Architecture Books

Book SynopsisArchitecture is the quintessential generalist pursuit, requiring practical knowledge of geometry, technology, politics, history, culture, and economics, as well as an understanding how these disparate pieces fit together within the context of architectural practice. In short, an architect's expertise lies in big picture constructs, or totalization. The latest in the Rice Architecture series, Totalization shows the Rice School of Architecture's Totalization Studios at the forefront of teaching students to leverage the breadth of architectural practice toward in-depth speculative design work. Can a building's exterior be made of plastic? What is the twenty-first-century equivalent of the nineteenth-century steel frame? Can taking parts from a building for use elsewhere extend the building's useful life? Exploring these and other questions in cooperation with four studios - three in Houston, one in Paris - the work collected here challenges conventions around structures; facades; materials; and the mechanical, electrical, and plumbing aspects of building design and construction. The ultimate aim of the Totalization Studios is to eliminate the distinction between speculation and practice in students' final projects. The Totalization Studios represent one of the most innovative and robust architectural programs - a source of inspiration for many other programs worldwide - and this book offers welcome insights into its teaching methods through featured projects. With essays by Troy Schaum, Nat Oppenheimer, Mark Malekshahi, Doug Oliver and Will Cannady, Andrew Colopy, Mark Wamble, Oualalou + Choi and John Casabarian; a discussion with Nat Oppenheimer, interviews with Troy Schaum and Robert Heintges, and a conversation with Linna Choi and Tarik Oualalou. Afterword by Sarah Whiting.

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Book SynopsisProduct of a research cooperation between three Swiss universities - the École Polytechnique Fédérale de Lausanne's School of Architecture, the School of Architecture and Technology in Fribourg, and the University of Fribourg - the Smart Living Lab is a research and development centre for the built environment of the future. This high-tech structure also serves as an emblem of the cooperation's aim to translate academic research into actual buildings. A new series of books, entitled Towards 2050 will be showcasing the ambitious undertaking at various stages. Exploring: Research-driven Building Design presents the second phase of research at the Smart Living Lab, which focuses on the various problems that must be solved to satisfy future buildings' sustainability goals. Given that the building sector is one of the world's biggest contributors to CO2 emissions and energy consumption, the research group is seeking strategies to improve energy and carbon performance of the Smart Living Lab, anticipating the expected tight requirements thirty years from now. The book features contributions by Marilyne Andersen and Emmanuel Rey; Anne-Claude Cosandey, Marilyne Andersen, and Emmanuel Rey; Thomas Jusselme; Dominic Villeneuve, Thierry Maeder, Hamed Alavi, Vincent Kaufmann, and Denis Lalanne; Thomas Jusselme, Endrit Hoxha, Cédric Liardet, Himanshu Verma, Derek Christie, Marc Antoine Messer, and Luca Pattaroni; Arianna Brambilla, Cécile Nyffeler, Hugo Gasnier, Jean-Marie Le Tiec, and Arnaud Misse; Didier Vuarnoz, Julien Nembrini, Philippe Couty, and Thibaut Schafer; Florinel Radu; Thomas Jusselme, Endrit Hoxha, Stefano Cozza, Raphaël Tuor, Renato Zülli, Nicolas Henchoz, and Denis Lalanne; and Thomas Jusselme and Didier Vuarnoz. Further volumes in the Towards 2050 series: Thinking: Visions for Architectural Design.

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Book SynopsisProduct of a research cooperation between three Swiss universities - the École Polytechnique Fédérale de Lausanne's School of Architecture, the School of Architecture and Technology in Fribourg, and the University of Fribourg - the Smart Living Lab is a research and development centre for the built environment of the future. This high-tech structure also serves as an emblem of the cooperation's aim to translate academic research into actual buildings. A new series of books, entitled Towards 2050 will be showcasing the ambitious undertaking at various stages. The series' inaugural volume, Thinking: Visions for Architectural Design highlights preliminary research for the smart living lab and considers visions for sustainable buildings. The book features essays by Sophie Lufkin, Emilie Nault, MArilyne Andersen, and Emmanuel Rey as well as interviews with leading experts such as Tatiana Bilbao, Paula Cadima, Lionel Devlieger, Herbert Girardet, Alistair Guthrie, Kengo Kuma, Ali Malkawi, Edward Ng, Susan Parnell, Antoine Picon, Carlo Ratti, and Koen Steemers. It lays out the myriad challenges and opportunities the project is likely to face, as well as its considerable potential to drive change.

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Book SynopsisWhen African Modernism was first published in 2015, it was showered with international praise and has been sought after ever since it went out of print in 2018. Marking Park Books’ 10th anniversary, this landmark book will now be available again. Over the course of the 1950s and 1960s, most African countries gained independence from their respective colonial powers. Architecture became one of the principal means by which the newly formed states expressed their national identity. African Modernism investigates the close relationship between architecture and nation-building in Ghana, Senegal, Côte d’Ivoire, Kenya, and Zambia. It features 100 buildings with brief descriptive texts, images, site plans, selected floor plans and sections. The vast majority of images were taken by Iwan Baan and Alexia Webster especially for the book’s first edition, documenting the buildings in their present state. Each country is portrayed through an introductory text and a timeline of historic events. Additional essays on specific aspects and topics of postcolonial Africa, likewise richly illustrated with images and documents, round out this outstanding volume.

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Book Synopsis​The buildings burned in our memories, which to us represent the spirit of ’50s and ’60s architectural design, were those whose pictures were widely published in magazines and books; but what about those that got lost in the process, hardly or never appearing in publication? The exchange of visual information is crucial to the development, evolution, and promotion of architectural movements. If a building is not widely seen, its photograph rarely or never published, it simply does not enter into architectural discourse. Many buildings photographed by Julius Shulman suffered this fate, their images falling into oblivion. With this book, TASCHEN brings them to light, paying homage to California Modernism in all its forms. The abandoned files of Julius Shulman show us another side of Modernism that has stayed quiet for so many years. Bringing together nearly 300 forgotten masterpieces, Modernism Rediscovered pays tribute to these lesser known yet outstanding contributions to the modern architectural movement. It’s like sneaking into a private history, into homes that have rarely been seen and hardly appreciated as of yet.Trade Review“If buildings were people, those in Julius Shulman’s photographs would be Grace Kelly: classically elegant, intriguingly remote.” * ARTnews *“Julius Shulman is single-handedly responsible for much of America’s love affair with modern architecture.” * Anthem *

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Book Synopsis"Dimensions. Journal of Architectural Knowledge" is an academic journal in, on, and from the discipline of architecture, addressing the creation, constitution, and transmission of architectural knowledge. It explores methods genuine to the discipline and architectural modes of interdisciplinary methodological adaptions. Processes, procedures, and results of knowledge creation and practice are esteemed coequally, with particular attention to the architectural design and epistemologies of aesthetic practice and research. Issue 4, "Essentials of Montage in Architecture", provides a comprehensive collection of theories, methods, and visions to highlight the relevance of montage for visual and spatial practices as well as for knowledge production in architecture.

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Book SynopsisMonumental mosaics were created throughout the USSR, but they played a special role in its capital. While in other Soviet cities and republics monumental mosaics became common in the 1960s, in Moscow mosaic was used for art-deco works and social realist 'pictures'. The entire history of Soviet art is thus reflected in Moscow's metro stations, palaces of culture, military museums, hospitals, schools, and prefabricated houses. Today, many of these works are disappearing before our eyes, victims of destruction or dismantling; the majority are not listed as under state protection, and a great number of their authors are unknown. This book collects 140 Soviet-era mosaics and arranges them in chronological order. It contains four main sections - Art Deco, Socialist Realism, Modernism, and Postmodernism - and includes a list of 295 mosaics that have been identified. This guide shows well-known works by Aleksander Deyneka, Pavel Korin, Boris Chernyshev, Evgeny Ablin, Yury Korolev, and Leonid Polishchuk side by side with mosaics by artists whose names were for a long time absent from the history of art and architecture. The idea for it came from American photographer James Hill, who spent three years seeking out and photographing works of Soviet monumental art that have not received the attention they deserve and that in the post-Soviet period have often been dismissed as propaganda.

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Book SynopsisConsidering the immense diversity of sub-Saharan Africa's archi­tecture and built realities, does it make sense to speak of an African architecture? How does this differ from archi­tecture in Africa? What does the term architecture actually mean in the African context? And how could these questions be conceptualised while leaving behind pre-existing theoretical moulds and biases? Searching for new ways to theorise sub-Saharan African architecture, this collection of 49 essays broadens and develops the discourse around the architecture of a very rapidly changing continent. Its authors – practising architects and renowned scholars – put forward an array of heterogeneous perspectives, question old tropes and emerg­­ing narratives, and challenge popular concepts whilst pro­pos­ing new ones. All with the aim of critically examining and advancing theoretical reflection on African archi­tec­tures, both on the continent and globally.

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Book SynopsisThe title Eastern Block Stories features a dozen of articles and over 60 unique hand-picked images about mass housing estates in former communist states. This book aims to address the blind spots to take a closer look at the major challenges for post-socialist housing estates today and imagine what could be their future. Besides stories from Georgia, Belarus, Russia, Ukraine, Poland and Germany unique photographic material which covers cases from more than ten countries is included. The major take of this book is to unveil the diversity of the Eastern blocks alive and the richness of their urban context besides a stigmatizing and alienating gaze. With contributions by Carola S. Neugebauer, Romea Muryń, Kuba Snopek, Dimitrij Zadorin, Lubov Davidkina, Nataliia Mysak, Gigi Shukakidze, Paulina Paga, Maria Melnikova, Aleksandra Katasonova, llyas Kulbarisov, David Sichinava and, Alexander Novikov.

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Book SynopsisThe prolific architectural legacy of Delhi is remarkable not only for its antiquity but also its diversity. While the period of antiquity encompass various types of Hindu, Islamic and Colonial architecture, it is modern architecture that laid the foundation of post-independent development of the city. Today, the city has been engulfed by an explosion of the built environment. One has to search for the forgotten or obscure jewels of architecture. Architectural Guide Delhi introduces over 200 of these known or obscure examples of Delhi's architecture particularly those built after india's independence in 1947. All projects presented with over 450 photographs, texts and drawings have been contributed by various architectural practitioners in Delhi. Information about each entry is enhanced by geo-data in the form of QR codes.

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Book SynopsisThe ancient city of Asmara is the capital of Eritrea and its largest settlement. Its beautiful architecture was rediscovered by outsiders in the early 1990s. In this book, the authors offer an original analysis of the colonial city, providing a history not only of the physical and visible urban reality, but also of a second, invisible city as it exists in the imagination. The colonial city becomes a fantastical set of cities where each one reflects the others as if in a kaleidoscope. This ambitious book breaks new ground, and moves us a little further along in the attempt to read Asmara into contemporary theory. This book brings together scholars from a multiplicity of disciplines who have shown the ways in which colonial and postcolonial criticism has served as a platform for new, diversified readings of Asmara, which compile cultural and social history, critical and political theory, anthropological fieldwork, visual culture studies, literary and cinematic analysis, gender studies, diaspora and urban studies. The book examines the current realities of Asmara in order to address the continuing effects of the legacy of colonialism upon the city dwellers.

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Book SynopsisText in German & English. When the small farmstead in the south-western corner of Sanssouci park came up for sale in 1825, Hofmarschall von Maltzahn wrote to the King of Prussia to say that the grounds of Sanssouci would be much improved by the addition of this plot. It was clear that Peter Joseph Lenné, who produced a first plan for the garden as soon as the land was presented to the Crown Prince, later King Friedrich Wilhelm IV, was behind the letter. Schinkel, the architect of Charlottenhof, and Lenné, the designer of the surrounding park, had met in 1816 when they were working for Chancellor Hardenberg in Glienicke, between Berlin and Potsdam. They established a community of interest that architecture critics have compared with the best years of co-operation between John Nash and Humphry Repton. The palace, set on a severe garden axis, was built from 1826 to 1829. It was followed from 1829 to 1840 by the freely developing area of the Hofgärtnerhaus and its adjacent facilities, all of which has become known as the "Roman Baths". The Crown Prince involved himself in the planning process, contributing over 100 sketches. He called Charlottenhof "my Siam", understood as a synonym for a better world, and he was pursuing with it his intention of presenting his own future style of government, based on romantic theories of the state and striving for a harmonious balance of all classes and interests. Charlottenhof is Schinkel's only work to have survived complete inside and outside, surrounded by Lenné's landscape garden, which has also been carefully looked after and preserved.Table of ContentsChapter 1 The Neighbor Nation a historical and geography overview of the countryChapter 2 A Walk in Time Ethan and his young friend take a walking tour of Mexico CityChapter 3 Magic in Mexico Visits to national wonders the butterfly forest of Rosario and the floating gardens of Xochimilco, which lead to ecological and environmental discussions and activitiesChapter 4 The Past is the Present A trip to two ancient civilization sites of Teotihaucan and the Mayan Chichen Itza ruinsChapter 5 Coast to Coast A fun overview of the different coastal cultures in Mexico as our soccer players continue on a trip to the Maya Riviera and CozumelChapter 6 Sport Si! Back to Mexico City to talk sports specifically soccer and the traditional and fun sport of Lucha Libre wrestlingChapter 7 Adios Ethan and his friend say goodbye, exchange gifts, generate a give back charity project and talk about the next Soccer World Adventure! Glossary

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Book SynopsisHomelessness is a growing global problem that requires local discussions and solutions. In the face of the coronavirus pandemic, it has noticeably become a collective concern. However, in recent years, the official political discourse in many countries around the world implies that poverty is a personal fault, and that if people experience homelessness, it is because they have not tried hard enough to secure shelter and livelihood. Although architecture alone cannot solve the problem of homelessness, the question arises: What and which roles can it play? Or, to be more precise, how can architecture collaborate with other disciplines in developing ways to permanently house those who do not have a home?Who’s Next? Homelessness, Architecture, and Cities seeks to explore and understand a reality that involves the expertise of national, regional, and city agencies, non-governmental organizations, health-care fields, and academic disciplines. Through scholarly essays, interviews, analyses of architectural case studies, and research on the historical and current situation in Los Angeles, Moscow, Mumbai, New York, São Paulo, San Francisco, Shanghai, and Tokyo, this book unfolds different entry points toward understanding homelessness and some of the many related problems. The book is a polyphonic attempt to break down this topic into as many parts as needed, so that the specificities and complexities of one of the most urgent crises of our time rise to the fore.Trade Review--0 "-"

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Book SynopsisA visual and scholarly deep dive into Cuba's modernist gems of the postwar era In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican Modernity (2005), Freud’s Mexico (2010) and Proust’s Latin Americans (2014)—the volume is arranged in 10 chapters authored by current and former Princeton faculty members and graduate students. These essays, which arose from seminars organized by Gallo and historian Beatriz Colomina, examine Max Abramovitz’s American Embassy; Richard Neutra’s De Schultess House; Martín Domínguez Esteban, Miguel Gastón and Emilio del Junco’s Radiocentro; Mies van Der Rohe’s office building for Ron Barcardí S.A.; Vittorio Garatti, Roberto Gottardi and Ricardo Porro’s National Art Schools for Havana; Mario Girona’s Coppelia Ice-cream parlor and park; Vittorio Garatti, Hugo D’Acosta and Sergio Baroni’s Cuban Pavilion at Expo 67; Antonio Quintana and Alberto Rodriguez’s "Edificio Experimental"; and Aleksandr Grigorievich Rochegov’s USRR Embassy. Havana Modern draws on history, politics, culture, literature and film to elucidate this outstandingly rich era in architectural history.

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Book SynopsisThe Mexican architect offers new ideas about real-estate development in underrepresented areas, promoting inclusivity and community participation Caught between a zone of significant vehicular traffic and an area with the highest purchasing power in Cancún, the working-class community in the Mexican neighborhood of Donceles has been largely forgotten by the larger city to which it ostensibly belongs. With this in mind, Mexican architect Juan Carral (born 1976) conceived of Donceles Studios as a multipurpose building representative of the neighborhood's diverse social strata. In this text, Carral further explores the infrastructure of Donceles, noting its rich urban layout and its self-made architectural identity as well as its privileged location and more accessible cost of living. The result is a compelling argument for a new form of experimental real estate development based on participatory strategies and an inclusive ideology. Carral urges his fellow arch

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Book SynopsisAldo Rossi (1931-1997) added to his successful activity as architect, professor and theorist, also that - equally well known - of designer: in this field he continued with great professionalism and passion until his untimely death in 1997, collaborating with some of the most important Italian and international manufacturers, such as Alessi, Artemide, Bruno Longoni Atelier d’Arredo, Molteni, Rosenthal and Unifor. The volume investigates Aldo Rossi’s activity in the design sector in its entirety, presenting the furnishings and objects designed and manufactured from 1960 to 1997. Among these, some pieces well known to the public stand out, such as the La Conica and La Cupola coffee makers by Alessi, the Cabina dell’Elba by Bruno Longoni Atelier d’Arredo or the Paris chair by Unifor, just to name a few. The analysis of this production, which also includes unpublished projects and prototypes, highlights the continuous and constant relationship with architecture, while the technical drawings and photographic and archival documentation help to restore the history of each piece. The volume includes a critical essay by Domitilla Dardi. Text in English and Italian.Trade ReviewChosen as one of Airmail’s 28 Best Coffee-Table Books of 2022 Airmail - Airmail

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Book SynopsisThe Paris guide is focused on describing the complexity of this European metropolis through its 20th and 21st century architecture.Following Haussmann's transformations, Paris, the most densely constructed city in Europe, expanded thanks to a flexibility based on a matrix able to absorb and integrate the directional courses of the architecture of the period. However, the complexity of the urban transformations and the changes in the Parisian architectural panorama did not erase the solid identity of the city's urban image. This book guides the reader through decades of Parisian architectural history beginning with the great names of the Modernist movement, Loos, Le Corbusier and Oscar Niemeyer. The second half of the 20th century is famous for the cultural vitality of the city reflected in the innovative architecture of the Centre George Pompidou designed by Piano and Rogers. The Pompidou Centre is both the symbol and result of the 1968 student revolution. The 1980s and 90s were

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Book SynopsisIstanbul represents a vast field for experimentation and dialogue between the wonderful examples of historical and traditional Turkish architecture and the new demands of contemporary design. In the 21st century the city of Istanbul began a new urban transformation process, aimed at becoming an important hub for trade and finance. Today, the Turkish metropolis can be defined as a megacity with the construction of new financial centres, shopping malls, and infrastructures such as airports, bridges and tourist ports.The structural transformations in society have led to a shift in the urban morphology that, in turn, has generated not only social and cultural changes, but also an identity crisis in the city itself. Within this scenario, the guide not only offers a horizontal view of contemporary architecture, but also acts as a means for analysing new architectural directions and contemporary urban development in Istanbul. As well as the itineraries that feature selected buildings, both contemporary and historic, the guide includes critical essays that provide an analysis of the history, urban planning, and the future of the city.

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Book SynopsisThe Whitney Museum is building itself a new home in downtown Manhattan's Meatpacking District. Due to open on May 1st, 2015, the project will substantially enlarge the Whitney's exhibition and programming space.

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Book SynopsisFor Nobel laureate Naguib Mahfouz, Cairo has always been a place of special resonance. As the place in which he was born and has lived his whole life, it is a city he loves passionately and has visited and revisited in his writing. It is the setting for nearly all his novels and short stories, not merely as a backdrop but as an integral part of his fiction, playing its own role in the dramas. The old streets of the Cairo Trilogy and the microcosmic cul-de-sac of Midaq Alley become fictional characters as fascinating as the human ones for Naguib Mahfouz. A longtime admirer of the novels of Naguib Mahfouz, photographer Britta Le Va discovered old Cairo through his works. Here, she guides us through his pages, and treads his streets and alleys, to produce a collection of outstanding visual images of the historic city. Each complements a verbal image selected from Mahfouz's writings. In his introduction, novelist Gamal al-Ghitani describes a walking tour with the great man around the streets of Gamaliya, that historic heart of the old city where both of them--more than thirty years apart--were born and grew up. Along the way, Mahfouz reminisces and remarks on what had changed and what had not in eight decades.

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Book SynopsisMedieval architecture comprises more than the traditional image of Gothic cathedrals and the castles of chivalry. A great variety of buildings - synagogues, halls, and barns - testifies to the diverse communities and interests in western Europe in the centuries between 1150 and 1550.This book looks at their architecture from an entirely fresh perspective. It shifts the emphasis away from such areas as France towards the creativity of other regions, including central Europe and Spain. It treats the subject thematically, seeking what all buildings, both religious and secular, have in common, and how they reflect the material and spiritual concerns of the people who built and used them. It considers how and why, after four centuries of shaping the landscapes and urban patterns of Europe, medieval styles were superseded by classicism.Trade Reviewa beatifully written survey * Contemporary Review July 2002 *Table of ContentsI; II

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Book SynopsisThe emergence of queer theory in architecture – and its potential for a renewed ethics of design.Trade Review“At the heart of the project is an uncompromising focus on queer space and how historians, theorists, and cultural producers have attempted to define, challenge, or engender some, largely theoretical, form of queer space. What makes this book unique and worthy of attention is its sustained approach toward queering recent architectural critique.” RACAR

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Book SynopsisA historical and theoretical account of the city of Berlin from the intertwined perspectives of architecture, environmental, and media studies.In 1945, having occupied German territory, Soviet troops made two strategic moves: they dismantled the Deutschlandsender III radio transmission tower, the single tallest structure at the time in Europe, and they seized the Haus des Rundfunks in West Berlin, a monumental building designed by Hans Poelzig. These moves were crucial both symbolically and technically, as together they sparked what would become a veritable radio war between the Eastern and Western blocs during the Cold War. In Radio-Activities, Alfredo Thiermann Riesco investigates this spatial conflict as he interrogates the political, technological, and environmental dimensions of architecture at a time when buildings began to interact with the remote transmission of information.By its very nature, the medium of radio promised to evaporate the intrinsic

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Book SynopsisTrade Review“It is obvious the book is designed to be actively used and not just referred to and for those who perhaps have a limited knowledge of architectural features and nomenclature. It has a fine glossary describing clearly a great number of architectural terms, ranging through the classical period to everyday, vernacular architecture and enhanced by eight pages devoted to very clearly drawn architectural details which explain most of those details that might otherwise be obscure.” —Jude James, New Milton Advertiser“The physical expansion of the book makes tangible the extraordinary architectural riches of the county as well as the extent to which the new edition enlarges on its predecessor, with the fresh treatment of recent buildings and updated discussion of familiar ones.” —Country Life“This volume is magisterial”— Rosemary Baird Andreae, The Georgian

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Book SynopsisVisual Delight in Architecture examines the many ways that our lives are enriched by the presence of natural daylight and window views within our buildings. It makes a compelling case that daily exposure to the rhythms of daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. It describes all the subtlety, beauty, and pleasures of well-daylit spaces and attractive window views, and explains how these are woven into the fabric of both our everyday sensory experience and enduring cultural perspectives.All types of environmental designers, along with anyone interested in human health and well- being, will fi nd new insights offered by Visual Delight in Architecture. The book is both accessible and provocative, full of personal stories and persuasive research, helping designers to gain a deeper understanding of the scientific basis of their designs, scientists to better grasp the realTrade Review"We need this book now more than ever because we spend more time indoors now than at any point in human history. With Visual Delight in Architecture, Heschong redirects our gaze and reimagines what it means to create truly humane indoor environments. Every person desires a view to the outdoors to satiate their appetite for light. This is a fundamental human need and its provision should be a basic human right…" Kevin Van Den Wymelenberg, PhD, Director, Institute for Health in the Built Environment; Professor of Architecture, University of Oregon"Architects, and anyone, interested in creating a more humanitarian world need to read this book, immediately! As the preeminent architect who demonstrated how daylit buildings can improve learning, working and selling, Lisa Heschong brings us up to date with added attention to views. Skillfully synthesizing research, literature, and design imperatives, Heschong summarizes why both daylight and views are needed in our buildings to better serve all building occupants, our society, and the future of the planet."Margo Jones, FAIA, NCARB, LEED-AP, Founding Partner, Jones Whitsett Architects, Massachusetts"There is so much more to Visual Delight in Architecture than seeing – from rhythm to health to cognition to community to beauty to survival – Lisa Heschong brings another brilliant treatise to life, for all of us who design and inhabit architecture."Vivian Loftness, FAIA, Paul Mellon Chairholder and University Professor in Architecture, Carnegie Mellon University"Now, three generations after my architect father Richard Neutra started to write pleas for researched responsible design, architect and researcher Lisa Heschong is showing us how far we have come and how far we have to go in understanding the deep biological impact of what reaches us through our eyes."Dr. Raymond Neutra, Epidemiologist, Past President of the International Society for Environmental Epidemiology, Chair of the Richard Neutra Foundation, Past (Associate and Assistant) Professor of Public Health, UCLA and Harvard University“Reading Visual Delight is like experiencing Heschong sharing stories around a campfire. The book imbues the next generation of solarpunks with her knowledge while regaling lay readers with the sublime phenomena of our universal experience of the world through our visual system…. It is these contemplative ponderings that truly elevate the book.”Dan Weissman, AIA, MIES, Assoc. IALD, Senior Associate and Director of Lam Labs at the Cambridge, Mass.–based lighting design firm Lam Partners"Visual Delight in Architecture by Lisa Heschong (‎Routledge, April 2021, 398 pp.) examines the many ways in which the time we spend indoors is enriched by daylight and window views. The book makes the case that daily exposure to daylight is essential for human health and wellbeing, while describing the subtlety, beauty, and pleasures of well-daylighted spaces and attractive window views."Craig DiLouie, Educator, Journalist and Marketing Expert"Visual Delight in Architecture: Daylight, Vision, and View (Routledge, 2021) explores in an entertaining, accessible, and thorough way the connections between daylight, views and human health and well-being. This delightful book will teach you more than you can imagine about the subject yet will leave you inspired to learn more." Mark Rylander, AIA, Kennon Williams Landscape Studio, Charlottesville, Virginia"Lisa Heschong's Visual Delight in Architecture: Daylight, Vision, and View (Routledge, 2021) is possibly the most significant book on architecture and lighting of the past two decades–a foundational text that lays crucial groundwork for the evolution of research and design practice for a healthier built environment."Clifton Lemon, CEO of Clifton Lemon Associates, program director for the LightSpec Conferences and a member of The Lighting Agora"Lisa Heschong’s recent book is an expansive journey through her extraordinary career’s worth of ideas centered around the human need for light, specifically the dynamism of daylight and the role of views as grounding our place in the world. Its emphasis is on the critical importance of bringing that experience into buildings."Christopher Meek, Center for Integrated Design, University of Washington (excerpt from Buildings & Cities) Table of ContentsIntroduction Part 1: Prediction 1. Planetary Rhythms 2. Chronobiology and Human Health 3. The Evolving and Aging Eye 4. The Predictive Brain 5. Attention and Insight Part 2: Perception 6. Learning to See 7. Patterns of Daylight Illumination 8. Designing with Daylight 9. Elements of View Part 3: Motivation 10. Daylighting Education 11. Selling Daylight 12. Enduring Urban Forms 13. The Value of View 14. Working with Daylight 15. Healing Daylight Part 4: Meaning 16. Iconic Daylight and Views 17. Visions of Nature 18. Biophilia and Technophilia 19. Synthesis and Next Steps Conclusion Glossary List of Illustrations Notes and References Index Acknowledgements About the Author

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Book SynopsisExecutives from the commercial real estate world offer a manifesto for fixing their wasteful and broken industry The commercial real estate industry is in a sad state. Most large projects experience big cost overruns and long delays. Corporations throw good money after bad, and much of that money is wasted.Table of ContentsAcknowledgments. Foreword. Introduction: The Money Pit. Part One: The Commercial Real Estate Money Pit. 1 The $500 Billion Black Hole. 2 What Every Executive Needs to Know About Low-Bid Contracting. 3 From Fragmentation to Integration. Part Two: Making the Mindshift. 4 Working the Mindshift. 5 What Does a Trust-Based Project Look Like? Part Three: Nine Transforming Keys to Lowering Cost, Cutting Waste, and Driving Change in a Broken Industry. 6 Key 1: Trust-Based Team Formation. 7 Key 2: Early Collaboration. 8 Key 3: Built-In Sustainability. 9 Key 4: Transformational Leadership. 10 Key 5: "Big" BIM. 11 Key 6: Integrating Project Delivery. 12 Key 7: Trust-Based Agreements and Client-Centered Incentives. 13 Key 8: Offsite Construction. 14 Key 9: Workplace Productivity. Appendix 1: Mindshift Core Team. Appendix 2: Mindshift Advisors. Appendix 3: Recommended Reading. Appendix 4: Website Resources and Links. Appendix 5: Mapping the Future. Notes. References. Index.

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Book SynopsisAn informational, interactive home diary--complete with writing prompts, practical tips, and insightful inspirations--Diary of Your Home will appeal to a design-savvy, DIY-focused audience ranging from apartment renters to farmhouse owners. It stands out for its beautiful craftsmanship and in-depth information. It goes beyond the practical to encourage reflection on life within your home.Inspiring readers to document the details of their home and their lives within it, this stylish guided home journal is an indispensable resource and a personal keepsake.

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Book SynopsisThe first book from SawyerBerson illustrates the award-winning firm’s quintessential pairings of modernism and classicism in seaside houses, metropolitan residences, and spectacular garden retreats.Treating architecture, landscape, and interior design as complementary endeavors, Brian Sawyer and John Berson have been ahead of their time and influential in the world of design since the founding of their eponymous partnership in 1999. SawyerBerson’s prodigious use of traditional and modern vocabularies has gained the firm widespread recognition and many notable clients. Meticulous attention to detail and versatility combine to create a wide variety of projects.In the Hamptons, a modernist house of stone and glass lets in the sun and sea views while secluded by the dunes and drifts of native grasses. Another residence is built according to the pinwheel floor plans of early twentieth-century houses by Mies van der Rohe and Frank Lloyd Wright to accommodatTrade Review"When Brian Sawyer and John Berson founded their eponymous New York firm in 1999, the synergies between architecture, landscape, and interiors were immediately clear. This book reflects that harmonious spirit through projects like a grand East End estate that still embraces the area’s simple shingle vernacular, a midcentury-modern home in Bridgehampton sporting a cantilevered roof terrace, and a Manhattan town house brightened by a brick and ivy garden." —ARCHITECTURAL DIGEST"The first book from Sawyer | Berson illustrates the award-winning firm’s quintessential pairings of modernism and classicism in seaside houses, metropolitan residences, and spectacular garden retreats." —MOFFLY MEDIA""To be modern is not a fashion, but a state," Le Corbusier once said. "It is necessary to understand history, and he who understands history knows how to find continuity between that which was, that which is, and which will be." Few contemporary design firms are as up to the task as Sawyer | Berson, the practice began in 1999 by Brian Sawyer and John Berson. They met in the office of the famed Robert A.M. Stern and developed an approach that treated architecture, landscape design and interior design as equals in the pursuit of an aesthetic beau idéal. This, their first book, is required reading for anyone wishing to understand that which will be." —TOWN AND COUNTRY

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Book SynopsisThe first comprehensive book on the timeless, elegant interiors of Frances Elkins, the grande dame of early twentieth-century design who influenced so many important designers of our time.Trade Review"Nearly anything that registers as great interior design in the 2020s appeared in legendary interior designer Frances Elkins’s rooms in the 1920s. Her projects were replete with warm tones, interesting tile, and a mix of modern, vintage, and antique furniture. Bamboo dining chairs in a Chippendale style? Elkins did that. That thing you’re calling “granny chic?” Elkins had you beat." —IN KANSAS CITY"Regarded by many as the grande dame of 20th-century design, Frances Elkins brought an international perspective and architectural sensibility to her work that nobody had seen before. This new monograph showcases never-before-published material from the groundbreaking decorator that illustrates her ability to effortlessly mix styles and vivid colors." —VERANDA"Among a trove of images and magazine spreads of rooms Elkins designed, Powell also includes interiors dotted with furniture and fabric collaborations between Elkins and Frank, as well as architects including her brother David Adler. Famed decorator Billy Baldwin called her “the most creative designer we have ever had, and perhaps the greatest,” and here her influential work stands in concert with fellow Northern California innovators Anthony Hail, Michael Taylor and John Dickinson." ~ C Magazine"Elkins favored chic modernist European furniture, including the white plaster shell sconces, shell ceiling lights and twisted floor lamps designed by Alberto Giacometti for Jean-Michel Frank, or her own authorized copies. The Giacometti-style pieces later became basics of San Francisco interior designer Michael Taylor, who considered Elkins the most advanced designer he knew. “Elkins was a free spirit and mixed things that hadn’t been mixed before,” he told Dupuy Warrick Reed, writing for Connoisseur magazine in 1983. “She was experimental in scale and approach.” " ~Nob Hill Gazette"She collaborated with luminaries like Syrie Maugham, Marion Dorn, Dorothy Liebes, Alberto Giacometti and Jean-Michel Frank to specify teal and tangerine upholstery, mermaid murals and creamy ridged carpets. She turned glass pillars into gossamer balusters and spiraled a crimson-carpeted staircase around a stack of clear plastic balls. Plaster hands served as holdbacks on her fringed, plaid curtains." ~ NY Times

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Book SynopsisA cutting-edge blend of contemporary design and art informs the work of architecture’s enfant terrible. This first book on his firm presents an array of immersive spaces for living and working that walk the edge of practicality and imagination.Best known for UNESCO’s Cop22 in Marrakech and the French Embassy extension in Vienna, as well as his daring “guerrilla architecture,” such as Bow-House made from scaffolding and repurposed doors and windows in Holland, architect, urbanist, author, and former graffiti artist Stéphane Malka is at the forefront of the architectural avant-garde.Malka’s work blends art and architecture from a humanist perspective informed by the designer’s intention to create work that is positive and sustainable. His practice, based in Paris and in Los Angeles, realizes homes, offices, art installations, and stage designs with the idea that we ought always to rethink our typical notions and challenge

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Book SynopsisCalifornia, once the epitome of car culture, is now leading the green movement, transitioning away from the internal combustion engine and to some extent the car—and having to rethink how we live, as this extraordinary urban planning manifesto explores.Drawing together original research, design studies, and cultural essays, Renewing the Dream offers the first comprehensive look at the changes remaking the mobility landscape of Southern California—and the opportunities to reappropriate vast tracts of the city for new uses. Edited by James Sanders and produced with the global architecture studio Woods Bagot, this book explores the forces propelling this shift as well as its controversial impact on Los Angeles, as a city once famed for its car-oriented, low-rise landscape is transformed into a more diverse, more dense, more complex place.This many-sided portrait offers essays by a distinguished group of writers, designs for the city’s futureTrade Review"Glossily illustrated, lucidly written, and thoroughly reported, [Renewing the Dream: The Mobility Revolution and the Future of Los Angeles] makes an argument that is simple yet — pardon the expression — seismic...a catalogue of specifics elegantly laid out by the New York architect and writer James Sanders [with a] collection of essays by Sanders, Nik Karalis, Frances Anderton, Donald Shoup, and Mark Vallianatos, plus interviews, paintings, photographs, sketches, and renderings... making the case that L.A. is finally ready to give up on the failed strategy it has clung to for so long." —Justin Davidson, Curbed/New York Magazine "Renewing the Dream paints the portrait of a city whose history—and future—is intrinsically linked to that of urban mobility." —Fast Company

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