Architecture: residential Books

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Book SynopsisThe Case Study House program (1945–1966) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program’s chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture’s greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to redefine the modern home, and had a pronounced influence on architecture—American and international—both during the program’s existence and even to this day. TASCHEN brings you a retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches.Trade Review“Once you hold it in your hands, you immediately want to get a martini and sit by one of the pools.” * Literaturen *“If buildings were people, those in Julius Shulman’s photographs would be Grace Kelly: classically elegant, intriguingly remote.” * ARTnews *“The complete CSH program portrayed in stunning photos, detailed drawings, and clear essays.” * Architectural Review *

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Book SynopsisVilla Madama, Raphael''s late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.Trade Review'… what this book does splendidly is focus our attention on the roles of people other than patrons and architects - the advisers, many unnamed - in the production of architecture. In addition, it makes a fundamental contribution by asserting that the poetry associated with villas deserves to be considered as a key part of the process of those villas' designs.' Paul Davies, Journal of the Society of Architectural Historians'This substantial, original book makes significant contributions to our understanding of the architectural design process in early modern Rome … [Elet] moves effortlessly across traditional disciplinary boundaries, deftly interweaving different modes of analysis and a profound familiarity with myriad sources, primary and secondary … The book's production value matches the quality of its concept and writing, with many well-chosen illustrations that evoke both the villa and the ideas in circulation around it quite nicely.' Jessica Maier, Renaissance QuarterlyTable of ContentsPreface and acknowledgements; Note on translations and abbreviations; Introduction. The nature of invention, in word and image; 1. Reviving the corpse; 2. Writing architecture; 3. Sperulo's vision; 4. Encomia of the unbuilt; 5. Metastructures of word and image; 6. Dynamic design; Conclusion. Building with mortar and verse; Appendices; Bibliography; Index.

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Book Synopsis"What makes a great house in the city? This title examines what has worked well in some of the most successful housing types throughout the world – from old to new, high rise to low rise, innovative to conventional. Authors Robert Dalziel and Sheila Qureshi critically examine what they believe are the most significant elements of urban housing design: adaptability and flexibility, construction and sustainability, space and light, appearance and threshold, and density and urban form. A House in the City concludes by proposing a pioneering approach to the town house: incorporating insights from these most important elements of urban housing, culminating in an aesthetically-pleasing family home that can adapt to changing needs. Illustrated with aerial views, plans, sections and photographs, A House in the City will be of use to all who strive to deliver high quality urban housing for the 21st century, including architects, planners and developers."

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Book SynopsisHousing Fit for Purpose sets out a research-focused approach to looking at the challenges facing the built environment in approaching the design, construction and management of housing. This book uses original research by the author on housing performance evaluation and distils it for built environment professionals, arguing that learning from feedback should be taking place at every stage of the housing project lifecycle, improving outcomes for end users. Drawing on active research, this book shows why and how the design, construction and management of housing can be linked to feedback and actual evidence of how people choose, and learn, to use their homes. It examines the key concepts which underlie participatory design, occupancy feedback and learning, and includes a practical primer on how to undertake housing occupancy feedback. Table of ContentsAbout the Author Acknowledgements Foreword Ben Derbyshire TBC Introduction PART 1: BACKGROUND Chapter 1 – A short history of housing evaluation Chapter 2 – Drivers for building performance and occupant feedback PART 2: LEARNING FROM FEEDBACK Chapter 3 – Developing physical theory for feedback Chapter 4 – Developing socio-cultural theory for feedback Chapter 5 - Modelling and Reality Chapter 6 – Longitudinal feedback and design iteration PART 3: TRAINING FOR FEEDBACK Chapter 7 – Feedback Techniques Chapter 8 - Innovation in occupancy feedback Chapter 9 – Educating for feedback and learning PART 4: APPLICATION AND CASE STUDIES Chapter 10 – The international context Chapter 11 – The UK context Chapter 12- The cost and benefits of feedback PART 5: CHALLENGES FOR FUTURE Chapter 13- The ethics of feedback Chapter 14- Effective feedback loops Chapter 15 – Next steps Primer – How to do housing BPE

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Book SynopsisDespite improvements in the last 30 years we still have a long way to go before all of our buildings are easy and comfortable for all of us to use. This book puts forward a powerful case for a totally new attitude towards inclusivity and accessibility. An eye-opening guide to the many factors impacting accessibility in the built environment, this essential text is packed with illustrated examples of both good and bad design. It challenges the notion that inclusive design is simply a list of “special features” to be added to a final design, or that inclusivity is only about wheelchair access. Exploring both the social and the business cases for striving for better standards, this essential resource empowers architects to have more enlightened discussions with their clients about why we should be striving for more than the bare minimum. Table of ContentsDedication AcknowledgmentsPreface Introduction: how inclusive is our twenty-first century society? 1. What are the barriers to inclusive design? 2. Going above and beyond the regulations: why should we? 3. The business case for inclusive design and how to convince a client 4. Case studies that illustrate good (and bad) inclusive design Conclusion Learning resources Glossary

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Book SynopsisA lighting revolution is underway. With new tools and technologies at our disposal, never before have there been so many ways to realise the transformative effects of light. However, without the right guidance it’s easy (and costly) to make mistakes, limiting the functionality, mood, aesthetics and flow of your home. By combining practical insight and visual flair, Inspired by Light delivers up-to-date information on the latest and emerging lighting technologies in a single volume. Lighting solutions and schemes are showcased in a variety of settings, from a traditional terraced house to a contemporary villa, and beyond. As well as outlining the key principles and practices of successful lighting, the book draws on global examples to demonstrate lighting challenges and solutions – from front door to swimming pool – with case studies of entire homes to show how lighting effects can come together in a single project. Lavishly illustrated throughout, stunning photography is underpinned by lighting plans, sections and details. This book will appeal to the visual language of the architect, interior designer and lighting designer, and to anyone who wants to harness the powers of light to transform their space. Table of ContentsIntroduction Part 1 – Technical Aspects of Lighting • Chapter 1: How lighting can support an architectural scheme • Chapter 2: Principles and practices of lighting design • Chapter 3: Lighting techniques • Chapter 4: Working with LED • Chapter 5: Controlling your scheme • Chapter 6: How to create a lighting plan Part 2 – Lighting the Home • Chapter 7: Front doors and first impressions • Chapter 8: Staircase • Chapter 9: Living room • Chapter 10: Dining room • Chapter 11: Kitchen • Chapter 12: Bedroom and Dressing Room • Chapter 13: Bathroom • Chapter 14: Unusual Spaces • Chapter 15: Leisure rooms and pools Part 3 – Case Studies • Chapter 16: Contemporary terraced house • Chapter 17: Traditional terraced house • Chapter 18: Barn conversion • Chapter 19: French mountain chalet • Chapter 20: Contemporary Dubai villa • Chapter 21: Duplex penthouse Glossary Index Image Credits

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Book SynopsisThis book by photographer and architect Daisuke Hirabayashi is a meditation on the often overlooked lives of buildings after the architect has left. Through a sequence of intimate, immersive images, Hirabayashi explores Koechlin House, an early private home designed by now-celebrated architects Herzog & de Meuron in Basel, Switzerland. His images picture the house as a site of everyday life, with all its small joys, surprises, awkward infelicities, rituals, and revelations. The original clients left long ago, and this book quietly studies the current owner’s unplanned, harmonious occupation. The Koechlin House was designed ‘inside out’, prioritising the experience of the interior home over its outward-facing appearance. In this sense, Hirabayashi works in the spirit of the building, centring the embodied experience within and disregarding the omniscient and dehumanised view prevalent in so many accounts of architecture. Alongside a text by architects and writers Ellena Ehrl and Tibor Bielicky, these images encourage us to rethink the perspectives and details we deem ‘architectural’ and leave us newly aware of the long and many-storied lives of buildings.

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Book SynopsisPrefabricated housing, often associated with blighted urban land­scapes and monotonous grey boxes, has evolved into an approach to housing with a wealth of aesthetic and ­structural possibilities. Modern methods of constructing and assembling prefabricated buildings – methods that can be traced back to the 19th century – are going through a renaissance. This is true across the world, from Vancouver and New York to London and Berlin through to Astana and Singapore. Moreover, prefabrication now serves a wider range of purposes than ever before. In ­Moscow, Europe’s largest metropolitan area, it is primarily used ­­­­as a means to provide ­affordable homes. But in some countries, prefabrication is surprisingly also used to build exclusive, upmarket properties. This construction and design manual presents a range of ­different production and assembly methods currently used in the field of prefabricated housing. It particularly focuses on ­efficiency, sustainability, and market relevance, and presents strategies for ­organising processes along with best-practice examples that reflect the latest trends. The manual also ex­plores the historical development of prefabricated housing in order to discover its full architectural potential. Finally, it outlines ten design parameters for prefabricated housing and presents 15 noteworthy examples, making a fresh contribution to the debate on affordable housing today.

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Book SynopsisThe then private residences showcased in this monograph have been designed in by Garegin Yeghoyan (Professor of the International Academy of Architecture) and are testimony to the International Style set within the context of ancient Armenian architecture. These buildings can be seen as analogous to islands of contemporary architecture amidst an ocean of bland structure. They may be viewed against a backdrop of the natural environment and the ‘structured chaos’ of the vernacular fabric. Garegin Yeghoyan thus draws on the long tradition of Armenian architecture, which bears the hallmark of the simplicity and homogeneity offered by the rock-type known as tuff, with all its nuances of colour. This surface of natural stone constituting the ultimate Armenian building material offers an antithesis to modernist forms in concrete and metal and thus embodies the unique feature of this architecture.

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Book SynopsisMass housing in Germany, Russia, and Ukraine represents an enormous volume of housing today and therefore a huge resource for the future development of cities. But transformation of these districts is needed due to the functional, societal, and technical problems and challenges they face. How can sustainable, socially compatible, ecological responsible, and economically efficient development be achieved? The book summarises the results of a three-year research project. Based on the selected case studies, it points out the qualities and values as well as the problems and potentials involved in spatially transforming prefabricated housing estates from the 1960s and 1970s. The specific features and characteristics of the socialist city are evaluated with respect to their potentials and difficulties, and with regard to the requirements placed on future district planning and development. Hence this book contributes to the on-going discussion and serves as a valuable basis for developing planning strategies.

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Book SynopsisDuring the Covid-19 pandemic we have been forced to retreat into private shelters and to question the limits of residential typologies. The villa is an obvious example of such a shelter. It has re-emerged as an object of desire, because of the urge to escape the boundaries of our own four walls. Throughout history this typology has been rethought and reinvented by architectural greats who sought to break radically with the tradition of their times. But what does it mean to us to design a villa during a period of isolation and lockdown? The answer is not clear. The villa has always been both a dream home for clients and a means of expression for architects. It combines architecture’s most primitive function – to create a liveable shelter – with an architect’s endeavour to manifest their ideology in a single building. During an online design studio held at the Dessau School of Architecture, students from ten countries discussed the identities of the villa and their cultural context. The design of private shelters helped to overcome the paralysis of public life. This publication showcases some of the next generation’s most promising ideas. Moreover, it aims to explore new methods for online teaching, which could serve as a reference for institutions in a post-COVID world.

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Book SynopsisVilla Wolf in Guben (now Gubin), built between 1925 and 1927, was Ludwig Mies van der Rohe’s first decidedly modern building. The residential building was destroyed at the end of the Second World War and in the immediate post-war period. The building practice of Mies van der Rohe – who is internationally known for his visionary glass skyscrapers and concrete buildings – remained conventional for a long time. With Villa Wolf, he presented a radical reinterpretation of the upper-class residential building: an open, diagonal sequence of rooms on the garden side, with the cubically-towered areas of the utility rooms and bedrooms next to it. The reception of the building was overshadowed by the great success of Mies van der Rohe’s successor buildings, such as the German Pavilion in Barcelona (1928–1929) and Villa Tugendhat in Brno (1929–1930). This volume presents the history of Villa Wolf in Gubin and documents the recent excavation of the basement as well as the graphic reconstruction as a prerequisite for the building’s reconstruction.

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Book SynopsisAfter the discovery of oil, the Kuwaiti State estab­lished a means of wealth distribution for its citizens through housing programs aimed at improving standards of living. It allocated residential neighbourhoods for Kuwaitis and non-Kuwaitis through the introduction of two main ­architectural typologies: the apartment and the villa. However, in response to certain economic, sociocultural, and regulatory constraints, an unplanned hybrid typology has recently emerged. The multiplex, specific to Kuwait and yet not officially recognized by the state, has become the ­informal expression of specific living needs that is now ubiquitous across Kuwait. Here, for the first time, the authors of The Multiplex Typology explore everyday life in these hybrid homes, arguing that the one-size-fits-all housing model of the past is both ­outdated and unsustainable. But this book is not merely a doc­umentation of the ­current state of living in Kuwait, nor a straightforward analysis of Kuwaiti domestic architecture today. It is also an urgent and timely call for alternative approaches to housing that are sustainably driven, culturally rooted and responsive to future change.

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Book SynopsisThe fact that there is Gypsy architecture may surprise quite a few people, for Gypsies are regarded as nomads who roam through the world and settle now here, now there, never stay long in one place, and consider everything that normal citizens find important to be an unreasonable restriction of their freedom. Nevertheless, in southeastern Europe, there exists a remarkable architecture created by Gypsies. It seems to have been created from a dream: Unreal, abstruse, and colourful, it is a composition of all the architectural styles of this world. Uninfluenced by any deeper knowledge of architectural culture, each family head chose the style, size and finishings on the basis of his own personal tastes or memories of travels, houses and things seen in other countries. The result has been the creation of bizarre and fantastic jumbles of buildings that it is hard to classify in terms of western stylistic features. Very often the houses are the result of enormous jigsaw puzzles created from an assembly of images or photographs of various different buildings, and their execution precisely follows these crazy guidelines, perhaps because they are incomprehensible to those carrying out the project. Otherwise, how could one possibly explain Indian-style roofs crowning neoclassical buildings, mansard roofs on structures of improbable style, Frenchified Chinese pagodas, heterogeneous assemblies of diverse and contrasting elements. The structures, the villas gradually soften their bizarre and fantastic imagery the closer they are built to European countries. Undoubtedly, the cultural influence of neighbouring countries already immersed in the culture and lifestyle of Europe has helped to 'contaminate' the owners and bring their dwellings, the expression of their wishes, more into line with the ruling culture. What, however, remains staggering is the quality of the execution of the complex decorations, of the architectural elements and buildings that are very often contrasting, of widely differing façades surmounted by steepling roofs of no practical use whose only function is to represent, through their lack of proportion and absolute needlessness, the financial and social power of the family. Besides pieces of sculpture that are undoubtedly ritual and symbolic and originating from Indian culture, suns with spiny rays, various forms of pinnacle, geometrical moons, zoomorphic decorations, the tops of the roofs bear metalwork inscriptions giving the date of building and the name of the family or that of the wife, symbolising a desire for display and the proclamation of ownership.Table of ContentsPreface; Settled Gypsies?; Gypsy Architecture; The Man with the Gold Tie; The Magician and the Feminist; The Community of Artur; Requiem for a Pig; The Family of Songsters.

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Book SynopsisThis small house on the sea in a small city near Rome is one of the most amazing experiments made by the Italian architect. Strictly connected to the landscape, such as the Adalberto Libera's casa Malaparte in Capri, this building captures the landmarks of the Roman coast through small deformations in its composition. This particular research inspected by the Architect that, at the first glance, could remember an expressionist gesture, is instead a very interesting work on how to evolve the modern Italian architecture in a "contemporary" way avoiding that nostalgic behaviour taken by many members of Modern Italian Rationalist Architecture Movement (MIAR). As usual this book looks inside, outside and around this building as a "lecture" held by the writer.

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Book SynopsisCasa Malaparte is an Adalberto Libera project. This statement, that dazzle hypothesis dealing with uncertain paternity, is based on the following arguments: the experts who study this “architecture without architect” collect documents and evidences that partially recompose a picture that, however, lack many fragments. Like in a presumptive trial the experts analyze the documents to demonstrate how, after the first plan and its second version, Libera sneaks out to leave a leading role to Malaparte. The parts of this puzzle, patiently recomposed to demonstrate the role of Malaparte in the plan of the villa on Capo Massullo, invoke the missing fragments that would confute the appearance. Lost fragments can be properly found observing casa Malaparte. “Accusations” are based on the substantial difference between the first plan made by Libera for the building licence the 14th of March 1938 and the final result. This lack of correspondence, together with the absence of the architect from the building site since April 1938, leave many doubts about its real paternity. The story is made up of few chapters, short text, wide bibliography and a chronological section that fix in time the facts. The three versions of the project are read by graphic and comparative analysis. Two models have been made to show differences and new sights. This small book illustrate facts, and comments about one of the most famous and fine modern Italian building, considering that Adalberto Libera is the author of Casa Malaparte.

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Book SynopsisThe fascinating evolution of house forms from the Stone Age to the present.Trade Review"Accessible not only to the architectural community . . . but to anyone with a passion for housing . . . issues are expressed clearly, and details serve a larger context." -- Elizabeth MacKenzie, MAIBC - APT Bulletin: The Journal of Preservation Technology

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Book SynopsisA stunning volume that gathers the California designer's most impressive works to date, from coastal sanctuaries to modern country farms.A master of his genre, Scott Mitchell is celebrated for his warm approach to connecting the built and natural environment. Sought after for their minimalist, material-driven aesthetic, Mitchell's houses are studies in space, materiality, and light. Emphasizing an elegant spatial order, his projects respond to the natural appeal of their locations, be they bucolic retreats on Long Island or resplendent beach houses overlooking the Pacific Ocean.The first volume on his work, Scott Mitchell Houses is a sublime exploration of the architectural designer's impressive portfolio of projects. Dynamic compositions of light and shadow with a masterful use of concrete, Mitchell's monolithic forms draw on the surrounding environment via floor-to-ceiling windows that open onto vistas so cinematic that Tom Ford utilized one of Mitchell's homesTrade Review"Architect Scott Mitchell has been established in Los Angeles since 1999, and although he now receives regular commissions from national and international clients, his ethos of spiritually enriching design seems to mesh with his Southern California ethos. On the surface, Mitchell’s structures are minimalist, but what distinguishes these from typical Modernist-derived steel-and-concrete fortresses is the architect’s ample use of materials like unfinished wood and textured stone—a nod to the influence of Japanese Shinto temples. Out this May, Scott Mitchell Houses (Rizzoli) features never-before-seen glimpses into eight of the architect’s most stunning projects." — CULTURED

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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