Architecture: public and commercial Books

Book SynopsisWhilst sustainability is already an important driver in the new building sector, this book explores how those involved in refurbishment of commercial building are moving this agenda forward. It includes chapters by developers, surveyors, cost consultants, architects, building physicists and other players, on the role they each can play in enabling refurbishment to be commercially, environmentally and socially sustainable. Case studies from northern climates show real examples of different building types, ages and uses and will demonstrate what action has been taken to create more sustainable buildings.The chapters raise and discuss all the relevant issues that need to be considered in retrofitting decision making. Changing standards, planning, process management, financing, technical issues, site organisation, commissioning and subsequent building management are all considered. The book demonstrates that buildings can be made comfortable to occupy, easy to manage anTable of ContentsIntroduction 1. Designing for New Uses, Standards and Requirements in the Twenty-first Century 2. Value as a Driver for Sustainable Refurbishment of Commercial Buildings – A European Perspective 3. Resilience to a Changing Climate 4. Making Sustainable Refurbishment of Existing Buildings Financially Viable 5. The Current Energy Performance of Commercial Buildings in Northern Climates – Europe 6. Effecting Design Processes and Practices for Sustainable Refurbishment 7. Retrofitting for Comfort and Indoor Environmental Quality 8. Energy Efficient Principles and Technologies for Retrofitting 9. The Importance of Facade Design 10. Environmental Assessment Rating Schemes 11. Energy and Comfort Modelling Tools 12. Water, Waste, Materials and Landscape 13. On-site Construction 14. Integrating Design and Use – the ‘Soft Landings’ Philosophy 15. Case Studies

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Book SynopsisMore than 100 photographs by Harry Cory Wright present the dramatic spaces and rich textures of the Barbican Centre, one of the most radical and visionary post-war buildings in Britain.Table of ContentsIntroduction by Sir Nicholas Kenyon • The photographs

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Book SynopsisVisually stunning and complete guide to all the lighthouses of England, Wales and the Channel Islands

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Book SynopsisNorfolk’s first purpose-written guidebook to the county’s key archaeological sites and historic buildingsTrade Review"Stories of 100 Norfolk sites revealed in new book.""From traces of Palaeolithic life along the coast to deserted medieval villages and a Cold War airfield, A History of Norfolk in 100 Places is a whistle-stop tour of the county’s most intriguing buildings, archaeological sites, and historic landscapes.""The many archaeological sites, historic buildings and landscapes across Norfolk are revealed in a history of the county focusing on 100 fascinating places."

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Book SynopsisDesignated a World Heritage Site, the landscape around Avebury in north Wiltshire contains a remarkable wealth of archaeological remains, including some of the most spectacular prehistoric monuments in Europe. Incorporating extensive research and fieldwork from the last ten years, this is the only book to explore the landscape context of Avebury over six millennia. There is of course a full description and interpretation of the impressive Neolithic monuments within the immediate area (including the Avebury henge itself), but the authors range far wider in both space and time. Extending from early prehistory, through the Roman occupation, to the Anglo-Saxon and later medieval periods, their comprehensive study works through a series of interrelated themes such as histories of occupation, the modification of the landscape and the changing perceptions of past populations. Both authors have worked for ten years on large-scale field projects in the Avebury region.

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Book SynopsisIn 2021, its Diamond Jubilee year, the Association of British Theatre Technicians (ABTT) undertook to revise Theatre Buildings: A Design Guide (Routledge, 2010). This new edition (Routledge, 2023) has substantially re-written text with fresh images and entirely new reference projects, providing essential guidance for all those engaged in the design of theatre buildings. Edited by Margaret Shewring (Emeritus Reader, University of Warwick, former Director of the Postgraduate Diploma and MA in Theatre Consultancy), this new publication is written by a team of international experts, architects, theatre consultants, acousticians, engineers and industry professionals led by Tim Foster (Foster Wilson Size) and Robin Townley (CEO of the ABTT). It provides an invaluable resource for those looking to build, remodel or conserve theatre buildings, taking into account the significant changes which have taken place in the last twelve years in all aspects of theatre design and technical practice. It locates those changes in the wider context of the need for sustainability in the theatre industry in response to the climate emergency, inclusivity, diversity of access, placemaking and concerns for health and wellbeing. This new edition provides guidance for anyone who seeks inspiration and encouragement to create or improve a place of entertainment or who seeks to understand what might be required to accommodate an audience for the presentation of live performance and the successful use, operation and organisation of such a venue. Its generous format and the thirty-two new reference projects, more than 260 high-resolution colour images and 175 diagrams and specially commissioned plans make it accessible and informative both to the general reader and the professional specialist. Table of ContentsSection 1: Design principles Section 2: Developing the brief Section 3: Social principles for the twenty-first century Section 4: Front of house and other public spaces Section 5: Auditorium design principles Section 6: Auditorium: Sensory and practical imperatives Section 7: Backstage creative environment Section 8: The stage and stage machinery Section 9: Lighting, sound and video Section 10: Restoration and conversion of existing buildings Section 11: Moving forwards: a call to action Reference projects

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Book SynopsisUncovers the dark secrets of London's lost and forgotten burial places.

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Book SynopsisThis original study, taking a biographical approach to tell the story of a Turkish bathhouse, contributes to the fields of Islamic, Ottoman and modern Turkish cultural, architectural, social and economic history.

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Book SynopsisFollowing the 1898 Spanish-American War, the United States constructed federal buildings in its newly acquired territories, including Cuba, Puerto Rico, and the Philippines. Maria Eugenia Achurra G. examines this architecture and urban design as a backdrop for US exceptionalism and expansionism.

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Book SynopsisMonumental cares rethinks monument debates, site specificity and art activism in light of problems that strike us as monumental or overwhelming, such as war, migration and the climate crisis. The book shows how artists address these issues, from Chicago and Berlin to Oslo, Bucharest and Hong Kong, in media ranging from marble and glass to postcards, graffiti and re-enactment. A multidirectional theory of site does justice to specific places but also to how far-away audiences see them. What emerges is a new ethics of care in public art, combined with a passionate engagement with reality harking back to the realist aesthetics of the nineteenth century. Familiar questions can be answered anew: what to do with monuments, particularly when they are the products of terror and require removal, modification or recontextualisation? And can art address the monumental concerns of our present?Trade Review'The book is a provocative volume that is academically rigorous, and it will enrich the public debate on commemoration with its sophisticated reflections on notions of temporality and authenticity of historical markers, siting, and public participation, at a moment when monuments have been at the forefront of political activism.'Tijana Vujosevic, Art Margins‘Against the notion that monuments are things of the past, Widrich shows them to be generative of a contemporary art movement that is reclaiming historic places as laboratories for new artistic experiments centred around an ethic of care. She illuminates how artists are expanding what it means to care for monuments beyond the conservation of historic materials, to include looking after their capacity to conjure the collective imagination and direct it towards possible futures. At a time when collective action seems thwarted by the intractable forces of climate change and political injustice, Widrich reveals the capacity of art to jolt the collective nerve into more ambitious forms of care. A tour de force.’Jorge Otero-Pailos, Professor and Director of Historic Preservation, Columbia University‘Monumental cares is a well-crafted intellectual accomplishment, inviting readers to think with care and nuance about monuments as instructions about what the public sphere is or could be. Mechtild Widrich turns to the ethics of care to open up the fundamental question of what monuments in shared public space are about. There are very few books that so compellingly make the argument that monuments are not of the past, but about how we collectively care for changing the present and the future.’Elke Krasny, Professor for Art and Education at the Academy of Fine Arts Vienna, co-editor of Critical Care: Architecture and Urbanism for a Broken Planet'Mechtild Widrich brings to the fore key questions of contemporary approaches to monumentality, and shakes these further. Moving with agility across a wide range of detailed case studies, this book makes a compelling case for a layered perspective that sees the monumental in its complex and interrelational potential: as history materialised through art in multidirectional interactions with time, space and their mediation. It is a book that refuses simplistic solutions, reminding us of the vital role of the public sphere in confronting and commemorating our shared histories and of the importance of an ethics of care in doing so.'Jacek Ludwig Scarso, Reader in Art and Performance, London Metropolitan University'Monumental Cares: Sites of History and Contemporary Art presents a significant intervention in the art history of public art that makes site-specificity its key term. The book is also a bold contribution to contemporary debates about monument activism.Throughout Monumental Cares, Widrich confronts the difficulties posed by public art that grapples with political violence, touching on polarizing contemporary concerns about migration, climate change, and state sanctioned as well as ongoing everyday violence against people across the globe. Ultimately, the book is a plaidoyer for the careful maintenance of public space through monuments and markers that help audiences—past, present, and future—to navigate the multiplicity of sites that articulate shared and multidirectional histories. Monumental Cares also makes the case for the importance of multidirectional art history, opening the field, it is to be hoped, for more to follow.'CAA Reviews, Caroline Schopp'The book addresses those debates but its project is also broader, looking at the power of images and artworks to address violence. The book is also centrally concerned with the kinds of public sphere to which the reception of images and artworks give rise, especially in combination with myriad forms of digital mediation.'21 Inquiries, Adair Rounthwaite -- .Table of ContentsWho cares? An introduction1 The sites of history2 Cold War in stone – and plastic3 Materializing art geographies4 Reversing monumentality5 Reflections6 Drawing pain: political art in circulation Caring about monuments: a conclusionIndex

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Book SynopsisThe story of the Great Liners begins on the Atlantic route between the Old World and the New, between Europe and the United States. It was the most prestigious, most progressive and certainly most competitive ocean liner run of all time. It was on the North Atlantic that the largest, fastest and indeed grandest passenger ships were created. In this book, William Miller concentrates for the most part on these Atlantic superliners. It has been a race, sometimes fierce, that has continued for well over a century. Smaller passenger ships, even ones of 30,000 and 40,000 tons, are for the most part left to other books. The story begins even earlier, in 1889, when Germany's Kaiser Wilhelm II visited his grandmother, Queen Victoria, and attended the British Naval Review at Spithead. The British were more than pleased to show off not only the mightiest naval vessels afloat, but the biggest passenger ships then afloat, namely the 10,000-ton 'Teutonic' of the White Star Line. These ships caught the Kaiser's royal eye. His enthusiasm, his determination and, assuredly, his jealousies were aroused. Her returned to his homeland determined that Germany should have bigger and better ships.The world must know, he theorized, that Imperial Germany had reached new and higher technological heights. To the Kaiser and other envious Germans, the British had, quite simply, had a monopoly on the biggest ships long enough. British engineers and even shipyard crews were recruited, teaching German shipbuilders the key components of a new generation of larger ships. Shipyards at Bremen, Hamburg and Stettin were soon ready. It would all take eight years, however, before the first big German liner would be completed. She would be large enough and fast enough to be dubbed the world's first "super liner". She would only be the biggest vessel built in Germany, but the biggest afloat. The nation's most prominent shipowners, the Hamburg America Line and the North German Lloyd, were both deeply interested. It was the Lloyd, however, which rose first to the occasion. Enthusiastically and optimistically, the first ship was the first of a successive quartet. The illustrious Vulkan Shipyard at Stettin was given the prized contract. Triumph seemed to be in the air! The Kaiser himself went to the launching, on 3 May 1897, of this new Imperial flagship.Designed with four funnels but grouped in pairs, the 655-ft long ship was named 'Kaiser Wilhelm der Grosse', honoring the Emperor's grandfather. With the rattle of chains, the release of the building blocks and then the tumultuous roar as the unfinished hull hit the water, this launching was the beginning of the Atlantic race for supremacy, which would last for some 70 years. Only after the first arrival of the trans-Atlantic jet in October 1958 would the race quiet down. The 'Kaiser Wilhelm der Grosse' was the great beginning, the start of a superb fleet of what has been dubbed "ocean greyhounds" and later aptly called the "floating palaces". Worried and cautious, the normally contented British referred to the brand new Kaiser as a "German monster".

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Book SynopsisThis book is the first national history of the building of some of Ireland's most important historic public buildings. Focusing on the former assize courthouses and county gaols, it tells a political history of how they were built, who paid for them, and the effects they had on urban development in Ireland. Using extensive archival sources, it delves in unprecedented detail into the politics and personalities of county grand jurors, Protestant landed society, government prison inspectors, charities, architects, and engineers, who together oversaw a wave of courthouse and prison construction in Ireland in an era of turbulent domestic and international change. It investigates the extent to which these buildings can be seen as the legacy of the British or imperial state, especially after the Act of Union, and thus contributes to ongoing debates within post-colonial studies regarding the built environment. Richly illustrated with over 300 historic drawings, photographs and maps, this book analyses how and why these historic buildings came to exist. It discusses crime, violence and political and agrarian unrest in Ireland during the years when Protestant elites commissioned such extensive new public architecture. The book will be of interest to academic and popular audiences curious to learn more about Irish politics, culture, society and especially its rich architectural heritage.

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Book SynopsisOf all the architectural delights of British seaside resorts, the most astonishing and idiosyncratic is the seaside pier. Remarkable visual spectacles, piers are architecturally extraordinary in concept and at times outrageous in execution. They brought together the Victorian genius for technological and material innovation, architectural ambition and engineering ingenuity in the search for new designs for leisure (as well as profit) over the sea. This superbly illustrated book explores the history of the design processes leading to the architectural and engineering innovations that have allowed people to walk on water in such diverse and delightful ways. Coverage includes the development of piers into the crowning architectural glory of British seaside resorts; the key people, materials, inventions and technologies in the field, particularly the work of Eugenius Birch, the greatest pier designer; the remarkable diversity of piers ranging from the earliest simple landing stages, through staid promenade piers and the glories of fully-fledged pleasure piers, to the boisterous joys of funfair and amusement piers; the rich variety of architectural styles, including exotic 'Orientalism' and streamlined Modernism and, finally, today's contemporary prospects for renewal and reinvention.Trade ReviewA fact-filled book, full of interesting old photos and drawings and displaying a clear understanding of the technology of piers. -- Kate Judge * Context, Journal of the Institute of Historic Building Conservation *it is crammed with detail and interest, and richly illustrated, including many photographs from the author’s personal collection. It promises to be the definitive work on a fascinating topic. -- Will Wiles RIBA * RIBA *A visually-immersive exploration of the history and the design processes behind the the piers which became the crowning glory of many British seaside resorts. * Beucher Newsletter *This is a beautifully produced book on pier architecture and engineering that is both a fascinating and illuminating read and one highly recommended -- Tim Phillips, Vice-Chairman of the National Piers Society * PIERS magazine of National Piers Society *Excellent … What marks his book out from predecessors is its explicit focus on piers as works of architecture, with the inclusion of construction materials and engineering, the style of pier buildings and their interior decoration. -- Kathryn Ferry - reviewer The Victorian * The Victorian member’s magazine *

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Book SynopsisThe Ṭämpiṭavihāras of Sri Lanka focuses on one distinctive Buddhist architectural practice from pre-modern Sri Lanka – the construction of Buddha image-houses on elevated wooden platforms supported by stone pillars. As a centre of Buddhism, Sri Lanka has a rich tradition of erecting Buddha image-houses, the origin of which dates to the fifth century. Yet, the ṭämpiṭavihāra tradition only existed from the thirteenth to the nineteenth centuries. The ṭämpiṭavihāra is an exceptional type of image-house, not only for its specific timeframe and unique construction technology, but also for its complex architectural conception of the Buddhist worldview and soteriology. This book examines the significant aspects of ṭämpiṭavihāra architecture and documents some of the distinctive examples of ṭämpiṭavihāra with an analysis of their architectural design and symbolic content.Trade Review‘This book, a product of 20-years of journey to experience and reveal the spirit of place and distinctiveness of built structure, is a landmark presenting the continuity of history since late medieval period, as illustrated by the distinct shrines built on stone pillars, called ṭämpiṭavihāra. I am sure this will open new avenues for further research.’ — Prof. Rana P.B. Singh, President- Asian Cultural Landscape Association‘The Tämpiṭavihāras of Sri Lanka makes an invaluable addition to literature on regional Buddhist religious literature. Its excellent documentation, analysis and presentation of architecture, materials and methods of construction, artistic embellishments as well as vernacular nuances and terminologies of Tämpiṭavihāras, along with the Brikshya-chaitya and the Stupa, raises the book to a laudable act of conservation. I find its creative use of classroom and field learning experiences of students and teachers refreshing, instructive and worth emulating.’ — Sudarshan Raj Tiwari, Lumbini College of Buddhism and Himalayan Studies, Lumbini Buddhist University‘The authors provide a systematic and in-depth introduction to Buddhism's history and the tradition of Buddhist heritage in Sri Lanka. The book reveals the hidden treasure of Sri Lankan architecture that was previously understudied or less known. I applaud this book's publication as a valuable addition to the repository of knowledge of Asian architecture. It is indeed an important step to transform Asia from a knowledge consumer into a knowledge producer and a substantial contribution to Architectural discourse in general.’ —Dr Johannes Widodo, Director of Graduate Programs in Architectural Conservation, National University of SingaporeTable of ContentsIllustrations; Acknowledgements; Foreword by Amos Rapoport; 1 Introduction; Part I The Ṭämpiṭavihāra Tradition; Chapter 1 The Tradition of Buddha Image-Houses in Sri Lanka; Chapter 2 The Ṭämpiṭavihāra Design; Chapter 3 The Evolution of Ṭämpiṭavihāras and Their Variations; Conclusion; Part II Illustrations of Selected Ṭämpiṭavihāras; Introduction; Central Province; North Central Province; North Western (Vayamba) Province; Sabaragamuva Province; Southern Province; Ūva Province; Western Province; Bibliography; Appendix: A List of Ṭämpiṭavihāras in Sri Lanka; Index.

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Book SynopsisThe Senedd was designed to be a bridge into the future, emerging from a long historical and political evolution. This illustrated book by Trevor Fishlock explores the background to the Assembly''s site in Cardiff Bay and to government in Wales. The photographs illustrate the building designed by Richard Rogers: its construction, technology and architecture.

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Book SynopsisDelve into London's architectural curiositites and discover the unexpected gems waiting around every corner.London is full of extraordinary, enigmatic and, above all, unexpected buildings: a pirate castle in Camden, an art gallery made of shipping containers, underground ghost stations, and much more. Here David Long reveals the very best of the capital’s extraordinary buildings, some of which are passed by every day, hidden in plain sight.

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Book SynopsisA design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work.At 87 Manchester-born Norman Foster has an illustrious career that spans many decades. A titan of design and master of high-tech and sustainable architecture, Foster was instrumental in changing the skyline of London and elevating British design. Among his famous structures are the Gherkin (Swiss Re) and the Millau viaduct bridge.

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Book SynopsisGone the Way of Truth is a journey through Galway’s rich and varied past illustrated by graves of note. The gravestones themselves are monuments to people who once walked the streets and bohreens of Galway. They formed the very fabric of what it meant to be a part of this historic county. The author has travelled the city and county extensively in the course of his research, discovering the resting places of, amongst others, musicians, poets, the last secretary-general of the League of Nations, saints and those who have shaped the course of Irish history. What emerges is a valuable exploration of an underexplored part of our heritage.

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Book SynopsisSimon Bradley traces the history of the station, introducing us to the men behind the architecture and looks at its new international status. This fine new edition includes a fascinating chapter on the new hotel and some timely revisions bringing it fully up to date. 'A marvellous piece of social, aesthetic and technological history... it is impossible to praise Bradley's book too highly' A. N. Wilson, Daily Telegraph 'Brilliantly and with deft hand, Simon Bradley makes sense of it all ... fabulous' Sunday Telegraph 'A masterpiece of historical context ... immensely readable' Sunday Times 'This fine book examines the history of both the church that gave the station its name and the railway terminus ... unexpectedly compelling' Daily MailTrade ReviewA sprightly social, technological and architectural history ... most entertaining * Evening Standard *

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Book SynopsisHenry Flitcroft was first employed by the leading aristocratic architect of the time, Richard Boyle, Lord Burlington, who helped him to establish his long career. Flitcroft had about 50 clients over 40 years, working for many dynasties, including the royal family, the Bedfords, the Yorke/Hardwickes and the Malton/Rockinghams. Remarkably, he was employed regularly by the Duke of Montagu and his family from 1725 to 1765, and the Hoare family from 1728 to his death in 1769, and was responsible for some of the great country houses of the period including Wimpole, Woburn Abbey and Wentworth Woodhouse. This is the first book which details his life and examines his complete body of work. It sets Flitcroft within his social context, providing insights into those for whom he worked as well as his fellow architects. Flitcroft waged fierce battles to maintain his professional positions at Westminster Abbey and St Paul’s and the documents are revealed here for the first time. The book dissects the dramatic story of Flitcroft's insane son and the legal cases that ensued which link Flitcroft and G.E. Street, who inherited Flitcroft's own house in Hampstead. In addition, Flitcroft’s furniture designs are assessed and his notable churches and London buildings including Chatham House, Benjamin Franklin House and Pushkin House. Finally, his last great project at Stourhead is re-examined.Trade Review‘It is excellent that Lund Humphries has brought out a well-produced volume devoted to the oeuvre of Henry Flitcroft, arguably the most significant Georgian architect of whom most people have never heard. Carefully researched and conscientiously written, Gill Hedley’s new volume provides seemingly comprehensive coverage of every Flitcroft project, executed or not, that is currently known, so is most unlikely to be superseded.’ – Roger White, Country LifeTable of ContentsIntroduction by Sir Charles Saumarez-Smith. 1: Hampton Court, Apprencticeship and Lord Burlington. 2: Twickenham, Marriage and Bower House. 3: Amesbury, Montagu House and St Giles-in-the-Fields. 4: St Giles-in-the-Fields. 5: Wentworth Woodhouse and Ditchley. 6: St Olave’s, Savannah, Stoke Edith, Wimborne and Frognal. 7: Wimpole and Hampstead. 8: Shobdon, Windsor and Woburn. 9: Stourhead. 10: Stourhead, Redlynch and Kingston House. 11: Henry Flitcroft, Junior. 12: Reputation

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Book SynopsisThis book examines the collaborative process that produced the outstanding carving and sculpture on many of the most remarkable buildings of what was Britain's greatest period of wealth and global power. Investigating the processes and methodologies behind these shared artistic endeavours, it reveals the background, education and training of the sculptors, modellers and carvers involved and discusses the relationships between architects and sculptors, the varied nature of their artistic partnerships and the interplay between the two arts in their contrasting control of space and mass. Work by the major architects of the period, including George Gilbert Scott and Alfred Waterhouse, is discussed, as well as their relationship with architectural sculptors Farmer and Brindley. Likewise, the book examines the collaborations between John Belcher and Hamo Thorneycroft and Alfred Drury; Charles Holden and his work with Jacob Epstein and Eric Gill; and Edwin Lutyens, who worked with Derwent

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Book SynopsisThe 1960s continue to hold an almost mythical place in Western culture, particularly in Britain, where change was widespread and infiltrated many aspects of life. This included architecture, whose role in a modern democracy and the form it should take were hotly debated. This book discusses the architectural thinking of the time through an examination of the design of university buildings. While there were notable buildings being built in other spheres, no other field of architecture provided the opportunity to express those ideas as freely, while also reflecting innovative new thinking about education and society. Somehow, the university buildings of the 1960s seemed to represent the cutting edge of modern architecture in the UK. This book provides the first critical analysis and overview of these buildings, designed by some of the leading British architects of the period including Basil Spence, Leslie Martin, Alison and Peter Smithson, Denys Lasdun, Powell and Moya and James Stirling. By placing the buildings in a wider social, cultural and political context, it examines the combination of circumstances and attitudes that produced results that are equally admired and detested and allows us to understand how we might replicate or avoid them in the future.

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Book Synopsis`I can think of no other edifice constructed by man as altruistic as a lighthouse. They were built only to serve.’ George Bernard Shaw Since ancient times, long before GPS, radio transmission or radar, lighthouses have served as beacons helping ships to navigate Ireland’s sometimes treacherous waters. The earliest lights were simply bonfires built on hillsides; in the fifth century, St Dúbhan established a brazier of burning wood or turf on the headland of Hy Kinsellagh (now known as Hook Head). Today, despite technological advances, these coastal icons continue to serve as crucial navigational aids for the maritime traffic of our island nation, from the smallest leisure crafts to cargo ships and trawlers. By day, they mark the way with their instantly recognisable appearances; at night, by the character of their signals. One flash every two seconds tells a sailor that they are near Valentia Island off the coast of Kerry. Four flashes every twenty seconds means that they are further north, approaching Loop Head in County Clare. As well as representing a unique part of our maritime history and built heritage, lighthouses are a powerful symbol of strength and resilience in times of darkness. This evokes an irresistible fascination with them in many people. Artist Roger O’Reilly grew up near the Boyne Estuary lighthouse in County Meath and ever since has associated a sense of peace and reassurance with the warm glow of lighthouse beacons. He has spent two years criss-crossing the country to draw dramatic portraits of these sentinels of our shores. Gathered in this extraordinary collection, each beloved landmark is accompanied by a wealth of practical and insightful information: history, location, elevation, signal and range. This spectacularly illustrated celebration of these architectural gems will be treasured by anyone who finds comfort, intrigue or excitement in the glimmer of a lighthouse through the darkness.

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Book Synopsis A smooth ride through the golden age of car travel, looking at both its cultural and architectural impact on the world. Despite the inherently mobile nature of cars, the culture of road travel and the road trip is arguably best reflected in the stationary spots found along the way. Christopher Beanland journeys through these built environments the world over, whose sole purpose is to cater to cars and those who drive them, and examines what makes them so alluring. Illustrated with 65 stunning photographs, Architecture + Cars explores everythingfrom the brutalist fashions of listed UK petrol stations to the quirky and colourful drive-thrus found across the US. If you''ve ever wondered where German drivers stop off for a quick prayer, why Ed Ruscha felt drawn to painting gas stations, or you just enjoy the aesthetics of car-centric architecture, this book is for you. Also included are essays on wider topics such as roadside signs, drive-in malls and retail parks, cars on film, and roads that never were. This latest architectural deep-dive from Christopher Beanland focuses mainly on the 20th century, with an additional optimistic look towards the future: hopefully an electric vehicle-led existence will herald a new, greener ''golden age'' for cars.

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Book SynopsisExplores the extraordinary range of monuments and memorials to be found in Scotland. Covers over 500 monuments and memorials which range from follies to fountains and from delicate sundials to colossal statues of long-dead aristocracy.

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Book SynopsisA guide to the pubs throughout the South West that have interiors of real historic significance. From rural `time-warp' pubs to old coaching inns and include some unsung interiors from the inter-war and post-war period. This is the first guide of its kind for the South West.

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Book SynopsisSome of the most stunning architectural structures in India are to be found below ground: these are its stepwells, ancient water stores. Stepwells are unique to India and from around the 3rd century CE were built throughout the country, particularly in the arid western regions. Excavated several stories underground in order to reach the water table, these cavernous spaces not only provided water all year long but also fulfilled other functions; they offered pilgrims and other travelers a respite from the heat, and became places in which villagers could socialize. Stepwell construction evolved so that, by the 11th century, the wells were amazingly complex feats of architecture and engineering.The journalist Victoria Lautman first encountered stepwells three decades ago and now, a seasoned traveller to India, she has devoted several years to documenting these fascinating but largely unknown edifices before they disappear. Of the thousands of stepwells that proliferated across India, most were abandoned as a result of modernization and the depletion of water tables. Often commissioned by royal or wealthy patrons, the wells vary greatly in scale, layout, materials and shape. Those in what is now Gujarat state also served as subterranean Hindu temples that featured columned pavilions and elaborate stone carvings of deities. Islamic wells were generally less flamboyant, but incorporated arched side niches. Today, few stepwells are in use. The majority have been left to silt up, fill with rubbish and crumble into disrepair. Gradually, however, the Indian government and heritage organizations have come to recognize the need to preserve these architectural wonders. In 2014 India's best-known stepwell, the Rani ki Vav in Patan, northern Gujarat, became a UNESCO World Heritage site.In her introduction, Lautman discusses why and where the stepwells were built. She reflects on the reasons they became derelict and considers how the appreciation of stepwells is changing with the work of organizations and individuals who aim to protect and restore them. The main part of the book is arranged in a broadly chronological order, with up to six pages devoted to each of c. 80 stepwells, every one unique in design and engineering. The name, location (including GPS coordinates) and approximate date of each well accompany color photographs and a concise commentary by Lautman on the history and architecture of the well and her experience of visiting it. While many of the stepwells are rather decrepit, their magnificent engineering and great beauty cannot fail to impress.Table of ContentsForewordIntroductionThe StepwellsAcknowledgementsIndex

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Book SynopsisFor more than 600 years the Livery Companies have played a leading role in commercial activities and social and political life in the City of London. These trade associations, each representing a particular craft or profession, were originally responsible for controlling, for example, wages and working conditions. As the Companies were established and incorporated by royal charter, largely in the 14th and 15th centuries, they began acquiring and adapting buildings from which to operate. The Companies’ headquarters – the Livery Halls – gradually evolved from large medieval town houses to become an identifiable building type matched in scale and ambition only by the guild houses of northern European mercantile cities and the Venetian scuole. By the time of the Great Fire of London in 1666, there were at least 53 Livery Halls. Of the 40 Halls standing today, half remain on their medieval sites, but all have been rebuilt several times. To give only two examples: there have been six incarnations of Clothworkers’ Hall on Mincing Lane and six Salters’ Halls on three different City sites. This beautiful book is the first major exploration of these architecturally significant yet under-researched buildings. Dr Anya Lucas, who has studied the Halls in depth, provides an introduction and an illustrated history of the buildings that have been lost over the centuries. The Great Fire, in particular, resulted in a period of energetic reconstruction. Companies rebuilt and beautified their Halls in recognition that the image they projected was as crucial as their wealth and regulatory powers. More building activity took place in the 18th and 19th centuries as Halls were required to accommodate new functions. Many of the Restoration Halls did not survive these years, and, where they did, alterations continued apace. Only 3 out of 36 Halls remained untouched after the Blitz of 1940–41, leading to another wave of reconstruction, the buildings being predominantly traditional or neo-Georgian in style. Henry Russell surveys each of the 40 present-day Halls, no two of which share an identical plan. Sited across the City from east to west, they range from the London Proof House, the home of the Worshipful Company of Gunmakers, on Commercial Road, outside the old City walls, to HSQ Wellington, headquarters of the Honourable Company of Master Mariners, moored on the Thames at Victoria Embankment. All existing Livery Halls have been photographed especially for the project by the renowned interiors photographer Andreas von Einsiedel, making this a truly outstanding publication.Table of ContentsForeword by Charles Bowman Preface by the Master of the Worshipful Company of Chartered Architects Introduction by Anya Lucas Map of the City of London showing extant livery halls The Livery Halls by Henry Russell The Lost Livery Halls by Anya Lucas Gazeteer Acknowledgements Index

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Book SynopsisPublished to mark the reopening of the spectacular baroque interior of the Old Royal Naval College in Greenwich after a landmark conservation project, The Painted Hall is a wonderful celebration of what has been called `the Sistine Chapel of the UK’. The ceiling and wall decorations of the Painted Hall were conceived and executed by the artist Sir James Thornhill between 1707 and 1726 – years that witnessed the Act of Union during the reign of Queen Anne and Great Britain’s rise to become a dominant Protestant power in a predominantly Catholic Europe. The accessions to the throne of William III and Mary II in 1688 and George I in 1714 form the central narrative of a scheme that also honours Britain’s maritime successes and mercantile prosperity. The artist drew on a cast of around 200 figures – a mixture of historical, contemporary, allegorical and mythological characters – to tell a story of political change, scientific and cultural achievements, naval endeavours, and commercial enterprise against a series of magnificent backdrops. In the first part of the book, Dr Anya Lucas describes the history and architecture of the building and the background to Thornhill’s commission. The grandeur of his composition, which covers 40,000 square feet, reflects the importance of the space that the paintings adorn: the hall of the new Royal Hospital for Seamen. The Hospital was established in 1694 at Queen Mary’s instigation for men invalided out of the Navy, and was designed by Sir Christopher Wren and Nicholas Hawksmoor. The Painted Hall was originally intended as a grand dining room, but it soon became a ceremonial space open to paying visitors and reserved for special functions. The last naval pensioners left the site in 1869, when it became home to the Royal Naval College, an officers’ training academy. The passage of nineteen years from the start of the commission to its completion, and the need to navigate contemporary political events, meant that Thornhill was required to rethink the design of his paintings several times. His preparatory sketches for the Painted Hall reveal how carefully he experimented with and planned the content. When he had finished his work, Thornhill wrote An Explanation of the paintings, which was published by the Hospital directors and sold to visitors. This guide is the subject of the second part of our book, by Dr Richard Johns. Johns also explores image and meaning in Thornhill’s decorative scheme, which stretches across three distinct but connected spaces: the domed Vestibule, the long Lower Hall, and the Upper Hall, together presenting a vivid and compelling picture of Britain’s place in the world according to those who governed it at the start of the 18th century. During the last 300 years, smoke and dirt built up on the fragile painted surfaces of the Hall, and varnish layers fractured under the effects of heat and humidity. In the final part of the book, the specialist conservators Sophie Stewart and Stephen Paine consider historic restorations of the Painted Hall from the 18th century to the Ministry of Works campaign of the late 1950s. The spring of 2019 sees the completion of a ground-breaking conservation programme that has reversed decades of decay and ensured the long-term preservation of the paintings. Now that every inch of decorated surface has been lovingly cleaned and conserved, new photography brings the colour, clarity and vibrancy of Thornhill’s masterpiece to life.

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Book SynopsisThere are few more historic and evocative places in the world. Caesar was cremated there. Charles V and Mussolini rode by it in triumph. There Napoleon celebrated his festival of liberty. In this radical reappraisal David Watkin teaches us to see the Forum with new eyes and helps us to rediscover its rich history. This is as stimulating to the armchair traveller as it is useful as a guide to the Forum itself. 'With verve, authority and no little humour, Watkin tells the detailed and complex story of this great but mutilated landmark ... it is an almost impossible task, superbly done' Peter Jones, BBC History Magazine 'In this sprightly volume ... the distinguished architectural historian David Watkin charts the shifting fortunes of the site ... he has an engagingly romantic feeling for the place... deploying a good deal of sharp wit, he reveals how the relatively recent obsession with recovering the Forum's classical past has led to much unhappy destruction and much less scarcely happy invention' Matthew Sturgis, Country LifeTrade ReviewThis charming and erudite book not only reveals much about the history of its subject; it stands as a humanist reproach to the scientific philistinism of our times. -- Allan Massie * Literary Review *An excellent, handy new book... More successfully than any author before him, Watkin makes his reader aware of the multilayered, fascinating history of the site -- Masolino D'Amico * TLS *Professor Watkin has an engagingly romantic feeling for the place ... Deploying a good deal of sharp wit, he reveals how the relatively recent obsession with recovering the Forum's classical past has led to much unhappy destruction -- Matthew Sturgis * Country Life *Watkin provides a challenging new perspective on Rome's ancient heart. -- Nick Rennison * Sunday Times *David Watkin's short, polemical, brilliant history...the painstaking explanation of the true history and origins of all visible fabric, in clear, authoritative but enjoyable and lively language that makes this an invaluable guide...read this: it will help to tell you who you are. -- Timothy Brittain-Catlin * The Tablet *Learned but lively... Informative... -- Christopher Hirst * Indepedent *

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Book SynopsisThis is a story of a young girl from a small town with a big dream that took her to Juilliard, Broadway, summer stock, the stage of the Metropolitan Opera and the Santa Fe Opera, and introduced her to her husband William Zeckendorf Jr. Her memoir overflows with the glamour of a life lived among the famous figures of mid-century New York society and the grit necessary to succeed in the professional world of dance. Fascinated by art and architecture, the vivacious ballerina Nancy Zeckendorf became a formidable development partner with her husband and a philanthropic leader in the performing arts – her fundraising ability is an art form unto itself. “I love hardware stores and tools,” she said of her common-sense approach to construction projects. Indeed, Nancy was a guiding force in the expansion of the Santa Fe Opera, the Lensic Performing Arts Center, and the premier community of Los Miradores where she lives now in Santa Fe, New Mexico.

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Book SynopsisFrom a watch to a pavilion, from urban furniture to infrastructure, from landscape design to apartment buildings: since the founding of Atelier Bonnet in the year 2000, the work of Pierre and Mireille Bonnet, covering a wide range of themes and scales, is conceived in a spirit of interaction and complicity. In the face of such a diversity of works, the monograph concentrates on a series of exemplary residential buildings, which document the skillful handling of this fundamental building task. In their most recent works, the architects have also occupied themselves intensively with the use of exposed concrete and with questions of tectonics. The resulting sculptural design and the abstract language of these objects provide further examples of a highly sensitive architecture, with an undeniable artistic dimension.

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Book SynopsisThe fifty buildings presented here in chronological order represent the most compelling, intriguing, and awe-inspiring structures from all over the world. Readers will learn about masterpieces such as the Hagia Sophia in Turkey, Cambodia’s Temple Complex at Angkor Wat, the Potala Palace in Lhasa, and the Jewish Museum in Berlin. Each entry features full color photographs of the structure along with informative text presented in a dynamic format. Readers will find basic information about each building’s artistic relevance, style, and contextual history as well as additional notes about architectural periods and techniques. From ancient Jordan and Guatemala to modern-day Manhattan and Munich, this world tour of great edifices offers a mini-course in architecture that will satisfy even the most passionate student’s lust for learning about the world’s greatest buildings.

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Book SynopsisZaha Hadid was a revolutionary architect, who for many years built almost nothing, despite winning critical acclaim. Some even said her audacious, futuristic designs were unbuildable. During the latter years of her life, Hadid’s daring visions became a reality, bringing a unique new architectural language to cities and structures as varied as the Rosenthal Center for Contemporary Art in Cincinnati, hailed by The New York Times as “the most important new building in America since the Cold War”; the MAXXI Museum in Rome; the Guangzhou Opera House in China; and the London 2012 Olympics Aquatics Centre. At the time of her unexpected death in 2016, Hadid was firmly established among the elite of world architecture, recognized as the first woman to win both the Pritzker Prize for architecture and the RIBA Royal Gold Medal, but above all as a giver of new forms, the first great architect of the noughties. From her early sharply angled buildings to later more fluid architecture that made floors, ceilings, walls, and furniture part of an overall design, this essential introduction presents key examples of Hadid’s pioneering practice. She was an artist, as much as an architect, who fought to break the old rules and crafted her own 21st-century universe.Trade Review“Visually phenomenal and fantastically realized.” * Der Standard *“Zaha Hadid’s work is a revolution. The future has landed, with an entire fleet of beautiful, futuristic spaceships.” * Monopol *“A celebration of all that is brave and audacious in her work.” * Australian Financial Review *

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Book SynopsisWhile some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form. Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that “turned the architecture world upside down.” Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan’s Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union. This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the “inside-out” Pompidou to the airy shells of the Tjibaou Cultural Center in Nouméa, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano’s own words, “each time, it is like life starting all over again.”

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Book SynopsisArchitect Albert Frey (1903–1998) saw a modernist utopia in the desert. Born in Zurich, he studied in Europe with Le Corbusier before moving to the United States in 1930, convinced it was the land of architectural opportunity. On a visit to Palm Springs, he fell under the desert spell. It was here, amid the arid and empty landscape, that he could truly envisage a perfect modern future. Like fellow Californian luminary, John Lautner, Frey would spend the rest of his career nurturing the consonance of architecture and nature: studying the fall of sunlight and rain, and merging aluminum, steel, and glass with the boulders and sands of the West Coast wilds. His vision centered in particular on Palm Springs, capitalizing on the city’s postwar population boom to create a bastion of the sleek, leisurely modernism that defines midcentury California. In this dependable architect introduction, we follow Frey’s long and prestigious career from his European beginnings through to the apogee of his Californian practice, taking in his notes on De Stijl, Le Corbusier, and Bauhaus, and exploring the stylistic, material, and geographic makings of his unique “desert modernism.”

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Book SynopsisRenzo Piano rose to international prominence with his co-design of the Pompidou Center in Paris, described by The New York Times as a building that “turned the architecture world upside down.” Since then, he has continued to craft such iconic cultural spaces as the Modern Wing of the Art Institute of Chicago and, more recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan’s Meatpacking District with both indoor and outdoor galleries. In London, the Piano touch has also transformed the skyline with the Shard. At the age of 84, the Italian maestro retains all of his enthusiasm and kindness—and his recent roster is more impressive than ever. As he confided to the author, “I think at a certain age, one can discover that there is what the French call the ‘fil rouge,’ a kind of red thread that relates one building to another over time. In my case, I believe it is about lightness and the art of building.” From freshly built museums in Athens and Santander; ongoing works in Lisbon, London, Toronto, and Geneva; to such humanitarian projects as the Emergency Children’s Surgical Hospital in Entebbe, Uganda, and the Children’s Hospice in Bologna, Italy, Piano’s career is a thrilling journey through the beauty and very essence of architecture. Based on the massive XXL monograph, this widely updated edition brings the architect’s definitive career overview to an accessible format and is illustrated by photographs, sketches, and plans.

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Book SynopsisFounded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design. This fresh reprint of domus’ coverage of the 1940s brings together the most important features from a decade of destruction and reconstruction. Even amid the bombing raids inflicted on Milan, domus continued to publish through much of the war, charting the design zeitgeist, while managing a successive turnover of editors and editors-in-chief during Ponti’s “interregnum” between 1941 and 1948. The pages from this period record reports and features on modern industrial design and furniture, new prefabricated houses, American academic architecture, the building projects of Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni, as well as the postwar flowering of Organic Design. domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers’ and manufacturers’ names Trade Review“Filled with nostalgia-inducing color photos and reflections on the era as a whole, this lavish title is a must for both collectors of and newcomers to the world of architecture and design.” * Luxe Magazine *

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Book SynopsisOffering an unrivaled record of architecture and design, the “living diary” of domus was founded by Gio Ponti in 1928. Through the years and decades that followed, the journal charted the major themes and movements of industrial, interior, product, and structural design with an eye for creative excellence as much as editorial rigor. This fresh reprint features domus’ coverage from the transformative years between 1928 and 1939. It is an era famed for the emergence of the International Style when the likes of Le Corbusier, Mies van der Rohe, Marcel Breuer, Alvar Aalto, and Richard Neutra channeled modernist ideals into rectilinear forms, restrained surfaces, and open, luminous interiors. The domus coverage of this decisive decade spanned the details and the grand designs. From soaring steel skyscrapers to tubular furniture, its coverage is a definitive record of how light, form, and pared-down aesthetics combined in the pursuit of an honest and utilitarian form for the modern and rapidly industrializing age. domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers’ and manufacturers’ names Trade Review“Beautifully designed and comprehensively documented, page after page this series presents some of the most compelling design and architecture projects from around the world.” * DESIGNwatcher *

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Book SynopsisA celebration of Europe's coolest harbourside, clifftop and beach hotels, curated by an internationally renowned architecture photographer.

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