Anthologies & Short Stories

Book SynopsisWhen Tudy's first husband tragically dies, she takes up the offer of Tom, a family friend, to pay for her to go to study in France. After she and her benefactor become close, she agrees to marry him in Provence later that year. But as the wedding approaches, Tom discovers that his fiancee has become involved with Riccard, a dashing French pilot and his near-double. A tale of broken trust and infidelity based on Zelda Fitzgerald's own dalliance with a French pilot, `Image on the Heart' is here presented with other lesser-known stories written by Fitzgerald in the late 1920s and early 1930s, which develop many of the themes found in his novels and his more famous works of short fiction.Trade ReviewHe was better than he knew, for in fact and in the literary sense he invented a generation. * The New York Times *Table of ContentsContains: Zone of Accident, Fate in Her Hands, Image on the Heart, Too Cute for Words, Inside the House, Three Acts of Music, An Author's Mother, Trouble, The Guest in Room Nineteen, In the Holidays, The End of Hate, On an Ocean Wave, The Woman from Twenty-One, Discard (Director's Special)

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Book SynopsisKipling's masterpiece is perhaps the most remarkable literary product of British India. The story of a half-caste boy, part Indian part Irish who journeys throughout the subcontinent with an aged lama in search of religious enlightenment, the nominal plot revolves around the Great Game: the struggle between Britian and Russia for control of Afghanistan. But the glory of the book lies less in the amusing picaresque adventures than in the unsurpassed panorama of Indian life they evoke: brilliant, moving and intensely alive.

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Book Synopsis23 short stories give a world tour of fiction from both estbalished, prestigious prize-winning and up-and-coming authors.

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Book SynopsisStories and poems about leaving, and being left behind; or that take an unexpected turn, going completely off piste. From authors featured at The Story Sessions, the South London live literature evening. Stories from Emily Bullock, David Steward, Helen Morris, Nic Ridley, Barbara Renel, Carolyn Eden, Cherry Potts, VG Lee, Liam Hogan, Becky Ros, Joan Taylor-Rowan, David Mathews, Sarah Lawson, Oscar Windsor-Smith and Zoe Brigley. Poems from Kate Foley, Gloria Sanders, Nancy Charley, Joy Howard, Math Jones and Elinor Brooks.

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Book SynopsisIris has never left the big house in the country she shares with Mammy and the servants. When The Ladies arrive, she finds that she must appease her dead relatives. Other stories in this collection explore themes of motherhood and the fragile body, family dynamics and small town tensions, unusual traditions and metamorphosis. Dead Relatives and Other Stories is the highly anticipated, no-holds-barred short story collection from Lucie McKnight Hardy, and readers can expect more of the suspense and trepidation evident in her debut novel, Water Shall Refuse Them. Not for the faint-hearted, Dead Relatives invites you behind closed doors, and will leave you wondering if it's better that they're kept shut and firmly locked.Trade ReviewLucie McKnight Hardy's writing is compulsively and exquisitely horrifying. - Naomi Booth

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Book SynopsisWritten in the winding-down stages of a severe psychotic episode filled with manic delusions, this extraordinary story chronicles Julja's relationship with drugs, family and friends.

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Book SynopsisUnlike most other Palestinian cities, Ramallah is a relatively new town, a de facto capital of the West Bank allowed to thrive after the Oslo Peace Accords, but just as quickly hemmed in and suffocated by the Occupation as the Accords have failed. Perched along the top of a mountainous ridge, it plays host to many contradictions: traditional Palestinian architecture jostling against aspirational developments and cultural initiatives, a thriving nightlife in one district, with much more conservative, religious attitudes in the next. Most striking however - as these stories show - is the quiet dignity, resilience and humour of its people; citizens who take their lives into their hands every time they travel from one place to the next, who continue to live through countless sieges, and yet still find the time, and resourcefulness, to create. Translated by Basma Ghalayini, Alexander Hong, Thoraya El-Rayyes, Mohammed Ghalaieny, Raph Cormack, Adam Talib, Yasmine Seale, Andrew Leber, Emre Bennett & Raph Cohen.

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Book Synopsis"Ma is Scared is the long-overdue debut of Anjali Kajal in English, representing the best of her short fiction, written and published over the last twenty years. From the anxious mother waiting for her daughter to return home safely, to the young student accused of stealing because of her caste, the stories gathered here explore the experience of women in small towns and urban centres across North India. Kajal writes about desire, abuse, silence, love and oppression in nuanced ways; how they are negotiated in the world; through relationships, family, motherhood, school, university, jobs. Her language, imagery and concerns are thoroughly contemporary, capturing the yearnings, restrictions and possibilities of modern life from a feminist and anti-caste perspective. "

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Book SynopsisPublished here for the very first time, Through the Billboard Promised Land Without Ever Stopping is Derek Jarman’s only piece of narrative fiction. Written in 1971, it is a surreal, fabular, lyrical work – a literary fairytale acid-trip road movie hybrid – the energies and details of which influenced much of his later work across media.The richly poetic story, a cinematic prose quest, tracks the journey of a blind young King and his valet, disguised as beggars, who set out in no particular direction and with no particular purpose. Departing from Fargo, across the frontier of Movietown, along the Superhighway and picnicking on the Lawns of Paradise, they encounter vivid characters like Pierrot, Borgia Ginz and Topaz, an Emperor who ‘smiles with the art of mirrors’, as well as a Sphinx with ‘Silence is Golden’ written in her eyes.The story serves as a foundational text, laying out many of the themes, images and styling of Jarman’s work in painting, film and design whilst also being haunted by the then emerging ecological crisis in its juxtaposition of the beauty of nature with the reckless consumption of modernity.This edition features facsimile images of the story’s handwritten drafts from Jarman’s archive, a link to an exclusive audio recording of Jarman himself reading the story in full, and is comprehensively informed by a vivid foreword from Philip Hoare, a deeply researched afterword by Jarman scholar Declan Wiffen, and a warm memoir by the artist Michael Ginsborg, a close friend of Jarman’s throughout the period of the story’s writing.

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Book Synopsis‘The writer who saved my life — or my soul.’ Merve Emre, The New Yorker ‘A true living hero of the American avant-garde.’ Jonathan Franzen ‘One of the very few contemporary prose writers who seem to be doing something independent, energetic, heartfelt.’ Lydia Davis A new collection of stories from the ‘godmother of flash fiction’ (The Paris Review). In Williams’ stories, life is newly alive and dangerous; whether she is writing about an affair, a request for money, an afternoon in a garden, or the simple act of carrying a cake from one room to the next, she offers us beautiful and unsettling new ways of seeing everyday life. In perfectly honed sentences, with a sly and occasionally wild wit, Williams shows us how any moment of any day can open onto disappointment, pleasure, and possibility.Trade Review‘[Williams] writes an unmistakable type of story: short, tightly wrought, each sentence a small masterpiece — a three-act play in miniature … With flying narrators and women whose hair drags on the floor as they walk, there’s something of Leonora Carrington’s visions about the stories.’ -- Francesca Peacock * The Spectator *‘As proved by I Hear You’re Rich, Diane Williams’s fiction, long beloved by those in the know, is joyful, unnerving, and linguistically spry.’ -- Leo Robson * The Telegraph *‘Williams explores the pleasures and disappointments of adulthood in this distinctive collection … Williams’ blend of precision and understatement make her insights on her characters’ fears and limitations cut deeply while leaving the stories open to interpretation. This will leave readers aching in all the best ways.’ * Publishers Weekly *‘Miniscule stories from a master of the form … It’s nearly impossible to categorise Williams’ work. She interrogates both the mundane and the metaphysical. In story after story, she upends what readers have grown to expect from traditional narratives — a beginning, middle, and end, to say the least — sometimes leaving us without any of those elements at all. A Williams story might be made up of a fragment of dialogue, a thought, a description, or some combination of these … Mysterious, gemlike, and strange.’ * Kirkus Reviews *‘You can always count on Diane Williams, head literary weirdo and “godmother of flash fiction” for a good time — if you consider having your mind blown to be a good time, which you should. Her latest book has 33 short pieces guaranteed to shift the world around you, if only for a moment.’ * Lit Hub *‘Spry, sly, and spirited, Williams’ very short stories — most are a couple of pages long — are brilliantly unsettling … Williams’ clean sentences are uncluttered, but strangely surprising, and the stories themselves have mysterious depths, a teasing sense of meaning and connection that can never be quite explained or articulated.’ -- Eithne Farry * Daily Mail *‘How much can one writer do with how little? Williams is so intelligent, fearless, and tough, she does extraordinary things within the constraints of her own stringent rules.’ -- Heather Cass White * Times Literary Supplement *‘Every event, thought, image, phrase, and word are given equal opportunity to claim or elude your attention. Turn the pages and see what stands out to you. You might be surprised.’ * Chicago Review of Books *‘The short stories in Williams’ eleventh collection — I Hear You’re Rich— are some of her very best. Alluring and allusive, the 33 beautifully wrought literary miniatures in this volume — the shortest of which is a single sentence of 23 words — are characteristically attuned to what Williams describes as “those exigencies, calamities that underpin everyday life”. Taken together, these distinctive — and sometimes surprisingly comedic — stories confirm Williams is indeed one of the most important US writers working today.’ -- Alexander Howard * The Conversation *‘Williams delights … What a treat! Life is rendered immediate and fresh through her eyes as she takes on the simplest of subjects — affairs, a request for money, the act of carrying a cake — with precision and gusto.’ * RUSSH Magazine *‘Mesmerising.’ * Tertulia *‘These 33 stories, a few as short as a paragraph, pack inordinate complexity into tiny spaces and take unpredictable turns toward unexpected conclusions … From the elusiveness of love to the desire for escape, the themes here are hard to mine in flash fiction. That Williams does so is a tribute to her talent.’ -- Shelf Awareness, starred review‘Like looking into the deep, expressive eyes of a person … struggling against forces that are not always clear to them.’ * The New York Times Book Review *‘Williams’s sentences are syntactically flexible, spasmodic, surprising … Flip to a random page and you’ll likely find at least one question. The world for Williams’s characters is an endlessly baffling place — which might be another way of saying it’s endlessly interesting.’ * Southwest Review *‘It takes a master of the short story form to craft truly incisive slice-of-life fiction, and Diane Williams proves that she’s among the best with her latest collection, I Hear You’re Rich … In each brief story, we see the entirety of the human experience bubbling underneath.’ * West Trade Review *‘You might call Diane Williams’s plots dreamlike — they proceed according to their own mysterious logic, interrupting themselves — but they’re not hazy … [Williams] turn[s] the everyday stuff of realist fiction into props for existential fun houses … I Hear You’re Rich will please fans of Lydia Davis and David Lynch.’ * Vulture *‘Stories that offer glimpses into the mundane and exhilarating beauty of everyday life.’ * The Millions *Praise for The Collected Stories of Diane Williams: ‘Full of funny, libidinal, and invigorating enigmas … Readers who love the arresting phrase, the surprising word, will gravitate to her … It’s perfect to leave on the bedside table, to be consulted before one’s dreamlife begins.’ -- Ange Mlinko * The London Review of Books *Praise for The Collected Stories of Diane Williams: ‘Erudite, elegant, and stubbornly experimental. For any writer, an omnibus collection is a triumph. To see years of Ms Williams’ confounding fictions collected in so hefty a volume is like seeing snowflakes accrue into an avalanche.’ -- Rumaan Alam * The New York Times *Praise for How High? — That High: ‘Williams is a magician of the miniature … Don’t let their diminutive stature fool you: these pieces pack a punch. Brief, elliptical, steeped in longing — or is that lust? — they offer slices of life that rely on interior more than exterior details, which is to say they are small road maps of the soul … All the pieces here … are rigorous in both language and emotion, using nuance and inference to explore the implications, the contradictions, that people rarely share aloud … Williams’ small gems are as dense and beautiful as diamonds, compressed from the carbon of daily life.’ * Kirkus Reviews *Praise for How High? — That High: ‘Williams returns with a collection showcasing her mastery of succinct and suggestive stories … Williams’ prose evokes both strangeness and familiarity as she gets at the core of what it means to live into one’s later years. This is by no means for everyone, but it will surely satisfy fans of well-wrought fiction.’ * Publishers Weekly *Praise for Diane Williams: ‘I would describe Williams as the writer who saved my life — or my soul, if one believes such a thing exists ... [Williams’] stories, many no longer than a page, suggest that what is left unsaid between people remains more powerful than what they have the capacity to articulate. Although Williams studied with Gordon Lish (and before that, with Philip Roth), her minimalism is distinctive for its sublimity and its spirituality, its ability to evoke the laws of a world apart.’ -- Merve Emre * The New Yorker *Praise for Diane Williams: ‘Williams can do more with two sentences than most writers can do with two hundred pages.’ * The New York Review of Books *Praise for Diane Williams: ‘Not a single moment of the prose, here, is what you expect, and even the ordinary is, in the context created by Diane Williams, no longer ordinary: it is fresh, happy, and peculiar — or is it we who are refreshed, happy, and more peculiar than before after reading her?’ -- Lydia DavisPraise for Diane Williams: ‘This book will rewire your brain.’ * NPR’s Pop Culture Happy Hour *

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Book SynopsisAvianti's sensibility as an architect is evident in her writing, with all the features and spaces of the modern urban landscape. In her landscapes, residents range from single women, housewives, children, prostitutes, to adulterers and jetsetters at a swingers' party. The city is a place of little concern for its inhabitants.

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Book SynopsisLove of life is one of the agent works of American pragmatist author Jack London, who utilizations itemized depictions of mental and philosophical exercises to frame an amazing picture feeling, e.g. in the cruel Canadian tundra, the ravenous, the injured beat the restrictions of their lives and make due in outrageous circumstances, with the goal that peruses can have a vivid understanding experience. In this book, London put the hero into a very troublesome and threatening living climate that is nearly confined from reality as well as extremely definite and sensible subtleties to introduce a emotional and undulating excursion of endurance to peruses by the third individual story point of view. This paper will dive into the exceptional appeal of Jack London's imaginative creation from two points of view: plot advancement and detail portrayal.

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Book SynopsisTales of the Jazz Age (1922) is a collection of 11 short stories by F. Scott Fitzgerald. The story is divided into three separate parts, according to the subjects: My Last Flappers (The Jelly-Bean, The Camel's Back, May Day, and Porcelain and Pink), Fantasies Flappers (The Jelly-Bean, The Camel's Back, May Day, and Porcelain and Pink), Fantasies (The Diamond as Big as the Ritz and The Curious Case of Benjamin Button), and Unclassified Masterpieces Big as the Ritz and The Curious Case of Benjamin Button), and Mysterious Masterpieces (The Lees of Happiness, Mr. Icky, and Jemina the Mountain Girl), as well as the novelette May Day and the novella The Diamond as Big as the Ritz.

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Book Synopsis"Even as she screamed, her voice became thin, like a crying of wind; then she melted into a bright white mist that spired to the roof beams. Never again was she seen."Lafcadio Hearn's Kwaidan (which means "ghost story" in Japanese) is the first and most famous collection of Japanese yokai stories ever published. This unforgettable collection of 17 eerie tales and 3 original cultural studies by Hearn are based on traditional oral tales passed down for generations. They are fresh reminders of the dark and mysterious corners of the Japanese psyche, from popular representations in anime, manga and video games to Masaki Kobayashi's Oscar-nominated horror film Kwaidan.This new edition includes over 20 full-color woodblock prints that showcase the rich visual tradition of Japanese Yokai. A new foreword by Michael Dylan Foster, the leading Western expert on Yokai literature, places the stories in context and explains the lasting importance of Hearn's pioneering look at Japan's bewitching spirit world.The stories in this volume include: "Yuki-onna" — A ghostly woman saves a man during a fierce snowstorm then gives him a deadly warning… "The Story of Mimi-Nashi-Hoichi" — A musician is unwittingly called upon by a Samurai to perform for the dead, with bloody consequences. "Diplomacy" — A Samurai warrior avoids the ghostly revenge of a man he intends to kill by outsmarting him before striking he strikes the death blow. Hearn is the best-known early Western interpreter of Japanese culture and was particularly interested in tales of the supernatural. He eagerly gathered "delicate, transparent, ghostly sketches" in his adopted land and translated them with gusto. His English versions were translated back into Japanese and are considered classics of Japanese literature to this day—eagerly devoured by Japanese school children.

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Book SynopsisMyths and legendary tales from around the world are packed with gigantic rivalries; gods, monsters and giants compete for supremacy over the land, the creatures within and the universe beyond. Zeus clashes with the all-powerful Typhon, Odin is destined to face the great wolf Fenrir during Ragnarok. And yet monsters such as the Minotaur, and giants of all kinds, dragons even, are monsters only to those too fearful to understand them, while others such as the Sirens, or the weird sisters, are malevolent without remorse. Such mythical gods and their foes, make great adventures for the modern reader tracing the roots of The Game of Thrones, Lord of the Rings and The Witcher, where good and evil are morphed into real avatars and creatures of vivid imagination. In these pages you'll find the gods of the heavens and mountains, and the spirits and demons of the deep sea, the dark woods and the burning sands. From the gods of Babylon and Ancient Egypt to the Norse Aesir, from the pantheon of mighty Greek deities to the gods of the earth and the sky in Pacific legends, most of the great traditions are featured here, with monsters galore: Anansi the trickster spider, the chaos serpent Apep, the Wendigo (or Windegoo spirits), the Greek Sphinx, the drought demon dragon Vritra and the Chimera to name a few. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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Book SynopsisENROLLMENT BEGINS NOW A beguiling, sinister collection of 12 dark academia short stories from masters of the genre, including Olivie Blake, M.L. Rio, Susie Yang and more! In these stories, dear student, retribution visits a lothario lecturer; the sinister truth is revealed about a missing professor; a forsaken lover uses a séance for revenge; an obsession blooms about a possible illicit affair; two graduates exhume the secrets of a reclusive scholar; horrors are uncovered in an obscure academic department; five hopeful initiates must complete a murderous task and much more! Featuring brand-new stories from: Olivie Blake M.L. Rio David Bell Susie Yang Layne Fargo J.T. Ellison JamesTate Hill Kelly Andrew Phoebe Wynne Kate Weinberg Helen Grant Tori Bovalino Definition of dark academia in English: dark academia 1. An internet subculture concerned with higher education, the arts, and literature, or an idealised version thereof with a focus on the pursuit of knowledge and an exploration of death. 2. A set of aesthetic principles. Scholarly with a gothic edge – tweed blazers, vintage cardigans, scuffed loafers, a worn leather satchel full of brooding poetry. Enthusiasts are usually found in museums and darkened libraries.Trade Review"An excellent addition to any dark academia collection" -GeekGirlAuthorityPraise for Olivie Blake"Lethally smart. Filled with a cast of brilliantly realized characters, each entangled with one another in torturously delicious ways" CHLOE GONG"As much a delicious contest of wit, will, and passion as it is of magic, this book is half mystery, half puzzle, and wholly a delight." HOLLY BLACKPraise for M.L. Rio"Nerdily (and winningly) in love with Shakespeare…Readable, smart.” New York Times Book Review"A genuinely breathtaking literary thriller. I can’t recommend this book highly enough." EMILY ST. JOHN MANDELPraise for Susie Yang:"A truly addictive read." GLAMOUR"White Ivy is The Talented Mr. Ripley for the Instagram Age" BUSTLEPraise for J.T. Ellison:“Elegant, propulsive, and utterly unputdownable… The work of one of our most talented thriller writers at the very top of her game.” Lisa Unger"Beautifully written, psychologically chilling... J.T. Ellison proves she's our new Daphne DuMaurier." Hank Phillippi RyanPraise for Layne Fargo:"As utterly wicked as it is empowering" ALLISON DICKSON"Raw, ingenious, and utterly fearless" WENDY WALKERPraise for James Tate Hill:"A dry, witty humor, while frequent plot twists keep readers on their toes until the final pages." BOOKLIST"The dead-on parody of academic jargon and the well-spun plot alone make this mystery worth reading." PUBLISHERS WEEKLYPraise for David Bell:"Grabs you by the throat and never lets go... with a twist you’ll never see coming.” Liv Constantine“A dark, twisty journey through the labyrinth of academia... One of David Bell’s most unique and engrossing novels.” SAMANTHA DOWNINGPraise for Tori Bovalino:“A glorious, darkly atmospheric journey into the disturbing power of books." TASHA SURI"Wicked and sharp as a pen stroke, this is a delight for library goths." A.J. HACKWORTHPraise for Phoebe Wynne:"Rebecca meets The Secret History: gloriously dark, gloriously Gothic." Sara Collins"A smoldering slow burn of a novel that I could not put down.” JENNIFER SAINTPraise for Kate Weinberg:“Weinberg weaves intrigue worthy of Agatha Christie – you'll love getting lost in The Truants' web of mystery, desire, and deceit.” M. L. RIO"A moody, well-wrought debut, heavy on shades of Donna Tartt's The Secret History.” Entertainment WeeklyPraise for Kelly Andrew:"A haunting, dreamlike tale of sacrifice, love, and obsession." Cassandra Clare"Twists and revelations that will stop your heart and make your blood run cold." Aiden ThomasPraise for Helen Grant:"Highly propulsive, incredibly seductive. A masterclass in how to develop intrigue and heighten tension." C.J. SKUSE"Both a wonderful first novel, and a strange, haunting modern fairytale." JOHN CONNOLLY

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Book SynopsisFrom New York Times bestseller Marjorie Liu comes six dark, lush, and spellbinding short stories and one novella, full of unexpected detours, dangerous magic, and even more dangerous women . New York Times bestseller and Hugo, British Fantasy, Romantic Times, and Eisner award-winning author of the graphic novel Monstress, Marjorie Liu leads you deep into the heart of the tangled woods. In her long-awaited debut collection of dark, lush, and spellbinding short fiction, you will find unexpected detours, dangerous magic, and even more dangerous women. Briar, bodyguard for a body-stealing sorceress, discovers her love for Rose, whose true soul emerges only once a week. An apprentice witch seeks her freedom through betrayal, the bones of the innocent, and a meticulously plotted spell. In a world powered by crystal skulls, a warrior returns to save China from invasion by her jealous ex. A princess runs away from an arranged marriage, finding family in a strange troupe of traveling actors at the border of the kingdom's deep, dark woods. Concluding with a gorgeous full-length novella, Marjorie Liu's first short fiction collection is an unflinching sojourn into her thorny tales of love, revenge, and new beginnings.

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One of the most influential science-fantasy worlds ever envisaged, which inspired a generation of writers including George R.R. MartinThe fourth in the Fantasy Masterworks series, the Dying Earth saga inspired writers like Michael Moorcock and Gene Wolfe, who freely acknowledges his debt to Vance in his own Book of the New Sun.Here, in one volume, is Hugo, Nebula and World Fantasy Award-winning author Jack Vance's classic Dying Earth saga comprising The Dying Earth, The Eyes of the Overworld, Cugel's Saga and Rhialto the Marvellous. Travel to a far distant future, when the sun bleeds red in a dark sky, where magic and science is one, and the Earth has but a few short decades to live ...Read what everyone is saying about The Tales of the Dying Earth:'He was, in a single paragraph, able to sketch the most incredible cultures and societies . . . he'd outline a world as interesting as all of Dune. And he did it again and again and again' Christopher Paolini, New York Times bestselling author of To Sleep in a Sea of Stars'Absolutely amazing! I've never read anything quite like Vance's Dying Earth stories . . . very witty and full of sarcasm . . . Even if you're not a fantasy fan you should read these stories' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'This is one of the best series EVER WRITTEN and the world created by Jack Vance is as good as anything I have ever read . . . HIGHEST POSSIBLE RECOMMENDATION!!!' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Within a few pages, I was completely drawn in, and there was simply no escape for me . . . This omnibus volume is the perfect way to experience everything about the Dying Earth' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Almost singlehandedly defined an entire sub-genre of SF and Fantasy . . . the Dying Earth quartet is doubtless a masterpiece' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Vance has got to be one of the greatest writers I have ever read, and quite probably the greatest stylist . . . as soon as I started reading each novel in the book, I couldn't stop' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Awesome . . . a surreal fantasy setting on our own world, surrounded by crumbled civilisations and overlooked by a sun that could blink out at any moment' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Jack Vance's masterwork of fantasy novellas and novelettes. Read once, read twice, read again. A powerful imagination in top form. This book is one of the main reasons that I love the fantasy genre' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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Book Synopsis'Read not more than one of her stories a day, and allow them to work their spell slowly: they are made to last' Guardian When her father marries his second wife, Chrissy gets a new step sister. Three years older than her, Queenie is beautiful and kind, someone everybody wants to be friends with. Chrissy worships her. But when Queenie runs away at eighteen, their lives quietly diverge. Joyce Carol Oates has described Alice Munro's work as 'tales of domestic tragicomedy that seemed to open up, as if by magic, into wider, deeper, vaster dimensions.' Queenie is Munro at her subtle, heart-breaking best. 'One of the great short story writers not just of our time but of any time' New York Times Book ReviewTrade ReviewThe greatest living short story writer -- A. S. ByattA true master of the form -- Salman RushdieAmong the major writers of English fiction of our time -- Margaret AtwoodShe has taken an art form, the short story ... and she has cultivated it almost to perfection -- Peter Englund, Nobel Committee for LiteratureSome of the most honest, intuitive and exacting fiction, long or short, of our time * The Times *She writes with a beautiful, mathematical clarity, an elemental humanity and a marvellous, limpid, funny apprehension of what goes on * Sunday Telegraph *Munro changed our sense of what the short story can do as radically as Chekhov ... she penetrates in words into the hidden roots of how we choose to live, and why we act * New Yorker *It has a remarkable effect ... it can be read during an average day's commute and yet creates an entire and intricate world, that is as ordinary as it haunting ... What stands out is Munro's shrewd, detailed observations of their world. -- Arifa Akbar * Independent *

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Book SynopsisFaber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. In his masterful story A River in Egypt', David Means paints a portrait of a moment. Cavanaugh and his young son are suspended; trapped in what a nurse calls the sweat chamber', where the boy will be tested for cystic fibrosis.Cavanaugh has brought distractions spasmodic action figures, malformed toy trucks but they do little to alter the frustration of the sick child screaming, or to alleviate the anxiety of the time spent waiting for some exactitude in the form of a diagnosis'.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

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Book SynopsisA collection of interlinked tales of crime and retribution laced with dark humour, set around the festive season from the No. 1 bestseller Stuart MacBrideOn the first day of Christmas, my true love gave to meTwelve days, twelve stories.Meet Fat Billy Partridge, possibly the worst cat-burglar ever; newbie drug-dealer Brian, who probably shouldn't be taking advantage of the job's fringe benefits; Philippe, a chef with anger-management issues and lots of very sharp knives; Mr Unwin, the undertaker with the golden touch; and Lord Peter Forsyth-Leven, MSP, learning the hard way that having it all means you've got so much more to loseThieves, drug dealers, lap-dancers, gangsters and even the odd good guy populate these twelve interlinked tales of crime and retribution set around the festive season.Trade ReviewPraise for Stuart MacBride: ‘Fierce, unflinching and shot through with the blackest of humour; this is crime fiction of the highest order’Mark Billingham ‘Some of the grittiest crime-writing in the field’Independent ‘Admirers of tough, modern crime novels will be in seventh heaven – or should that be hell?’Express ‘Ferocious and funny, this is Tartan Noir at its best’Val McDermid ‘Hard-hitting prose with a bone-dry humour and characters you can genuinely believe in, Stuart MacBride’s novels are a real treat’Simon Kernick

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Book SynopsisEdith Grossman, celebrated for her brilliant translation of Don Quixote, offers a dazzling new version of another Cervantes classicTrade Review“For most English-language readers, Cervantes is a one-book wonder. But these twelve novellas, newly translated by the virtuosic Edith Grossman, are a revelation to us. They are a feast for Cervantes’ admirers, and stand truly by themselves—witty, naughty, trenchant, smart, widely ranging, thoroughly modern and readable. Coming late in Cervantes’ life, they are a sly and mischievous and memorable adiós—just as we would expect.”—Richard Ford“Exemplary Novels spans nearly the whole creative life of Cervantes. . . . The book is like a summing up of Cervantes’s fiction, displaying its broad range of topics, characters, styles, and plots.”—Roberto González Echevarría, author of Cervantes’ Don Quixote (Open Yale Course Series)“It seems appropriate that Edith Grossman publishes her translation of the Exemplary Novels thirteen years after the printing of her masterful translation of Don Quijote, as it took Cervantes ten years to come out with his second part of Don Quijote. Thus the supreme English translation of the best novel ever written on this side of the galaxy both precedes and follows the colloquy of Cipión and Berganza, as the wise words of both dogs precede and proceed those of the knight and the squire on their painful search for the meaning of human identity.”—Carlos Rojas“Finally we have a worthy translation of Cervantes’s Exemplary Novels, the extraordinary follow-up to Don Quixote that enchanted generations of readers, but that has not been widely available to English readers in a version that approaches the sparkling original. Reading Edith Grossman’s gorgeous prose is like traveling to a far-off place, unearthing a hidden container, and finding in it a glove that slips onto your hand like a second skin.”—William Egginton, author of The Man Who Invented Fiction: How Cervantes Ushered in the Modern World“Edith Grossman is one of the best Hispanists in the English language world and an extraordinary translator. Her version of the Quijote, which appeared a few years ago, was unanimously celebrated, and the same will no doubt happen with this new version of Cervantes’s Exemplary Novels.”—Mario Vargas Llosa

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Book SynopsisTrade ReviewChambers's edition of Tales of Moonlight and Rain is well worthwhile... Highly Recommended. The Complete Review A shining new version of a living Japanese classic. Japan Times Japan scholars and people who just like weird, spooky stuff should enjoy this new edition of Akinari's classic. -- Brad Quinn Daily Yomiuri Chambers's new translation is a lucid addition to the handful of previous versions. -- James Lasdun's The GuardianTable of ContentsAcknowledgments Introduction Tales of Moonlight and Rain Preface Book One Shiramine The Chrysanthemum Vow Book Two The Reed-Choked House The Carp of My Dreams Book Three The Owl of the Three Jewels The Kibitsu Caldron Book Four A Serpent's Lust Book Five The Blue Hood On Poverty and Wealth Bibliography

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Book SynopsisBret Easton Ellis is the author of several novels, including Imperial Bedrooms, Less Than Zero, The Rules of Attraction, American Psycho, Glamorama and Lunar Park, and a collection of stories, The Informers. Less Than Zero, The Rules of Attraction, American Psycho and The Informers have all been made into films. His first work of non-fiction, White, was published in 2019. He is the host of the Bret Easton Ellis Podcast available on Patreon. He lives in Los Angeles.

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Book SynopsisA brand new bumper omnibus gathering together over 50 classic Agatha Christie stories featuring Tommy and Tuppence Beresford, Harley Quin, Parker Pyne and Hercule Poirot, plus her rare Christmas Stories not available in any other volume.This new compendium of over 50 stories is the first time all the stories featuring Agatha Christie's detectives have been collected together. Here you will meet -PARKER PYNE - a consulting detective whose practice is to solve less murderous enigmas and restore happiness to his clients;HARLEY QUIN - a tall, dark, mysterious young man who takes a more surreptitious approach to solving crime;TOMMY AND TUPPENCE BERESFORD - a newly married pair of self-styled Young Adventurers' who are prepared to do anything in the name of justice.And in addition to presenting the complete oeuvre for these detectives, this volume includes as a bonus four rare short stories featuring that grand master of detection, Monsieur HERCULE POIROT, plus Agatha Christie's little-knownTrade Review‘The plots are so good that one marvels … most of them would have made a full length thriller.’ Daily Mirror

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Book SynopsisThis new translation includes Kafka's two published collections, A Country Doctor and A Hunger Artist with other, uncollected stories, aphorisms, and parables that have become part of the Kafka canon. Enigmatic, satirical, often bleakly humorous, the stories meditate on art and artists and the human experience. Includes an introduction and notes.Table of ContentsTHE AEROPLANES AT BRESCIA; A COUNTRY DOCTOR: LITTLE TALES; THE RIDER ON THE COAL-SCUTTLE; A HUNGER ARTIST: FOUR STORIES; BLUMFELD, AN ELDERLY BACHELOR; AT THE BUILDING OF THE GREAT WALL OF CHINA; THE HUNTSMAN GRACCHUS; INVESTIGATIONS OF A DOG; THE BURROW; SELECTED SHORTER PIECES; APHORISMS

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Book SynopsisRyünosuke Akutagawa (1892-1927) is one of Japan's foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. Rashömon' and In a Bamboo Grove' inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as The Nose', O-Gin' and Loyalty' paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as Death Register', The Life of a Stupid Man' and Spinning Gears', Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.

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Book SynopsisMenacing tales from one of the masters of horror fictionAlthough Bram Stoker is best known for his world-famous novel Dracula, he also wrote many shorter works on the strange and the macabre. Comprised of spine-chilling tales published by Stoker?s widow after his death, as well as The Lair of the White Worm, an intensely intriguing novel of myths, legends, and unspeakable evils, this collection demonstrates the full range of Stoker?s horror writing.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust theseries to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-datetranslations by award-winning translators.

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Book SynopsisSaki is perhaps the most graceful spokesman for England''s ''Golden Afternoon'' - the slow and peaceful years before the First World War. Although, like so many of his generation, he died tragically young, in action on the Western Front, his reputation as a writer continued to grow long after his death. The stories are humorous, satiric, supernatural, and macabre, highly individual, full of eccentric wit and unconventional situations. With his great gift as a social satirist of his contemporaryupper-class Edwardian world, Saki is one of the few undisputed English masters of the short story.

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Book SynopsisA collection of twenty-four tales told in bold, distinct voices from Brazil to Africa and from Nice to Hollywood.Trade Review'Probably the best short-story writer at work today' Esquire 'Perfect ... Suffused with an understanding of love, desire and emotional incompetence' Guardian 'One of the best writers in English' Sunday Telegraph 'English fiction's master storyteller ... His stories circle intelligently around fascinating themes' Independent on Sunday

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Book SynopsisThe chance to join 'the Revival of the Great Lucia Berlin' (New York Times)From the author of A Manual for Cleaning Women.Ranging from Texas, to Chile, to New Mexico and New York, in Evening in Paradise Berlin writes about the good, the bad and everything in between: struggling young mothers, husbands who pack their bags and leave in the middle of the night, wives looking back at their first marriage from the distance of their second . . .The publication of A Manual for Cleaning Women, Lucia Berlin’s dazzling collection of short stories, marked the rediscovery of a writer whose talent had gone unremarked by many. The incredible reaction to Lucia’s writing – her ability to capture the beauty and ugliness that coexist in everyday lives, the extraordinary honesty and magnetism with which she draws on her own history to breathe life into her characters – included calls for her contribution to American literature to be as celebrated as that of Raymond Carver.Evening in Paradise is a careful selection from Lucia Berlin’s remaining stories – a jewel-box follow-up for her hungry fans.Trade ReviewWonderful . . . Brilliant * Times *[Evening in Paradise] shines with compassion and dark wit . . . raw, elliptical, devilishly funny tales. * Observer *A writer of tender, chaotic and careworn short stories. Her work can remind you of Raymond Carver's or Grace Paley's or Denis Johnson's . . . One thing that makes Berlin so valuable is her gift for evoking the sweetness and earnestness of young women who fall in love . . . Berlin probably deserved a Pulitzer Prize. -- Dwight Garner * New York Times *A fearless storyteller . . . [Berlin's] work is testimony to a kaleidoscopic life that would scare the sh*t out of most writers alive today. I adore her. -- Eli Goldstone, author of Strange Heart BeatingLucia Berlin is a genius and the swerves of her sentences sublime. -- Lucy CaldwellThank god for the posthumous revival of Lucia Berlin – how sad it would be to have never experienced her distinctive, vibrant voice . . . utterly captivating. * Buzzfeed (Best Books of Fall 2018) *Berlin’s stories, largely autobiographical tales of working class life in the American West, slipped beneath the radar in her lifetime but galvanized contemporary readers. Now we have a second, smaller volume that is every bit as good as its predecessor. If you’ve never read Berlin, now’s your chance. * Newsday *Berlin . . . is a master at capturing women in states of disintegration: those who are being damaged, physically or emotionally, by men; those who are immersed in scandal or disdained by society; and those who are intentionally self-destructing. Her oeuvre contains, among lots of other things, a profound record of what shame, trauma, and hanging on by your fingernails looked like on a particular woman—or a particular kind of woman—half a century ago. * Atlantic *Wonderful . . . Berlin’s writing achieves a dreamy, delightful effect as it provides a look back through time. This collection should further bolster Berlin’s reputation as one of the strongest short story writers of the 20th century. * Publishers Weekly (starred review) *Blessedly, a second volume with 22 more stories is in no way second rate but rather features more seductive, sparkling autofiction with narrators whose names echo the author's in settings and situations that come from her roller-coaster biography . . . No dead author is more alive on the page than Berlin: funny, dark, and so in love with the world. * Kirkus (starred review) *Any publication of hers is a major cause for celebration, as far as I’m concerned. -- Maggie O’Farrell * Guardian, Best summer books 2018 *[Berlin's] spare evocative language and lithe turn of phrase make each phrase quietly extraordinary. * The Scotsman *In Evening in Paradise – which reads like novel-in-stories—Berlin shows that she was a master of the short story . . . This book is so transportative, so wonderful. -- Favourite Books of 2018 * LitHub *There’s always an audacious humour and humanity to [Berlin's] writing. * Red *Berlin expertly balances beauty and bleakness, and finds drama, joy or revelation in humdrum experiences . . . Berlin once again makes original art from her chequered life . . . When the words flowed, Berlin managed to perform small miracles with them. * Economist *You might assume that these represent the crumbs from the table, the ones not good enough to make the first volume, but that’s not the case . . . you can’t keep a good stylist down, and an authentic voice begins to come through. -- John Self * Irish Times *Lucia Berlin writes in colour. Not wishy-washy pastels, or hues described with copious adjectives, but instead saturated colour . . . Berlin looks for other ways to think about women’s lives, freed from simple explanations. * TLS *Berlin’s fiction subtly complicates what it meant to be an American in the latter half of the last century . . . The stories in Evening in Paradise, Berlin’s second posthumous collection, are filled again with shabby rooms and shabbier lives . . . There is no wallowing, no bathos. Instead there is an acute and varied awareness of the meaning of America, both at home and in the world. * Guardian *More marvellous musical stories from Lucia Berlin who has an eye for the unexpected loveliness in ordinary lives as vivid, vital, impulsive women pitch themselves into the merry, melancholy, messy business of living. * Sunday Express *There is something withholding about the way she mixes minimalism with excess that keeps those of us with the taste for it coming back . . . Berlin’s gifts are not ones you have ever tried or been told to cultivate. The details she chooses are those you have purposely eliminated, with that hitch in your ear that tells you to keep everything timeless . . . It’s the reason I felt so resentful at first to be shut out, because the intimacy on offer was so great. -- Patricia Lockwood * London Review of Books *Berlin is not only a soulful chronicler of the lost corners of America, whose semi-autobiographical stories brim with red caliche clay, arroyos, drainage ditches and smelter towns. She is not only a writer of vivid bursts of language . . . She is also a distinctly female voice, a raspy Marlene Dietrich. * New York Times Book Review *There’s still plenty in Evening in Paradise to conjure the original thrill of reading Berlin. * Financial Times *Long before the current autofiction craze, Lucia Berlin was spinning her day-to-day into powerfully spare prose that ached with brutal authenticity . . . these new volumes become a jigsaw-puzzle portrait of a long-neglected literary legend, baring the autobiographical material that filtered so forcefully into her fiction. The mystery of her fiction is not, it turns out, in the source of its inspiration. It is in how Berlin transformed her life into art that is as vital as the thing itself. * Vogue *[Evening in Paradise] reveals just how full a body of rich work Berlin left behind . . . Time and again, the stories reveal that her subject wasn’t domestic life but life itself, which for her often happened to be filtered through the domestic. * Los Angeles Times *What molds the fiction is Berlin’s artistic sensibility ? her global perspective, the shrewd compassion with which she scrutinizes her characters, and the absurdity ? not to mention the flora ? that populates the many landscapes of her world. * San Francisco Chronicle *This never-before-published memoir and new collection are cause for jubilation. In part because they make it clear Berlin's gifts were vast, complex, and full of tonal warmths . . . Like Chekhov, Berlin was a beautiful framer of stories. * Boston Globe *Prepare to fall in love all over again . . . the cunning, beautiful creation of a genius of the form. * NYLON *Table of ContentsUnit - 1: The Musical Vanity Boxes Unit - 2: Sometimes in Summer Unit - 3: Andado: A Gothic Romance Unit - 4: Dust to Dust Unit - 5: Itinerary Unit - 6: Lead Street, Albuquerque Unit - 7: Noël. Texas. 1956 Unit - 8: The Adobe House with a Tin Roof Unit - 9: A Foggy Day Unit - Cherry Blossom Time: 10 Unit - 11: Evening in Paradise Unit - 12: La Barca de la Ilusión Unit - 13: My Life Is an Open Book Unit - 14: The Wives Unit - 15: Noël, 1974 Unit - 16: The Pony Bar, Oakland Unit - 17: Daughters Unit - 18: Rainy Day Unit - 19: Our Brother’s Keeper Unit - 20: Lost in the Louvre Unit - 21: Luna Nueva Unit - 22: Sombra

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Book SynopsisTeffi's genius with the short form made her a literary star in pre-revolutionary Russia, beloved by Tsar Nicholas II and Vladimir Lenin alike. These stories, taken from the whole of her career, show the full range of her gifts. Extremely funny - a wry, scathing observer of society - she is also capable, as capable even as Chekhov, of miraculous subtlety and depth of character. There are stories here from her own life (as a child, going to meet Tolstoy to plead for the life of War and Peace's Prince Bolkonsky, or, much later, her strange, charged meetings with the already-legendary Rasputin). There are stories of émigré society, its members held together by mutual repulsion. There are stories of people misunderstanding each other or misrepresenting themselves. And throughout there is a sly, sardonic wit and a deep, compelling intelligence.

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Book SynopsisIreland has long been a nation of story-tellers. What began as a lively form of entertainment has grown into an unrivalled literary genre. Although Ireland may mourn the loss of the seanchaí, the old hearthside story-teller, the Irish art of story-telling is by no means lost. This varied anthology traces the development of the Irish short story from the early folk-tales of the oral tradition through Oliver Goldsmith, Maria Edgeworth, James Joyce, and Liam O''Flaherty, and on to the rising stars of the modern generation, such as Bernard Mac Laverty and Desmond Hogan.Trade ReviewReview from previous edition The very best of centuries of Irish short fiction...A classic, take-your-breath-away collection cannily assembled by a master of the medium William Trevor * Observer *Table of ContentsINTRODUCTION; ACKNOWLEDGEMENTS; INDEX OF AUTHORS

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Book SynopsisAn NYRB Classics OriginalWinner of the  2014 PEN Translation Prize Winner of the 2014 Read Russia PrizeThe stakes are wildly high in Sigizmund Krzhizhanovsky’s fantastic and blackly comic philosophical fables, which abound in nested narratives and wild paradoxes. This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky’s most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room’s previous occupant; the fingers of a celebrated pianist’s right hand run away to spend a night alone on the city streets; a man’s lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.

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Book SynopsisJohn Updike was born in 1932 in Shillington, Pennsylvania. He is the author of over fifty books, including The Poorhouse Fair; the Rabbit series (Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit At Rest); Marry Me; The Witches of Eastwick, which was made into a major feature film; Memories of the Ford Administration; Brazil; In the Beauty of the Lilies; Toward the End of Time; Gertrude and Claudius; and Seek My Face. He has written a number of collections of short stories, including The Afterlife and Other Stories and Licks of Love, which includes a final Rabbit story, Rabbit Remembered. His essays and criticism first appeared in publications such as the New Yorker and the New York Review of Books, and are now collected into numerous volumes. Collected Poems 1953-1993 brings together almost all of his verse, and a new edition of his Selected Poems is forthcoming fr

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Book SynopsisSet in the year after the 1929 crash and incorporating many autobiographical elements, ‘Babylon Revisited’ tells the story of the widower Charlie Wales, a reformed alcoholic and successful businessman returning to Paris to convince his in-laws to give him back the daughter he abandoned. As the old haunts of the city he used to carouse in seem more and more alien to him, he finds himself assailed by feelings of guilt and regret. Considered one of Fitzgerald’s finest and most poignant pieces of short fiction, 'Babylon Revisited’ is presented here with a selection of other tales published in the same period, such as ‘Crazy Sunday’ – an account of alcoholism and infidelity in Hollywood – which showcase the author at his creative best.Trade ReviewHe was better than he knew, for in fact and in the literary sense he invented a generation. * The New York Times *Table of ContentsContains: A New Leaf, A Freeze-out, Six of One..., Family in the Wind, What a Handsome Pair!, Crazy Sunday, One Intern, More than Just a House, The Fiend, The Night at Chancellorsville, Afternoon of an Author, Financing Finnegan, The Lost Decade, Last Kiss.

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Book SynopsisA fantastic crime collection, including a brand-new Inspector Banks novella, from Number One bestseller Peter RobinsonWhen DCI Alan Banks arrived in Eastvale his life was every bit as much of a mess as it is now. But he is holding an envelope that could change everything he understood about the events that sent him north twenty years ago. Walking again the narrow alleys and backstreets of his mind, he remembers the seedy Soho nights of his last case - dubious businessmen in dodgy clubs, young girls on the game. And a killer on the loose.In addition to the brand new novella that fills in the gaps in Banks''s life before Yorkshire, Peter Robinson gives us ten more brilliant and eclectic stories that have never before been published in the UK.The Eastvale Ladies'' Poker Circle finds that murder may be just another game of risk. Is a suitcase of cash worth a man''s head on a plate? And tragedy leads a young boy to learn the price of love . . .Trade ReviewOutstanding . . . one of the best voices in contemporary fiction * Publishers Weekly *After 18 tales of the fiendishly good DCI Alan Banks, the bestselling author delves into his leading man's past * Shortlist *The Alan Banks mystery-suspense novels are, simply put, the best series on the market * Stephen King *Robinson once again puts his skills to work in a police procedural that grips like pliers * Independent on Sunday *'A must for Robinson completists, of course, but also for anyone who appreciates good stories well told.' * Globe and Mail, Canada *'Peter Robinson has for too long, and unfairly, been in the shadow of Ian Rankin . . . [he deserves a place] near, perhaps even at the top of, the British crime writers' league' * The Times *A police procedural that grips like pliers * Independent on Sunday on FRIEND OF THE DEVIL *

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Book SynopsisA Chinese writer whose marriage has fallen apart travels to Tibet. As he wanders through the countryside, he witnesses the sky burial of a Tibetan woman who died during childbirth, shares a tent with a nomad who is walking to a sacred mountain to seek forgiveness for sleeping with his daughter, meets a silversmith who has hung the wind-dried corpse of his lover to the walls of his cave, and hears the story of a young female incarnate lama who died during a Buddhist initiation rite. In the thin air of the high plateau, the divide between fact and fiction becomes confused and the man is drawn deep into an alien culture he knew nothing about, and which haunts his dreams.Banned in China in 1987, Stick Out Your Tongue, is the hugely influential book that set Ma Jian on the road to exile.Trade ReviewExquisite, earthy stories... Ma writes brilliantly * Independent *At the heart of Ma Jian's stories, there is both humanity and a piercing, if painful, literary truth * Guardian *Ma Jian...creates a stunning vision of a culture too easily and dangerously airbrushed into the ideals of others * Scotland on Sunday *All [these stories] are fascinating windows on the soul of a dying people * The Times *Deadpan yet shot through with subtle empathy and flashes of humour, surreal and unearthly yet steeped in a physicality so immediate that I flinched on at least one occasion. Beautiful...lean style...not a single wasted word...oustanding * Irish Times *

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