Architecture Books

Book SynopsisHaffer found success as a photographer, printmaker, painter, musician, sculptor, and published writerTrade Review"A Turbulent Lens is an appropriate title for this innovative artist who practices Pictorialism, modernism, Surrealism, documentary photography and studio portraiture with equal ease . . . This book is the first study of her extraordinary photographic output and her life. . ." -- Susan Platt * Cassone *"Haffer's was an inimitable life, and this book restores to us a neglected Northwest artist." -- Mike Dillon * City Living *"Here's an artist who experimented so vibrantly, on so many fronts, so prolifically, and over such a long period of time, that there's little point in trying to characterize her." -- Michael Upchurch * The Seattle Times *

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Book SynopsisIn this handy pocket guide, well-known architecture writer John Walsh teams up with architectural photographer Patrick Reynolds to offer a self-guided walking tour of 50 significant Auckland buildings, from the Victorian era to the brand new. The sparkling and informative text is accompanied by maps for each of the six routes.

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Book SynopsisA study guide to help you master the principles and practices of site engineering Whether used in conjunction with the Sixth Edition of Site Engineering for Landscape Architects or on its own, this Workbook is an invaluable learning resource for students and instructors, as well as for professionals studying for the LARE and other licensing exams. Organized into chapters that correspond with those in the textbook, the Workbook offers: Practice questions, problems, and review exercises designed to reinforce site engineering concepts Site and grading diagrams that make it possible to apply site engineering concepts in a practical way Four types of questions?observations, short answer, long answer, and graphic exercises?that offer opportunities to approach the material from varied angles and levels of complexity Answers to workbook problems, provided online via an instructor''s site DTable of ContentsIntroduction vii QUESTIONS Chapter 1 Site Engineering IS Design 3 Chapter 2 Grading Constraints 7 Chapter 3 Contours and Form 11 Chapter 4 Interpolation and Slope 17 Chapter 5 Grading of Simple Design Elements 21 Chapter 6 Grading Process 27 Chapter 7 Soils in Construction 39 Chapter 8 Earthwork 45 Chapter 9 Storm Water Management 49 Chapter 10 Storm Water Management System Components 51 Chapter 11 Soil Erosion and Sediment Control 55 Chapter 12 Determining Rates and Volumes of Storm Runoff: The Rational and Modified Rational Methods 57 Chapter 13 Natural Resources Conservation Service Methods of Estimating Runoff Rates, Volumes, and Required Detention Storage 63 Chapter 14 Designing and Sizing Storm Water Management Systems 65 Chapter 15 Site Layout and Dimensioning 69 Chapter 16 Horizontal Road Alignment 73 Chapter 17 Vertical Road Alignment 77 ANSWERS Chapter 2 Grading Constraints 83 Chapter 3 Contours and Form 85 Chapter 4 Interpolation and Slope 87 Chapter 5 Grading of Simple Design Elements 93 Chapter 6 Grading Process 99 Chapter 7 Soils in Construction 109 Chapter 8 Earthwork 113 Chapter 9 Storm Water Management 119 Chapter 10 Storm Water Management System Components 121 Chapter 11 Soil Erosion and Sediment Control 123 Chapter 12 Determining Rates and Volumes of Storm Runoff: The Rational and Modified Rational Methods 125 Chapter 13 Natural Resources Conservation Service Methods of Estimating Runoff Rates, Volumes, and Required Detention Storage 131 Chapter 14 Designing and Sizing Storm Water Management Systems 133 Chapter 15 Site Layout and Dimensioning 137 Chapter 16 Horizontal Road Alignment 141 Chapter 17 Vertical Road Alignment 147

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Book SynopsisSolar Energy is an authoritative reference on the design of solar energy systems in building projects, with applications, operating principles, and simple tools for the construction, engineering, and design professional. The book simplifies the solar design and engineering process, providing sample documentation and special tools that provide all the information needed for the complete design of a solar energy system for buildings to enable mainstream MEP and design firms, and not just solar energy specialists, to meet the growing demand for solar energy systems in building projects.

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Book SynopsisA groundbreaking exploration of the most promising new ideas for creating the sustainable cities of tomorrow The culmination of a four-year collaborative research project undertaken by leading UK universities, in partnership with city authorities, prominent architecture firms, and major international consultants, Retrofitting Cities for Tomorrow''s World explores the theoretical and practical aspects of the transition towards sustainability in the built environment that will occur in the years ahead. The emphasis throughout is on emerging systems innovations and bold new ways of imagining and re-imagining urban retrofitting, set within the context of futures-based' thinking. The concept of urban retrofitting has gained prominence within both the research and policy arenas in recent years. While cities are often viewed as a source of environmental stress and resource depletion they are also hubs of learning and innovation offering enormous potentialTable of ContentsList of Contributors xi Biographies xv Foreword xxi Preface xxiii Reviews xxv 1 Introduction 1Tim Dixon, Malcolm Eames, Miriam Hunt and Simon Lannon 1.1 The Future (or ‘Tomorrow’s World’) of Cities 4 1.2 The Structure of the Book 7 1.2.1 Part One: Governance and Dynamics of Urban Retrofit 7 1.2.2 Part Two: Modelling Urban Transitions and Pathways 10 1.2.3 Part Three: Steering and Navigating Sustainable Urban Transitions 11 1.2.4 Part Four: Overview of Key Themes from the Book 14 References 14 Part I Governance and Dynamics of Urban Retrofit 17 2 Community Housing Retrofit in the UK and the Civics of Energy Consumption 19Andrew Karvonen 2.1 Challenges to Systemic Housing Retrofit 20 2.2 Community and Low]Carbon Futures 21 2.3 Community Housing Retrofit 22 2.3.1 Community as Local Governance Strategy 23 2.3.2 Community as Identity 23 2.3.3 Community as Learning Network 24 2.3.4 Community as Ethical Commitment 25 2.4 Community Housing Retrofit and the Civics of Low]carbon Transitions 26 2.5 Conclusions 27 References 28 3 ‘City]wide or City]blind’? An Analysis of Retrofit Practices in the UK Commercial Property Sector 33Tim Dixon 3.1 Introduction 34 3.2 UK Commercial Property: Nature and Characteristics of Commercial Property 36 3.3 What Conceptual Frameworks Can We Use to Understand Commercial Property Retrofitting? 37 3.4 Research Findings 40 3.4.1 ‘Who’? – The Main Stakeholders in the Commercial Property Retrofit Regime and the Nature of the Regime 40 3.4.2 ‘What’? – Retrofit Defined and the Key Technologies Being Used 41 3.4.3 ‘Why’? – The Key Drivers and Barriers 42 3.4.4 ‘How’? – Institutional Frameworks, Legislation and Monitoring/Standards 45 3.5 Conclusions and Discussion 46 Acknowledgements 48 References 48 4 Performance Gap in ‘Deep’ Retrofit of Housing: Issues at the Design and Construction Interface 53Will Swan, Niloufar Bayat and Graeme Sheriff 4.1 Introduction 53 4.2 Defining the Performance Gap 55 4.3 Methodology – Expert Interviews 56 4.4 Findings 58 4.4.1 Theme 1 – Understanding and Skills 58 4.4.2 Theme 2 – Working Practices 60 4.4.3 Theme 3 – Hard to Treat 62 4.5 Conclusions 63 References 64 5 Transforming the Commercial Property Market in Australians Cities: Contemporary Practices and the Future Potential in Green Roof Retrofit 69Sara J. Wilkinson, Paul van der Kallen, Allan Teale and Hera Antoniades 5.1 Introduction 69 5.2 Green Roofs Defined 70 5.3 Retrofit Issues in Commercial Stock in Australian Cities 72 5.4 Drivers for Green Roofs 73 5.5 Transformation of the Commercial Property Stock 75 5.6 Valuation Issues 76 5.7 Retrofitting Investment to Date 78 5.8 Taxation Considerations 79 5.9 Contemporary Practices 80 5.9.1 Green Roof Retrofit in Commercial Stock – Case Studies from Melbourne and Sydney 80 5.10 Future Potential in Green Roof Retrofit 85 5.11 Conclusions 86 Acknowledgements 87 References 87 Part II Modelling Urban Transitions and Pathways 91 6 Modelling Residential Retrofit: Insights on the Effect of Regional Characteristics for the Cardiff City Region 93Malcolm Eames, Simon Lannon, Miriam Hunt and Aliki Georgakaki 6.1 Introduction 93 6.2 Context 94 6.2.1 Role of Local Government 94 6.2.2 Cardiff Domestic Stock: History and Legacy 95 6.3 Methodology 96 6.4 Results 101 6.4.1 Wall Insulation 104 6.4.2 Loft Insulation 104 6.4.3 Glazing 105 6.5 Conclusions 106 Acknowledgements 106 References 106 7 Weatherproofing Urban Social Housing for a Changing Climate Through Retrofitting: A Holistic Approach 109Anna Mavrogianni, Jonathon Taylor, Michael Davies and John Kolm]Murray 7.1 Scope 109 7.2 The UK Housing Retrofit Challenge and Potential Unintended Consequences 110 7.3 Challenges and Opportunities for Social Housing Retrofit 110 7.4 The Building Envelope as a Climate Modifier 111 7.5 The Role of Seasonal Health Policy 112 7.6 South Islington: A Case Study 113 7.6.1 Climate Risk Awareness and Behaviour 113 7.6.2 Indoor Summer Thermal Comfort and Environmental Quality 114 7.7 Conclusions 120 Acknowledgements 120 References 121 8 What is Hindering Adaptation to Climate Change in English Suburbs, and What Would Help Facilitate Action? 125Ian Smith, Katie Williams and Rajat Gupta 8.1 Introduction 125 8.2 What is the Suburban Retrofitting Problem? 126 8.3 Hot in the Suburbs? 127 8.4 How Does the Current Literature Explain Why Retrofitting Might Happen? 130 8.5 Conclusions 136 References 137 9 The Value of Foresight and Scenarios in Engineering Liveable Future Cities 139Chris Rogers 9.1 Introduction 139 9.2 Retrofitting the Underworld 141 9.3 The Foresight Future of Cities Project 142 9.4 Scenarios 146 9.5 Conclusions 149 Acknowledgements 149 References 150 Part III Steering and Navigating Sustainable Urban Transitions 153 10 Urban Sustainability Transition: Retrofitting the City 155Derk Loorbach 10.1 Introduction 156 10.2 Transitions as the Analytical Starting Point for Addressing Urban Transitions 157 10.3 Sustainability Transitions in Urban Areas 159 10.4 A Transition in the Urban Built Environment? 162 10.5 Transition Project ‘Energiesprong’ 163 10.6 Transition Management and the Built Environment 165 10.7 Outlook: Transitioning the City? 168 References 169 11 Presenting Futures: London 2062 171Sarah Bell 11.1 Introduction 171 11.2 UCL’s Grand Challenges 173 11.3 London 2062 173 11.3.1 Connections 175 11.3.2 Things 175 11.3.3 Power 176 11.3.4 Dreams 177 11.3.5 Imagining the Future City 177 11.4 Conclusions 178 References 179 12 Framing New Retrofit Models for Regenerating Australia’s Fast Growing Cities 183Peter W. Newton 12.1 Introduction 183 12.2 Current State, Future Trajectories and Retrofitting Challenges for Australia’s Largest Cities 184 12.3 The Challenge of Regenerative Urban Transition 186 12.3.1 Scale of Built Environment Innovation 187 12.3.2 Urban Form and Fabric 187 12.3.3 Urban Development Arenas 187 12.4 Greyfield Infill Redevelopment 194 12.5 Towards a New Model for Residential Precinct Regeneration 196 12.5.1 Public Housing as a Catalyst for Neighbourhood Regeneration 197 12.5.2 Precinct Regeneration in Greyfields Private Property Market: Municipal Housing Strategies as a Catalyst for Neighbourhood Regeneration 198 12.6 Conclusion 201 Acknowledgements 202 References 203 13 City]regional Futures in Context: Insights from the Retrofit 2050 Project 207Carla De Laurentis, Malcolm Eames, Miriam Hunt and Tim Dixon 13.1 Introduction 207 13.2 City Futures as Guiding Visions 210 13.3 How Can We Use City Visions to Understand City Futures of Tomorrow? 212 13.4 Exploring Visions of Cities in Context: Cardiff 2050 217 13.5 Concluding Remarks 222 References 223 14 National Policies for Local Urban Sustainability: A New Governance Approach? 227Simon Joss and Robert Cowley 14.1 Introduction 227 14.2 Four National Sustainable City Programmes in Profile 229 14.2.1 Eco Cities (India) 229 14.2.2 EcoQuartier (France) 231 14.2.3 Eco]Model City (Japan) 234 14.2.4 Future Cities (UK) 237 14.3 Comparative Observations 238 14.3.1 Shaping the Content of Local Agendas 239 14.3.2 Governance Innovation 240 14.3.3 Factors Co]determining Policy Implementation Success/Failure 241 14.4 Conclusions 242 References 243 Part IV Overview of Key Themes from the Book 247 15 Conclusions and Reflections: Retrofitting Cities for Tomorrow’s World 249Malcolm Eames, Tim Dixon, Miriam Hunt and Simon Lannon 15.1 Introduction 249 15.2 Critical Factors for Successful Urban Retrofit Transition 250 15.2.1 Emerging Themes from the Book 250 15.2.2 EPSRC Retrofit 2050: Main Findings 252 15.3 Summary: Foresight for a Tomorrow’s World of Cities 260 References 262 Index 267

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Book SynopsisTeaches the principles behind the successful planning and creation of inspired built forms and urban places This book offers an integrated understanding of both the principles and the perception of the design of built environments and public spaces. It outlines the fundamental characteristics that are evident in the creation of built form and illustrates how they determine the experience of resultant places. It also consolidates the key criteria that need to be taken into consideration in the development of these areas. All of the above-mentioned aims to provide designers with a solid understanding of the implications of their decisions on perception and behavior during the creation of new spaces. Design and Order: Perceptual experience of built form - Principles in the Planning and Making of Place starts by examining the designing of natural environments and the affect that they have on humans. It teaches readers how people experience and are shaped by aTable of ContentsOutline xix Preface xxiii Section I The Environment 1 Part I The Environment – Natural, Ecological and Historical (Topography) 3 1 Natural Sites and Places 5 1.1 Nature and Landscape 5 1.2 Natural Places and Characteristics 5 1.3 Creation of Man-Made Places 6 1.4 Existential Space and Place 7 1.5 Natural Landscape and Sensing 9 Further Reading 10 2 Ecological and Climatic Context and Basic Protection Needs 11 2.1 Primitive Needs 11 2.2 Climatic Zones and Natural Materials for Shelter 11 2.3 Shelter Types, Uses and Purposes 13 2.4 Socio-Cultural Factors and Human Needs 14 2.5 Theory of Human Needs 15 Exhibit 2.1 Basic Human Needs 18 Further Reading 19 3 Historical and Regional Development 21 3.1 Historic Eras and Development 21 3.2 Regional Variations, Early Cultures and Settlements 22 3.3 Topography, Climate and Materials – Form Determinants 23 Exhibit 3.1 Individual Dwelling Types 24 Further Reading 27 Section II Human Behaviour and Design 29 Part II Human Behaviour (Neuro-Physiology) 31 4 The Brain, the Mind and Sensing 33 4.1 The Brain and Neurological Systems – Seeing, Touching and Hearing 33 4.2 Seeing – Visual Processing and Memory 33 4.3 Touching and Hearing 35 4.4 The Mind – Mental Learning and Thinking – Cognition 36 4.5 The Mind – Visceral Feelings – Emotion and Motivation 38 4.6 Consciousness and Self 39 4.7 Human Body and the Sensing of Form 40 4.8 Meaning, Intentionality and Imagination 41 4.9 Metaphor and Consciousness 42 Exhibit 4.1 The Human Brain – Neurological Sensing 45 Further Reading 52 5 The Eyes and the Visual System 55 5.1 Visual Perception 55 5.2 Visual World and Visual Field 57 5.3 Visual Perception and Affordances 61 5.4 Perceptual Experience – Visual System 62 5.5 Visual System and Optic Arrays 63 5.6 Recognition, Eye Movements and Analogue Theory 65 Exhibit 5.1 The Human Eye 66 Exhibit 5.2 Affordances 72 Exhibit 5.3 Perspective – Sensory Shifts 73 Further Reading 74 6 The Senses 75 6.1 The System of Senses 75 6.2 The Senses 76 6.3 Further Senses 78 6.4 The Senses and Multi-Sensory Experience 81 6.5 Multi-Sensory Emotions, Feelings and Aspirations 83 6.6 Pleasure 85 Exhibit 6.1 The Human Ear 86 Exhibit 6.2 The Human Senses 88 Further Reading 89 Part III Perceptual Experience of Form (Psychology and Phenomenology) 91 7 Aesthetic Theories and Perception of Built Form 93 7.1 Perception 93 7.2 Theories of Perception 93 7.3 Schematisation and Phenomena 94 7.4 Equilibrium, Wholes and Re-centring 96 7.5 Parts and the ‘Whole’ 96 7.6 Perceptual Properties 98 7.7 Perception of Form 98 7.8 Psychology of Form 99 7.9 Dynamics of Space 100 7.10 Perception and Cognition 102 7.11 Meaning and Symbols 104 7.12 Synopsis – Perceptual Experience 106 Exhibit 7.1 Principles of Configuration 108 Exhibit 7.2 Perspective 111 Further Reading 113 Part IV Grammar and Syntax of Form, and Composition 115 8 Architectural Ordering, Composition, Form and Beauty 117 8.1 Order 117 8.2 Grammar of Design and Syntax 118 8.3 Composition and Characteristics 122 8.4 Rhythm and Harmony 124 8.5 Purposiveness 125 8.6 Objects and Arrangements 125 8.7 Composition and Type 126 8.8 Ways of Ordering 127 8.9 Objective Properties 129 Exhibit 8.1 Principles of Composition 130 Exhibit 8.2 Basic Rules of Composition for Order and Unity 132 Further Reading 140 Part V Planning and Design Process, and Programme Requirements (Methodology) 141 9 Design Framework, Methods and Approaches 143 9.1 Problem Formulation 143 9.2 Setting 143 9.3 Fitness and Fit 144 9.4 Self-Conscious Design Approach 145 9.5 Affordances and Behaviour Settings 146 9.6 Programme Requirements 146 9.7 Designing and Design Approaches 147 9.8 Design Process, Reflection and Appraisal 149 9.9 Intended Results and Evaluation 155 9.10 Design of ‘Good’ Form 157 Exhibit 9.1 Nature of Design Requirements, Invention and Making 158 Exhibit 9.2 Modern Design Approach – Programme, Brief and Process 161 Further Reading 164 10 ‘Pattern Language’ Approach 167 10.1 Form Language 167 10.2 Order and Life – ‘Wholeness’ 169 10.3 Life-Creating Transformations of Centres 171 10.4 Language of Form 173 10.5 Fundamental Maxim – ‘Unity’ of the ‘Whole’ 175 Exhibit 10.1 Pattern Language – Properties 176 Exhibit 10.2 Rules of Scale in Order 180 Exhibit 10.3 Ambience 184 Exhibit 10.4 ‘Well’ Building 186 Further Reading 188 Section III Form, Function and Fit 189 Part VI Form and Fit 191 11 Physical Built Form in Space 193 11.1 Form – Mass and Spatial Volume 193 11.2 Transformation of Form 193 11.3 Additive Form 194 11.4 Integration of Forms 196 11.5 Form and Space 196 11.6 Horizontal Planes 197 11.7 Vertical Planes 197 11.8 Architectural Space, Enclosures and Vistas 200 11.9 Spatial Qualities and Layout 201 11.10 Light, Sound and Atmospheric Qualities in Built Form 202 Exhibit 11.1 Principles of Articulation and Conjugation 204 Further Reading 205 12 Geometrical Layout and Organisation – Axes, Shapes and Repeating Patterns 207 12.1 Datum and Axes 207 12.2 Ordering Principles 207 12.3 Hierarchy and Scale 208 12.4 Rhythm and Repetition 208 12.5 Symmetry 208 12.6 Transformations 209 12.7 Generative Design Processes 211 12.8 Fractals 212 12.9 Other Forms of Geometry – Non-Euclidean 212 12.10 Patterns of Repeating Elements for Decoration 213 Exhibit 12.1 Principles in the Design of Decorative, Geometric and Motif Patterns 214 Further Reading 216 13 Proportion, Symmetry and Harmony 217 13.1 Proportion – History 217 13.2 Proportion and Physical Relationships 220 13.3 Symmetry 220 13.4 Human Proportions 222 13.5 Room Proportions 222 13.6 Regulating Lines 224 13.7 Latent Geometric Relationships 226 13.8 Good Proportioning 226 13.9 Anthropometrics and Human Factors 227 13.10 Scale 227 13.11 Harmony 228 13.12 Expressions of Form 229 Exhibit 13.1 Principles of Proportion and Symmetry 230 Exhibit 13.2 Types of Series, Proportion, Symmetry and Natural Growth 233 Exhibit 13.3 Principles of Rhythm and Harmony 249 Exhibit 13.4 Essay on Harmony as It Relates to Building – Robert Morris 251 Exhibit 13.5 Musical Harmony 252 Exhibit 13.6 Rhythm and Syncopation in Built Form by Era 257 Further Reading 258 Photos 259 14 Organisational Forms and Layout 261 14.1 Linear Organisation 261 14.2 Centralised Organisation 261 14.3 Radial Organisation 261 14.4 Grid 262 14.5 Clustered Organisation 263 14.6 Interior Enclosed Space 264 Exhibit 14.1 Principles of Organisation and Arrangement 265 Exhibit 14.2 The Modulor 267 Exhibit 14.3 Japanese Design Arrangements for Dwelling 271 Further Reading 272 15 Functional Purpose and Use of Space 275 15.1 Function 275 15.2 Utility, Significance and Purposefulness 275 15.3 Use, Activities and Spatial Requirements 275 15.4 Structural System and Components 276 15.5 Materials 277 15.6 Personal Space 278 15.7 Territoriality 279 15.8 Defensible Space 280 Exhibit 15.1 Principles of Function and Purpose 283 Exhibit 15.2 Purposiveness 285 Exhibit 15.3 Principles of Universal Design 286 Further Reading 286 16 Circulation, Plan and Elevation 287 16.1 Approach 287 16.2 Entrance 287 16.3 Dynamic Spatial Experience 288 16.4 Configuration for Communication 289 16.5 Access Paths 289 16.6 Internal Circulation 289 16.7 Stairs and Staircases 290 16.8 Built Section 290 Exhibit 16.1 Principles of Communication and Circulation 292 Further Reading 293 17 Colour and Contrast 295 17.1 Light and Spectrum 295 17.2 Colour Pigments 295 17.3 Pigments for Printing 297 17.4 Complementary Colours 299 17.5 Features of Colour 300 17.6 Colour Circle, Sphere and Star 303 17.7 Perceptual Basis of Colour 304 17.8 Colour Interaction 307 17.9 Colour Serialisation 308 Exhibit 17.1 Principles of Colour and Contrast 309 Exhibit 17.2 Colour Parameters and Principles 311 Exhibit 17.3 Contrast in Colour 317 Further Reading 319 Part VII Building Structure and Types 321 18 Structure 323 18.1 Beginnings 323 18.2 Laws of Nature 323 18.3 Lateral Stability 324 18.4 Materials 324 18.5 Design Methods 325 18.6 Connections and Jointing 325 18.7 Structural Types 326 18.8 Maintainability and Sustainability 328 18.9 Generative Parametrics 328 18.10 Resiliency 328 Exhibit 18.1 Principles of Structure 329 Further Reading 331 Photos 331 Section IV Built and Urban Form 335 Part VIII ‘Good’ Practice – Built Form 337 19 Buildings and Dwellings 339 19.1 Space and Human Interaction 339 19.2 Creation of ‘Place’ 340 19.3 ‘Good’ Building 341 19.4 Built Form Determinants 342 19.5 Re-Use 345 19.6 Use Types of Buildings 346 19.7 Goals of ‘Good’ Built Form 347 Exhibit 19.1 Principles of Assembly – Built Form 349 Exhibit 19.2 Selective Modern ‘Good’ Building Practice by Use Type 352 Exhibit 19.3 Examples of Built Type Forms 354 Exhibit 19.4 Modern Movements and Practitioners 358 Exhibit 19.5 Iconic Modern Buildings 360 Exhibit 19.6 Modern Iconic US Buildings 365 Further Reading 368 Photos 368 Part IX ‘Good’ Practice – Urban Form 375 20 Urban Form 377 20.1 Form Determinants in Urban Settlements – Natural and Man-Made Features 377 20.2 Historical Developments 379 20.3 Different Regional and Cultural Typologies 381 20.4 Multi-Nucleus and Mixed Development 383 20.5 Modern Developments 385 20.6 Elements of Urban Form 386 20.7 Legibility 388 20.8 Organisation 389 20.9 Life Space and Topology 391 20.10 Urban Form and Life 391 20.11 Layout of Urban Neighbourhoods 393 20.12 Development 395 20.13 ‘Good’ City Form 396 20.14 Urban ‘Open’ Forms 398 20.15 Goals of ‘Good’ Urban Form 398 Exhibit 20.1 Principles of Emplacement – Urban Form 400 Exhibit 20.2 Urban Space Requirements 403 Exhibit 20.3 Selective Modern ‘Good’ Urbanistic Practice 406 Exhibit 20.4 Urban Type Forms by Use Purpose 410 Further Reading 411 Photos 412 Summary 419 Bibliography 423 Appendices – Part I 433 Appendix I.3.1 Ancient Settings – Europe, Near East, Asia and Americas 435 I.3.1.1 Neolithic Age 10 000–3000 BC – Mid East and Europe 435 I.3.1.2 Bronze Age 3000–1000 BC – Europe and Mid East 436 I.3.1.3 Ancient Iron Age 1000 BC to 0 AD – Mid East 437 I.3.1.4 Early Age 0–1000 AD – Europe and Mid East 439 I.3.1.5 Mesoamerica to 1500 AD 440 I.3.1.6 North America to 1500 AD 440 I.3.1.7 Asia and the Orient to 1500 AD 441 I.3.1.8 Africa to 1500 AD 443 I.3.1.9 Europe – Mediaeval Cities After 1000 AD 443 Further Reading 444 Photos 444 Appendix I.3.2 Ancient City Places 449 Further Reading 451 Appendices – Part II 453 Appendix II.6.1 Feelings of Space and Form in the Environment 455 II.6.1.1 Natural Light 455 II.6.1.2 Movement 455 II.6.1.3 Complementarity of Form 456 II.6.1.4 Balance 457 II.6.1.5 Individuality 457 II.6.1.6 Opaque Geometry and Occlusion 457 II.6.1.7 Sense of Spatial Perception 458 II.6.1.8 Form Sensing 459 Further Reading 459 Appendix II.6.2 Artificial Perception 461 Further Reading 462 Appendices – Part IV 463 Appendix IV.8.1 ‘The Classical Orders’ 465 IV.8.1.1 The Orders 465 IV.8.1.2 Tuscan 467 IV.8.1.3 Doric 467 IV.8.1.4 Ionic 467 IV.8.1.5 Corinthian 467 IV.8.1.6 Composite 468 IV.8.1.7 Entasis 469 IV.8.1.8 Composition 469 IV.8.1.9 Language – Elements of Architecture 470 Further Reading 471 Photos 471 Appendix IV.8.2 Aesthetic Judgement and Beauty 473 IV.8.2.1 Utility and Delight 473 IV.8.2.2 Qualities 473 IV.8.2.3 Beauty 474 IV.8.2.4 Assessment of Beauty 475 IV.8.2.5 Interest and State of ‘Disinterestedness’ 476 IV.8.2.6 Form and Elegance 476 IV.8.2.7 Aesthetic Theories and Self-Conscious Design 478 IV.8.2.8 Sense of Beauty as Described in Different Eras 478 Further Reading 481 Appendices – Part V 483 Appendix V.9.1 Design Methods – Comparative Historical Design Approaches and Pedagogy 485 V.9.1.1 Classical Design 486 V.9.1.2 Renaissance Design 486 V.9.1.3 European Design Methods 487 V.9.1.4 Modern International Design Methods 491 V.9.1.5 Purist Design 493 V.9.1.6 Rational Geometric Design 496 V.9.1.7 Organicist Design 497 V.9.1.8 Modern Design Methods and Systems Approach 500 V.9.1.9 Generative Computerised Design 502 Further Reading 504 Appendix V.10.1 Pattern Language – Design and Human Needs (Illustration) 505 Further Reading 508 Appendices – Part VI 509 Appendix VI.13.1 Decoration – Patterns, Features, Motifs and Geometrics of Repeating Elements 511 VI.13.1.1 Decoration – Materials, Methods and Techniques 511 VI.13.1.2 Features 512 VI.13.1.3 Pattern Groups – Floral, Figurative, Geometric and Representational 512 VI.13.1.4 Pattern Arrangements – Lattices, Powdering, Borders and Features 514 VI.13.1.5 Emergent Forms 517 VI.13.1.6 Special Motifs and Symbols 521 Further Reading 524 Appendix VI.13.2 Ornament in Earlier Times and Historic Era 525 VI.13.2.1 Antiquity 525 VI.13.2.2 Mediaeval 526 VI.13.2.3 The Renaissance 527 VI.13.2.4 Recent 527 VI.13.2.5 ‘General principles in the arrangement of form and colour in architecture and the decorative arts’, – The Grammar of Ornament – Owen Jones 529 VI.13.2.6 Moresque Principles of Ornament – Owen Jones 531 Further Reading 534 Appendices – Part VIII 535 Appendix VIII.19.1 Building Materials and House Types in Vernacular Britain 537 VIII.19.1.1 Walling 537 VIII.19.1.2 Roofing 540 VIII.19.1.3 Types – Plan and Section 542 Further Reading 546 Photos 547 Appendix VIII.19.2 Building Elements and Features 553 VIII.19.2.1 Floors, Walls and Ceilings 553 VIII.19.2.2 Windows and Doors 554 VIII.19.2.3 Mouldings 554 VIII.19.2.4 Assembly 555 Further Reading 555 Photos 556 Appendix VIII.19.3 Architectural Styles, Periods and Practitioners 565 VIII.19.3.1 Western Architecture 565 VIII.19.3.2 Religious Periods 566 VIII.19.3.3 Composition Methods – Theorists and Key Practitioners by Era 567 Appendix VIII.19.4 Historic Ecclesiastic and Civic Buildings; Geometric Modern and Iconic Modern US Buildings 569 VIII.19.4.1 Historic Ecclesiastical Buildings 569 VIII.19.4.2 Historic Civic Buildings 571 Photos 574 VIII.19.4.3 Modern Geometric Buildings 581 VIII.19.4.4 Modern Iconic Tower Buildings 588 Appendices – Part IX 593 Appendix IX.20.1 Urban Places 595 IX.20.1.1 Urban City Form – Historic Places 595 IX.20.1.2 Modern 20th Century Places 598 Appendix IX.20.2 Sustaining Principles 601 IX.20.2.1 ‘Ten Theses on Architecture’ – Rob Krier 601 IX.20.2.2 ‘Ten Principles on Which We Can Build’ – HRH The Prince of Wales 602 IX.20.2.3 ‘The Hannover Principles’ – Expo 2000World Fair, William McDonough 603 IX.20.2.4 ‘One Planet – Living Communities Programme’ 604 IX.20.2.5 Biophilic Design Principles 605 Further Reading 610 Appendix IX.20.3 Urban Settlement Models and Patterns 611 IX.20.3.1 Urban Form and Use Types 611 IX.20.3.2 Urban Layout Principles 613 IX.20.3.3 Organising Features 614 IX.20.3.4 Building Form Types 616 Index 617

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Book SynopsisTable of ContentsInset Index xiii Preface xv Acknowledgments xix How to Use This Book xxi Abbreviations xxxi Chapter 1: About the Codes 1 A Brief History 2 Code Publications 3 Federal Regulations 22 Standards Organizations 25 Special Use Codes 34 Research: Using the Codes 35 Chapter 2: Accessibility 37 A Brief History 38 Codes and Standards 40 Federal Regulations 43 Level of Accessibility 50 Enforcement and Responsibility 55 Research: Using the Codes 58 Documentation 59 Chapter 3: Occupancy Classifications And Loads 61 Understanding Occupancy Classifications 62 Description of Occupancies 64 Other Occupancy Considerations 84 More Than One Occupancy Type 87 Accessibility Requirements 95 Determining Occupant Loads 99 Using the Occupant Load 112 Research: Using the Codes 113 Documentation 114 Chapter 4: Construction Types And Building Sizes 117 Understanding Construction Types 117 Identifying Construction Types 123 Sustainability Considerations 128 Understanding Building Height and Area 131 Research: Using the Codes 139 Documentation 142 Chapter 5: Means of Egress 143 Means of Egress System 144 Exit Accesses 149 Exits 169 Areas of Refuge 178 Exit Discharges 181 Means of Egress Capacity 183 Arrangement of Exits 198 Signage 209 Emergency Lighting and Communication 213 Research: Using the Codes 214 Documentation 218 Chapter 6: Fire and Smoke Resistant Assemblies 221 Passive Systems 222 Active Systems 222 Exiting Systems 222 Compartmentation in a Building 224 Fire Walls 225 Fire Barriers, Horizontal Assemblies, and Fire Partitions 226 Smoke Barriers and Smoke Partitions 243 Opening Protectives 246 Through- Penetration Protectives 260 Test Ratings 266 Using Rated Materials and Assemblies 268 Sustainability Considerations 271 Research: Using the Codes 273 Documentation 275 Chapter 7: Fire Protection Systems 277 Detection Systems 278 Alarm Systems 285 Extinguishing Systems 291 Sustainability Considerations 306 Research: Using the Codes 307 Documentation 309 Chapter 8: Plumbing and Mechanical Requirements 311 Number of Plumbing Fixtures 312 Plumbing Fixture Requirements 322 Toilet and Bathing Facilities 333 Plumbing Sustainability Considerations 349 Mechanical Requirements 350 Mechanical Sustainability Considerations 358 Research: Using the Plumbing and Mechanical Codes 360 Documentation 366 Chapter 9: Electrical and Communication Requirements 367 Electrical Components and Devices 368 Grounding and Circuit Interrupters 382 Light Fixtures 386 Required Electrical Systems 390 Electrical Sustainability Considerations 393 Communication Components and Devices 399 Types of Communication Systems 406 Communication Sustainability Considerations 413 Research: Using the Electrical Codes 414 Research: Using the Communication Codes 416 Documentation 417 Chapter 10: Finish and Furniture 419 Types of Finishes and Furnishings 420 Standards and Testing 423 Determining Finish Requirements 448 Obtaining Test Results 457 Accessibility Requirements 463 Acoustical Partitions and Materials 470 Decorative Materials 473 Signage 475 Other Code Restrictions 477 Sustainability Considerations 480 Research: Using the Codes 486 Documentation 489 Chapter 11: Code Officials and the Code Process 491 Authority Having Jurisdiction 492 Code Review and Enforcement 496 The Code Process 498 Documentation 512 Technology and Process 521 Minimum Requirements and Best Practices 523 Appendix A: Sustainability 525 Green Rating Systems 527 Sustainable Standards and Certification Programs 532 Life Cycle Assessments 536 Environmental Product Declarations 538 Tools and Resources 538 Appendix B: Existing and Historic Buildings 541 Existing Buildings 543 Historic Buildings 547 Sustainability Considerations 549 Appendix C: Family Residences 551 Construction Types and Building Size 552 Means of Egress 553 Fire and Smoke Resistance 554 Fire Detection and Protection 555 Plumbing 557 Mechanical 557 Electrical and Communication 559 Finishes and Furniture 561 Accessibility Considerations 562 Sustainability Considerations 562 Glossary 565 Index 587

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Book SynopsisTrade Review"Exquisitely crafted…[S]harp and succinct…Kiki Man Ray rescues its protagonist from the dustbin of history and advocates eloquently for the vitality and importance of the world she helped to forge." -- Hamilton Cain - Wall Street Journal"Absorbing and insightful…[Braude] has written a biography worthy of [Kiki de Montparnasse], alive with anecdote and incident…You just become so glad to know her." -- Charles Finch - Boston Globe"[A] heady romp through the galleries and nightclubs of interwar France." -- Vogue"[An] exuberantly entertaining biography." -- Joanna Scutts - New York Times Book Review"Braude’s biography argues that the pair’s long love affair was mutually galvanizing, and that Kiki was not just a muse but an artist in her own right." -- The New Yorker"Splendid…Braude brings [Kiki de Montparnasse] vividly to life and argues that she deserves to be remembered as a significant cultural figure in her own right." -- Ann Levin - Associated Press"If the only 'Kiki de Montparnasse' you are aware of is a lingerie brand, please check out this top-notch, highly readable nonfiction from cultural historian Mark Braude right now." -- Cat Auer - A.V. Club"[A] comprehensive page-turner." -- Sloane Crosley - Departures Magazine"[An] affectionate biography…As irresistible as it is overdue." -- Chicago Review of Books"Spirited and thoroughly researched…Braude's colourful evocation captures the heady atmosphere of a Paris still traumatized by the First World War." -- Elza Adamowicz - Times Literary Supplement (UK)"With vibrant prose as beguiling as Kiki herself…Braude's exuberant, absorbing biography stands Kiki at the 'white-hot center' of 1920s Montparnasse, reclaiming her rightful place." -- Janet Somerville - Toronto Star"[Kiki is] a vibrant force in a colorful world—and the heart of Braude’s history. A rich, affectionate look at bohemian Paris." -- Kirkus Reviews"Kiki Man Ray is a thoroughly researched and gracefully written life of the (until now) underestimated model, performer, painter, actress, and influencer known as Kiki de Montparnasse. Mark Braude’s biography brings her out of the wings and sets her firmly center stage in this evocative portrait of artistic life in the Paris of the 1920s." -- Carolyn Burke, author of Foursome and Lee Miller"Finally, a detailed and entertaining account of Alice Prin, a/k/a Kiki de Montparnasse, and her artistic and romantic relationship with Man Ray. Best known as a popular (and usually nude) artists’ model, Kiki was a singer and performer, a painter, a writer, and the central female instigator for the avant-garde demimonde of Paris in the 1920s. Mark Braude’s writing and subject make this book irresistible, as was Kiki herself." -- Jim Jarmusch"Kiki de Montparnasse was more than a muse—she was a vivacious, independent woman whose talent and magnetism helped make Paris the center of the art world in the 1920s. In Mark Braude’s riveting cultural history, the Queen of Montparnasse rises again. This is a lively and compassionate tribute to the chanteuse, model, and portraitist who held center stage in her life, and who inspired some of the finest Surrealist art of the twentieth century." -- Heather Clark, author of Pulitzer Prize–finalist Red Comet: The Short Life and Blazing Art of Sylvia Plath"A delightful, marvelously readable, meticulously researched romp of a book, Kiki Man Ray brings to life not just the kaleidoscopically talented Kiki herself, but the endlessly fascinating Montparnasse milieu over which she reigned." -- Whitney Scharer, author of The Age of Light"Man Ray captured 1920s Paris in his photographs, especially those of a singular muse: Kiki de Montparnasse, a hostess, a celebrity, a cabaret performer, a woman whose bawdy, heartfelt songs were the pulse of Paris. Mark Braude turns the tables—and the lens—and gives us a unique portrait: Man Ray from the perspective of that celebrated muse and her ephemeral art of performance." -- Tilar J. Mazzeo, New York Times best-selling author of The Hotel on Place Vendôme: Life, Death, and Betrayal at the Hotel Ritz in Paris"Kiki de Montparnasse—model, muse, artist—is the sole realist in a room of Surrealists. Unafraid of contradiction, she lived the fast life in the stillness of a pose, the intimacy of a public dream. Beautifully written, with a light touch and a wise eye, Mark Braude’s Kiki Man Ray arranges the elements of Kiki’s life, letting radiant patterns emerge." -- Alexander Nemerov, author of Fierce Poise: Helen Frankenthaler and 1950s New York

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Book SynopsisAn eye-opening and richly illustrated journey through the clothes worn by artists, and what they reveal to us.Trade Review"Porter treats his subjects as more than just 'style icons.'…[What Artists Wear is] a testament to their humanity: a response to the canon of deified white men, a reminder that all artists are mere mortals with bodies that need covering just like ours. What adorns the nonmale (Louise Bourgeois, Mary Manning), nonwhite (Tehching Hsieh, Alvaro Barrington) bodies in this book is as much self-expression as resistance." -- Lauren Christensen - New York Times Book Review"Eclectic [and] invigorating…The chapters of [What Artists Wear] devoted to female artists make for the most fascinating reading, their clothes liberating them by giving them permission to be different." -- Rachel Cooke - Observer"Brilliant, loving, visually incisive." -- Hilton Als, author of White Girls"A liberation and a joy, beautifully written and brilliantly thought. What Artists Wear is at once a revelatory account of how art is made and an electrifying investigation into the relationship between clothes and autonomy, freedom, and power." -- Olivia Laing, author of Everybody"A fascinating exploration of the clothing worn by the rebels, rule breakers and outliers of the artistic world, and what it means to live in it.…Porter’s curiosity for the subject is infectious." -- Catherine Hayward - Esquire"An insightful account of the clothes sported by modern and contemporary artists.…Whether offering visual analysis or social observation, [Porter] writes with clarity and wit." -- Chloë Ashby - Frieze"Unique, intelligent, and enlightening, super interesting and so well researched. It is rare indeed to come across a book that not only captures the imagination but informs and amuses at the same time. Each turn of the page is a surprising delight." -- Adrian Joffe, president of Comme des Garçons"[A] delightful book that flows like a good conversation.…Porter shows how artists—especially queer artists—subvert class, racial, and gender roles in their matter-of-fact approach to life." -- Ken Layne - The Millions"Inquisitive and insightful, Porter’s skillful dissection of the historical context, social commentary, and personal symbolism behind each artist is a pleasure to get lost in, and he makes a spirited case for the power and potential that can be unlocked through the simple act of dressing." -- Publishers Weekly

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Book SynopsisFrom the earliest periods of architecture and building, architects' actions have been conditioned by rules, regulations, standards, and governance practices. These range from socio-cultural and religious codes seeking to influence the formal structure of settlement patterns, to prescriptive building regulations specifying detailed elements of design in relation to the safety of building structures. In Architectural Design and Regulation the authors argue that the rule and regulatory basis of architecture is part of a broader field of socio-institutional and political interventions in the design and development process that serve to delimit, and define, the scope of the activities of architects. The book explores how the practices of architects are embedded in complex systems of rules and regulations. The authors develop the understanding that the rules and regulations of building form and performance ought not to be counterpoised as external to creative processes and practiceTrade Review"These are minor points about an excellent and ground-breaking book, which will be essential reading for those researching architectural practice, regulation, design professions and planning, and also for those with an interest in discourses of creativity and cultural production. Architectural design and regulation contributes much to our understanding of the practices and situated knowledges of architects vis-à-vis regulation and so in turn about the ways in which the urban fabric is shaped." (Area, 15 August 2013) "In some ways the excellently researched Architectural Design and Regulation is about this tension between unfettered creativity and a more predictable world prescribed and circumscribed by a system of join-the-dots and colour-by-numbers regulation." (Urban Studies, 22 May 2015)Table of ContentsIllustrations. Tables. The Authors. Foreword. Preface. Illustration Credits. PART I THE CONTEXT OF REGULATION. 1 Regulation, Rule, and Architecture: Introductory Comments. 1.1 Introduction. 1.2 The autonomy of architecture and the design process. 1.3 The study of regulation and the practices of architects. 1.4 Conclusions. 2 The Rule and Regulation of Building Form and Performance. 2.1 Introduction. 2.2 Early settlement and the codification of design practice. 2.3 Spatial codes and the regularisation of design and development. 2.4 Hygienic spaces and the efficiency of design. 2.5 From the regulatory society to the regulatory state. 2.6 Conclusions. 3 Urban Design and the Rise of the (De)Regulatory Society. 3.1 Introduction. 3.2 Self-activation and the (re-)regulation of design activities. 3.3 Regulating design: an evaluation of leading assumptions. 3.4 Conclusions. PART II THE PRACTICES OF REGULATION. 4 Learning about Regulation. 4.1 Introduction. 4.2 Discipline, education, and the creation of the architect-subject. 4.3 Pedagogy and the acculturation of architects: evidence from the field. 4.4 Conclusions: towards relational pedagogies. Case Study A: Rethinking Education: Evidence from a Focus Group. 5 Working with Regulation. 5.1 Introduction. 5.2 Systems of control and the management of the design process. 5.3 The interrelationships between regulations and the practices of architects. 5.4 Conclusions. Case Study B: Straw-Bale Building in the USA: Negotiating the Codes. 6 Risk and the Regulation of the Design Process. 6.1 Introduction. 6.2 Building form, performance and the regulation of risk. 6.3 Risk, regulation, and architecture: some evidence from the UK. 6.4 Conclusions. Case Study C: Regulating the Design Process: a Risky Business? PART III THE SCOPE OF REGULATION. 7 The Role of Project Actors in Influencing Design. 7.1 Introduction. 7.2 Redefining roles in the UK design and construction industry. 7.3 Contemporary project teams and the rise of the new professional. 7.4 Responding to change: architects’ experiences of a changing profession. 7.5 Conclusions. Case Study D: Traces of Regulation: the School of Sport, Exercise and Health Sciences, Loughborough University. 8 The Coding of Design and Architecture. 8.1 Introduction. 8.2 Modernity, urbanism and the revival of urban character. 8.3 The influence of design coding on the practices of architects. 8.4 Conclusions. Case Study E: The Use of Design Codes in Two English Towns. 9 Regulation and the Practices of Architects: Concluding Thoughts. Endnotes. Appendix: Research Design and Methods. References. Index.

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Book SynopsisThe emphasis here is to explore the key issues influencing the culture, strategies and management operations of professional practices. The focus is upon established practices from growing ones to large international firms in the built environment. A key aim of the book is to promote aspects of management by function and activities, with discipline acting as context rather than the primary focus. The book is structured into sections around 3 main themes: managing the organisation; and managing specific issues that affect operations, and a third section reflects upon management from practitioner experience. Section I: ''Managing the organisation'' looks at how the history of the firm creates both opportunities and rigidities for developing the practice, in terms of culture and market position, strategies and implementation, financial, marketing and HR management. Section II: ''Managing specific strategic and tactical issues'' looks at how these affect approaches a discTable of ContentsPreface. About the authors. Introduction (Hedley Smyth). Section I Overview in Scope and Context of Managing the Professional Practice. Chapter 1 Structures, management and markets (Hedley Smyth). Chapter 2 Strategic management of professional practice: The case of architecture (Graham Winch). Chapter 3 Cross-functional coordination: Conceptual model and its application in professional design practice (Antti Ainamo). Chapter 4 Challenges of growth in a medium-sized engineering design consultancy (Andrew Edkins, James Barrett and Hedley Smyth). Chapter 5 Sustainability into practice: How the sustainable development agenda has impacted on the surveying profession (David Shiers, Tim Dixon and Miles Keeping). Section II Managing Specific Issues in the Professional Practice. Chapter 6 Equipping project teams for competitions: Architecture practices in the Italian market (Beatrice Manzoni). Chapter 7 Client management and identification (Hedley Smyth and Sofia Kioussi). Chapter 8 How thin to win: FM service provision issues (Kathy Roper). Chapter 9 Innovation in professional service providers: UK quantity surveying practices (Stephen Pryke). Section III Reflections upon Practice. Chapter 10 The make experience (Ken Shuttleworth). Chapter 11 Squaring the circle: Delivering international services locally (Larry Malcic). Chapter 12 Innovation in the construction sector (Jeremy Watson). Chapter 13 Managing a project management division (Andrew McSmythurs). Chapter 14 Developing capacity in an emergent market (Robert McIntosh). Chapter 15 Branding professional services: Making the intangible tangible (Kate McGhee). Chapter 16 The first 20 years (Mike Nightingale). Chapter 17 Reflection on the redevelopment of the University of Tokyo Hospital: The last 26 years (Shinichi Okada and Makoto Nanbuya (translated by Junko Iwaya). Chapter 18 Beyond the first generation (David Stanford). Chapter 19 Changes in UK construction professional services firms in the late 20th century (Jim Meikle). Conclusion (Hedley Smyth). Acronyms. Index.

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Book SynopsisFully illustrated description of Jarrowâs well known, and lesser known, places that have been lost over the years.

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Book SynopsisA glimpse into the wonders of the French Quarter. The French Quarter has placed countless tourists and locals under its spell for centuries. From iconic sites like the St. Louis Cathedral to elegant, early nineteenth-century private residences, this striking collection of photographs reveals the vibrant and majestic world of the Vieux Carré. With 30 color photographs and full captions, this work transports you through the Quarter's most classic sites and hidden courtyards to uncover the true, enchanting spirit of the city.

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Book SynopsisExplores almost fifty houses built before the Civil War in the American South that have been authentically restored or preserved. Methodically examined are restoration efforts that preserve not only homes and other structures, but also the stories of those living in or occupying those homes. The authors discuss the challenges facing specific plantation homes and their preservation.

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Book SynopsisWhen we walk into a gallery, we have a fairly good idea where the building begins and ends; and inside, while observing a painting, we are equally confident in distinguishing between the painting-proper and its frame and borders. Yet, things are often more complicated. A building defines an exterior space just as much as an interior, and what we perceive to be ornamental and marginal to a given painting may in fact be central to what it represents. In this volume, a simple question is presented: instead of dichotomous separations between inside and outside, or exterior and interior, what other relationships can we think of?The first book of its kind to grapple with this question, Inside/Outside Islamic Art and Architecture focuses on a wide spectrum of mediums and topics, including painted manuscripts, objects, architectural decoration, architecture and urban planning, and photography. Bringing together scholars with diverse methodologieswho work on a geographical span stretchinTable of ContentsIntroduction: Inside/Outside in and of Islamic Art & Architecture: Toward a Cartographical Approach, Saygin Salgirli (University of British Columbia-Vancouver, Canada) 1. In and Out of a Local Idiom: The Story of a Siedlung in Yenimahalle, Ankara, Kivanc Kilinc (American University of Beirut, Lebanon) 2. Looking beyond the Lens’ Veil: Capturing the Haram (1840- 1890), Jorge Correia (University of Minho, Portugal) 3. Under-Writing Beirut-Mathaf, Whose Ghosts Must be Summoned, Jeff O’Brien (University of British Columbia-Vancouver, Canada) 4. For Close Observation: Imagery in the Architecture of Qajar Iran, Friederike Voigt (National Museums of Scotland, UK) 5. Potential Worlds: Representation, Mimesis and the Demiurgic Artist in Late Timurid Painting (ca. 1470-1500), Lamia Balafrej (UCLA, USA) 6. A Collage of Projections: Exploring an Awadhi Miniature Painting’s Pictorial Space Through 3D Modelling, Hussein Keshani (University of British Columbia-Okanagan, Canada) 7. Private and Public in Vernacular Space: The Abandoned Nubian Villages of Bigge, Bernadeta Schäfer and Armgard Goo-Grauer (Berlin Institute of Technology, Germany) 8. Singing the Song of Separation: The Nath Vairagi in Mughal Paintings, Anjali Duhan Gulia (Maharshi Dayanand University, India) 9. The Ubiquitous Knot: Traces of Hercules in an Unknown Candleholder from the Museum of Islamic Arts in Bursa, Paschalis Androudis & Georgios Orfanidis (Aristotle University of Thessaloniki, Greece) Index

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Book SynopsisContemporary Follies showcases outstanding examples of contemporary design that address our place in nature. Emerging from the Enlightenment spirit of Jean-Jacques Rousseau and Thomas Jefferson, the English picturesque folly, and the forest retreats of Scandinavian modernists, these projects inspire contemplation and creativity in their spatial energy and alliance with the environment. The book features fifty structures, including work by internationally recognized firms such as Arata Isozaki & Associates, Heatherwick Studios, Patkau Architects, Steven Ehrlich Architects, TEN Arquitectos as well as innovative young studios in all parts of the world: Norway, United Kingdom, Austria, Chile, Germany, Ecuador, Finland, Taiwan, Spain, Canada, Netherlands, United States, Czech Republic, France, and Switzerland. International in scope and focused on design excellence, this collection of exquisite buildings will appeal to all who yearn for a place of their own, a retreat in which to regroup and reprioritize. Together these small structures are the contemporary interpretation of the folly, the small building nestled in the landscape, a place apart.

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Book SynopsisIn 2006 the Stavros Niarchos Foundation announced its gift of a new cultural center in Athens to house both Greek National Library and the Greek National Opera House within a forty-acre landscaped public park. Two years later, with designers and engineers in place and the project underway, the Greek economy collapsed. In Chaos and Culture, Victoria Newhouse weaves a fascinating narrative of how a philanthropist and an extraordinary design team became convinced that architecture could serve as a beacon of hope amid Greece’s economic crisis and political upheaval. With meticulous methodology of primary research, interviews with designers, and historic context, Newhouse describes the decade-long process leading to the creation of the Stavros Niarchos Foundation Cultural Center (SNFCC), an $800 million dollar project that became the symbol of recovery and survival. The Stavros Niarchos Foundation Cultural Center (SNFCC) cannot but assume unusual cultural significance, standing as it does on a hill in view of the Parthenon (to the north) and Faliro Bay (to the south). Newhouse further situates the project within the modern history of Athens, beginning with Greece’s independence in 1832, and reaches back much earlier to describe two-thousand-year old cemeteries unearthed on the site. Aerial views by the photographer Iwan Baan are among the 200 photographs and drawings documenting the process and context of the SNFCC.Trade Review“…a sweeping tale of national identity and artistic anxiety. Newhouse ably balances discussions of details - Piano’s abstract, balletic sketches are reproduced here along with handsome aerial photographs of the site - with the drama of the financial stakes and personalities involved.” -The New Yorker "It’s rare that a book on a single building can sustain itself, but here Newhouse’s does so mightily. Weaving together the cultural center’s many conflicts and contractions - as well as the victories; it is, after all, a beautiful, poetic structure - Chaos and Culture is the kind of architecture book the world needs more of: well researched, culturally astute, and historically sensitive." -Surface magazine "Renzo Piano... has emerged over the past 50 years as the Leonardo da Vinci of modern architecture." -Library Journal

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Book SynopsisThe third monograph by the firm KieranTimberlake, demonstrating its exacting, sophisticated, and elegant projects of the past decade. KieranTimberlake: Fullness demonstrates the holistic impact of the work of the Philadelphia-based architecture firm. This monograph provides the concepts and contexts for seventeen recent projects in a range of scales and types, from houses to campus buildings to a transit hub and an embassy. KieranTimberlake: Fullness demonstrates how the firm's formative values have combined with innovative design methodologies, a commitment to full-scale, in-house prototyping, and a collaborative ethos to create and realize works of ambitious scope and complexity. Organized in two volumes, this book illustrated the comprehensive range of architectural beauty present in KieranTimberlake's buildings and the evidence for their mastery of design at all scales and orientations. The first volume presents photographs of each project, depicting the visual whole of the architecture as a fully resolved work. The companion volume reveals the sum of its parts - the pivotal junctures that give rise to final form, including both the moments of discovery and the pragmatic tools of analysis and prototyping that the firm uses. Narratives, drawings, diagrams, details, and anecdotes capture the design process and reveal the varied approaches that give form to the art and science of KieranTimberlake's architecture. Projects in this book include a house made from prefabricated modules in rural California that minimally disturbed its picturesque site; a major renovation of Philadelphia's Dilworth Park in front of City Hall; Cellophane House (TM), a fully recyclable, energy-gathering dwelling; and the new US Embassy in London, designed to signify democratic ideals and exceptional environmental leadership with systems to reduce energy consumption.

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