure 4 1.4 Value 5 2 Architecture and Management 7 2.1 Setting the Scene 7 2.2 Architecture and Management 7 2.2.1 Architectural Practice 8 2.3 Design 9 2.3.1 Design as an Activity (Process) 9 2.3.2 Design as Collaboration (Co-design) 10 2.3.3 Design as Learning 10 2.3.4 Design as an Output (Product) 11 2.3.5 Types of Design and Management Challenges 11 2.4 The Management of Design 12 2.4.1 In Construction 12 2.4.2 In Architecture 13 2.4.3 Comparing Roles 13 2.5 The Business of Architecture 14 2.5.1 The Challenge of Uniqueness 15 3 Architectural Management 17 3.1 Setting the Scene 17 3.2 Architectural Management: What it is 17 3.2.1 The Meaning of Architectural Management 18 3.2.2 A Practical Definition of Architectural Management 19 3.3 Benefits of Adopting Architectural Management 20 3.4 Levels of Application 21 3.5 The Architectural Manager 23 3.5.1 What does the Architectural Manager do? 23 3.5.2 Knowledge and Skills 25 3.5.3 Who is Best Qualified to Practise or Lead Architectural Management? 26 3.6 Ensuring Consistency 27 3.7 Self-reflection 28 3.8 Managing Expectations 28 3.9 Taking on the Architectural Manager Role 30 4 Architectural Management Framework 33 4.1 Setting the Scene 33 4.2 The Essentials 33 4.2.1 Architectural Offices 33 4.3 Strategic Concerns: People and Processes 34 4.3.1 People 34 4.3.2 Processes 36 4.4 Practical Concerns: Managing Resources 36 4.4.1 Less is More 37 4.4.2 Managing Design Effort 37 4.4.3 Staff Deployment 37 4.4.4 Identifying Good Habits and Eliminating Inefficiencies 38 4.4.5 Balancing Risk and Reward 39 4.4.6 Ensuring Consistency 40 4.5 A Practical Framework 41 4.6 How to use the Framework 41 5 Managing the Business 43 5.1 Business Model 44 5.2 Organisation Design 47 5.3 Marketing 48 5.4 Human Resource Management 51 5.5 Information Technology Utilisation 54 5.6 Workplace Design and Management 55 5.7 Ethics and Legal Issues 57 5.8 Knowledge Management 60 5.9 Growth Planning 61 5.10 Financial Management 62 6 Managing Projects 67 6.1 Design Excellence 68 6.2 Design Management 70 6.3 Project Management 72 6.4 Construction Management 75 6.5 Facilities Management 77 6.6 Property ‘Real Estate’ Development 78 6.7 Interior Design 80 6.8 Architectural Support Services 82 6.9 Investments and other Business Ventures 83 6.10 Quality Management 84 7 Managing Stakeholders 87 7.1 Stakeholder Identification 88 7.2 Stakeholder Analysis 90 7.3 Stakeholder Communication 92 7.4 Stakeholder Engagement 94 7.5 Conflict Management 96 7.6 Value Management 97 7.7 Managing the Firm’s Social Responsibility 99 7.8 Managing Sustainability 100 7.9 Client Education 102 7.10 Managing Client Requirements 102 8 Managing Learning 105 8.1 The Learning Firm 106 8.2 Managing Individual Learning 108 8.3 Managing Group Learning 110 8.4 Managing Organisational Learning 113 8.5 Managing Inter-Organisational Learning 115 8.6 Managing Continuing Professional Development 117 8.7 Measuring Effectiveness 119 8.8 Measuring the Architectural Manager’s Leadership Skills 121 8.9 Analogical Comparison with Others 123 8.10 Collaborating with Professional Bodies 125 9 Practical Application 129 9.1 The Sole Practitioner 129 9.1.1 Scenario 129 9.1.2 Applying Architectural Management – Managing Learning 130 9.1.3 Reflection and Measuring Performance 130 9.2 The Small Office 131 9.2.1 Scenario 131 9.2.2 Applying Architectural Management – Managing Projects 132 9.2.3 Reflection and Measuring Performance 132 9.3 The Medium-sized Office 133 9.3.1 Scenario 133 9.3.2 Applying Architectural Management – Managing the Business 134 9.3.3 Reflection and Measuring Performance 134 9.4 The Large Office 135 9.4.1 Scenario 135 9.4.2 Applying Architectural Management – Managing Stakeholders 135 9.4.3 Reflection and Measuring Performance 137 9.5 And Finally…it is Your Turn 137 Further Reading 139 Architectural Management 139 Design Management for AEC 139 Generic Design Management 140 References 141 Index 143

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Book SynopsisDiscover BIM: A better way to build better buildings Building Information Modeling (BIM) offers a novel approach to design, construction, and facility management in which a digital representation of the building product and process is used to facilitate the exchange and interoperability of information in digital format. BIM is beginning to change the way buildings look, the way they function, and the ways in which they are designed and built. TheBIM Handbook, Third Editionprovides an in-depth understanding of BIM technologies, the business and organizational issues associated with its implementation, and the profound advantages that effective use of BIM can provide to all members of a project team. Updates to this edition include: Information on the ways in which professionals should use BIM to gain maximum value New topics such as collaborative working, national and major construction clients, BIM standards and guides A diTable of ContentsForeword to the Third Edition xvii Preface xxi CHAPTER 1 Introduction 1 1.0 Executive Summary 1 1.1 Introduction 2 1.2 The Current AEC Business Model 2 1.3 Documented Inefficiencies of Traditional Approaches 9 1.4 BIM: New Tools and New Processes 13 1.5 BIM as a Lifecycle Platform 18 1.6 What Is Not a BIM Platform? 19 1.7 What Are the Benefits of BIM? What Problems Does It Address? 20 1.8 BIM and Lean Construction 25 1.9 What Challenges Can be Expected? 28 1.10 Future of Designing and Building With BIM 30 1.11 Case Studies 30 Chapter 1 Discussion Questions 31 CHAPTER 2 Core Technologies and Software 32 2.0 Executive Summary 32 2.1 The Evolution to Object-Based Parametric Modeling 33 2.2 Beyond Parametric Shapes 48 2.3 BIM Environments, Platforms, and Tools 57 2.4 BIM Model Quality and Model Checking 62 2.5 BIM Platforms 64 2.6 Design Review Applications 76 2.7 Conclusion 82 Chapter 2 Discussion Questions 83 CHAPTER 3 Collaboration and Interoperability 85 3.0 Executive Summary 85 3.1 Introduction 86 3.2 Different Kinds of Data Exchange Methods 88 3.3 Background of Product Data Models 95 3.4 Other Efforts Supporting Standardization 107 3.5 The Evolution from File-Based Exchange to BIM Servers 112 3.6 Interfacing Technologies 124 Chapter 3 Discussion Questions 128 CHAPTER 4 BIM for Owners and Facility Managers 130 4.0 Executive Summary 130 4.1 Introduction: Why Owners Should Care About BIM 131 4.2 Owner’s Role in a BIM Project 133 4.3 Cost and Time Management 142 4.4 An Owner and Facility Manager’s Building Model 154 4.5 Leading the BIM Implementation on a Project 160 4.6 Barriers to Implementing BIM: Risks and Common Myths 167 4.7 Issues for Owners to Consider when Adopting BIM 171 Chapter 4 Discussion Questions 173 CHAPTER 5 BIM for Architects and Engineers 175 5.0 Executive Summary 175 5.1 Introduction 177 5.2 Scope of Design Services 179 5.3 BIM Use in Design Processes 186 5.4 Building Object Models and Libraries 215 5.5 Considerations in Adoption for Design Practice 223 Chapter 5 Discussion Questions 226 CHAPTER 6 BIM for Contractors 228 6.0 Executive Summary 228 6.1 Introduction 230 6.2 Types of Construction Firms 231 6.3 Information Contractors Want from BIM 232 6.4 BIM-Enabled Process Change 234 6.5 Developing a Construction Building Information Model 237 6.6 Using a Contractor Building Information Model 241 6.7 3D: Visualization and Coordination 243 6.8 4D: Construction Analysis and Planning 245 6.9 5D: Quantity Takeoff and Cost Estimating 255 6.10 Production Planning and Control 260 6.11 Off-site Fabrication and Modular Construction 261 6.12 BIM in the Field 263 6.13 Cost and Schedule Control and Other Management Functions 270 6.14 Commissioning and Turnover 272 Chapter 6 Discussion Questions 273 CHAPTER 7 BIM for Subcontractors and Fabricators 275 7.0 Executive Summary 275 7.1 Introduction 276 7.2 Types of Subcontractors and Fabricators 278 7.3 The Benefits of a BIM Process for Subcontractor Fabricators 283 7.4 Generic BIM System Requirements for Fabricators 298 7.5 Specific BIM Requirements for Fabrication 305 7.6 Adopting BIM in a Fabrication Operation 317 Chapter 7 Discussion Questions 322 CHAPTER 8 Facilitators of BIM Adoption and Implementation 323 8.0 Executive Summary 323 8.1 Introduction 324 8.2 BIM Mandates 324 8.3 BIM Roadmaps, Maturity Models, and Measures 330 8.4 BIM Guides 340 8.5 BIM Education and Training 345 8.6 Legal, Security, and Best Practice Issues 358 Chapter 8 Discussion Questions 362 CHAPTER 9 The Future: Building with BIM 364 9.0 Executive Summary 364 9.1 Introduction 366 9.2 BIM Before 2000: Predicting Trends 367 9.3 Development and Impact of BIM: 2000 to 2017 370 9.4 Current Trends 376 9.4.1 Process Trends 377 9.4.2 Technology Trends 381 9.4.3 Integrative Process and Technology Trends 382 9.4.4 Trends in BIM Research 383 9.4.5 Obstacles to Change 385 9.5 Vision 2025 386 9.6 Beyond 2025 394 Acknowledgment 397 Chapter 9 Discussion Questions 397 CHAPTER 10 BIM Case Studies 398 10.0 Introduction 398 Acknowledgments 401 10.1 National Children’s Hospital, Dublin 405 Acknowledgments 419 10.2 Hyundai Motorstudio Goyang, South Korea 419 Acknowledgments 437 10.3 Fondation Louis Vuitton, Paris 437 Acknowledgments 451 10.4 Dongdaemun Design Plaza, Seoul, South Korea 451 Acknowledgments 468 10.5 Saint Joseph Hospital, Denver 468 Acknowledgments 481 Online Sources 481 10.6 Victoria Station, London Underground 482 Acknowledgments 498 10.7 Nanyang Technological University Student Residence Halls, Singapore 499 Acknowledgments 522 10.8 Mapletree Business City II, Singapore 522 Acknowledgments 554 10.9 Prince Mohammad Bin Abdulaziz International Airport, Medina, UAE 554 Acknowledgments 574 10.10 Howard Hughes Medical Institute, Chevy Chase, Maryland 574 Acknowledgments 583 10.11 Stanford Neuroscience Health Center, Palo Alto, California 584 Acknowledgments 613 Glossary 614 References 623 Index 639

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Book SynopsisArchitects are facing a crisis of agency. For decades, they have seen their traditional role diminish in scope as more and more of their responsibilities have been taken over by other disciplines within the building construction industry. Once upon a time, we might have seen the architect as the conductor of the orchestra; now he or she is but one cog in a vast and increasingly complex machine. In an attempt to find a way out of this crisis, there is growing debate about how architects might reassert the importance of their role and influence. On one side of this argument are those who believe that architects must refocus their attention on the internal demands of the discipline. On the other are those who argue that architects must, instead, reacquaint themselves with what many still believe to be the discipline's core mission of advancing social progress and promoting the public good, and at the same time the scope of their traditional disciplinary remit. At root, th

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Book SynopsisA start-to-finish roadmap on incorporating drone technology into your AEC firmworkflow Drone Technology in Architecture, Engineering and Construction: A Strategic Guide to Unmanned Aerial Vehicle Operation and Implementationis the only process-driven,step-by-stephandbookto implement drone technology in AEC workflows.It provides a comprehensive and practical roadmapfor architecture, engineering, and construction firmsto incorporate drones into theirdesign and construction processes. The book offersextensive information on drone data processing,andincludesguidance onhow to acquire, manipulate and use the various data types produced from drone flights.Thecreationofthree-dimensionaldataand visualizationsarecovered in-depth.Drone Technologyreviewshow to select and fly dronesbased on data needs and initial costs,and how to collect and maintain required flight logs, licenses, and permits. Drone Technologyuses severalreal-worldpTable of ContentsAcknowledgments vii Part 1: Introduction to Drone Practice 1 Chapter 1: How to Use This Book 3 Drones for Architecture, Engineering, and Construction (AEC) 3 The Method Behind This Book 4 Who Can Use This Book? 4 The Book Road Map 5 About the Authors 7 Daniel Tal, ASLA, RLA 7 Jon Altschuld, ASLA, RLA 8 Important Contributor Justin Clark 9 Chapter 2: A Paradigm Shift in Viewing the World 11 The Breadth of Drone Applications Is Just Beginning to Be Discovered 12 Basic Drone Use 12 Current Breadth of Drone Use 13 The Future Breadth of Drone Use 16 The Risks of Drone Technology 17 Why Use Drones? 21 The Bottom Line on Drones 22 Chapter 3: Drone Data Visualization as a Full Cycle Tool 23 Advantages 23 Project Cycles 25 Written Proposal 26 Proposal Interview 26 Project Start Up 27 Concept Design and Design Development 27 Construction Administration 29 Post-Construction 29 Visual Communication 30 Defining Drone Data and Visualization 30 2D Concept Overlay 31 3D Concept Model Overlay 31 3D Mesh 31 Classified Point Clouds 33 Construction Analysis over the Internet 33 Contour CAD Line Work 34 Drone Photography 34 Drone Video Footage 34 Digital Elevation Model (DEM) 35 Plant Health 35 High-Resolution Orthorectified Image 35 Site Quantities and Takeoffs 36 Thermal Maps 38 Time-Based Site Comparisons 38 Part 2: Getting off the Ground 41 Chapter 4: Buy In 43 Return on Investment (ROI) 43 Start-Up Cost Estimate 44 Annual Expenditures 47 Rate of Return (ROR) 48 Commodity 48 Include in Proposals 49 Project Collaboration and Deferred Costs/Cost Savings 50 Intangible Values 51 Value Added Services 52 Training Costs 56 Remote 107 License 56 Software and Photogrammetry Training Costs 57 Permissions Costs 57 Chapter 5: Getting Started 58 AEC Drone Standard Features 58 Flying Skills 60 High Quality of Data 61 Power and Flight Time 61 Flight Controller Automations 61 Third Party Apps 62 Support and Troubleshooting 63 Drone Packages 63 Applications and Software 64 Device Apps 64 Categories 64 Flight Conditions 64 Video and Photo Recording 66 Photogrammetry 68 Insurance 71 Online Portals 71 Desktop Software 71 Photogrammetry 71 Photo Matching and Editing 71 Multimedia and Video Editing 72 Computer Hardware 72 CPU 73 GPU 73 RAM 73 Storage Memory 73 Chapter 6: Documentation, Permissions, and License 74 Professional Etiquette for Professional Practice 74 The Legal Rules 74 Part 107 76 Permissions – LAANC 77 Permissions – State, Agency, County, and City Regulations 80 Permissions – DJI FlySafe and Geo Zones 80 Insurance 80 Documentation 82 Chapter 7: Best Practices for Flying Drones 86 The Flying Mindset 86 Drone Flying Apps 87 Simulator Mode 88 Flight Operations 89 Takeoff 90 During Flight 91 Flight Area Awareness 91 Maintaining Visual Line of Site (VLOS) 92 Emergency Operations 94 Landing and Post-flight 95 Automated Flying 95 Pilot Control 95 Manual Intervention 95 Pre-flight Planning for Automated Flights 96 Part 3: Acquiring and Working with Drone Data 97 Chapter 8: Imagery and Videos 99 Photo and Video Quality 99 Using DJI Standard Apps 99 Image Geotag 101 Litchi Flight Planning Software 101 Litchi Smart Device App 103 Litchi Desktop Web Portal 104 Virtual Litchi Mission 104 Working with Drone Photos 106 Annotated Images 106 Photo Matches 107 Hand Sketch Photo Matches 107 Photoshop Photo Matches 107 3D Model Photo Matches 111 Working with Drone Videos 114 Pix4D (and Other) Animations 116 Chapter 9: Photogrammetry 117 What Is Photogrammetry? 117 Drones and Photogrammetry 118 Photogrammetry Accuracy and Precision 119 Ground Control Points 123 Collecting Data 124 RTK Drones, Ground Control Pads 131 Processing the Data 132 Processing Steps 134 Photogrammetry Project Comparisons 139 Project #1 – Rural Ranch 139 Project #2 – US-50 Little Blue Canyon 143 Photogrammetry Hardware 146 Photogrammetry Software 146 Chapter 10: Working with 3D Models 147 Point Cloud versus 3D Mesh 147 Working with Point Clouds and 3D Meshes 148 Viewing and Sharing Online 150 Third-Party Sites 152 Application 153 Viewing and Processing in the Cloud 153 Photogrammetry Software 153 Construction Management Viewing and Sharing Software 153 Working with and Manipulating the 3D Mesh 154 File Format 154 Point Cloud to Mesh 155 Mesh Decimation 155 Mesh Manipulation and Proposed Features 156 Chapter 11: The Future of UAVs 159 Final Word and Looking Ahead 163 Index 165

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Book SynopsisArchitectural research is being redefined in practice. Whereas once the value of a piece of research was solely measured by the number of citations it received by fellow academics, shifting funding models and new societal concerns are forcing academia to question its structure and this mode of evaluation. At the same time a wave of practitioners and new types of institutions, such as RMIT in Melbourne and the London School of Architecture (LSA), have been recasting architectural education and theoretical speculation within practice, turning the traditional architectural studio into a learning environment that adopts and adapts academic models, and starts to use architectural research as a potential source of business intelligence, as a means for self-generating future commissions and speculative opportunities that sometimes even shift the terrain of practice. This new focus on research in practice is indicative of a profession redefining its relevance and scope. This is desta

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Book SynopsisToday there are more tools for communication than ever before, yet very little in the way of reflection on how these are being used and even less on what exactly is being conveyed.This issue ofADlooks at how architecture is communicated from a cultural perspective. Do the identities of practices or their business-driven branding and promotional efforts resonate with the critical acclaim many architects seek? Has slick image-led media coverage sold the profession short?How is it possible to convey the less visual and haptic qualities of architecture? Can architects be more creative in their communication efforts, making these joyous on their own terms as Le Corbusier did so memorably?Is there really a need to succumb to the world of corporate marketing processes and managerial business jargon? The issue explores notions of editing and curating work in an age of data deluge, and discusses social media as a genuinely alternative space for communication rather than for juTable of ContentsCh 1 Chapter Introduction Creating Worlds: How Identities Are Lost and Found Ch 2 Rise, Fall and Reinvention: The Architect's Shifting Identity Ch 3 Design for Sensory Reality: From Visuality to Existential Experience Ch 4 Slippery When Wet: The Corporate Language of Architecture Ch 5 A Hybrid Practice Model: Expert Differentiation Ch 6 The Man in the Concrete Mask: The Metamorphosis of Charles-Édouard Jeanneret Ch 7 Worldcraft: Building Worlds One Project at a Time Ch 8 Observations on Drawing: The Art of Architecture Ch 9 The Personal is Universal: On Aldo Rossi's Autobiography Ch 10 Working with Architects: From Process to Identity Ch 11 Exhibiting Architecture: Between the Profession and the Public Ch 12 Test Bed: Communication Through Product Design Ch 13 The Social Media Monster: Dangers and Thrills Only Partially Glimpsed Ch 14 China's Global Introspection: Managing Critical Thinking Ch 15 New Architecture of the South Pacific: How the Maori Worldview is Changing New Zealand's Built Environment Ch 16 Figure Heads: Leadership and Succession in Architectural Practice Ch 17 'They've Lost It' – A Balancing Act: MVRDV and the Language of Marketing Ch 18 The Image of Architects: From the Explicit to the Inexplicit Ch 19 Holding On to Our Principles: Why Manifestoes Matter Ch 20 The Public Role of the Architect: Architecture is the Medium – What is the Message? Ch 21 Counterpoint – The Selfie of an Architect

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Book SynopsisTable of ContentsIntroduction xi Acknowledgments xii The Author xiii Author’s Note xiv Chapter 1. Tiny Houses 1 A Tiny House at Walden Pond 2 What Is a Tiny House? 4 How Big Is Big Enough? 6 New Life for an Old Idea: The ADU 7 Chapter 2. Legal Aspects 9 Zoning and Building Codes 10 IRC Appendix Q 13 Highway Width & Height Limits 15 Chapter 3. Costs 17 Building Cost Breakdown 18 Savings by Doing It Yourself 19 Square Foot Construction Cost 20 Total Construction Cost 21 Big Added Cost: The Site 22 More Added Costs: Site Services 23 Added Costs: Impact Fees? 24 Chapter 4. Design 25 The Process 26 The Program 27 Activity Space Analysis 28 Space Bubbles 30 Squaring Up the Bubbles 32 A Few Critical Dimensions 34 Furniture and Appliances 36 Furnishings for Tiny Spaces 38 Designing the Exterior 42 Visual Element Variations 44 Chapter 5. Some Floor Plans 47 On Wheels 8 × 16 48 On Wheels 8 × 20 50 On Wheels 8 × 24 52 On Wheels 8 × 30 53 On Skids 12 × 16 54 On Skids 12 × 20 56 On Skids 12 × 24 58 On Skids 12 × 28 60 Site-Built 12 × 20 62 Site-Built 20 × 26 63 Site-Built 20 × 32 64 Site-Built 14 × 28 65 Site-Built 16 × 24 66 Site-Built 20 × 28 67 Site-Built 20 × 20 68 Chapter 6. Drawing Plans 69 Drafting Tools 70 Drawing Lines 72 Dimensioning 74 Using Templates 75 Formatting the Page 76 Chapter 7. A Set of Plans 77 The Set 78 Site Plan 80 Floor Plan 81 Two Foundation Options 82 Two Floor Framing Options 83 N/S Wall Framing 84 E/W Wall Framing 85 Roof Framing 86 Elevations 87 Typical Section 88 Electrical Plan 89 Plumbing Plan 90 Chapter 8. Foundations 91 Forces Due to Wind 92 Anchoring Homes on Wheels 94 Anchoring Homes on Skids 95 Pole Foundation 96 Slab on Grade 97 Masonry Crawl Space 98 Full Basement (South) 99 Full Basement (North) 100 Chapter 9. Framing 101 Forces on a House Frame 102 How Beams Support Loads 104 Beams: Natural & Manufactured 105 Framing Floors 106 Span Tables for Floor Joists 110 Framing Walls 112 Framing Roofs 116 Span Tables for Rafters 118 Span Table for Ridge Beams 120 Chapter 10. Sheathing 121 Sheathing Materials 122 Floor Sheathing 124 Wall Sheathing 126 Roof Sheathing 127 T&G Roof Sheathing 128 Chapter 11. Siding 129 Cedar Shingle Siding 130 Horizontal Lap Siding 132 Plywood Panel Siding 134 Vinyl Siding 136 Chapter 12. Roofing 141 Roofing Materials 142 Roof Edge Details 143 Roll Roofing (Selvage) 144 Double Coverage Roofing 145 Asphalt Shingles 146 Cedar Shingles 148 Metal Panel Roofing 150 EPDM (Rubber) Roofing 152 Chapter 13. Lofts & Stairs 153 Loft Headroom 154 Loft Access 155 Stairways 156 Ladders 159 Alternating-Tread Devices 160 Ships Ladders 161 Handrails 162 Chapter 14. Windows & Doors 163 Window Types 164 Sizing Windows 165 Window Energy Efficiency 166 Egress Windows 168 Natural Daylighting 169 Ventilation 170 The View Looking Out 171 Installing Windows 172 About Doors 174 Energy Efficiency of Doors 175 Installing Prehung Doors 176 Chapter 15. Insulation 179 Insulation and R-Value 180 Floor Insulation Options 182 Wall Insulation Options 184 Roof Insulation Options 186 Chapter 16. Wiring 189 The AC Electrical Circuit 190 110 VAC & 220 VAC Circuits 191 Electrical Wire & Cable 192 Service Drops & Entrances 193 Circuits Required by Code 194 An Example Wiring Plan 195 The Distribution Panel 196 Accessory Dwelling Feeds 198 Running Cables 200 The Most Common Circuits 201 Going Off the Grid 202 PV Panel Shading 204 Estimating Your Usage 205 Sizing the System 206 Example Off-the-Grid System 207 Chapter 17. Plumbing 209 Supply System 210 Drain, Waste, & Vent System 212 Roughing in the Pipes 214 Traps & Venting 216 The Gray Waste Alternative 218 Chapter 18. Heating 221 Estimating Heat Loss 222 Heat Loss Example 226 Heating Cost 227 Choosing Your Heat Source 228 Chapter 19. Cooling 231 What Determines Comfort? 232 Natural Cooling 233 Ceiling Fans 234 Window Box Fans 236 Evaporative Coolers 238 Air Conditioners 239 Sizing Air Conditioners 240 AC Sizing Example 242 Further Information 245 Index 247

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Book SynopsisGuest-edited by Owen Hopkins and Erin McKellar Our current moment is one of profound political and economic change. Historically, these moments of transition have seen a parallel period of cultural and notably architectural flux. In the late-1970s this was manifested in Postmodernism. Today, a number of architects are looking again at this movement and redeploying a range of its tactics and approaches using contemporary methods and techniques. These include different modes of collage, formal reference and quotation, stylistic eclecticism, symbolism in form, material and ornament, and the bold, expressive use of colour, both natural and synthetic. While the design that results from these multiform' tactics and approaches has been seen as a kind of neo-Postmodernism, this issue argues that this is a simplistic and superficial reading. Instead, it posits this phenomenon as the architectural attempt both conscious and unconscious to reflect, grapple with and makTable of ContentsAbout the Guest-Editors 05Owen HopkinsErin McKellar Introduction What is Multiform? 06Owen Hopkins Aiming for Personality An Exercise of Continuous Improvisation 12Lera Samovich PoMo, Collage and Citation Notes Towards an Etiology of Chunkiness 18Mario Carpo Nothing New Referencing, Remixing and Sampling 26Graham Burn, James Crawford and Alexander Turner Marni Sweaters and Rugby Shirts Colour Blocking in Architecture 32Jennifer Bonner More With Less Responding to Austerity 40Catrina Stewart and Hugh McEwen The Birth and Rebirth of a Movement Charles Jencks’s Postmodern Odyssey in 2 48Stephen Parnell Pluralism and the Urban Landscape Towards a Strategic Eclecticism 56Dirk Somers #Architecturez Rackz, Shackz and the Opportunities In Between 64Mat Barnes Exploring, Building, Completing Context and Craft 70Amin Taha Screen’s Domesticity From the Postmodern House to Our House 76Léa-Catherine Szacka Taking Joy Seriously An Interview with Artist and Designer Camille Walala 84Owen Hopkins Perceiving Postmodernism Learning from London’s Marshlands 92David Kohn Working in Public Political and Design Inheritances in the Work of DK-CM 100David Knight and Cristina Monteiro The Joy of Architecture Evoking Emotions Through Building 108Geoff Shearcroft Remembering in Colour In Conversation with Artist / Designer Yinka Ilori 118Erin McKellar From Another Perspective Iconic Iconoclasm: David Connor 128Neil Spiller Contributors 134

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Book SynopsisTrade Review"This is a must-read book. It achieves the rare outcome of being a successful volume for design practitioners (who should know what to do) as well as design students (who don’t yet know what to do). But it is also very useful to educators, policymakers, engineers, local authorities, industry professionals and – really – anyone who takes seriously the sheer impacts caused by the global built environment to ecosystems, biodiversity, greenhouse gas (GHG) emissions, land use, urban fabric transformation, energy demand, social shifts and implications for the lives of millions who live in, or at the margins of, it."—Francesco Pomponi, Buildings & Cities "A recommendable book to get started with LCA in building construction with focus on CO2 or carbon as well as concepts for decarbonization.... The basic LCA aspects are presented in an easy to follow manner.... Also worth to mention: many specific LCA terms which are helpful in discussing with LCA experts such as cradle-to-gate, end-of-life, end-of-waste or closing the loop are addressed in easy to understand words."—nbau, NACHHALTIG BAUEN "Its explanatory tone runs like a seam through this book; copiously illustrated in black and white and on a thin, uncoated paper that intimates the authors’ awareness of its own carbon footprint. It's worth it alone just for Chapter 3, 'Case Studies in Decarbonisation'"—The RIBA JournalTable of ContentsPreface viii Chapter 1 Carbon? 2 Our Carbon Challenge 6 Building Elements 6 King Carbon 7 A Global Carbon Budget 9 The Carbon Cycle in Building History 10 Carbon Flows in Building 12 Staunching the Flow 14 Time Management in Carbon Mitigation 17 Re-balancing the Planet: Agency and Opportunity 18 About This Book: An Overview 19 Chapter 2 Measuring Carbon Flows 22 Life Cycle Assessment: What’s in It for Building Designers? 25 The Fundamental Concepts 27 The Process of Life Cycle Assessment 37 The Production Stage 46 The Construction Stage 53 The Use Stage 61 Service Life 66 End-of-Life Stage 74 Results, Interpretation, and Comparison 81 The Streamlined Life Cycle Assessment for Buildings 83 Chapter 3 Case Studies in Decarbonization 86 Notes from the Field 89 How Were the Calculations Per formed? 90 Case Study 1 Common Ground High School 92 Architectural Objectives (by Gray Organschi Architecture) 93 Common Ground High School: Key Figures 100 Materials 100 Site and Ground Works 104 Foundations and Ground Floor 106 Structural Frame 108 Façades and External Decks 110 Roofs 112 Internal Dividers 114 Space Surfaces 116 Internal Fixtures 118 Building System Installations 120 Mitigation Potential from Materials and Systems 130 Energy-Related Emissions 131 Case Study 2: Puukuokka Housing Block 135 Architectural Objectives (by OOPEAA Office for Peripheral Architecture) 137 Puukuokka One: Key Figures 142 Site and Ground Works 146 Foundations and Ground Floor 148 Modular Units 150 Hallway 152 Façades 154 Roofs 156 Building Service Installations 158 Mitigation Potential from Materials and Systems 168 Energy 168 Comparison of the Case Studies 172 Comparison of the Emissions 176 Chapter 4 De-carbonizing Design 180 A Context of Externalities: Pre conditions of the Decarbonized Design Process 185 The Decarbonized Design Process 188 Phases of Decarbonized Building Design 190 The Pre-Design or Project Preparation Phase: Laying the Groundwork for Decarbonized Building Design 190 Selecting a Low-Carbon Site 192 Programming a Low-Carbon Building 195 Anticipating the Lifespan of a Building 196 The Conceptual or Schematic Design Phase 197 The Design Development Phase 201 Material Classes and Their Carbon Consequences 203 The Decarbonized Building Assembly 208 The Later Design Phases: Contract Documentation, Bidding and Negotiation, and Construction Administration 212 Principles of Decarbonized Design 213 Understanding Design Agency: Shifting Roles and Responsibilities 218 Chapter 5 Re-Forming the Anthropocene 220 Beyond Sustainable 223 Thinking Outside the Building’s Life Cycle 224 Re-forming the Anthropocene 231 The Anthropocene Re-formed 240 Acknowledgments 243 Glossary 244 References 248 Index 252

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Book SynopsisTable of ContentsPreface xiii Acknowledgements xv Introduction xvi Section I Urban Complexity 1 1 Urban Complexity 3Sean Hanna 2 Emergence and Universal Computation 15Cassey Lee 3 Fractals and Geography 31Pierre Frankhauser and Denise Pumain Project 1 Emergence and Urban Analysis 57Ljubomir Jankovic Project 2 The Evolution and Complexity of Urban Street Networks 63Nahid Mohajeri and Agust Gudmundsson Section II Machines that Think 69 4 Artificial Intelligence, Logic, and Formalising Common Sense 71John McCarthy 5 Defining Artificial Intelligence 91David B. Fogel 6 AI: From Copy of Human Brain to Independent Learner 121Shelly Fan 7 The History of Machine Learning and Its Convergent Trajectory Towards AI 129Keith D. Foote 8 Machine Behaviour 143Iyad Rahwan, Manuel Cebrian, Nick Obradovich, Josh Bongard, Jean-François Bonnefon, Cynthia Breazeal, Jacob W. Crandall, Nicholas A. Christakis, Iain D. Couzin, Matthew O. Jackson, Nicholas R. Jennings, Ece Kamar, Isabel M. Kloumann, Hugo Larochelle, David Lazer, Richard McElreath, Alan Mislove, David C. Parkes, Alex ‘Sandy’ Pentland, Margaret E. Roberts, Azim Shariff, Joshua B. Tenenbaum, and Michael Wellman Project 3 Plan Generation from Program Graph 167Ao Li, Runjia Tian, Xiaoshi Wang, and Yueheng Lu Project 4 Self-organising Floor Plans in Care Homes 171Silvio Carta, Stephanie St. Loe, Tommaso Turchi, and Joel Simon Project 5 N2P2 – Neural Networks and Public Places 177Roberto Bottazzi, Tasos Varoudis, Piyush Prajapati, and Xi Wang Project 6 Urban Fictions 183Matias del Campo, Sandra Manninger, and Alexandra Carlson Project 7 Latent Typologies: Architecture in Latent Space 189Stanislas Chaillou Project 8 Enabling Alternative Architectures 193Nate Peters Project 9 Distant Readings of Architecture: A Machine View of the City 201Andrew Witt Section III How Machines Learn 207 9 What Is Machine Learning? 209Jason Bell 10 Machine Learning: An Applied Mathematics Introduction 217Paul Wilmott 11 Machine Learning for Urban Computing 249Bilgeçağ Aydoğdu and Albert Ali Salah 12 Autonomous Artificial Intelligent Agents 263Iaroslav Omelianenko Project 10 Machine Learning for Spatial and Visual Connectivity 287Sherif Tarabishy, Stamatios Psarras, Marcin Kosicki, and Martha Tsigkari Project 11 Navigating Indoor Spaces Using Machine Learning: Train Stations in Paris 293Zhoutong Wang, Qianhui Liang, Fabio Duarte, Fan Zhang, Louis Charron, Lenna Johnsen, Bill Cai, and Carlo Ratti Project 12 Evolutionary Design Optimisation of Traffic Signals Applied to Quito City 297Rolando Armas, Hernán Aguirre, Fabio Daolio, and Kiyoshi Tanaka Project 13 Constructing Agency: Self-directed Robotic Environments 303Patrik Schumacher Section IV Application to the City 309 13 Code and the Transduction of Space 311Martin Dodge and Rob Kitchin 14 Augmented Reality in Urban Places: Contested Content and the Duplicity of Code 341Mark Graham, Matthew Zook, and Andrew Boulton 15 Spatial Data in Urban Informatics: Contentions of the Software-sorted City 367Marcus Foth, Fahame Emamjome, Peta Mitchell, and Markus Rittenbruch 16 Urban Morphology Meets Deep Learning: Exploring Urban Forms in One Million Cities, Towns, and Villages Across the Planet 379Vahid Moosavi 17 Computational Urban Design: Methods and Case Studies 393Snoweria Zhang and Luc Wilson 18 Indexical Cities: Personal City Models with Data as Infrastructure 409Diana Alvarez-Marin 19 Machine Learning, Artificial Intelligence, and Urban Assemblages 445Serjoscha Düring, Reinhard Koenig, Nariddh Khean, Diellza Elshani, Theodoros Galanos, and Angelos Chronis 20 Making a Smart City Legible 453Franziska Pilling, Haider Ali Akmal, Joseph Lindley, and Paul Coulton Project 14 A Tale of Many Cities: Universal Patterns in Human Urban Mobility 467Anastasios Noulas, Salvatore Scellato, Renaud Lambiotte, Massimiliano Pontil, and Cecilia Mascolo Project 15 Using Cellular Automata for Parking Recommendations in Smart Environments 473Gwo-Jiun Horng Project 16 Gan Hadid 477Sean Wallish Project 17 Collective Design for Collective Living 483Elizabeth Christoforetti and Romy El Sayah Project 18 Architectural Machine Translation 489Erik Swahn Project 19 Large-scale Evaluation of the Urban Street View with Deep Learning Method 495Hui Wang, Elisabete A. Silva, and Lun Liu Project 20 Urban Portraits 501Jose Luis García del Castillo y López Project 21 ML-City 507Benjamin Ennemoser Project 22 Imaging Place Using Generative Adversarial Networks (GAN Loci) 513Kyle Steinfeld Project 23 Urban Forestry Science 517Iacopo Testi Section V Machine Learning and Humans 521 21 Ten Simple Rules for Responsible Big Data Research 523Matthew Zook, Solon Barocas, Danah Boyd, Kate Crawford, Emily Keller, Seeta Peña Gangadharan, Alyssa Goodman, Rachelle Hollander, Barbara A. Koenig, Jacob Metcalf, Arvind Narayanan, Alondra Nelson, and Frank Pasquale 22 A Unified Framework of Five Principles for AI in Society 535Luciano Floridi and Josh Cowls 23 The Big Data Divide and Its Consequences 547Matthew T. McCarthy 24 Design Fiction: A Short Essay on Design, Science, Fact, and Fiction 561Julian Bleecker 25 Superintelligence and Singularity 579Ray Kurzweil 26 The Social Life of Robots: The Politics of Algorithms, Governance, and Sovereignty 603Vincent J. Del Casino Jr, Lily House-Peters, Jeremy W. Crampton, and Hannes Gerhardt Project 24 Experiments in Synthetic Data 615Forensic Architecture Project 25 Emotional AI in Cities: Cross-cultural Lessons from the UK and Japan on Designing for an Ethical Life 621Vian Bakir, Nader Ghotbi, Tung Manh Ho, Alexander Laffer, Peter Mantello, Andrew McStay, Diana Miranda, Hiroshi Miyashita, Lena Podoletz, Hiromi Tanaka, and Lachlan Urquhart Project 26 Decoding Urban Inequality: The Applications of Machine Learning for Mapping Inequality in Cities of the Global South 625Kadeem Khan Project 27 Amsterdam 2040 631Maria Luce Lupetti Project 28 Committee of Infrastructure 635Jason Shun Wong Index 639

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Book SynopsisTable of ContentsPreface…ix 1 Building Codes…1 2 Navigating the Code…11 3 Occupancy Classification and Use…21 4 Special Detailed Requirements Based on Occupancy and Use…35 5 Building Heights and Areas…59 6 Types of Construction…113 7 Fire-Resistive Construction…137 8 Interior Finishes…189 9 Fire-Protection Systems…197 10 Means of Egress…225 11 Accessibility…287 12 Interior Environment…317 13 Energy Efficiency (International Energy Conservation Code)…333 14 Exterior Walls…335 15 Roof Assemblies and Rooftop Structures…355 16 Structural Provisions…381 17 Special Inspections and Tests…403 18 Soils and Foundations…413 19 Building Materials and Systems…425 20 Plumbing Systems…479 21 Elevators and Conveying Systems…485 22 Special Construction…491 23 Existing Buildings (International Existing Building Code)…497 Bibliography…501 Index…503

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Book SynopsisTable of ContentsPreface ix About the Authors xi 1 Greens 1 2 Tees 27 3 Fairways 37 4 The Rough 49 5 Bunkers and Their Maintenance 59 6 Water 77 7 Fertilizers 91 8 Topdressing 101 9 Aerating, Verticutting, and Venting 113 10 Spraying 131 11 Seeding, Sodding, and Sprigging 143 12 Drainage 163 13 Trees 177 14 Landscaping 189 15 Traffic and Paths 197 16 Changing Cups, Flagsticks, and Tee Markers 209 17 Rules of Golf That Affect Maintenance 221 18 Golf Course Budgeting 231 19 The Grounds Maintenance Facility 241 20 Managing People 253 21 Greenkeeping Common Sense 263 22 Job Descriptions 271 23 Communicating with Management 283 Index 291

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Book SynopsisTable of ContentsAcknowledgments ix How to Use This Book xi Section 1 Designing with Building Codes 1 1. Designing with Building Codes 3 Section 2 Designing the Structure 19 1. Selecting the Structural System 21 2. Configuring the Structural System 39 3. Sizing the Structural System 55 Section 3 Designing with Daylight 139 1. Design Criteria for Daylighting Systems 141 2. Configuring and Sizing Daylighting Systems 151 Section 4 Designing Spaces for Mechanical and Electrical Services 159 1. Selecting Heating and Cooling Systems for Large Buildings 161 2. Configuring and Sizing Mechanical and Electrical Services for Large Buildings 185 3. Passive Heating and Cooling Systems 221 4. Mechanical and Electrical Systems for Small Buildings 239 Section 5 Designing for Egress And Accessibility 265 1. Configuring the Egress System and Providing Accessible Routes 267 2. Sizing the Egress System 301 3. Stairway and Ramp Design 317 Section 6 Designing for Parking 333 1. Design Criteria for Parking Facilities 335 2. Configuring Parking Facilities 343 3. Sizing Parking Facilities 355 Section 7 Designing with Height And Area Limitations 369 1. Construction Types and Height and Area Limitations 371 2. Height and Area Tables 393 Appendix A Example Use of This Book 481 Appendix B Units of Conversion 487 Bibliography 489 Index 491

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Book SynopsisTable of ContentsPreface xv About the Author xx PART I INTRODUCTION TO INTERIOR ENVIRONMENTS 2 CHAPTER 1 THE PROFESSION: DEFINITION, ORIGINS, AND CONTEXT 4 Precedent Study: Original Villa 32 CHAPTER 2 THE VALUE OF INTERIOR DESIGN: HEALTH, SAFETY, AND WELFARE 38 Precedent Study: Willson Hospice 69 PICTORIAL ESSAY: HISTORY OF STYLE 74 PART II INTERIOR DESIGN FUNDAMENTALS 102 CHAPTER 3 VISUAL LITERACY: ELEMENTS AND PRINCIPLES OF DESIGN 104 CHAPTER 4 COLOR 128 CHAPTER 5 DESIGN THINK: DESIGN PROCESS 160 Precedent Study: Community Concept - UPS Innoplex 191 CHAPTER 6 VISUAL COMMUNICATIONS 202 Using the Archtiectural Scale 205 Rasterized Images and Vector-Based Graphics 213 PART III THE SPATIAL ENVELOPE 236 CHAPTER 7 SPACE PLANNING STANDARDS 238 Figuring Square Footage 245 CHAPTER 8 DEVELOPING THE INTERIOR ENVELOPE 272 Precedent Study: Residential Loft and Commercial Real Estate Office 312 CHAPTER 9 CONSTRUCTION COMPONENTS AND SYSTEMS 322 Solar Architecture and Earthships 353 CHAPTER 10 LIGHTING, ELECTRICAL, AND COMMUNICATIONS 364 Precedent Study: Beachfront Condominium 396 PART IV PRODUCTS AND MATERIALS 402 CHAPTER 11 FLOORS 404 CHAPTER 12 CEILINGS AND WALLS 434 CHAPTER 13 TEXTILES 464 CHAPTER 14 FURNITURE, CASEWORK, AND ARCHITECTURAL MILLWORK 500 CHAPTER 15 ENHANCING THE INTERIOR ENVIRONMENT 536 PART V DESIGNING FOR A LIVING 576 Precedent Study: Stonehurst Place 595 Precedent Study: Fortune 500 Consumer Products Company 600 Appendices 608 Master Glossary 636 References 658 Index 664

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Book SynopsisTable of ContentsA Truly Golden Handbook of Urban DYStopias Chapter 2 Urban Farming: The Reluctant Utopia Chapter 3 Pertopia: Speculative Thinking in a Short-Term World Chapter 4 Broadband-acre City: ‘No Traffic Problem, No Buffering’ Chapter 5 The Mega-Eco-Garden City: Stories of Rewilding and Ecodystopia Chapter 6 An Urban Odyssey: City Beautiful to City Instagrammable Chapter 7 Arcological City: Going Underground Chapter 8 Cool Urbanism: The Radiant Exitance City Chapter 9 The City of Frictionless Mobility Chapter 10 High-Definition City: An Invisible Horizon of Technological Human Space Chapter 11 The Promises of Postcolonial Utopias: Perspectives from the Global South Chapter 12 Cité Industrielle 4.0: Zoning for the Latest Revolution Chapter 13 Another Normal: A Techno-Social Alternative to Techno-Feudal Cities Chapter 14 The Floating ‘Urban Village’: Makoko Futures Chapter 15 GAN-Physarum: Shaping the Future of the Urbansphere Chapter 16 From Another Perspective – Fanning the Flames of the City Heat: Anton Markus Pasing Contributors About Architectural Design

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Book SynopsisGuest-edited by Jill Stoner and Ozayr Saloojee Over the past decade, and in a more concentrated form over the past two years, there has been increasing recognition of architecture's systemic complicity in constructing and upholding hierarchies of race and class, and privileging colonial paradigms that perpetuate spatial and economic inequity. This AD issue reveals how designers, practitioners, scholars and architects are participating in dismantling the major canons of Western architecture. The work is both literal and figural: taking buildings apart and reconstituting them, and challenging mythologies that include drawing-as-analogue, building-as object, architect-as-hero and nature-as-other. Architecture has both potential and responsibility for political agency in the public realm.The contributions to this issue foreground emancipatory spatial ideas and practices from around the world, demonstrating that refusal is no longer just absence and denial, but a constructive mode of resTable of ContentsIntroduction Repair, Reworld: The Many Ways of Saying ‘No’ Chapter 2 Prologue: Drawing an Argument for Refusal Chapter 3 Centring Civilisation: Now and After the Apocalypse Chapter 4 Digital Doubles: The Major Agency of Minor Bits Chapter 5 Expanding Bodies: Pedagogical Models for Pluralistic Spatialities Chapter 6 Shebeen Operations: Navigating Deviance Chapter 7 Earth Versus FIFA: Resisting Globalisation on the Open Pitch Chapter 8 A Cottage to Breathe In: Refusing Museums, Making Homes Chapter 9 A Space of Problems: The Child-Cities of Columbus Chapter 10 Reclaiming Their Future: Riotous Resistance and Indigenous Creativity in South America's Highest Metropolis Chapter 11 The Eruv as Legal Fiction: Changing Rules in the Public Realm Chapter 12 From Altars to Alterity: Offerings and Inheritances for Queer Vietnamese Kin Chapter 13 101 Ways to Refuse a Wall Chapter 14 Meanwhile Bodies: Architecture Without Property Chapter 15 To Not Refuse Our Ravaged World Chapter 16 From Another Perspective – Balking in the Balkans: Lebbeus Woods – Zagreb Free Zone Revisited Contributors About Architectural Design

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Book SynopsisBUILDINGS FOR PEOPLE Buildings for People: Responsible Real Estate Development and Planning explores how to balance social concerns with financial and investment considerations without sacrificing profit. This timely volume provides key technical and practical knowledge while exploring real estate development and planning through a multi-level lensrevealing the systemic factors that both govern and are governed by the real estate process. Beginning with site selection, the authors discuss financing, site improvement, architecture, landscape architecture, site planning, construction, and evaluation within a broader political, economic, and social context. Throughout the text, the authors explain key theories and methods of professional practice, and highlight how important social issues are interconnected to the business of real estate development and planning. Demonstrating how the desire for profit can be balanced with the needs of society Buildings for People: Responsible Real Estate Development and Planning is an excellent textbook for advanced undergraduate and graduate students in real estate, urban planning, urban design, and urban studies courses, as well as a valuable resource for researchers and professionals who want a multidisciplinary understanding of the built environment.Table of ContentsList of Figures vii List of Tables xiii Author Bio xv Acknowledgments xvii 1 An Introduction 1 2 Maximizing Profit or Public Good? 23 3 Just Another Class of Investment: Basic Financials 45 4 Pro Forma and Financial Analysis 59 5 Site Selection 69 6 Site Analysis and Planning 99 7 Architecture and Landscape Architecture 129 8 Urban Design and Planning 155 9 Construction 169 10 Conclusion 189 Appendix 193 Index 197

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Book SynopsisTable of ContentsIntroduction 1 Part 1 Intergenerational Cohousing Design 13 Chapter 1 Intergenerational Neighborhood Design: Neighborhood Site Design 15 Chapter 2 Haystack Heights Cohousing: Site Planning Workshop 49 Chapter 3 Intergenerational Neighborhood Design: Common House and Common Facilities Design 79 Chapter 4 Haystack Heights Cohousing: Common House Workshop 101 Chapter 5 Intergenerational Neighborhood Design: Private Houses Design 125 Chapter 6 Haystack Heights Cohousing: Private House Workshop 145 Part 2 Senior Cohousing Design 173 Chapter 7 Senior Neighborhood Design: Site Design 175 Chapter 8 Quimper Village: Site Planning Workshop 207 Chapter 9 Senior Cohousing Design Concepts: Common House Design 237 Chapter 10 Quimper Village: Common House Workshop 255 Chapter 11 Senior Cohousing Design Concepts: Private Houses Design 279 Chapter 12 Quimper Village: Private House Workshop 295 Part 3 The Rest of the Story 317 Chapter 13 Affordability 319 Chapter 14 The Details of Cohousing: What Components Lead to High- Functioning Neighborhoods? 363 Afterword 397 About the Authors 409 Acknowledgments 413 Other Books by Charles Durrett and Company 415 Index 417

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Book SynopsisTable of ContentsIntroduction 1 Part 1: Getting Started with Home Decorating 5 Chapter 1: Bringing Your Vision to Life 7 Chapter 2: Budgeting Your Projects 13 Chapter 3: Evaluating Your Space 23 Chapter 4: Thinking Like a Designer 39 Part 2: Creating Dimensions 53 Chapter 5: Experiencing Color 55 Chapter 6: Playing with Pattern 65 Chapter 7: Toying with Texture 77 Part 3: Perfecting Style 87 Chapter 8: Decorating with Timeless Styles 89 Chapter 9: Designing with Contemporary Styles. 105 Chapter 10: Developing Your Personal Style 113 Chapter 11: Finding Furniture 123 Part 4: Designing Backgrounds 135 Chapter 12: Enhancing Walls 137 Chapter 13: Finding Flooring 149 Chapter 14: Styling Ceilings 163 Chapter 15: Dressing Windows 175 Chapter 16: Livening Up Lighting 189 Part 5: Tackling Kitchens, Baths, Home Offices, and Media Rooms 207 Chapter 17: Cooking Up Dream Kitchens 209 Chapter 18: Beautifying Bathrooms 225 Chapter 19: Setting Up Work from Home 239 Chapter 20: Making the Most of Media Rooms 249 Part 6: Transforming Sleeping, Living, Dining, and Other Spaces 255 Chapter 21: Styling Bedrooms 257 Chapter 22: Enlivening Living Rooms 273 Chapter 23: Designing for Dining 289 Chapter 24: Transforming Bonus Spaces 305 Part 7: Putting on the Final Touches 319 Chapter 25: Arranging Art Artistically 321 Chapter 26: Accessorizing with Flair 335 Part 8: The Part of Tens 351 Chapter 27: Ten Tips for a Luxe Look 353 Chapter 28: Ten Tips for Small Spaces 359 Index 363

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Book SynopsisOver the last decade or so, the widespread adoption of digital techniques have greatly expanded the possibilities of applying ornament in design. As well as looking at the c topic of ornament, the book reflects on what is currently happening in the light of current theoretical and historical research.Table of ContentsIntroduction: Architecture as Ornament? 009 Chapter 1: A Problematic Return 017 The Ornamental Revival in Contemporary Architecture 019 Textures, Patterns and Topology: A Different Ornament 027 The Subjective and the Political 047 Chapter 2: Ornament and Subjectivity 059 The Visage of Architecture 060 The Architect, between Rules and Invention 062 Artists, Craftsmen and the Fabrication of Ornament 073 From Clients to Passers-By 082 Industrialisation and the Ornamental Impulse 090 The Ghost of Ornament 097 Chapter 3: Politics of Ornament 103 From Economics to Politics 103 Communication and Style 106 The Power of Architectural Décor 122 Chapter 4: Reinventing the Meaning of Ornament 129 A New Architectural Subject 129 Political Uncertainties 144 Meaning and Symbols 145 Bibliography 157 Index 163 Picture Credits 167

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Book SynopsisThe global boom in skyscraperswhy it's happening now, how they're made, and what they do to cities and peopleTrade Review"Lighter concrete, faster elevators, and even faster-growing cities are part of the formula architect Stefan Al lays out in this foundational book. Rather than describing the latest supertall skyscrapers, he shows us what makes them possible and why cities and companies think they are necessary. Mixing personal experience, history lessons, and explanations of technology that are clear and simple, Al's book shows how and why a new generation of skyscrapers is now under construction around the world." -- Aaron Betsky, author of Architecture Matters"Stefan Al’s Supertall is a thoughtful inquiry into the new generation of skyscrapers, which are taller and more ubiquitous than their predecessors... There is a lot of rich history here, well and concisely told (and illustrated with superb line drawings, a refreshing change from the big, splashy photographs of coffee-table books)." -- Paul Goldberger - New York Times Book Review"The sheer volume of calculation required to build and keep [supertalls] aloft and functioning is astounding. Al...explains these esoteric technical challenges in lucid fashion...[T]he story of what’s come about in the age of the supertall is gripping." -- Anthony Paletta - The Wall Street Journal

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Book SynopsisLorraine Farrelly is Professor of Architecture and Design at the Portsmouth School of Architecture, UK. She teaches architecture, interior and urban design. She has written several books and articles about contemporary architecture and interior design. Nicola Crowson is an architect and senior lecturer at the University of Portsmouth, UK. She is interested in the tectonic qualities of architecture and how we can represent a sublime architecture. She teaches on both undergraduate and postgraduate architecture and interior design courses.Table of ContentsIntroduction Chapter 1: Sketch Tools and materials Conceptual sketches Analytical sketches Observational sketches Sketchbooks Experimental techniques Case study Project: City sketch Chapter 2: Scale Measuring Full size Detail scale Interior scale Building scale Urban scale Not to scale Case study Project: Survey Chapter 3: Orthographic Projection Plans Sections Elevations Drawing convection Drawing categories Case study Project: Small container Chapter 4: Three-dimensional Images Perspective Axonometric drawings Isometric drawings Other applications Photomontage and collage Case study Project: Serial views Chapter 5: Modelling Physical models Physical modelling equipment Model scales CAD models CAD software Fly through Case study Project: Sketch to CAD digital modelling Chapter 6: Layout and Presentation Layout Graphic presentations Oral presentations Storyboards Portfolios Case study Project: Layout and presentation Conclusion Glossary Further resources Index Acknowledgements and credits

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Book SynopsisJane Rendell is Professor of Architecture and Art, and Director of Architectural Research at the Bartlett School of Architecture, UCL. She is author of Site-writing: The Architecture of Art Criticism (I.B.Tauris, 2011) and Art and Architecture (I.B.Tauris, 2006) among other publications.

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Book SynopsisUnique perspective of a seasoned designer and veteran A/E industry recruiter regarding what design industry recruiters actually look for in a Design Portfolio Design Portfolios: A Recruiter's View provides a student-friendly guide, written from the perspective of a designer and design industry recruiter, on what recruiters look for as they review a design portfolio. It shows students how to create a professional-quality portfolio that will get them to that all-important next step in the recruiting processthe interview. Using a unique plan of action, The Four S's, the book presents an organizational mindset focused on the added value of telling your Story, revealing your Style, proclaiming your Substance, and Sharing your uniqueness effectively. In today's competitive market, a winning portfolio is much more than a simple accounting of digital skills and volumes of high-resolution graphics. This book shows students what recruiters really value and hTable of ContentsForeword vii Allan Shearer Acknowledgments xiii Introduction 1 Chapter 1: Why Do I Need a Portfolio? 5 Story 8 Style 9 Substance 10 Sharing 11 Chapter 2: Tell Your Story 13 Story: Your Cover Letter 18 Story: Your Résumé 27 Story: Your Portfolio 35 Chapter 3: Define Your Style 85 Style: Your Cover Letter 87 Style: Your Résumé 92 Style: Your Portfolio 102 Chapter 4: Give It Substance 155 Substance: Your Cover Letter 156 Substance: Your Résumé 158 Substance: Your Portfolio 166 Chapter 5: Share Your Work 199 Sharing: Your Cover Letter 200 Sharing: Your Résumé and Portfolio 206 Chapter 6: Bring It All Together 217 Afterword 221 Tim Augustine About the Author 225 Index 227

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Book Synopsisrootedness Discover the insights and lessons of architect Juhani Pallasmaa In Rootedness: Reflections for Young Architects, Juhani Pallasmaa delivers an insightful and expansive collection of his most compelling ideas into architecture's position among arts and culture. Pallasmaa speaks to architecture students and young professionals, discussing each topic with sincerity and openness, suggesting what can be learned from areas of culture beyond the boundaries of familiar professional disciplines. He outlines the growing need for an architecture based in self-awareness, reconnection to the environment, and a sense of ethical responsibility. Each essay in Rootedness was initially conceived and presented as an educational lecture and has been carefully edited with clarifications, refinements, and valuable expansions. Accompanying sketches by the author emphasize the personal and intimate nature of the essays. The book also includes: Explora

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Book SynopsisThis key reference text covers both the common law and the statutory controls over noise. It presents a clear and practical overview for academics, practitioners and agencies working in acoustics, noise law and environmental law.

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Book SynopsisThis second volume of the landmark Architectural Theory anthology surveys the development of architectural theory from the Franco-Prussian war of 1871 until the end of the twentieth century. The entire two volume anthology follows the full range of architectural literature from classical times to present transformations. An ambitious anthology bringing together over 300 classic and contemporary essays that survey the key developments and trends in architecture Spans the period from 1871 to 2005, from John Ruskin and the arts and crafts movement in Great Britain through to the development of Lingang New City, and the creation of a metropolis in the East China sea Organized thematically, featuring general and section introductions and headnotes to each essay written by a renowned expert on architectural theory Places the work of starchitects like Koolhaas, Eisenman, and Lyn alongside the work of prominent architectural critiTrade Review“An invaluable resource and a great read. The different voices of many generations of modernists come alive in their struggles to shape themselves and their times. Rich, inclusive, and surprising.” Professor Detlef Mertins, Chair of the Architecture Program, University of Pennsylvania. "This book is a collection of extraordinary readings for those with an interest in Architectural Theory. It is a critically conceived resource of great value, an indispensable source to professors and students of architecture and professionals interested in architectural theory." Marco Frascari, Director, Azrieli School of Architecture, Carleton University Table of ContentsAcknowledgements. General Introduction. Part I: Early Modernism. A. The Arts and Crafts Movement in Great Britain. Introduction. 1. John Ruskin from Fors Clavigera (1871). 2. Christopher Dresser from Studies in Design (1874-76). 3. Richard Redgrave from Manual of Design (1876). 4. William Morris from The Prospects of Architecture in Civilization (1881). 5. Christopher Dresser from Japan: Its Architecture, Art, and Art Manufacturers (1882). 6. Oscar Wilde from Art and the Handicraftsman (1882). 7. Arthur H. Mackmurdo from Arbitrary Conditions of Art (1884). 8. William Morris from The Revival of Architecture (1888). 9. Walter Crane from The Claims of Decorative Art (1892). 10. John D. Sedding from Design (1891?). 11. Charles Rennie Mackintosh from Architecture (1893). 12. C. Robert Ashbee from A Few Chapters in Workshop Re-Construction and Citizenship (1894). B. Continental Reforms. Introduction. 13. Jakob Falke from Art in the House (1871). 14. George Hirth from The German Renaissance Room (1880). 15. Robert Dohme from The English House (1888). 16. Cornelius Gurlitt from Inside the Middle-Class House (1888). 17. Louis-Charles Boileau from Shops of the Bon Marché in Paris—Grand Staircase (1876). 18. Charles Blanc from The Fine Arts at the Universal Exposition of 1878 (1878). 19. Eugène-Emmanuel Viollet-le-Duc from The Buildings of the Universal Exposition of 1878 (1878). 20. Émile Zola from Au Bonheur des Dames (1883). 21. Joris-Karl Huysmans from Against Nature (1884). 22. Samuel Bing from Artistic Japan (1888). 23. Joseph Eugene Anatole de Baudot from The Architecture of the Universal Exposition of 1889 (1889). 24. Louis Gonse from The Architecture of the Universal Exposition of 1889 (1889). 25. Edmond de Goncourt from Journal, mémoires de la vie littéraire (1895). C. Reforms in the United States. Introduction. 26. Henry Hudson Holly from Modern Dwellings: Their Construction, Decoration, and Furniture (1876). 27. Robert Swain Peabody from Georgian Homes of New England (1877). 28. Clarence Cook from House Beautiful (1877). 29. Leopold Eidlitz from The Nature and Function of Art: More Especially of Architecture (1881). 30. Louis Sullivan from Characteristic and Tendencies of American Architecture (1885). 31. George William Sheldon from Artistic Country-Seats (1886). 32. John Root, et al from What are the Present Tendencies in Architectural Design in America (1887). 33. Mariana Griswold Van Rensselaer from Henry Hobson Richardson and His Works (1888). 34. Friedrich Baumann from Thoughts on Architecture (1889). 35. Louis Sullivan from Ornament in Architecture (1892). 36. Montgomery Schuler from Last Words about the World's Fair (1894). 37. Louis Sullivan from Emotion Architecture as Compared with Intellectual (1894). D. Conceptual Underpinnings of German Modernism: Space, Form, and Realism. Introduction. 38. Richard Lucae from On the Aesthetic Development of Iron Construction, especially its Use in Spaces of a Significant Span (1870). 39. Friedrich Nietzsche from The Use and Abuse of History (1872). 40. Robert Vischer from On the Optical Sense of Form (1872). 41. Constantine Lipsius from On the Aesthetic Treatment of Iron in Tall Building (1878). 42. Conrad Fiedler from Observations on the Nature and History of Architecture (1878). 43. Hans Auer from The Development of Space in Architecture (1883). 44. Josef Bayer from Style Crisis of our Time (1886). 45. Heinrich Wölfflin from Prolegomena to a Psychology of Architecture (1886). 46. Adolf Göller from What is the Cause of Perpetual Style Change in Architecture? (1887). 47. Cornelius Gurlitt from Göller's Aesthetic Theory (1887). 48. Ferdinand Tönnies from Community and Society (1887). 49. Camillo Sitte from City Planning According to Its Artistic Principles (1889). 50. August Schmarsow from The Essence of Architectural Creation (1893). Part II: The Formation of the Modern Movement: 1894-1914. A. The Wagner School and the German Werkbund. Introduction. 51. Otto Wagner from Inaugural Address to the Academy of Fine Arts (1894). 52. Max Fabiani from Out of the Wagner School (1895). 53. Julius Lessing from New Paths (1895). 54. Richard Streiter from Out of Munich (1896). 55. Otto Wagner from Modern Architecture (1896). 56. Richard Streiter from Contemporary Architectural Questions (1898). 57. Fritz Schumacher from Style and Fashion (1898). 58. August Endell from On the Possibility and Goal of a New Architecture (1898). 59. Adolf Loos from Potemkin City (1898). 60. Hermann Muthesius from New Ornament and New Art (1901). 61. Herrmann Muthesius from Style-Architecture and Building Art (1902). 62. Fritz Schumacher from The Re-conquest of a Harmonious Culture (1907). 63. Adolf Loos from Ornament and Crime (1908). 64. Joseph August Lux from Engineer Aesthetic (1910). 65. Peter Behrens from Art and Technology (1910). 66. Hermann Muthesius and Henry van de Velde from The Debate at the Cologne Werkbund Congress (1914). B. European Modernism Elsewhere. Introduction. 67. Camillo Boito from On the Future Style of Italian Architecture (1880). 68. Hendrik P. Berlage from Architecture and Impressionism (1894). 69. Ebenezer Howard from To-morrow: A Peaceful Path to Real Reform (1898). 70. Henry van de Velde from The New Ornament (1901). 71. Henry van de Velde from Clarification of Principles (1902). 72. Hendrik Berlage from Thoughts on Style (1905). 73. Hendrik Berlage from Foundations and Development of Architecture (1908). 74. Charles-Edouard Jeanneret (Le Corbusier) from Study of the Decorative Art Movement in Germany (1912). 75. Antonio Sant' Elia from the Messaggio (1914). 76. Tont Garnier from An Industrial City (1917). C. The Chicago School. Introduction. 77. Louis Sullivan from The Tall Office Building Artistically Considered (1896). 78. Denkmar Adler from Function and Environment (1896). 79. Oscar Lovell Triggs from Chapters in the History of the Arts and Crafts Movement (1901). 80. Gustav Stickley from The Craftsman (1901). 81. Frank Lloyd Wright from The Art and Craft of the Machine (1901). 82. Louis Sullivan from What is Architecture? (1906). 83. Frank Lloyd Wright from In the Cause of Architecture (1908). 84. Gustav Stickley from Craftsman Homes (1909). 85. Daniel Burnham from Plan for Chicago (1909). 86. Frank Lloyd Wright from Executed Buildings and Designs of Frank Lloyd Wright (1911). 87. Irving Gill from The Home of the Future: The New Architecture of the West (1916). Part III: The 1920s. A. American Modernism. Introduction. 88. Frederick Winslow Taylor from The Principles of Scientific Management (1911). 89. Claude Bragdon from Architecture and Democracy (1918). 90. Irving K. Pond from Zoning and the Architecture of High Buildings (1921). 91. Hugh Ferris from The New Architecture (1922). 92. Chicago Tribune Announcement of an Architectural Competition (1922). 93. Lewis Mumford from Sticks and Stones (1924). 94. Lewis Mumford from The Search for 'Something More' (1928). 95. Hugh Ferriss from The Metropolis of Tomorrow (1929). 96. Buckminster Fuller from The Dymaxiom House (1929). 97. Henry-Russell Hitchcock from Modern Architecture (1929). 98. Frank Lloyd Wright from The Cardboard House (1930). 99. Alfred H. Barr, Jr. from Modern Architecture: International Exhibition (1932). 100. Henry-Russell Hitchcock and Philip Johnson from The International Style (1932). B. Soviet Constructivism. Introduction. 101. V. I. Lenin from The State and Revolution (1917). 102. Vladimir Tatlin et al The Work Ahead of Us (1920). 103. Alexander Rodchenko from Slogans (1921). 104. Aleksei Gan from Constructivism (1922). 105. Moisei Ginzburg from Style and Epoch (1924). 106. El Lissitzky from Element and Invention (1924). 107. Nikolai Ladovsky and El Lissitzky from ASNOVA Review of the Association of New Architects (1926). C. De Stijl and Purism. Introduction. 108. Theo van Doesburg et al from Manifesto 1 (1918). 109. Amédée Ozenfant and Charles-Edouard Jeanneret (Le Corbusier) from Preface to L'Esprit Nouveau (1920). 110. Amédée Ozenfant and Charles-Edouard Jeanneret (Le Corbusier) from Purism (1920). 111. J. J. P. Oud from On the Future Architecture and its Architectural Possibilities (1921). 112. Le Corbusier from Toward an Architecture (1923). 113. Le Cobusier from Toward an Architecture (1923). 114. Theo van Doesburg from Towards Plastic Architecture (1924). 115. Mart Stam from Collective Design (1924). 116. Le Corbusier from The City of Tomorrow (1925). D. Expressionism and the Bauhaus. Introduction. 117. Oswald Spengler from The Decline of the West (1918). 118. Hans Poelzig from Address to the Werkbund (1919). 119. Manifesto Work Council for Art (1919). 120. Walter Gropius from Program of the Staatliche Bauhaus in Weimar (1919). 121. Bruno Taut from The Crystal Chain Letters (1919). 122. Mies Van der Rohe from Skyscrapers (1922). 123. Ludwig Mies Van der Rohe from Office Building (1923). 124. Walter Gropius, from The Viability of the Bauhaus Idea (1922). 125. Oscar Schlemmer from The First Bauhaus Exhibition in Weimar (1923). 126. Walter Gropius from International Architecture (1925). E. European Modernism 1925-1932. Introduction. 127. Hugo Häring from Paths to Form (1925). 128. Adolf Behne from The Modern Functional Building (1926). 129. Giuseppe Terragni et al The Group 7 (1926). 130. Walter Curt Behrendt from The Victory of the New Style (1927). 131. Ludwig Hilberseimer from International New Architecture (1927). 132. Le Corbusier and Pierre Jeanneret Five Points for a New Architecture (1927). 133. Congrès Internationaux d'Architecture Moderne (CIAM) The Declaration of La Sarraz (1928). 134. Sigfried Giedion from Building in France (1928). 135. Ernst May from Housing Policy of Frankfort on the Main (1928). 136. Walter Gropius from The Sociological Foundations of the Minimum Dwelling (1929). 137. Sigfried Giedion from Liberated Living (1929). 138. László Moholy-Nagy from From Material to Architecture (1929). 139. Erich Mendelsohn from Russia-Europe-America (1929). 140. Karel Teige from Modern Architecture in Czechoslovakia (1930). Part IV: The Politics of Modernism: 1930-1945. A. Totalitarianism in Europe. Introduction. 141. German Bestelmeyer et al Manifesto of Der Block (1928). 142. Hannes Meyer from An Open Letter to Lord Mayor Hesse of Dessau (1930). 143. Mies van der Rohe from Announcement to the Students of the Dissolution of the Bauhaus (1933). 144. Albert Speer from Inside the Third Reich (1969). 145. Marcel Breuer from Where Do We Stand? (1935). 146. Francis Yorke from The Modern House (1936). 147. Nikolaus Pevsner from Pioneers of the Modern Movement (1936). 148. J. M. Richards from An Introduction to Modern Architecture (1940). 149. Sigfried Giedion from Space, Time and Architecture (1941). 150. Le Corbusier from The Athens Charter (1943). 151. Sven Backström from A Swede Looks at Sweden (1943). B. American Academic and Architectural Reforms. Introduction. 152. Joseph Hudnut from The Education of an Architect (1931). 153. Frank Lloyd Wright from The Disappearing City (1932). 154. Lewis Mumford from Technics and Civilization (1934). 155. Catherine Bauer from Modern Housing (1934). 156. Frank Lloyd Wright from The Jacobs House (1938). 157. Buckminster Fuller from Nine Chains to the Moon (1938). 158. Katherine Morrow Ford from Modern is Regional (1941). 159. Eliel Saarinen from The City: Its Growth, Its Decay, Its Future (1943). 160. Gyorgy Kepes from Language of Vision (1944). 161. Konrad Wachsmann from A Tubular Steel Design (1944). 162. John Estenza from Case Study Program (1945). Part V: High Modernism in the Postwar Years. A. Postwar Theory in the United States. Introduction. 163. Philip Johnson from Mies van der Rohe (1947). 164. T. H. Robsjohn-Gibbings from Mona Lisa's Mustache (1947). 165. Lewis Mumford from Status Quo (1947). 166. Alfred Barr, Jr. from What is Happening to Modern Architecture (1948). 167. Philip Johnson from The Glass House (1950). 168. Matthew Norwicki from Origin and Trends of Modern Architecture (1951). 169. Elizabeth Gordon from The Threat to the Next America (1953). 170. Harwell Hamilton Harris from Regionalism and Nationalism (1954). 171. Richard Neutra from Survival for Design (1954). 172. Louis I. Kahn Order and Form (1955). B. Postwar Theory in Europe. Introduction. 173. Bruno Zevi from Towards an Organic Architecture (1945). 174. J. M. Richards from New Empiricism (1947). 175. Colin Rowe from The Mathematics of the Ideal Villa (1947). 176. Bruno Zevi from Architecture as Space (1948). 177. Rudolf Wittkower from Architectural Principles in the Age of Humanism (1949). 178. Le Corbusier from Le Modular (1950). 179. Alison and Peter Smithson, from House in Soho, London (1953). 180. Sigfried Giedion, from The State of Contemporary Architecture (1954). 181. Ernesto Nathan Rogers Inaugural Editorial in Casabella-Continuità (1954). 182. Reyner Banham from The New Brutalism (1955). 183. Steen Eiler Rasmussen from Experiencing Architecture (1959). 184. Peter Nuigi Nervi from The Foreseeable Future and the Training of Architects (1962). C. The Rise and Fall of CIAM. Introduction. 185. J. H. Forshaw & Patrick Abercrombie from County of London Plan (1944). 186. Sigfried Giedion from Reaffirmation of the Aims of CIAM: Bridgewater 1947. 187. J. M. Richards from Contemporary Architecture and the Common Man (1947). 188. Bruno Zevi from A Message to the International Congress of Modern Architecture (1949). 189. Alison and Peter Smithson, Gillian and William Howell, John Voelcker from 'Urban Reidentification' Grid, CIAM, Aix-en-Provence (1953). 190. Jacob Bakema, Aldo van Eyck, H. P. Daniel van Ginkel, Hans Hovens-Greve, Peter and Alison Smithson, John Voelcker, Statement on Habitat (Doorn Manifesto, 1954). 191. Alison and Peter Smithson from Open Letter to Sert and Team 10 (1956). 192. Le Corbusier from Message of Le Corbusier to the X Congress CIAM at Dubrovnik (1956). 193. Ernesto Rogers, Peter Smithson, Jacob Bakema, Remarks on the design of the Torre Velasca, Milan (1959). 194. Team 10 The Aim of Team 10 (1962). Part VI: Critiques of Modernism: 1958-1969. A. Death of the American City. Introduction. 195. Lewis Mumford from Prefabricated Blight (1948. 196. Kevin Lynch from The Image of the City (1960). 197. Jane Jacobs from The Life and Death of the American City (1961). 198. Lewis Mumford from Mother Jacobs' Home Remedies (1962). 199. Herbert J. Gans from The Urban Villagers (1962). 200. Peter Blake from God's Own Junkyard (1964). 201. Martin Anderson from The Federal Bulldozer (1964). 202. Melvin M. Webber from The Urban Place and the Nonplace Urban Realm (1964). 203. Charles Abrams from The City is the Frontier (1965). B. Retreats and Utopianism. Introduction. 204. Yona Friedman from Mobile Architecture (1959). 205. Kiyonori Kikutake et al from Metabolism: The Proposals for New urbanism (1960). 206. Reyner Banham from Theory and Design in the First Machine Age (1960). 207. Archigram Manifesto (1961). 208. Rachel Carson from Silent Spring (1962). 209. Constantinos Doxiadis et al The Declaration of Delos (1963). 210. R. Buckminster Fuller from World Design Initiative: Mexico Lecture (1963). 211. Kenneth E. Boulding from Earth as a Space Ship (1965). 212. Ian McHarg from Design with Nature (1969). 213. R. Buckminster Fuller from Utopia or Oblivion (1969). 214. John McConnell from Earth Day Proclamation (1970). C. Critiques of Modernism. 215. Reyner Banham from The Italian Retreat from Modern Architecture (1959). 216. Ernesto Nathan Rogers from The Evolution of Architecture: An Answer to the Caretaker of Frigidaires (1959). 217. Aldo van Eyck from Is Architecture Going to Reconcile Basic Values? (1959). 218. Joseph Rykwert from Meaning and Building (1960). 219. Tomás Maldonado from Notes on Communication (1962). 220. Colin Rowe and Robert Slutzky from Transparency: Literal and Phenomenal (1963). 221. Christian Norberg-Schulz from Intentions in Architecture (1963). 222. Christopher Alexander from Notes on a Synthesis of Form (1964). 223. Stanford Anderson from Architecture and Tradition That Isn't 'Trad, Dad' (1964). 224. Robert Venturi from Complexity and Contradiction in Architecture (1966). 225. Aldo Rossi from The Architecture of the City (1966). 226. Charles Moore from Plug It in, Rameses, and See If It Lights Up (1967). 227. Denise Scott Brown and Robert Venturi from On Ducks and Decoration (1968). Part VII: The Prospect of a Postmodern Theory: 1969-1979. A. Neorationalism and the IAUS. Introduction. 228. Manfredo Tafuri from Toward a Theory of Critical Ideology (1969). 229. Peter Eisenman from Notes on Conceptual Architecture: Toward a Definition (1970). 230. Colin Rowe from Introduction to Five Architects (1972). 231. Robert A. M. Stern and Jaquelin Robertson from Five on Five (1973). 232. Peter Eisenman, Kenneth Frampton, Mario Gandelsonas Editorial Statement of Oppositions 1 (1973). 233. Massimo Scolari from Avant Garde and the New Architecture (1973). 234. Joseph Rykwert from 15a Triennale (1974). 235. Manfredo Tafuri from L'Architecture dans le boudoir (1974). 236. Mario Gandelsonas from Neo Functionalism (1976). 237. Peter Eisenman from Post Functionalism (1976). 238. Anthony Vidler from The Third Typology (1976). 239. Maurice Culot and Leon Krier from The Only Path for Architecture (1978). B. Semiotics and Phenomenology. Introduction. 240. Charles Jencks from Semiology and Architecture (1969). 241. George Baird from La 'Dimension Amoureuse' in Architecture (1969). 242. Christian Norberg-Schulz from Existence, Space & Architecture (1971). 243. Alan Colquhoun Historicism and the Limits of Semiology (1972). 244. Kenneth Frampton from On Reading Heidegger (1974). 245. Charles Jencks from The Language of Postmodern Architecture (1977). 246. Juan Pablo Bonta from Architecture and its Interpretation (1979). C. Alternative Strategies and Debates. Introduction. 247. Denise Scott Brown from Learning from Pop (1971). 248. Kenneth Frampton from America 1960-1970: Notes on Urban Images and Theory (1971). 249. Herman Hertzberger from Homework for more Hospitable Form (1973). 250. Hassan Fathy from Architecture for the Poor (1973). 251. Colin Rowe and Fred Koetter from Collage City (1975). 252. Arthur Drexler from Exhibition Catalogue to The Architecture of the Ecole des Beaux-Arts (1975). 253. Bernard Tschumi from Architecture and Transgression (1976). 254. Christopher Alexander from A Pattern Language (1979). 255. Robert A. M. Stern from New Directions in Modern American Architecture: Postscript: At the Edge of Modernism (1977). 256. Rem Koolhaas from Delirious New York (1978). Part VIII: The 1980s. A. Poststructuralism and Deconstruction. 257. Jean-François Lyotard from The Postmodern Condition: A Report on Knowledge (1979). 258. Coop Himmelblau Architecture Must Blaze (1980). 259. Bernard Tschumi from The Manhattan Transcripts (1981). 260. Daniel Libeskind from Symbol and Interpretation (1981). 261. Jürgen Habermas from Modern and Postmodern Architecture (1981). 262. Andreas Huyssen from Modernity and Postmodernity (1984). 263. K. Michael Hays from Critical Architecture: Between Culture and Form (1984). 264. Peter Eisenman The End of the Classical: The End of the Beginning, the End of the End (1984). 265. Sanford Kwinter from La Cittá Nuova: Modernity and Continuity (1986). 266. Ignasi de Solà-Morales from Weak Architecture (1987). 267. Mark Wigley from Deconstructivist Architecture (1988). 268. Ingraham, Catherine from Milking Deconstruction, or Cow Was The Show? (1988). B. Postmodern Historicism. Introduction. 269. Harvard Architectural Review from the inaugural editorial Beyond the Modern Movement (Spring 1980). 270. Robert A. M. Stern from The Doubles of Post-Modern (1980). 271. Maurice Culot Nostalgia, Soul of the Revolution (1980). 272. Aldo van Eyck from Rats, Posts and Pests (1981). 273. Geoffrey Broadbent from The Pests Strike Back! (1981). 274. Rob Krier 10 Theses on Architecture (1982). 275. Michael Graves from A Case for Figurative Architecture (1982). 276. Josef-Paul Kleihues 1984: The Berlin Exhibition, Architectural Dream or Reality? (1982). 277. Charles Jencks from What is Postmodernism? (1984). 278. Heinrich Klotz from Postscript: Since 1980 (1987). 279. Colin Davies from High Tech Architecture (1987). C. Regionalism and Traditionalism. Introduction. 280. Bruno Reichlin from Reflections–Interpretations between Concept, Representation and Built Architecture (1981). 281. Alexander Tzonis & Liane Lefaivre from The Grid and the Pathway (1981). 282. Demetri Porphyrios from Classicism is not a Style (1982). 283. Vittorio Gregotti The Obsession with History (1982). 284. Alberto Pérez-Gómez Architecture and the Crisis of Modern Science (1983). 285. Kenneth Frampton from Towards a Critical Regionalism: Six Points for an Architecture of Resistance (1983). 286. Marco Frascari from The Tell-the-Tale Detail (1984). 287. Rafael Moneo from The Idea of Lasting (1988). 288. Juhani Pallasmaa from Tradition & Modernity: The Feasibility of Regional Architecture in Post-Modern Society (1988). 289. Charles, Prince of Wales The Ten Commandments of Architecture (1989). 290. Andres Duany, Elizabeth Plater-Zyberk, Chester E. Chellman from New Town Ordinances & Codes (1989). Part IX: Millennial Tensions. A. Tectonics and Geometry. Introduction. 291. Kenneth Frampton from Rappel a l'ordre: The Case for the Tectonic (1990). 292. Toyo Ito from Vortex and Current: On Architecture as Phenomenalism (1992). 293. Moshen Mostarfavi and David Leatherbarrow from On Weathering (1993). 294. Gilles Deleuze from The Fold: Leibniz and the Baroque (1993). 295. Greg Lynn from Architectural Curvilinearity: The Folded, the Pliant and the Supple (1993). 296. Peter Eisenman from Folding in Time: The Singularity of Rebstock (1993). 297. Jeffrey Kipnis from Towards a New Architecture (1993). 298. Mark C. Taylor from Seaming (1993). 299. Gevork Hartoonian from Ontology of Construction (1994). 300. Mitchell Schwarzer from Tectonics of the Unforeseen (1996). 301. Lindy Roy from Geometry as a Nervous System (1997). 302. Stan Allen from From Object to Field (1997). 303. Cecil Balmond from New Structure and the Informal (1998). 304. Bernard Cache from Digital Semper (1999). B. The End of Theory. 305. Sylvia Lavin from Essay: The Uses and Abuses of Theory (1990). 306. Jeffrey Kipnis from Rebuttal: Theory Used and Abused (1990). 307. OMA, Rem Koolhaas, & Bruce Mau from Bigness (1994). 308. Winy Maas from Datascape (1994). 309. Juhani Pallasmaa from An Architecture of the Seven Senses (1994). 310. Michael Speaks from It's out there . . . the Formal Limits of the American Avant-Garde (1997). 311. John Rajchman from A New Pragmatism? (1997). 312. Cynthia C. Davidson from Architecture between Theory and Ideology (1998). 313. K. Michael Hays from Introduction to Architecture Theory since 1968 (1998). 314. Sanford Kwinter from FFE: Le Trahison des Clercs (and other Travesties of the Modern) (1999). 315. William J. Mitchell from e-topia: Urban Life, Jim—But Not As We Know It (1999). 316. Ben van Berkel & Caroline Bos The New Concept of the Architect (1999). C. Beyond the New Millennium. 317. James Wines from Green Dreams (1991). 318. William McDonough Hannover Principles (1992). 319. Bernard Cache from Earth Moves (1995). 320. Ken Yeang from Designing with Nature (1995). 321. Vicotr Papanek from The Green Imperative (1995). 322. James Corner from Eidetic Operations and New Landscape (1999). 323. Kenneth Frampton from Seven Points for the Millennium: An Untimely Manifesto (1999). 324. John Beardsley from A Word for Landscape Architecture (2000). 325. Antoine Picon from Anxious Landscapes: From the Ruin to Rust (2000). 326. William McDonough & Michael Braungart from Cradle to Cradle (2002). 327. Michael Braungart from Beyond the Limits of Sustainable Architecture (2002). 328. Meinhard von Gerkan from Lingang New City—A Metropolis in the East China Sea (2005)

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Book SynopsisThis second volume of the landmark Architectural Theory anthology surveys the development of architectural theory from the Franco-Prussian war of 1871 until the end of the twentieth century. The entire two volume anthology follows the full range of architectural literature from classical times to present transformations. An ambitious anthology bringing together over 300 classic and contemporary essays that survey the key developments and trends in architecture Spans the period from 1871 to 2005, from John Ruskin and the arts and crafts movement in Great Britain through to the development of Lingang New City, and the creation of a metropolis in the East China sea Organized thematically, featuring general and section introductions and headnotes to each essay written by a renowned expert on architectural theory Places the work of starchitects like Koolhaas, Eisenman, and Lyn alongside the work of prominent architectural critiTrade Review“An invaluable resource and a great read. The different voices of many generations of modernists come alive in their struggles to shape themselves and their times. Rich, inclusive, and surprising.” Professor Detlef Mertins, Chair of the Architecture Program, University of Pennsylvania. "This book is a collection of extraordinary readings for those with an interest in Architectural Theory. It is a critically conceived resource of great value, an indispensable source to professors and students of architecture and professionals interested in architectural theory." Marco Frascari, Director, Azrieli School of Architecture, Carleton University Table of ContentsPreface xxviii General Introduction xxix Part I: Early Modernism 1 A. The Arts and Crafts Movement in Great Britain 3 Introduction 3 B. Continental Reforms 24 Introduction 24 C. Reforms in the United States 43 Introduction 43 D. Conceptual Underpinnings of German Modernism: Space, Form, and Realism 63 Introduction 63 Part II: The Formation of the Modern Movement: 1894–1914 85 A. The Wagner School and the German Werkbund 87 Introduction 87 B. Modernism Elsewhere in Europe 110 Introduction 110 C. The Chicago School and the American West 125 Introduction 125 Part III: The 1920s 143 A. American Modernism: 1918–32 145 Introduction 145 B. Soviet Constructivism 168 Introduction 168 C. De Stijl and Purism 180 Introduction 180 D. German Expressionism and the Bauhaus 195 Introduction 195 E. European Modernism: 1925–32 211 Introduction 211 Part IV: The Politics of Modernism: 1930–45 233 A. Totalitarianism in Europe 235 Introduction 235 B. American Academic and Architectural Reforms 255 Introduction 255 Part V: High Modernism in the Postwar Years 273 A. Postwar Theory in the United States 275 Introduction 275 B. Postwar Theory in Europe 293 Introduction 293 C. The Rise and Fall of CIAM 313 Introduction 313 Part VI: Critiques of Modernism: 1959–69 333 A. The Death of the American City 335 Introduction 335 B. Retreats and Utopianism 350 Introduction 350 C. Critiques of Modernism 368 Introduction 368 Part VII: The Prospect of a Postmodern Theory: 1969–79 393 A. Rationalism and the IAUS 395 Introduction 395 B. Semiotics and Phenomenology 420 Introduction 420 C. Alternative Strategies and Debates 435 Introduction 435 Part VIII: The 1980s 457 A. Poststructuralism and Deconstruction 459 Introduction 459 B. Postmodernism and Historicism 481 Introduction 481 C. Regionalism and Traditionalism 505 Introduction 505 Part IX: Millennial Tensions 533 A. Tectonics and Geometry 535 Introduction 535 B. The End of Theory? 562 Introduction 562 C. Beyond the New Millennium 582 Introduction 582 Acknowledgments 604

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