Architecture: public and commercial Books

Book SynopsisBandstands of Britain is a historical celebration of one of the best-loved features still found in many of our parks, open spaces, squares and seaside towns.

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Book Synopsis‘Imagine a grown-up version of Horrible Histories.' Sunday Times

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Book SynopsisA celebration of the opening of the new Museum of Fine Arts, Lausanne, Switzerland, exploring the creation of one of Europe's foremost art centers.October 2019 marks a milestone for the Museum of Fine Arts, Lausanne, Switzerland, with its long-awaited reopening in a new site: a striking contemporary building from the award-winning Italian and Catalan architects Barozzi Veiga. An art center within the heart of one of Switzerland's most beautiful cities, this space will house the museum's prestigious collection of over 11,000 works, from eighteenth-century pieces to contemporary art.Edited and authored by the well-known architecture expert Philip Jodidio, this book is dedicated to the ambitious project of rehousing a collection that was begun in 1841. With 150 photographs and drawings that illuminate an enormous undertaking, this volume provides a detailed insight into the different phases of design and construction, and the creation of an art complex that will lat

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Book SynopsisThis book looks at the purely agricultural buildings in turn, so that each can be recognised, as a barn, a cowhouse, a stable and so on, and examines their features and construction.Table of ContentsThe farmstead; The barn; The cartshed; Other buildings for crops; The stable; Buildings for cattle; Buildings for other livestock; Recording farm buildings; Places to visit.

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Book SynopsisLouise Purbrick is Tutor in Design History, Royal College of Arts, UK.Trade ReviewIn this brilliant study of a place known to most only as an icon, Purbrick asks who and what made the H Blocks? As she shows, these processes are ongoing, long after the prison’s closure. Deeply sensitive to the challenge of writing about the trauma of others, she fills the site with bodies and things, politics and feelings. * David Crowley, Head of the School of Visual Culture, National College of Art and Design, Ireland *Table of ContentsList of Figures Acknowledgements Introduction 1. Building the Blocks 2. Living in the Cells 3. The Global Witness and the Hunger Strike 4. Women Visitors: Waiting to Understand Prison Architecture 5. Erasure: The Last Murals and Final Performance of Long Kesh/Maze 6. On eBay: Who Owns the Keys of the H Blocks? Conclusion Bibliography Index

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Book SynopsisExplores the momentous shifts in power during a crucial decade in Turkish history, 2010-2020, by analyzing how these events have produced shifts in the physical landscape of Istanbul.

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Book SynopsisExplores the momentous shifts in power during a crucial decade in Turkish history, 2010-2020, by analyzing how these events have produced shifts in the physical landscape of Istanbul.

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Book SynopsisCo-winner of the 2017 Gilder Lehrman Lincoln PrizeLincoln's White House is the first book devoted to capturing the look, feel, and smell of the executive mansion from Lincoln's inauguration in 1861 to his assassination in 1865. James Conroy brings to life the people who knew it, from servants to cabinet secretaries. We see the constant stream of visitors, from ordinary citizens to visiting dignitaries and diplomats. Conroy enables the reader to see how the Lincolns lived and how the administration conducted day-to-day business during four of the most tumultuous years in American history. Relying on fresh research and a character-driven narrative and drawing on untapped primary sources, he takes the reader on a behind-the-scenes tour that provides new insight into how Lincoln lived, led the government, conducted war, and ultimately, unified the country to build a better government of, by, and for the people.Trade ReviewConroy (Our One Common Country) finds an original angle on the 16th president, depicting how the Civil War White House looked, felt, and smelled through the recollections of staff and visitors. He opens with Lincoln’s arrival in March 1861, in the company of James Buchanan, to a home that possessed 'too much decay under too many coats of paint.' Upgrading the appearance became a priority for Mary Lincoln, which led her to become enmeshed in a fraudulent scheme to conceal expenditures on furnishings by creative accounting, a potentially explosive scandal that was fortunately contained. Conroy describes the immense amount of time the president spent listening to job-seekers and others who wanted his advice or help. This was a period when the public had almost unfettered access to the White House—a palpably different atmosphere from that of the security-conscious 21st century. Through telling anecdotes, the hands-on nature of Lincoln’s presidency comes through vividly; for example, in 1865, the president himself wrote to the head of the B&O Railroad to make sure the White House was supplied with enough coal. These details about the running of a household while running a divided country meet Conroy’s stated goal of shedding a different light on his subject. * Publishers Weekly *“Conroy finds old and new sources for the fascinating backstairs events and people in Lincoln’s White House. He writes concisely yet imaginatively to bring those many famous or forgotten people back to life: black and white, military and civilian, male and female, malicious and beneficent, young and old. This book will be a standard source for the Lincoln Presidency.” -- James M. Cornelius, Ph.D., Curator, Abraham Lincoln Presidential Library & Museum, Springfield, Illinois"Gripping, atmospheric, and at times spellbinding, James Conroy's masterful work does much more than recollect the fraught public and private lives that Abraham Lincoln and his family endured in the Civil War White House. Not only are his research and analysis impressive, but with the flair of a novelist or playwright, Conroy succeeds in truly bringing the story alive by skillfully evoking its anxiety-riven characters and its grand but dilapidated locale. I know of no other book since the original recollections of Lincoln's White House secretaries that does a better job of re-imagining America's most famous landmark during the war for its--and the nation's--soul." -- Harold Holzer, Jonathan F. Fanton Director, Roosevelt House Public Policy Institute at Hunter College, Author of Lincoln and the Power of the Press (Winner, 2015 Lincoln Prize)"James Conroy takes us into the life and thought of the gangling and brilliant master of “The People’s House,” as well as the rollicking lives and conversations of the White House’s residents and swarms of visitors. The White House that has heretofore been the background of numerous Lincoln books now becomes the foreground of Lincoln’s Civil War thanks to Conroy’s splendid prose and sparkling humor. A must and enjoyable book!" -- Ronald C. White Jr., author of A. Lincoln: A Biography"James B. Conroy has brought Lincoln’s White House to life, letting readers step through the gates, past the guards, and into the presence of the Great Emancipator. Sit in Lincoln’s office and observe a cabinet meeting, or watch the president and first lady shake hands with guests at a reception. Eavesdrop on conversations with office seekers, or enjoy a serenade. By recreating moments—great and small—of joy, grief, exhaustion, commotion, and solitude, Lincoln’s White House gives us a new appreciation for the burdens Lincoln and his family endured during the Civil War." -- Jonathan W. White, author of Midnight in America: Darkness, Sleep and Dreams during the Civil War"Conroy delivers a rich and lively portrait of Abraham Lincoln’s White House as the center of the storm that was the American Civil War. Here is story-telling at its best. Conroy cracks open the doors of the Executive Mansion, inviting readers to peak at the bustle within: the shady suppliers, the fawning courtiers, the gossipy secretaries. Mary Todd Lincoln, flawed and fascinating, gives the house its heart. Its soul belongs to Abraham Lincoln—husband, father, mentor, yarn-spinner, war leader. Today the White House is a near-fortress, its occupants shielded from prying eyes and threats unknown. Conroy takes us to a time when it was the nation’s house, open to all, with a President eager to listen and to shoulder his people’s burdens." -- Michael Vornberg, Associate Professor of History, Brown UniversityTable of ContentsAuthor’s Note and Acknowledgments Introduction 1 The Painful Sense of Becoming Educated 2 A Strange Mixture of Enthusiasm and Greed 3 Plain and Simple in Its Appointments 4 A Miscellaneous Assortment of Life and Character 5 The White House Is Turned into Barracks 6 It Is Good to Look at Beauty Once in a While 7 Ink Stained and Work Worn 8 The Republican Queen in Her White Palace 9 This Is a God-Forsaken Hole 10 This Damned Old House 11 My Public Opinion Baths 12 Bright Jewels and Bright Eyes 13 Not an American Crime 14 Bundles and Bales 15 Like So Many Greenhead Flies 16 Crazy and Poetry 17 I Happen Temporarily to Occupy This Big White House 18 And Everything Seemed to Weep Epilogue Notes Bibliography Index About the Author

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Book SynopsisExamines a fascinating and critical epoch in the architectural history of Jerusalem. It proposes a fresh and analytical discussion of British Mandate-era architecture by studying four buildings that have had a lasting impact on Jerusalem's built environment.

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Book SynopsisAn innovative history of medical mission from the perspective of the history of emotionsTrade Review"A subtly argued and innovative book. Honarmand Ebrahimi brings scholarly attention for the first time to a significant medical building programme in Iran and India. Working across missionary studies, history of emotions, medical humanities and architectural history, she interprets what might seem to be merely practical buildings as richly complex artefacts." -Leslie Topp, Birkbeck, University of London

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Book SynopsisMissionary medicine flourished during the period of high European imperialism in the late 19th and early 20th centuries and was considered the best and surest method to overcome the distrust of and gain access to the indigenous population in the so-called Muslim World. Through studying the medical activities and infrastructures of the Church Missionary Society (CMS) in Persia and north-western British India, and building upon existing works on missionaries in the Middle East and British India, this book examines the practice of obtaining trust. A synthesis of Christian mission history, architectural history, emotions history and history of medicine and empire, Emotion, Mission, Architecture raises broader historical questions about the process of mobilising and regulating emotions in the Christian missionary contexts ? contributing in turn to discussions on hybridity, missionary and local encounters, women?s agency and the interactions between mission and empire.

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Book SynopsisObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.The mall near Mat thew Newton's childhood home in Pittsburgh, Pennsylvania, was one of the state's first enclosed shopping malls. Like all malls in their heyday, this one was a climate-controlled pleasuredome where strangers converged. It boasted waterfalls, fish ponds, an indoor ice skating rink larger than Rockefeller Center's, and a monolithic clock tower illuminated year-round beneath a canopy of interconnected skylights. It also became the backdrop for filmmaker George A. Romero's zombie opus Dawn of the Dead. Part memoir and part case study, Shopping Mall examines the modern mythology of the mall and shows that, more than a collection of stores, it is a place of curiosity, ritual, and fantasy.Object Lessons is published in partnership with an essay series in The Atlantic.Trade ReviewA smart and empathetic look at this waning icon of 20th-century American consumer culture. * Pittsburgh City Paper *Matthew Newton evokes the American mall as symbol of white flight, aspirational fantasy, and shop-till-you-drop consumerism of the late 1980s. These are striking tales of suburban isolation in which Newton reveals life from the employee side of the counter to the idealistic architects' designs. Above all, he takes an aging mainstream phenomenon and makes it personal and present. * Yona Harvey, author of Hemming the Water *The best passages are those about the actual idea of the mall, designed by figures such as the Viennese Victor Gruen as a new sort of civic space that could replace the lost town square in a post-WWII America reshaped by the rise of suburbia. Newton wraps up with evocative reflections on instances of violence in shopping malls and questions about a possible renewal for these spaces, the popularity of which has flagged since their heyday nearly 30 years ago. To put it into the vernacular, this book about the mall is at its best when it’s, like, totally about the mall. * Publishers Weekly *Shopping Mall is for anyone who enjoys intelligent, thoughtful writing. It is surprisingly emotional for a book nominally about an impersonal space. It’s safe to say this is the very best book I have ever read about a mall. * Pittsburgh Magazine *This series really gets better and better. Newton linking his own life to the malls he knew growing up, and telling not only his story, but the fall of a very American institution, is engaging and profound. * Jason Diamond, author of Searching for John Hughes *Newton explores the life of the shopping mall from the first ground-breaking, in the 1950s, through the chaos and excess of the 1980s to the present, including the death rattle of many malls … In exploring a personal connection to the mall, he reveals a good bit about himself. The memoir elements of the book are eloquent and intimate, detailing his struggles with depression and anxiety. They also provide a reader with a walking bridge, an avenue for connection to the mall itself. * Pittsburgh City Paper *Newton succeeds in parsing out the different histories of the mall, from both personal and societal perspectives … The mall, like so many other taken-for-granted parts of the built environment, holds memory and nostalgia for millions of suburbanites and shoppers. By leaving a trail of bittersweet crumbs of nostalgia, Newton spares the reader from the doom that others have cast over this cultural change. Rather than focusing on a dystopia of self-absorbed individuals doing their shopping and finding entertainment online, we are able to warmly recall the shopping mall and the lifeways in which it played a central roll [sic], not only for consumption but also for construction of self and community. * PopMatters *Shopping Mall is both history of and paean to the once-ubiquitous American shopping centers. Essayist Matthew Newton combines his fond memories of his local mall, outside Pittsburgh, with anecdotes about the first one built in the United States, the Mall of America and others, using the specific to pull out the larger story of late-20th-century suburban commercialism that these edifices represent … He isn't interested in defending shopping malls, but in showing how his--and many other people's--lives would be entirely different without them. * Shelf Awareness *Matthew Newton lets you know by Page 10 that he was diagnosed with obsessive-compulsive disorder as a teenager. These days, he’s a productive and well-adjusted married man and dad, doing great work at the Carnegie Museum of Art, and his skills as an inquisitive writer and thinker are evident from his latest work. But knowing that part of his makeup helps the reader accept his obsessive compulsion with shopping malls — particularly Monroeville Mall, the Valhalla of his childhood — and appreciate the insights that spill forth in this brief cultural study/memoir … Newton is the person to write this book because “the shopping mall, more than any other place, electrified my imagination” as a kid. His readers are beneficiaries of his experience seeing the mall “as a sacred place of curiosity and wonder. * Pittsburgh Quarterly *Table of ContentsPrologue Part One: Childhood 1. Eternal Spring 2. Paradise Unknown 3. Spaces Between 4. Shopping is a Feeling Part Two: Adolescence 5. Little Boxes 6. White Denim 7. Mall Madness 8. Neon Hallways 9. Young Love Part Three: Adulthood 10. Homecoming 11. Ghost Malls 12. Utopia Interrupted 13. New Futures Acknowledgments Notes Index

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Book SynopsisThis full-color, beautifully illustrated book presents AIA /ALA award-winning libraries as an exploration of the evolution of library service and design. It examines these libraries through big themes to explore how service trends and design trends have evolved. The book features extensive documentations through photographs and plans.

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Book SynopsisThrough more than thirty projects for major colleges and universities across the country and in China, Designs for Learning presents the principles and practices behind academic buildings, libraries, graduate centers, and academic facilities that sensitively integrate into the fabric of each campus. In its forty years, Robert A.M. Stern Architects has honed a contemporary practice that is in close dialogue with the past, making it one of the most admired architectural firms today. Even in its growing global reach and expanding practice areas, the firm maintains a close attention to form, context, local culture, and received tradition, as well as to the demands and needs of the building users. These principles have served the firm particularly well on campuses, where architectural styles and building traditions are often well established. Robert A.M. Stern Architects has created classroom buildings, student centers, athletic facilities, and libraries that respect and expand those traditions. In each case, the firm demonstrates a deep understanding of the American college campus, with its roots in Thomas Jefferson's design for the University of Virginia. In their buildings, "the present, interacting with memories of the past, can create something that can be interesting in the future." Each campus in Designs for Learning is described in detail, with historic photographs and campus plans illustrating its development. Projects by Robert A. M. Stern are placed in their context, providing a complete view of these distinguished places of learning.Trade Review"Despite its title, this monograph is about more than just designing buildings. Rather, the volume is a master class on creating entire environments for learning; it's as much about a special type of urban planning for educational communities as it is about creating individual structures.... Its pages are filled with handsome full-color images of each project - but it's not just a compilation of "beauty shots." Multiple views are provided of every building - both interior and exterior - so the reader can comprehend the character of each structure. To add to project understanding, photography is supplemented by campus ground plans plus floor plans of each building that was added." - Traditional Building

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Book Synopsis'Richly illustrated with vivid photographs, vintage illustrations, and maps, this book about strolling and looking, about observing and wondering serves as a winning homage to its famous subject. Architecture and history buffs will be enthralled.' - Publishers Weekly Fifth Avenue: From Washington Square to Marcus Garvey Park presents an in-depth exploration of architecture along one of the world’s most iconic streets: New York City’s fabled Fifth Avenue. Through six fact-filled walking tours, this accessible illustrated guide takes readers along the entire length of Fifth Avenue, studying its architecture block by block, building by building, offering the chance to discover exceptional and unusual structures across Greenwich Village, Midtown, the Upper East Side, and Harlem. Heavily illustrated with more than 300 images and practical graphic maps that mark the stops along each route, Fifth Avenue spotlights hundreds of buildings, from familiar tourist destinations to lesser-known gems. Featured are, of course, major monuments including the Empire State Building, New York Public Library, Rockefeller Center, and Saint Patrick’s Cathedral; luxurious shops such as Tiffany’s, Cartier, and Bulgari; elegant hotels like the St. Regis and the Plaza; and the art treasures of Museum Mile on view at the Metropolitan Museum of Art, the Guggenheim, the Jewish Museum, and the Museum of the City of New York. Each of the walks offers a fascinating glimpse into the evolution of architectural styles, from the Beaux-Arts mansions of the turn of the twentieth century to the striking contemporary structures such as the glass flagship stores of Nike, Armani, and the towering One Vanderbilt. Highlights also include works by distinguished architects such as Richard Morris Hunt, Stanford White, and Frank Lloyd Wright and contemporary leaders like Rem Koolhaas and Bjarke Ingels. Written as both a fireside and curbside read, this new book is essential for the curious architecture lover touring the New York streets, as well as anyone looking to gain a comprehensive understanding of the historic, social, and economic forces that shaped Fifth Avenue’s growth and character.Trade Review'Richly illustrated with vivid photographs, vintage illustrations, and maps, this book about strolling and looking, about observing and wondering serves as a winning homage to its famous subject. Architecture and history buffs will be enthralled.' - Publishers Weekly '[Features the] most stunning architectural gems on New York’s Fifth Avenue . . . these buildings make an impression on New Yorkers and tourists alike.' - Architectural Digest '[A]n homage to Fifth Avenue . . . [features] six richly detailed walking tours that together take us all the way from Greenwich Village in the south to Harlem in the north.' - Interior Design 'This guide provides a perfect adventure for urban explorers with good walking shoes. Lovely maps and loads of photographs guide you through the avenue’s most interesting landmarks — from bohemian treasures and early townhouses around Washington Square Park to the jewels of Harlem.' - Bowery Boys

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Book SynopsisA complete architectural guide to this well-loved building feature

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Book SynopsisMultifaith spaces reflect the diversity of the modern world and enable a connection between individuals from different religious backgrounds. These spaces also highlight the complex and sensitive areas of political and social debates regarding the emergence of densely urbanised populations. They hold the potential to encourage connection and dialogue between members of different communities, promoting empathy, community and shared activity for the betterment of society. This book explores the history, development, design and practicalities of multifaith spaces from the early shared religious buildings that had to cater for two or more faiths, to the shared multifaith spaces of modern secular locations such as universities, airports and hospitals. Terry Biddington looks at the architectural, theological, social, legal and practical complexities that arise from the development and use of such spaces. The book also draws together research to enable further development of multifaith spaces.Trade ReviewThis book is the first in depth study on multifaith spaces, examining the new shape religion is taking in today's institutions. A `must read' for all engaged in planning, creating and running similar projects and all who want to get a understanding of one way in which religion is back in the public sphere with powerful symbols of peace and integration in diversity. -- Martin Rötting, Professor of Religious Studies, Paris-Lodron University Salzburg and Chair at House of Culture and Religion e.V. MunichTerry Biddginton's superb examination of multifaith spaces will make a big contribution to inter-religious understanding. It offers an encyclopaedia of examples of the many ways in which people have wrestled with the dilemmas of creating multifaith spaces. Equally it provides a clear-sighted analysis of the underlying challenges and tensions which must be negotiated to enable the cohabitation of different faiths. It's a book whose relevance and usefulness will surely increase in the future. -- Simon Keyes, Professor of Reconciliation and Peacebuilding, University of Winchester

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Book Synopsis"A fascinating and insightful meditation on the act of memory as a built reality. " – Daniel Libeskind, architectAn extraordinary book that explores the art, architecture, and design of memorials around the world from the late twentieth century to today – an important book for our timeMemorials hold a special position in the cultural memory of communities, and collective consciousness of communities, cities, and countries. In Memory Of presents an extraordinary and moving collection of more than 60 exceptional structures commemorating some of the most destructive events of the 20th and 21st centuries, including war, genocide, terrorism, famine, and slavery from around the world.This important book highlights memorials built since 1982, featuring works from Berlin to Washington, D.C., from Montgomery, Alabama to Santiago, Chile, each urging us never to forget.In Memory Of features memorials designed by some of today's leading architects, including David Adjaye, Tadao Ando, Diller Scofidio + Renfro, Peter Eisenman, Daniel Libeskind, Maya Lin, Snøhetta, and Peter Zumthor. It also features memorials designed by artists like Elmgreen & Dragset, Isamu Noguchi, Taryn Simon, and Rachel Whiteread. The book includes well-known structures like Maya Lin's iconic Vietnam War Memorial, completed in 1982 in Washington, D.C. and more recent ones like the poignant National Memorial for Peace and Justice, completed by MASS Design Group in Montgomery, Alabama in 2018.With thoughtful essays on the subjects of hope, strength, grief, loss, and fear, and a moving foreword by Sir David Adjaye, In Memory Of helps to contextualize the projects and addresses the emotional aspects of memorialization. Beautifully designed with a minimal, reflective cover, and illustrated with 200 photographs, this book calls out to be experienced, felt, looked at, interpreted, and read in a variety of ways. Trade Review"In a year filled with so much grief and mourning, it might seem odd to read a book about the architecture of memorials—but how and where we grieve together is an important part of our civic identity and helps define our public spaces... [a] poignant collection." – Town & Country "In this beautifully written and stunningly illustrated book, Spencer Bailey explores the forms and meanings of the most architecturally and artistically significant memorials since the early 1980s, and shows how, through a combination of abstraction, tangible materials, light, and shadow, memorials can give form to unspeakable sorrow and loss." – Bessel A. van der Kolk, M.D., author of The Body Keeps the Score "A fascinating and insightful meditation on the act of memory as a built reality. Especially today when memory is under attack and has become a political issue, this book demonstrates how memorials can bring people together in a meaningful and inspired way." – Daniel Libeskind, architect "In a moving and highly personal quest Spencer Bailey collects memories arrested in time and space that act like beacons of hope and places of redemption. An essential book reflecting on the architecture of appeasement." – Lidewij Edelkoort, trend forecaster and design curator "Memorials and sites of memory are finally, necessarily at the forefront of our contemporary discussions around a purposeful and honest design of our public realm. They exist at the intersection of the hope for a shared common civic identity, and a deep individual loss amongst intractable personal grief. No other built space bridges these gaps so profoundly so empathically, so urgently than the memorial. Or at least this is what I learned from Spencer Bailey's profund and prescient new compendium, which we should all have a copy of."—Michael Murphy, founding principal and CEO, MASS Design Group "Throughout history, memory has been the powerful impetus for the most breathtaking architectures--monuments whose role is to bring the world to a stop, even if just for a few minutes. Likewise, from its cover to the choice of images, this moving book pays respect to rites of life by asking the reader to put it on pause, to absorb and reflect."—Paola Antonelli, senior curator, architecture and design, The Museum of Modern Art "Memorials have never been more controversial. Here's a way forward.”—Bloomberg

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Book SynopsisThe first in-depth exploration of the award-winning King Abdulaziz Center for World Culture in Saudi Arabia, designed by Norwegian architects Snøhetta Ithra, also known as the King Abdulaziz Center for World Culture, in Dhahran, Saudi Arabia, is an unprecedented architectural achievement. Designed on a monumental scale by the Norwegian architectural firm Snøhetta, built by Saudi Aramco, and inaugurated by King Salman bin Abdulaziz in late 2017, Ithra has been listed in Time magazine as one of the world’s top 100 places to visit and is the winner of Project of the Year and Best Innovative Project of the Year at the Construction Innovation Awards in 2019. This multi-purpose cultural institution, with its unusual geometric sculptures, is one of a kind in contemporary architecture. With stunning imagery and a holographic wrap-around case, the book offers an in-depth, behind-the-scenes look at the inspiration for Ithra, from the competition process and selection of the architect to its complex construction and reveals the story behind this striking architectural gem, from its inception to its realization.

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Book SynopsisThe past is weaponised in culture wars and cynically edited by those who wish to impose their ideology upon the physical spaces around us. Holocaust deniers use details of the ruins of the gas chambers Auschwitz to promote their lies: 'No Holes; No Holocaust'. Yet long-standing concepts such as 'authenticity' in heritage are undermined and trivialised by gatekeepers such as UNESCO. At the same, time, opposition to this manipulation is being undermined by cultural ideas that prioritise memory and impressions over history and facts. In Monumental Lies, Robert Bevan argues that monuments, architecture and cities are material evidence of history. They are the physical trace of past events, of previous ways of thinking and of politics, economics and values that percolate through to today. When our cities are reshaped as fantasies about the past, when monuments tell lies about who deserves honour or are destroyed and the struggle for justice forgotten, the historical record is being manipulated. When decisions are based on misinformed assumptions about how the built environment influences our behaviour or we are told, falsely, that certain architectural styles are alien to our cities, or when space pretends to be public but is private, or that physical separation is natural, we are being manipulated. There is a growing threat to the material evidence of the truth about history. We are in serious trouble if we can no longer trust the tangible world around us to tell us the truth. Monumental Lies explores the threats to our understanding of the built environment and how it impacts on our lives, as well as offers solutions to how to combat the ideological manipulations.Chosen as one of the best Architecture and Design books of 2022 by The Financial TimesTrade ReviewThis useful book connects a number of apparently disparate stories about statues and monuments and considers the various ironies of their representation and significance, past and present. A recommended read. -- Professor Corinne Fowler, author of Green Unpleasant LandRobert Bevan's passionate, timely polemic is a much-needed antidote to all the horror stories about 'woke' protesters tearing down monuments. The true threat to our built-up environment, he argues, comes not from the Left, but from governments who employ all the powers of the state to re-write history in their image. It is at times a truly terrifying read. -- Keith Lowe, author of Prisoners of HistoryWide ranging and rigorous, readable and profound, this superb book argues that if we can no longer trust the tangible world around us to tell the truth, then we are in trouble. Bevan offer us solutions arguing that we need to look at ways we can layer our monuments and our city that turns sites of honour into sites of shame, that change the meaning of the past without losing altogether the vital evidence of that past from the public realm. -- Liza Fior, MUF Architecture/ArtThis close reading of the city is a potent response to the culture wars because it deals in precisely the historical honesty that culture warriors have no stomach for. Righteous but always nuanced, Bevan is the perfect guide to the way urban iconography distorts history and entrenches power. -- Justin McGuirk, Senior Curator, Design MuseumA book that makes you sit up ... powerful -- Charlotte Mullins * Country Life *From statues of slave traders to pictures of medieval town centres offered as evidence of "cultural superiority", architecture and public art are everywhere in a coarsened discourse. Robert Bevan...navigates the territory delicately and brilliantly -- Edwin Heathcote * Financial Times, Best Books of 2022 *One of the most compelling progressive voices in the heritage world ... Using his nuanced knowledge of architectural history, he is attempting to unpick some of the myths and straight lies deployed when architecture is weaponised. -- Eddie Blake * Tribune *Bevan astutely argues that those who manipulate our cultural past are shaping our future, making the case that historic buildings have become battlegrounds for right-wing and nationalist political arguments. * The Art Newspaper, Top Books of 2022 *Knowledgeable and thought-provoking -- Daniel Trilling * Apollo *Topical, thought-provoking, knowledgeable about the uses and abuses of culture wars. -- Rowan Moore, Observer architecture criticMonumental Lies could hardly be better timed ... Bevan's book is the result of many years' research and contemplation, and is thorough, extensive and provocative ... brilliant -- Emma Dent Coad * Building Design *A book on cultural patrimony and historical architecture from Bevan's perspective is necessary ... searching and wide-ranging -- Ben Luke * The Art Newspaper *Blistering ... [a] hugely rewarding book that provides a considered and unexpected commentary on the built environment amid the culture wars -- Tristram Hunt * Times Literary Supplement *A fascinating and very wide-ranging ... rich in detailed discussions of both the artistic and architectural issues and political contexts of many different problems across the contemporary world. -- Dominic Alexander * Counterfire *Powerful ... a must-read book for everyone interested in the questions of heritage representation, diversity and the city, and the way to move forward after painful and violent pasts. -- Ammar Azzouz * Urban Studies *Monumental Lies is a highly absorbing and deserving read, and recommended for anyone with an interest in what the built environment says - or avoids saying - about history. -- Richard Crappsley * Urban Design Journal *Table of ContentsINTRODUCTION CHAPTER 1 - KILLERS ON EVERY CORNER CHAPTER 2 STYLE WARS /CULTURE WARS CHAPTER 3THE ANTI-COSMOPOLITAN CHAPTER 4: AUTHENTICITY: THE MATERIAL TRUTH CHAPTER 5 THE MILITARY-HERITAGE COMPLEX CHAPTER 6 THE EVIDENCE OF HISTORY CHAPTER 7: WHITE LIES, MISUNDERSTANDINGS, AND WELL-MEANING MYTHS CHAPTER 8: SUBVERSIVE TRANSFORMATION CHAPTER 9: WHAT IS TO BE DONE? THE MONUMENTAL AND ITS LIMITS

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Book SynopsisBased on a lifelong professional and personal interest, "Traditional Buildings" presents a unique survey of vernacular architecture across the globe. The reader is taken on a fascinating tour of traditional building around the world, which includes the loess cave homes of central China, the stilt houses on the shores of Dahomey, the housebarns of Europe and North America, the wind towers of Iran, the Bohio houses of the Arawak Indians of the Caribbean, and much more. Professor's Noble's extensive travels have allowed him to examine many of the building at close quarters and the richly illustrated text includes photographs from his personal collection. With its comprehensive and detailed bibliography, the work will be welcomed by experts and non-specialists alike.

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Book SynopsisThis book looks at what motivates us to take photographs and at some of the methods of using the camera to do so successfully. It also examines some standards that should be applied to the photographs that we take of buildings to ensure that they will be useful documents in the record of the historic environment. Writing about photography tends to verge towards the technical, but the intention with this book is to `keep it simple’. Light is what we work with, whether we make use of existing light sources or introduce our own; it is this which will most greatly influence our photographs and our understanding of what we have captured through the lens. Digital capture is a great liberator for the photographer, but this can lead to a scatter gun approach. This book brings a more thorough and measured approach to the process. Other factors such as viewpoint and technical settings on the camera will also play a vital part in the story we want to tell. Illustrated throughout with examples of good and bad practice, this book sets out techniques and strategies in a simple and straightforward way for those who want to make their photographs of buildings truly effective. Trade ReviewCole's tips are worth keeping in mind to help achieve beautiful, informative, and accurate results with a digital camera. -- Lucia Marchini * Current Archaeology, September 2017 *If you want inspiration as to how to record buildings, monuments and archaeological detail in buildings, this book is essential reading. However, the book is much more than that. The detailed technical advice, especially on the digital world of imaging, is pretty much essential for anyone who, like me, has not got a clue how digital images are created. If you follow the advice, you will become a better photographer. ... Overall, this wonderful book of huge practical value to anyone remotely interested or engaged in buildings enough to want to take photographs of them ... It is also a lovely book just to browse and enjoy on its own merits, and for the price it is a real bargain to boot. -- Roger H. White * Historic Environment: Policy & Practice, 2017 *... an up-to-date, practical and comprehensive guide to architectural photography. The book is well-illustrated with photographs of a wide range of architectural styles and building types, from historic houses to churches through to factories and industrial units ... -- Alan Ainsworth * C20 Magazine, Autumn 17 *... this is an exceptionally good book. Steve Cole, former head of photography at English Heritage, provides a wealth of advice that would benefit any photographer, from beginner to professional. Each of the book's many photographs has a caption that explains an important point. Particularly useful and well-illustrated sections explain how to photograph specific subjects (staircases, for example) and how to carry out a photographic survey. -- Rob Cowan * Context 151, September 2017 *Table of Contents1. Introduction 2. The practicalities of location photography 3. Composition considerations 4. Light 5. The subjects 6. Understanding photographic surveys 7. Post-productions Glossary of photographic terms Further reading Web sources

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Book SynopsisIn 1833, the Select Committee for Public Walks was introduced so that ‘the provision of parks would lead to a better use of Sundays and the replacement of the debasing pleasures.’ Music was seen as an important moral influence and ‘musical cultivation … the safest and surest method of popular culture’, and it was the eventual introduction of the bandstand which became a significant aspect of the reforming potential of public parks. However, the move from the bull baiting of ‘Merrie England’ to the ordered recreation provided by bandstands has never been fully comprehended. Likewise, the extent of changes in leisure and public entertainment and the impact of music at seaside resorts often revolved around the use of seaside bandstands, with the subsequent growth of coastal resorts. Music in public spaces, and the history and heritage of the bandstand has largely been ignored. Yet in their heyday, there were over 1,500 bandstands in the country, in public parks, on piers and seaside promenades attracting the likes of crowds of over 10,000 in the Arboretum in Lincoln, to regular weekday and weekend concerts in most of London’s parks up until the beginning of the Second World War. Little is really known about them, from their evolution as ‘orchestras’ in the early Pleasure Gardens, the music played within them, to their intricate and ornate ironwork or art deco designs and the impact of the great foundries, their worldwide influence, to the great decline post Second World War and subsequent revival in the late 1990s. This book tells the story of these pavilions made for music, and their history, decline and revival.Trade ReviewPaul Rabbitt's splendid book is dedicated to both their social and architectural glory. ... Impeccably researched and presented, it is a lovingly dedicated tribute to a very peculiar combination of practical, artistic engineering. ... Wonderful images showcase the cornucopia of structures and designs (and so many of the examples in the book are truly remarkable), as well as capturing a snapshot of the listening habits of the public throughout the generations. Iwan Fox, 4 Bars Rest... The extensive gazetteer of both existing and lost bandstands that concludes the book is ample testimony to the years of dedicated research and investigation that Paul Rabbitts has undertaken.Sally Williams, London LandscapesPaul Rabbitts is a true (and extremely knowledgeable) enthusiast, and his book combines social, architectural, horticultural and musical history, generously illustrated with highly evocative photographs from the author's own collection.A Magazine for RIBA Friends of Architecture'A book for savouring, it will repay close reading for a wider historical understanding of the place of music in entertainment and leisure, and its role in the democratic nature of public parks.'GR Arnold, ContextTable of Contents1. Early leisure to rational recreation 2. Rational recreation: pleasure gardens to public parks 3. Brass in concert 4. The art and architecture of the bandstand 5. Decline and revival of bandstands 6. The future of bandstands?

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Book SynopsisAt the height of her career, Bell journeyed into the heart of the Middle East retracing the steps of the ancient rulers who left tangible markers of their presence in the form of castles, palaces, mosques, tombs and temples. Among the many sites she visited were Ephesus, Binbirkilise and Carchemish in modern-day Turkey as well as Ukhaidir, Babylon and Najaf within the borders of modern Iraq. Lisa Cooper here explores Bell's achievements, emphasizing the tenacious, inquisitive side of her extraordinary personality, the breadth of her knowledge and her overall contribution to the archaeology of the Middle East. Featuring many of Bell's own photographs, this is a unique portrait of a remarkable life.Table of ContentsChapter 1: Gertrude Bell: A brief sketch Chapter 2: First forays into archaeology Chapter 3: Euphrates journey Chapter 4: Ukhaidir: desert splendour Chapter 5: Encounters in the heart of Mesopotamia Chapter 6: Bridging past and present: Gertrude Bell and the new Iraq

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Book SynopsisThis book is the most thorough study yet undertaken of the headquarters building of the Institution of Civil Engineers in Great George Street, London, SW1. It considers how the building visually represents the authority of the profession and discusses not only the architecture and technology of the building but also the social relationships that underpin the structure. Few headquarter buildings associated with the professions have been subject to serious historical study; in effect they are anonymous buildings passed by each day almost without comment. The aim of this study is to show that such buildings have a story to tell, that they and their contents are more than just 'mute objects' but give valuable insights into the organisation occupying the building. The Great George Street building, which was constructed over a thirty-seven month interval from 1910 to 1913, is surprisingly barely mentioned by architectural historians and received only briefest acknowledgement in the building press of the day.The story has relevance to all those other professional associations that occupy a large headquarters building or council chamber and anyone who is interested in architecture and construction history.Trade Review'...an equally worthy, companion piece. ...covers the planning, design and construction of the ICE's headquarters. ...there are some gems... One Great George Street is about bricks and mortar and plaster and steel, but one man in particular shines through. Driving the rebuild was Sir William White...' Civil Engineering SurveyorTable of ContentsIntroduction; Appointment of the Architect; Choosing the Builder; The Technology of the Building; The Appearance of the Building; The Interior; Loose Ends; Conclusion; Bibliography. Index

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Book SynopsisThe British have always had a special affinity for their coastal resorts and piers are the epitome of the British seaside. This book takes the reader on a clockwise tour of our islands, stopping at every pier and walking through their histories. Yet this is not just a tour of the pier, for it is not the pier that makes the history, but the people who work and walk along it. Within these pages the reader will meet a prizefighter who achieved fame in a very different sport; learn of several 'professors' whose talents were solely being able to leap from the pier; discover why man would ever want to fly from a pier; meet the former Beatle who worked for a pier company; read about the ferries and steamers that carried visitors; the fires which are an ever-present danger; the men who designed and built the piers along with the entertainers, characters, enthusiasts and entrepreneurs who made the piers. Fascinating information is included on how piers became longer or shorter, which piers served as part of the Royal Navy during two World Wars, and the tremendous amount of work and effort it takes to keep the piers open to the public today. Several piers have embedded rails, with some still being used by trains or trams. These pier railways are described in detail: the engineering, the designs and the changes over the years. While electricity is the sole motive power today, these had once been either steam-driven, pulled by horses, moved by hand or even, in one example, wind-powered by a sail! With over one hundred photographs, both old and new, this is a tour of the coast of the mainland and two islands. Piers which sadly have not survived are included as well as those which never got off the ground (or the shoreline). It reveals why they were built, how they were repurposed over the years, and their role in the future. Join the tour and recall the sea air, candy floss, the music, the sounds of a holiday, that day trip, an encounter, a rendezvous or special memory

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Book SynopsisAn engagingly written volume which tells the colourful story of the Renwick Gallery's initial glory, decline, and rebirth over a period of 160 years Fully illustrated with maps, original architectural designs, historical and contemporary photographs, and comparative and contextual images The Renwick Gallery is the oldest extant building in the United States constructed exclusively as a public art museum. Charles J. Robertson reveals how a new pavilion of the Louvre inspired William Wilson Corcoran and James Renwick to create a highly ornamented building in the centre of federal Washington that would encourage "American genius" and demonstrate that American art could rival that of Europe. The Renwick Gallery building has survived wartime expropriation, abuse and neglect, and threatened demolition over its 160-year history. It has been subject to many changes and challenges but has come full circle to serve its original purpose, "Dedicated to Art". Contents: Foreword; Mr. Corcoran; Renwick and Corcoran Design of the New Gallery; The War Begins; General Meigs; Reclaiming the Gallery; Opening the Gallery; The Later Years The Court of Claims; Saving the Building; Restoring the Building; The Current Era; Notes; Selected Bibliography; Illustration Sources and Credits; Index AUTHOR: Charles Robertson is the deputy director emeritus of the Smithsonian American Art Museum and a specialist in American decorative arts. 45 colour, 45 b&w illustrations

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Book SynopsisA collection of photographs for the Livingston Development Corporation and associated commentary forms the basis of this lively and colourful history, celebrating the town’s 50th birthday. This collection will be supplemented by additional images, as well as material from the Livingston 50 schools archive project and extracts from the associated Twitter feed, painting a picture of Livingston today through the eyes of local residents.

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Book SynopsisDuring the summers of 2017 and 2018, Karen Knorr was given a carte blanche to photograph the building site of the disused Art-Deco Department store in Paris, La Samaritaine. The resulting photographs, infused with playful fantasy and surrealism, were taken with a large format camera and transformed with solarization. They are accompanied by lines from Brecht’s poem: Questions from a Worker Who Reads (1935). These photographs record and document a labour in progress, yet the construction workers have exited and the building is built as if by magic.

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Book SynopsisThe importance of workplace design on productivity and health is as strong as ever. Great spaces encourage improved employee satisfaction, engagement, and morale. BDG is a team of architects, designers and creative thinkers, who believe that architecture is most successful when it is able to connect people and spaces and create a positive work environment. This book is a collection of short stories surrounding the design and construction of 22 different BDG projects from all over Europe.

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