Ancient religions and Mythologies Books

Book SynopsisJenny March’s acclaimed Dictionary of Classical Mythology, first published in 1998 but long out of print, has been extensively revised and expanded including a completely new set of beautiful line-drawing illustrations for this Oxbow edition. It is a comprehensive A – Z guide to Greek and Roman mythology. All major myths, legends and fables are here, including gods and goddesses, heroes and villains, dangerous women, legendary creatures and monsters. Characters such as Achilles and Odysseus have extensive entries, as do epic journeys and heroic quests, like that of Jason and the Argonauts to win the Golden Fleece, all alongside a plethora of information on the creation of the cosmos, the many metamorphoses of gods and humans, and the Trojan War, plus more minor figures – nymphs, seers, kings, rivers, to name but a few.In this superbly authoritative work the myths are brilliantly retold, along with any major variants, and with extensive translations from ancient authors that give life to the narratives and a sense of the vibrant cultures that shaped the development of classical myth. The 172 illustrations give visual immediacy to the words, by showing how ancient artists perceived their gods and heroes. The impact of myths on ancient art is also explored, as is and their influence in the post-classical arts, emphasising the ongoing inspiration afforded by the ancient myths.Also included are two maps of the ancient world, a list of the ancient sources and their chronology, the more important genealogies, and an index of recurrent mythical motifs.Praise for the first edition:“… the Dictionary of Classical Mythology is exemplary, indeed the best I have consulted … clearly and engagingly written …it not only gives reliable answers but also encourages reading on.” Simon Goldhill, Times Literary Supplement“a prodigious, authoritative gazetteer, each entry both typographically and stylistically readable, and if you know more than is contained in these pages then you have no need of it.” Nicholas Lezard, Guardian Book of the Week“Greek myths pervade our own art and literature almost as much as they influenced that of classical times, and this will be an invaluable guide.” The Good Book Guide“… a modern encyclopaedia of myth and legend which is user-friendly in layout, presentation and style … vivid and readable.” Paula James, The Classical Review“These stories are frequently the spark that ignites a wider interest in the classical world, and March provides a wealth of inflammatory material.” Charles Paterson, JACT Review“This dictionary will still be valuable all through the next century.” Sir Hugh Lloyd-Jones“… vivid, detailed where it matters, yet concise, accurate, no padding, always to the point – it’s a joy to read.” Herwig MaehlerTable of ContentsContents:PrefaceIntroductionThe DictionaryAppendices:MapsGenealogical TablesGreek and Latin AuthorsSelect BibliographyIllustrations

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Book SynopsisWhen a group of Nationalists use an ancient artifact to bring a villain from Arthurian myth back from the dead, retired monster hunter Bridgette McGuire pulls her unsuspecting grandson Duncan, a museum curator, into a world of magic and mysticism to defeat a legendary threat. Now the two must navigate the complicated history of the McGuire family, all while combating the deadly secrets of England’s past that threaten its very future. New York Times bestselling writer Kieron Gillen (The Wicked + The Divine, Star Wars) and Russ Manning Award-winning artist Dan Mora (Buffy The Vampire Slayer, Klaus) explore the mysteries of the past, the complicated truths of our history and the power of family to save the day…especially if that family has secret bunkers of ancient weapons and decades of experience hunting the greatest monsters in Britain’s history! Collects Once & Future #1-6.

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Book SynopsisExplore the magic of Welsh mythology, and how to incorporate the wisdom of these enigmatic tales into the very fabric of your magical and spiritual practices.

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Book SynopsisRevised 20th anniversary edition. Embrace your magickal awakening with this essential guide to modern paganism. From Wicca to Druidry, Shamanism to Heathenry, Paganism is bound together by a collection of spiritual paths that are rooted in the ancient religions of our world. In this enlightening guide, pioneer of the modern Pagan movement Pete Jennings introduces the core concepts of each unique strand of Paganism, explaining their foundations, beliefs and practices to help you in your own personal spiritual journey. Exploring magick, sacred sites, celebrations and organisations and the pivotal role of nature and the divine, this is your guide to finding the path that feels good and true to you.Trade Reviewan essential reference work...a simply written, highly accessible guide to the pagan way * Prediction *an excellent primer, taking in all the traditional earth-centred rituals as well as the more recent emergence of eco and cyber-paganism * The Times *

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Book SynopsisV. S. Naipaul was born in Trinidad in 1932. He came to England on a scholarship in 1950. He spent four years at University College, Oxford, and began to write, in London, in 1954. He pursued no other profession.His novels include A House for Mr Biswas, The Mimic Men, Guerrillas, A Bend in the River, and The Enigma of Arrival. In 1971 he was awarded the Booker Prize for In a Free State. His works of nonfiction, equally acclaimed, include Among the Believers, Beyond Belief, The Masque of Africa, and a trio of books about India: An Area of Darkness, India: A Wounded Civilization and India: A Million Mutinies Now.In 1990, V. S. Naipaul received a knighthood for services to literature; in 1993, he was the first recipient of the David Cohen British Literature Prize. He received the Nobel Prize in Literature in 2001. He lived with his wife Nadira and cat Augustus in Wiltshire, and died in 2018.

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Book SynopsisJoseph Campbell, arguably the greatest mythologist of the twentieth century, was certainly one of our greatest storytellers. This masterfully crafted book interweaves conversations between Campbell and some of the people he inspired, including poet Robert Bly, anthropologist Angeles Arrien, filmmaker David Kennard, Doors drummer John Densmore, psychiatric pioneer Stanislov Grof, Nobel laureate Roger Guillemen, and others. Campbell reflects on subjects ranging from the origins and functions of myth, the role of the artist, and the need for ritual to the ordeals of love and romance. With poetry and humor, Campbell recounts his own quest and conveys the excitement of his lifelong exploration of our mythic traditions, what he called “the one great story of mankind.”

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Book SynopsisThis is the extraordinary history of the hidden civilizations of the first people of the South American Andes, with over 200 photographs and illustrations. This is a fascinating in-depth guide to the mysterious Inca world, providing an extraordinary insight into everyday life. It offers a vivid account of how the Chavin, Nazca, Moche, Wari, Tiwanaku, Chimu, Inca and other people lived. It explores the daily life of the Incas from birth and childhood, to adulthood, marriage, the rituals of death and burial. Chart the progression of Andean societies from primitive villages to the busy, bustling cities of the Late Horizon period including Tiwanaku, Chan Chan and Cuzco. 200 stunning colour photographs, illustrations and detailed maps accompany a lively text, to create a glorious vision of the Inca world. The lives of the ancient native people of Peru and the Andes are shrouded in mystery and mythology. This volume uncovers the day-to-day realities of the ancient Andean world. Beautiful photographs and illustrations create a pictorial timeline from the first villages to the bustling cities of the late period. Explore the working conditions of the Andean civilizations and the realities of daily life. Delve into the religion and mythology of the Inca world. With over 200 full-colour illustrations, accompanied by engaging text, timelines and a comprehensive glossary, this is a highly readable source of reference for both specialist and general reader.Trade Review"'This book takes you to the very heart of the Inca civilization. From the dizzying heights of the Andean cordilleras to the golden kingdoms of coastal Peru and onwards to the Incas the story unfolds with breathtaking clarity.' (Tony Morrison, photographer and author of Pathway to the Gods)"

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Book SynopsisEmbrace the Wise Woman within you.This oracle is an ode to the Wise Woman within every woman. Through storytelling from myth, folklore and contemporary tales about wise and knowledgeable feminine figures, let the Wise Woman Oracle reconnect you with She Who Knows: the healer, teacher and priestess within you who uses her understanding of her own life experiences, the natural world, and the mysteries of the universe to heal, care for and inspire herself and those around her.

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Book SynopsisWolkow have produced an accurate and elegant translation accompanied by rich commentary.Table of ContentsPrefaceIntroductionThe Orphic HymnsOrpheus to Mousaios1. To Hekate2. To Prothyraia3. To Night4. To Sky5. To Ether6. To Protogonos7. To the Stars8. To the Sun9. To Selene10. To Physis11. To Pan12. To Herakles13. To Kronos14. To Rhea15. To Zeus16. To Hera17. To Poseidon18. To Plouton19. To Zeus the Thunderbolt20. To Astrapaios Zeus21. To the Clouds22. To the Sea23. To Nereus24. To the Nereids25. To Proteus26. To Earth27. To the Mother of the Gods28. To Hermes29. Hymn to Persephone30. To Dionysos31. Hymn to the Kouretes32. To Athene33. To Nike34. To Apollon35. To Leto36. To Artemis37. To the Titans38. To the Kouretes39. To Korbas40. To Eleusinian Demeter41. To Mother Antaia42. To Mise43. To the Seasons44. To Semele45. Hymn to Dionysos Bassareus and Triennial46. To Liknites47. To Perikionios48. To Sabazios49. To Hipta50. To Lysios Lenaios51. To the Nymphs52. To the God of Triennal Feasts53. To the God of Annual Feasts54. To Silenos Satyros and Bacchae55. To Aphrodite56. To Adonis57. To Chthonic Hermes58. To Eros59. To the Fates60. To the Graces61. Hymn to Nemesis62. To Dike63. To Justice64. Hymn to Nomos65. To Ares66. To Hephaistos67. To Asklepios68. To Hygeia69. To the Erinyes70. To the Eumenides71. To Melinoe72. To Tyche73. To Daimon74. To Leukothea75. To Palaimon76. To the Muses77. To Mnemosyne78. To Dawn79. To Themis80. To Boreas81. To Zephyros82. To Notos83. To Okeanos84. To Hestia85. To Sleep86. To Dream87. To DeathNotesSelect BibliographyIndex NominumIndex Locorum

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Book SynopsisWho, or what, is the Green Man, and why is this medieval image so present in our precarious modern times? An encounter with a carving of the Green Man at an ancient church leads Nina Lyon on a search to track him down in all his various guises. Against a backdrop of mountains, forests, rivers and stone circles, a cult of the Green Man emerges, as Nina explores his meaning and how he came into being. Meanwhile, in the woods, from an overgrown Welsh railway line to leafy London suburbia, strange things are happening . . .

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Book SynopsisLearn witchcraft and fine-tune your unique blend of magic with The Door to WitchcraftWhether inciting a light curiosity or a passionate craving, witchcraft is a practice that you can adapt to fit your goals. The Door to Witchcraft shows you the wonders of magic and how you want to practice it. The book begins with an overview of its history, values, and beliefs. Once you have a solid foundation, learn how to tap into your powers and customize your magic practice. Finally, put your powers into action and start practicing spells.Learn everything a beginner needs to know to practice magic, with: An overview of witchcraft?learn what witchcraft is, including terminology, a brief history, and how it fits into the present day and your life. An introduction to core belief systems and values?including nature and the environment, intuition and personal energy, and healing and helping others. A guide to tap into your powers?including techniques to access your power, how to practice different methods of divination, and ways to develop psychic abilities and intuition. A how-to primer on practicing witchcraft?including solitary vs. group spellwork; traditions, rituals, and ceremonies; calendars and cycles; songs, hymns, and chants; and clothing and tools. A directory of spells?including love, health and healing, career, friends and family, spiritual work, and protection. Walk through the door and into the world of witchcraft with this beginner?s guide.

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Book SynopsisGorgeous Collector's Edition which brings to life the culture of one of the great founding civilisations. Companion volume to Egyptian Myths & Legends in the same series, this title brings to life the beginnings of human experience, the irrigation of the Nile, the origins of hieroglyphics in demarcation of land and water resources as the first people of North Africa gathered around the Nile to create one of the greatest and most enduring civilisations, one that fascinated the later titans of Antiquity, the Greeks and Romans. From these lands come the pyramids, the statues and the great Kings such as Khufu (reigning 2589–2566 BC), Hatshepsut (reigning 1478–1458 BC), Amenhotep III (reigning 1388–1351 BC), Akhenaten (reigning 1351–1334 BC), Tutankhamun (reigning 1332–1323 BC) and Ramses II (reigning 1279–1213 BC). Flame Tree Collector's Editions present the foundations of speculative fiction: authors, myths, tales and history without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new Introduction and a Glossary of Terms or lists of Ancient Leaders.

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Book Synopsis‘Immensely informative, wrapped in an engagingly casual tone, complemented by more than a dash of the bizarre. You’d be barking to miss it.’ Professor Michael Scott Can you tell your Odysseus from your Oedipus? In this unique introduction, Philip Womack leads his beloved lurcher Una (and us) on a fleet-footed odyssey through the classical world. From Aeneas to Cerberus to Polydorus, you’ll learn about the world of the Ancient Greeks and Romans and, with a bit of luck, you’ll be able to pass it on to your dog. But maybe best leave out that story of the hounds who tore their very own master limb from limb…Trade Review‘The strength of Womack’s book lies in the enthusiasm with which its author lays on the plate a vast range of material for dog and man… at any moment Brenda Hale, Donna Tartt, David Bowie, Molesworth, Stephen Fry or a reference to an obscure scholarly article… might leap from the page… There’s plenty here, then, to catch the attention and arouse the interest of the curious.’ * Literary Review *‘Engaging and funny and clever. Written with the verve of a novelist and the insights of a scholar. Illuminates the pleasures and relevance of the Classics today.’ -- Dr Harry Sidebottom, Oxford don and author of the bestselling Warrior of Rome series‘Philip’s whimsical tale of classical chats with his dog offers a new kind of introduction to the ancient world: immensely informative, wrapped in an engagingly casual tone, complemented by more than a dash of the bizarre. You’d be barking to miss it.’ -- Professor Michael Scott, Academic, Author and Broadcaster‘Mirabile dictu! Philip Womack and Una – his optima canis – are tremendous companions in their journey round the classical world. The ultimate vademecum…’ * Harry Mount, author of Amo, Amas, Amat… and All That *‘Una’s personality shines through and Womack’s enthusiasm is infectious.’ * Wunderdog *'Lively and informative.' -- Classics For All

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Book SynopsisThis volume is full of exercises, meditations and discussion questions about Paganism for group or individual study. The text explores how the Pagan sacred year is arranged; what Pagans do in ritual; what magic is; and what Pagans believe about God, worship, human nature and ethics.

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Book SynopsisThe centuries between 800 and 300 BC saw an explosion of new religious concepts. Their emergence is second only to man's harnessing of fire in fundamentally transforming our understanding of what it is to be human. But why did Socrates, Buddha, Confucius, Jeremiah, Lao Tzu and others all emerge in this five-hundred-year span? And why do they have such similar ideas about humanity?In The Great Transformation, Karen Armstrong examines this phenomenal period and the connections between this disparate group of philosophers, mystics and theologians.Trade Review"'A remarkable history... fascinating and highly readable... profoundly relevant.' Julie Wheelwright, Independent '[Armstrong] shows a formidable grasp of sacred history and biblical scholarship.' Felipe Fernandez-Armesto, The Times 'Armstrong writes with her customary elegance and lucidity... It would be hard not to learn a lot from this substantial book.' Diarmaid MacCulloch, Guardian 'This book deserves nothing but praise.' Bryan Appleyard, Sunday Times"

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Book SynopsisA concise history of the goddess-like figures who evade both Christian and pagan traditions, from the medieval period to the present dayTrade Review“Europe’s pagan traditions never seem to have been stamped out. Instead, parts of them have been with us all along, as [Hutton] demonstrates in his sprightly—and spritely—account of four female figures: Mother Earth; the Fairy Queen; the Lady of the Night; and the Cailleach of the Gaelic tradition.”—Peter Stanford, Daily Telegraph“Hutton’s arguments are thoughtful and convincing. . . . [He] propose[s] these archetypes as ‘new superhuman figures which operated outside of Christian cosmology.’”—Elizabeth Dearnley, Times Literary Supplement“This is Hutton at his most accessible. . . . It’s tempting but unsound to deduce that these commanding figures who stalk legend and poetry are the remnants of a pre-Christian religion, not least because Hutton unpicks the common assumption that an archaic, peaceful goddess- and Earth-worshipping culture predated a male-dominated sky religion.”—Suzi Feay, Spectator“What an extraordinary historian Ronald Hutton is. . . . Hutton’s account is an investigation not just into pagan goddess figures but into our abiding capacity to believe what we want to believe, and about how fashion governs thought. It’s salutary.”—Melanie McDonagh, The Tablet“Rather than being a pedant seeking to disenchant the world, Hutton treats mistakes and inventions as parts of the biographies of his superhuman subjects. Throughout, he is authoritative yet open-minded, scholarly without being needlessly combative.”—George Morris, Literary Review“From the first chapter on I was hooked, delighted by the way of the author’s clear, objective, rigorous but kindly thoughtful voice reads out from the pages; a wise voice indeed but also a hugely entertaining one.”—Eva Humphrey-Lahti, Druid Network“With his books on (to give only a selection) druids, witches and the ritual year, Ronald Hutton has established himself as a leading authority on paganism.”—Tom Shippey, London Review of Books“The book is a delight, beautifully designed and readable.”—Greenmantle“Complete with some wonderful, coloured illustrations, extensive notes and index, this is a must for anyone interested in the discussion concerning Pagan Survival.”—Morgana Over, Wiccan Rede“A wonderful book, deeply thoughtful and engaging, packed with great research and thought-provoking ideas.”—Marion Gibson, author of Witchcraft: The Basics“This splendid book greatly expands our knowledge of how apparently pagan divine figures of European tradition evolved. By deftly showing what we know—and what we only think we know—the author illuminates how these figures have mattered over the centuries, and continue to do so.”—Mark Williams, author of The Celtic Myths that Shape the Way We Think“England’s favourite historian has done it again! In this series of essays, he traces the histories of four popular feminine figures from folklore, showing us the vitality of human creativity and its shaping of tradition even under periods of religious domination.”—Sabina Magliocco, author of Witching Culture: Folklore and Neo-Paganism in America

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Book SynopsisA beautifully illustrated handbook, profiling more than 50 characters from Greek Mythology “I love Caroline Lawrence and so should you.” - Natalie Haynes “Huge fun!” - Tom Holland Get to know the ancient Greek gods and goddesses...and find out why their stories are still so enthralling today. Discover how to identify each god, demigod, hero or monster from the ancient Greek world through their attributes and symbols, learn about their most famous stories from ancient sources and myths, and find out how these characters were viewed and worshipped in classical times. From Aphrodite to to Dionysus, Helen of Troy to the Minotaur, bestselling author and classicist Caroline Lawrence brings together all the information you need to really get to know the gods and goddesses. Classical sources such as the Homeric epics, ancient art and archaeological finds inform each god's profile, while sections

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Book SynopsisThe mythology and folklore of England is as old as the land itself, rich in symbolism and full of tales of quests and heroic daring-do, ghosts and witches, romantic heroines and noble outlaws. Who hasn’t heard of the master sorcerer Merlin, Robin Hood and his merry men, or the legendary monster Grendel? Beginning with the great Anglo-Saxon epic Beowulf, English Myths explores the early legends of post-Roman England, many of which blend history and myth. The book goes on to examine the rich seam of Arthurian and romantic legends first told in the Medieval era, before looking at English folk heroes and the beasts, witches and ghosts that have haunted the land. Discover the brothers Hengist and Horsa, legendary leaders of the first Angles, Saxons and Jutes to settle in England; learn the tragic story of Cornish hero Tristan and his love for Irish princess Iseult; tremble at the Black Dog ghost, a nocturnal hellhound found stalking the country from Suffolk in the east to Devon in the west; and enjoy the tale of George and the dragon, who saved the nation from a rampaging serpent and became the patron saint of the country. Illustrated with 150 photographs and artworks, English Myths is an accessible, entertaining and highly informative exploration of the fascinating mythology underlying one of the world’s oldest and most influential cultures.Table of ContentsContents to include: ( [[]]=extracted box. ) Introduction Opener: Arrival of ‘Brutus’. 9C story of what already seemed ancient foundation by great grandson of Aeneas (from Historia Brittonum, and Geoffrey of Monmouth’s Historia...). Idea of England’s formation by successive waves of incomers/invaders. Tabula Rasa: England won’t really have been blank cultural slate, but we’ve no idea what stories were told through long centuries from end of Ice Age to arrival of Celts, c. 500 BCE. Cultural Conquest: Or, rather, of Celtic culture. Idea of cultural exchange/as against invasion. Veni, Vidi, Vici: Romans – real invasion, and conscious imposition of new culture and mythology. [[The Road Not Taken: Celtic myth pushed out to the margins (Wales, Scotland, Ireland), though much later, in modern times, brought back into the mainstream – most obviously with Victorian Arthurian revival.]] Christianity began to replace what had been state paganism of Romans – though NB this process not complete by time hold over Britain began to weaken in early 5th Century. 1. Anglo-Saxon Advent Romano-British culture in its turn replaced after arrival of Anglo-Saxons. (NB this too bit more gradual than word ‘invasion’ would suggest – brief history.) Hengist and Horsa (5C): Legendary brothers said to have led the Angles, Saxons and Jutes in their invasion of Britain in 5C; Horsa was killed fighting the Britons, but Hengist successfully conquered Kent, becoming the forefather of its Jutish kings. Who they were. Germanic mythology – pantheon (Woden, Frigg, Tunor, Tiw), folklore not unlike (but by no means identical to) famous ones of Viking myth. Elves, Nicor, Dragons. [[Romans would in retrospect be mythologized themselves: A-S poem The Ruin sees remains of Roman Bath as the ‘work of giants’.]] Some earlier, Celtic stories subsequently seen through A-S filter: Herne the Hunter; Wild Hunt. 2. Beowulf Beowulf is a legendary Geatish hero (so from Götaland in S. Sweden) in the eponymous epic poem, one of the oldest surviving pieces of literature in the English language. ‘Hwaet ...’: Bardic background. Mead-hall culture and the heroic (Homeric-style) storyteller. Importance of oral tradition. [[‘Gemunde ...’ (‘I remember ...’): Oral tradition in transmission of myth.]] Story itself: exploits of Beowulf and his battles, 1) with a monster named Grendel; 2) with Grendel’s revengeful mother; then, finally, 3) with a dragon, guardian of a hoard of treasure. His death and mourning follow. Scribal Censors? Poems like Beowulf and FF written down by Christian monks. Influence to some extent evident in texts (Biblical allusions etc). Just how much did they help shape these stories as we’ve come to know them now? 3. Danish Domination ‘Finnesburg Fragment’ – Anglo-Saxon poem about battle between Danes and Frisians (which is also described in Beowulf). Vikings, Dane’s especially, casting a long and growing shadow over Anglo-Saxon life and myth. Briefest of outlines of Viking origins, culture, religion and myth, esp. in sort of heroic (so bardic and Beowulf-like) aspects foregrounded in the Sagas. [[England in the ‘Iceland’ Sagas – basically, seen as part of a ‘greater Scandinavia’ at this time; point amplified by Beowulf (about Geats; FF Danes and Frisians).]] Myth and history not clearly demarcated at this time: mythic material crops up in supposedly historical narrative and vice-versa. Alfred the Great (849–899) a special focus for these stories: In 878, burns the cakes in Athelney, Somerset before defeating the Viking Great Heathen Army at the Battle of Edington. [[Hagiographic Hero: Religion brought a mythology all its own, especially in hagiography (saints’ lives). St Edmund, East Anglian King killed (or martyred) by GHA, 869.]] Battle of Brunanburh: real battle (937) that took on mythic status in Anglo-Saxon poem. ‘Never, before this,/were more men in this island slain/by the sword's edge – as books and aged sages/confirm – since Angles and Saxons sailed here...’ Murder of King Edward the Martyr (c. 962–78); Aethelraed the Unready (c. 966–1016; ‘Danegeld’); Denmark’s Cnut (c. 990–1035) and North Sea Empire (and quarrel with the tide). 4. Arthurian Legend Coming of Normans brought further overlayering of existing culture (cf. Romans, A- S, above), though more obviously at top of society than at bottom. Idea of chivalry brought in from continental courts. King Arthur (late 5th and early 6th centuries AD): a legendary leader who, according to medieval histories and romances, led defence of Britain against Saxon invaders. But most of the stories that made it into the mythic legacy aren’t about this epic combat but the romances of the court, and the ‘Knights of the Round Table’. The Matter of Britain and the ‘Arthurian’ heritage of English myth. Central idea of Arthur and his Knights presented a sort of mythic centre around which endless other narratives could be woven. [[Other Matters: NB not just English writers but continental ones like Chrétien de Troyes, Gottfried von Strassburg, etc, wrote Arthurian works with British settings. There were other acknowledged story-cycles: Matter of France (or ‘Franks’ as we’d see it now, so stories of Charlemagne’s empire); Matter of Rome – again, not quite as we’d see it: more classical antiquity – Trojan War and rise of Alexander the Great.]] Many elements and incidents appear in Geoffrey's Historia ... (c. 1136), including Arthur's father Uther Pendragon; the magician Merlin; Arthur's wife Guinevere; the sword Excalibur; Arthur's conception at Tintagel; his final battle against Mordred at Camlann, and final rest in Avalon [[Joseph of Aramathea and Glastonbury]]. Sir Gawain and the Green Knight: Gawain accepts a challenge from a mysterious ‘Green Knight’ who dares any knight to strike him with his axe if he will take a return blow in a year and a day. [[Green Knight’s relation to Green Man as wider symbol of fertility and rebirth.]] Tristan and Iseult: Tragedy about the adulterous love between the Cornish knight Tristan and the Irish princess Iseult. [[Celtic Connections: 14C romance Sir Launfal – exiled from Arthur’s court, and destitute, taken up by Fairy Queen as lover. Involvement of this supernatural dimension points to Celtic origins of story. These have been suggested for much Arthurian material.]] Tinged with nostalgia. Arthurian romances already involved the high-medieval reinvention of an early-medieval king (if he ever existed). We can’t help but read them now through a 19C filter. Victorian vogue: Tennyson, Pre-Raphaelite art, etc. 5. Noble Knights and Ladies Fair Arthurian stories only the most famous in a wider genre of chivalric romance ... For example, mid-13C King Horn, a chivalric romance in Middle English. Saint George and the Dragon: The legend goes that Saint George, a Roman soldier in the 10th century, came across a town plagued by an evil dragon about to kill the king of England’s daughter. George is said to have slain the dragon, freed the town and rescued the princess, thus becoming the patron saint of England. Myth became far removed from origins, George remodelled as a medieval knight. [[Naked Courage: Lady Godiva (dates to at least the 13th century): 12C English noblewoman who, according to legend, rode naked – covered only in her long hair – through the streets of Coventry to gain a remission of the oppressive taxation that her husband imposed on his tenants.]] Guy of Warwick (dates to the 13th century): Legendary English hero of Romance popular in England and France from the 13th to 17th centuries. Fighting Back: Stories of dispossessed nobles having to fight for what’s rightly theirs. Gamelyn (14C); Fulk FitzWarin (c. 1180–1350). Shropshire nobleman cheated of lands by King John. Fought to get them back. Real-life figure but acquired semi- legendary status after death. Became sort of prototype figure for ... 6. Robin Hood ‘I cannot say my Pater Noster as perfectly as the priest does,/But I know my rhymes of Robin Hood ...’ First mention comes (in John Langland’s Piers Plowman) in the 1370s. Heroic outlaw of English folklore who, according to legend, was a highly skilled archer and swordsman. The folk hero became surrounded by a whole folk history (Richard I’s worthless brother John usurping his kingdom while warrior king away at Crusades; Sheriff of Nottingham and Sir Guy of Gisborne his oppressive representatives on the ground), but NB this didn’t happen till 16C. RH traditionally depicted dressed in Lincoln green (cf. Green Man, above p. xxx) and living beyond the law in Sherwood Forest, reserved as royal hunting ground. [[The People’s Weapon: The Longbow.]] A yeoman (explain) in the earliest ballads, he is said to rob from the rich and give to the poor. Succession of stories introducing key Merry Men: Little John, Will Scarlet, Much the Miller’s Son, Allen a Dale, Friar Tuck (a late addition). [[Sherwood on Stage: associated with May celebrations, so late-medieval festive plays; popular dramas written in Elizabethan and Jacobean periods too.]] Archery Contest. A Woman’s Touch: RH’s Merry Men later (again 16C) joined by Merry Woman in enchanting shape of Maid Marian. Her addition marks growing sophistication and acceptance of story as romance (i.e. literary, more courtly pretensions), rather than straightforward folktale. RH’s comparative gentleness – and his gentility, his courteous way with ladies – an indication of this. Tendency culminates in RH’s elevation (in 1622 ballad by Martin Parker) to rank of Earl of Huntingdon, who has more in common with dispossessed aristocrats of previous chapter (‘Fighting Back’) than popular brigand we might have imagined. RH reinvented yet again in 19C by e.g. Chartists Thomas Miller (novelist) and W.J. Linton (poet); romantic patriot Walter Scott and followers: for both these groups RH became A-S freedom fighter battling Norman domination. [[Historicity, in so far as he has any: Loxley, Yorkshire; grave at Kirklees (and Little J’s at Hathersage).]] 7. From the Piskies to Puck Cornish Piskies: stories of piskie interactions with humans tell how they have the power to abduct, befuddle and lead people astray over the landscape. This conception of the fairy folk as malicious and often ugly an old, originally-Celtic one. Idea survives in Cornish (esp. West Penwith) tradition of the Spriggan. Just about makes it into modernity in wider English tradition in figure of Puck or Robin Goodfellow, often referred to in 16C but most famously now in Shakespeare’s portrayal of Puck, sometimes known as Robin Goodfellow, is a domestic and nature sprite, demon or fairy, in A Midsummer Night’s Dream (c. 1595). Shakespeare’s Puck is mischievous and sometimes spiteful, but not actually evil. It’s in this play, moreover, that Shakespeare ‘invents’ the tiny, cute, benevolent fairies we think of nowadays. ‘Queen Mab’, in Romeo and Juliet (c. 1591), a sort of female version of Robin Goodfellow, seems to have originated in Shakespeare’s imagination. Generally, though, sense now creeping in that the fairies are a source of entertainment rather than of fear. Hence the story of ... Tom Thumb: The first fairy tale printed in English, Richard Johnson’s The History of Tom Thumb was published in 1621, though the character appears to have existed earlier in the folk tradition. Given ploughman father’s grief at his childlessness, mother seeks help from Arthur’s court magician Merlin. Tom, who’s delivered by fairy midwives, is no bigger than his father's thumb. His adventures include being swallowed by a cow, tangling with giants, and becoming a favourite of King Arthur. 8. Bogeymen and Beasts Jack o’ Kent: (16C, or earlier) a cunning figure from Herefordshire/Monmouth with an aptitude for outwitting the devil. The Lincoln Imp: Grotesque carving in Cathedral. Satan sent two imps to Earth to cause mischief. On reaching Lincoln, the imps began damaging the Cathedral before being stopped by an angel who turned one to stone. Witches: Heart on a wall above a window overlooking market square in Kings Lynn, Norfolk, supposedly marks the point at which it was struck by the heart of Margaret Read, which leapt from her body as she burned at the stake for witchcraft in 1590. Arguably whole story of witchcraft in England is a long and elaborate myth, but consequences – for men and (mainly) women, here and at e.g. Pendle, Lancashire, 1612, were all too real. Grindylow – This water-dwelling bogeyman from Yorkshire or Lancashire has long sinewy arms, and is famed for drowning children in bogs and pools. (NB associated with trad. of Grendel, p. xxx, above.) Jenny Greenteeth – Green-skinned with long hair and sharp teeth, she pulls children or the elderly into water to drown them. The Black Dog legend – In 16th century Suffolk, this calf-sized malevolent hound with saucer-sized glowing red eyes is a harbinger of doom and death. The black dog is essentially a nocturnal apparition, in some cases a shapeshifter, and is often said to be associated with the Devil or described as a ghost or supernatural hellhound. Beast of Bodmin Moor: a black panther-like beast seen roaming this wild and isolated landscape in Southwest England (and not usually a habitat for big cats). Spring-Heeled Jack, Victorian urban Legend. Diabolical figure, 10 ft tall, who hopped over houses. [[Hairy Hands of Dartmoor: Disembodied hands causing car accidents on B3212, Dartmoor, since 1910.]] Famous Phantoms: Anne Boleyn, Blickling Hall, Norfolk; Jane Seymour and Katherine Howard, Hampton Court; Sir Francis Drake, Buckland Abbey, Devon; Welsh rebel Owain Glyndwr, among several others, at Croft Castle, W. Midlands; Longleat’s Grey Lady; Roman Legionary, Treasurer’s House, Yorks ... [[The Cock Lane Ghost: an 18C sensation.]] Index

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Book SynopsisAn immersive and mesmerizing narrative that reimagines the Mesopotamian myth of the Great FloodA long time ago, the gods grew tired of humans and decided to send a flood to destroy them. But Ea, the god of fresh underground water, didn''t agree. He advised one of his devotees, Utnapishtim, to build a quadrangular boat to house humans and animals, and saved these living creatures from the Flood.Rather than punish Utnapishtim for his disobedience, Enlil, King of the gods, granted the mortal eternal life and banished him to the island of Dilmun. Thousands of years later, when Sinbad the Sailor is shipwrecked and arrives on that very same island, the two begin a conversation about courage, loss, salvation and sacrifice.Trade ReviewA universe of blood, violence, and magic . . . A vigorous rendering of the remote past * Kirkus *Stimulating . . . Calasso's style calls to mind [Italo] Calvino's dreamlike fabulism . . . and Parks's translation is beautifully rendered and gripping, maintaining Calasso's dreamlike tone . . . Calasso vividly creates a world of gods and humankind that is unfamiliar, poetic, and memorable. This slim volume packs a potent and thought-provoking punch * Publishers Weekly *The 11th volume of the late Italian writer and polymath's investigation of ancient religion interprets Mesopotamian mythology to tell the story of Utnapishtim, an eternal figure who saved life on Earth from a catastrophic flood sent by vengeful and murderous gods * The New York Times *

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Book SynopsisMyths in every culture explain our origins, the earths creation, gods and monsters, demons, the afterlife and the underworld. This book gathers together themes and stories from every culture, showing how myths share many common patterns, and how the human imagination is expressed in all its diversity.Trade Review'A treasure-house of illustrations … erudite and enjoyable' - Contemporary Review'A gorgeous survey of the world’s mythologies' - Fortean TimesTable of ContentsThe Supernatural Realm: Gods and Goddesses, Sun, Moon, Underworld • The Earth: Creation, Mountains, Floods, Trees, Springs • Humankind: Twins, Sexuality, Dreams, the Eye, Death • Gifts from the Gods: Kingship, Laws, Fire, Beauty • The Animal Kingdom: Cows, Lions, Eagles, Peacocks, Turtles • Symbolic Substances: Gold, Blood, Apples, Salt, Honey • Heroes and Heroines: Heracles, Thor, Theseus, Arthur, Gilgamesh • Quests, Journeys and Epics: Jason, Odysseus, Holy Grail, the Ramayana

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Book SynopsisJapan’s origin story dates from the eight century CE, written in the Kojiki and Nihon Shoki. From the first creation of heaven, earth and the Japanese archipelago from the tip of a spear by the gods Izanagi and Izanami, Shinto and Buddhist traditions make up the cornerstones of Japanese mythology. Japanese Myths provides a clear, concise introduction to this fascinating if little- known world. Find out about Hachiman (八幡神), the mighty god of war and the divine protector of Japan and its people. Marvel at Fujin (風神), the god of the wind, a popular but terrifying demon – his bag of air is thought to move all the world’s winds, and he is a powerful force of nature alongside his brother, the thunder god Raijin. See Hotei (布袋), the “Laughing Buddha” and one of the most well-known symbols of Buddhism – rubbing his belly is said to bring good luck. And enjoy the myth of Shita-kiri Suzume, or “Toung-Cut Sparrow”, which explores the effects of greed, friendship and jealousy. Illustrated with 150 photographs and artworks, Japanese Myths is an accessible, entertaining and highly informative exploration of everything from the kami holy spirits venerated in Shinto religion to the divine origins of the Japanese imperial family.Trade ReviewWhat sets this book apart is Clegg's ability to blend scholarly research, travel writing and sociological analysis into one accessible and charming guide. Her summaries reflect her expertise and experiences of living in Japan, offering readers a glimpse into the nuances of Japanese culture … Japanese Myths is a beautifully illustrated reference guide which covers the beliefs, customs and historical events that form the basis of Japanese society, and this is what makes it worth purchasing beyond a separate collection of translated myths … this book would make a lovely gift for someone with a developing interest in Japan. -- Amanda Savita Alexander * EastWestNotes.com *When I picked up this book, I expected it to be a layman's guide to Japanese myths, maybe even like a Scary Stories to Tell in the Dark collection of short stories explaining them. Looking back, I have no idea why I thought that. It's actually better than that. Clegg's book is essentially a textbook-level comprehensive view of how Japanese belief has changed with its history, and it's an excellent reference. -- Samuel Morris * NetGalley *Table of ContentsContents to include:Introduction: Sources Two important sources for Japanese myths as they are recognized today are the Kojiki and the Nihon Shoki. The Kojiki, or “Record of Ancient Matters,” is the oldest surviving account of Japan’s myths, legends, and history. Additionally, the Shintōshū describes the origins of Japanese deities from a Buddhist perspective Creation Myths & Cosmology According to this legend, after the creation of Heaven and Earth, the gods Izanagi and Izanami were given the task of forming a series of islands that would become what is now Japan. In Japanese mythology, these islands make up the known world. The creation of Japan is followed by the creation of the gods (kamiumi). The origins of the Sun and the Moon are accounted for in Japanese mythology through the myth of Izanagi's return from Yomi. After spending so much time in Yomi, Izanagi cleansed himself with a purification ceremony. As Izanagi cleansed himself, the water and robes that fell from his body created many more gods. Kami - Other Spirits and Deities Amaterasu (天照) is the Japanese sun goddess, daughter of creator deities Izanagi and Izanami, and central to the Shinto religion. Ame-no-Uzume is the Japanese goddess of the dawn, known for her merriment and humor. Benzaiten is a joyous Japanese goddess, dispenser of luck and wisdom. Daikokuten (大黒天) is the Japanese god of luck and fortune-seeking, who favors the bold. Hoderi is the Japanese kami of the sea, whose magical fish hook gave him power over all the ocean’s bounty. Inari (稲荷) is one of the most popular Japanese deities, a kami with influence over rice, tea, general prosperity, smithing, and foxes. Kichijoten (吉祥天) is Japanese Buddhism’s version of the Indian goddess Lakshmi. FEATURE: The Seven Lucky Gods Heroes & Legends The tale of first Emperor Jimmu is considered the origin of the Imperial family. Emperor Jimmu is considered to be the human descendant of Amaterasu the Sun goddess. His ascension to the throne marked the ‘Transition from Age of the Gods to Human Age’. There are many Japanese heroes that are associated with specific locations in Japan, and others that are more well-known across the archipelago. Some heroes are thought to have been real people, such as the Forty-seven rōnin, but their legacy has been transformed into great folktales that depict the historical figures as more gifted, powerful, or knowledgeable than the average person. The heroic adventures of these heroes range from acts of kindness and devotion, such as the myth of Shita-kiri Suzume, to battling frightful enemies, as in the tale of Momotaro. Mythological Creatures & Objects These four creatures are also referred to by a variety of other names, including "Four Guardians", "Four Gods", and "Four Auspicious Beasts". They are the Azure Dragon of the East, the Vermilion Bird of the South, the White Tiger of the West, and the Black Tortoise (also called "Black Warrior") of the North. Kirin were originally introduced to Japan via Chinese myths and legend, where they are known as qilin. Over time, the Chinese and Japanese version diverged into slightly different creatures. In Japan, the kirin is considered to be the most powerful and sacred beast of all, surpassing the hō-ō and tatsu in power. Ghosts and Urban Legends In addition to the most powerful gods and goddesses, there are also millions of kami, or “holy powers,” associated with forces of nature, geographical features, and the spirits of the venerated dead. Yōkai (妖怪, "strange apparition") are a class of supernatural entities and spirits in Japanese folk-lore. Their behavior can range from malevolent or mischievous to benevolent (friendly, fortuitous, or helpful) to humans. FEATURE: Ebisu is one of Japanese mythology’s Seven Lucky Gods, the kami of luck, wealth, and prosperity. Jovial and generous, he is the patron of fishermen and also very popular with corporations and restaurants. Index

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Book Synopsis''Thought-provoking and charmingly rendered.'' GuardianImagine a world where seductive male sirens lure brave heroines to their death, where Icara and her mother fly too close to the sun, and where beautiful men are forced to wed underworld queens...For thousands of years, Greek myths have been told and retold. In these stories, brutality and bravery are reserved for men, while women are wicked witches or helpless maidens. Today, these myths continue to shape our ideas about justice, tragedy and what makes a hero''s journey. Karrie and Jonathan love these stories, and have found a way to breathe new life into them by making one crucial change...Following the incredible success of Gender Swapped Fairy Tales they have taken that same simple step. They haven't rewritten the stories in this book. They haven't reimagined the endings, or reinvented characters. What they have done is switch all the genders.You'll be enchanted by t

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Book SynopsisA broad selection of more than 350 poems, blessings, prayers, poems, and dramatic readings that Pagans and Witches can incorporate into their spiritual practice

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Book SynopsisExamines how the similarities of symbols and wisdom across many cultures point to an ancient civilizing plan and system of ancient instruction • Reveals the shared cosmological knowledge of Dogon and Maori cultures, ancient Egypt, Gobekli Tepe, Vedic India, the pre-Indian Sakti civilization, Buddhism, the Tibetan Bon religion, and the kabbalistic tradition of the Hebrews • Explores symbols and techniques used to frame and preserve instructed knowledge as it was transmitted orally from generation to generation • Explains how this shared ancient knowledge relates to the precessional year and the cycles of time known as the yugas Exploring the mystery of why so many ancient cultures, separated by time and distance, share remarkably similar cosmological philosophies and religious symbolism, Laird Scranton reveals how this shared creation tradition upholds the idea that ancient instruction gave birth to the great civilizations, each of which preserves fragments of the original knowledge. Looking at the many manifestations of this shared cosmological knowledge, including in the Dogon and Maori cultures and in ancient Egypt, Gobekli Tepe, Vedic India, Buddhism, the Tibetan Bon religion, and the kabbalistic tradition of the Hebrews, Scranton explores the thought processes that went into formulating the archetype themes and metaphors of the ancient symbolic system. He examines how commonly shared principles of creational science are reflected in key terms of the ancient languages. He discusses how the primal cosmology also transmitted key components of sacred science, such as sacred geometry, knowledge of material creation, and the nature of a nonmaterial universe--evidence for which lies in the orientation of ancient temples, the drama of initiations and rituals, and countless traditional myths. He analyzes how this shared knowledge relates to the precessional year and the cycles of time known as the yugas. He also explores evidence of the concept of a nonmaterial twin universe to our own--the “above” to our “below” in the famous alchemical and hermetic maxim. Through his extensive research into the interconnected wisdom of the ancients, Scranton shows that the forgotten instructional tradition at the source of this knowledge was deliberately encoded to survive for countless generations. By piecing it back together, we can discover the ancient plan for guiding humanity forward toward greater enlightenment.Trade Review“An engrossing and informative book, Primal Wisdom of the Ancients puts the reader in front of a coruscating kaleidoscope of context with the turn of each page. Rather than research more evidence for cultural diffusion, Laird Scranton takes a refreshing approach from his already opulent opus and successfully amalgamates the purpose underlying the patterns and principles perpetuated by the primordial tradition. This book is not only a valuable contribution to the study of comparative cosmology but also serves as an initiation into the greater mysteries of the esoteric tradition. The only ritual required for the initiate to perform is to read it!” * Anyextee, esoteric researcher, documentary filmmaker, and founder of Adapt Expeditions *“Primal Wisdom of the Ancients is fascinating in Laird Scranton’s descriptions of the parallels of the cosmologies of diverse cultures throughout the ancient world and the contemporary Dogon culture. His descriptions open the door to a deeper understanding of the evolution of our cosmological consciousness.” * Nicholas Brink, author of Ecstatic Soul Retrieval *Table of ContentsAn Introduction to Comparative Studies1 Motives and Intentions of the Esoteric Tradition 2 What Makes Us Think There Was a Plan? 3 Dynamics and Principles of Symbolism 4 Metaphors of the Cosmology 5 The Aligned Shrine 6 Anthropomorphism 7 The Role of Myth 8 Symbolic Aspects of Angular Momentum 9 Symbolism of Time and Space 10 Mythology of Light 11 Lessons in Sacred Geometry 12 Nonmaterial to Material Translation13 Self-Confirmation of Meaning 14 Dynamic of the Initiate and Informant 15 The Nature of Water 16 Unity and the Dimensionality of Numbers 17 Extended Symbolism of Language 18 Discriminating Knowledge CONCLUSION Final Thoughts on the Cosmological Plan Notes BibliographyIndex

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Book SynopsisIn the middle of the third century, a girl was born on the north-eastern frontier of the Roman empire. Eighty years later, she died as Flavia Iulia Helena, Augusta of the Roman world and mother of the first Christian emperor Constantine, without ever having been married to an emperor herself. In Helena Augusta: Mother of the Empire, Julia Hillner traces Helena''s story through her life''s peaks, which generated beautiful imperial artwork, entertaining legends as well as literary outrage. But Helena Augusta also pays careful attention to the disruptions in Helena''s life course and in her commemoration--disruptions that were created by her nearest male relatives. Hillner shows that Helena''s story was not just determined by the love of a son or the rise of Christianity. It was also--like that of many other late Roman women--defined by male violence and by the web of changing female relationships around her, to which Helena was sometimes marginal, sometimes central and sometimes ancillary. Helena Augusta offers unique insight into the roles of imperial women in Constantinian self-display and in dynastic politics from the Tetrarchy to the Theodosian Age, and it also reminds us that the late Roman female life course, even that of an empress, was fragile and non-linear.Trade ReviewUsing tools developed for feminist historiography, Hillner has retrieved the historical mother of Constantine the Great from the realm of legend. Her reconstruction is engaging, filled with shrewd insight, and well-grounded in ancient sources. She is especially good at using material culture to lead into deeper discussions. Instead of the saintly Helena who discovered the True Cross, we now have a living, breathing person who can teach us a great deal about the history of women in the fourth century. * H. A. Drake, author of A Century of Miracles: Christians, Pagans, Jews and the Supernatural, 312-410 *In many respects this is a great book and a fascinating read...It will rapidly become the standard monograph on Helena. The book's greatest value, however, lies in how Hillner explains the role of Tetrarchic and Constantinian women in dynastic politics. * Jan Willem Drijvers, University of Groningen, Plekos *In many respects this is a great book and a fascinating read. It does a much better job than previous studies of outlining Helena's life against the background and in the context of political and dynastic entanglements during the Tetrarchy and the reign of Constantine. It will rapidly become the standard monograph on Helena. * Stefan Vranka, Plekos *This is a very rich and rewarding...book...Offer[s] much to those interested in Roman women and Roman history, those interested in female power, its contingencies and limits. * Journal of Roman Studies *The study represents a significant advancement in understanding the history of the fourth century AD. Additionally, the study stands out for its meticulous examination of all available literary sources and previous research, as well as for its careful and clear statements on the historical issues of the Constantinian era. Furthermore, the study excels in its precise examination of the archaeological evidence, which is often used as the starting point for individual chapters. Another strength of the work is Hillner's keen focus on the regional contexts of the presentation of imperial female roles and functions... With this research approach, the author consolidates her detailed network and communication analysis, which, as mentioned, proves to be highly productive for the Constantinian era. * Bryn Mawr Classical Review *Table of ContentsAcknowledgements Abbreviations Timeline of the Constantinian, Valentinian and Theodosian Dynasties Dramatis Personae Family Tree Maps Introduction: Writing Helena The Case for (Chronological) Biography Writing Helena's Life Forwards: Of Places, Gaps and Relationships Helena, Dynasty, and Power Part I: Extra (c. 248-c.289) Chapter 1: On the Frontiers Demographics Helena and the 'Crisis of the Third Century' Meeting Constantius Chapter 2: Weather Eye on the Horizon Legalities Helena at Naissus and Salona Helena's Tetrarchy Part II: Off-Stage (c. 289-c. 317) Chapter 3: Sister Act Lost Girl: Theodora Fausta's Nose Pruning the Tree Waiting in the Wings, Becoming Christian? Chapter 4: The Necklace Affair The Tomb at %Sarkamen Divine Mothers The Augusta in the East Fair Game: Empresses as Prey Part III: Centre-Stage (c.317-c.329) Chapter 5: Keeping Up Appearances The Road to Thessalonica: A Wedding, a Conspiracy, and a War The Augusta-Double Fausta, Super Star Chapter 6: Roman Holiday Palace Life Helena and Constantine's Churches in Rome New Look Chapter 7: Four Deaths and an Anniversary Murders in the Family Becoming Genetrix Chapter 8: From Here to Eternity The Travelling Empress: Conflicting Portraits Helena, the Pilgrim? On the Road A New Jezebel Empresses in the Holy Land Part IV: Curtain and Encores (c.329-c. 600) Chapter 9: Burying an Empress Final Honours Rebranching the Tree Coming Through Slaughter Chapter 10: Silence of the Empress Extending Helena: Constantina Burying Empresses, One More Time Countering Helena: Justina Chapter 11: New Model Empress Ambrose's Helena Reviving Helena's Look: Flaccilla and Thermantia Reviving Helena in Action Emulating Helena: Galla Placidia and Eudocia A 'New Helena' in Name: Pulcheria Being Helena: Radegund Epilogue Ancient Sources Modern Studies Index

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Book SynopsisThrough its five attributes of Love, Law, Wisdom, Liberty, and Knowledge, the Pearl Pentacle shows you how to engage intimately with your community.

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Book Synopsis420 Spells, Rituals, and Techniques to Take Your High to New HeightsPresenting daily entries as well as entries for each sabbat, moon phase, and solar event, Kerri Connor helps you embrace your full power through cannabis.Each month includes easy-to-do prompts for enriching your practice, catering to your preferred method of cannabis consumption. Explore chants, simmer pot recipes, shadow work exercises, meditations, and more. Stock your witch''s cupboard with recommendations for plant essences and recipes for smokable blends, herbal beverages, and bong water infusions.These heady, thought-provoking practices will help you connect with powerful plant, animal, environmental, elemental, and astrological energies, enhancing both your daily life and spiritual journey.

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Book SynopsisAimed at a self-development market, thistimely and fresh take on that perennial bestseller the Art of War challenges us to see the text not as a tool forwarfare but as a guide to inner harmony and personalfulfilment.

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Book Synopsis‘Wow! I thought I knew a thing or two about astrology, but Rich has stirred the pot and brought new ways of working with the Universe into being.’David Wells, astrologer and the author of The Tree of Life OracleAccess the ancient wisdom of the runes to cast your birth chart and reveal your destiny with this essential guide to runic astrology. Richard Lister explores the powerful combination of the ancient Nordic symbols of the runes and the millennium-old tradition of astrology. Through a unique combination of mythos and practical advice you will discover:· the deep cosmic art of runic astrology· your Runic Star Path or birth chart· your connection to the energy of the cosmos through your Sunna (Sun), Manni (Moon) and Jord (Earth/rising) runes· the effect of the wandering gods – what it means when the gods ‘go retrograde’· how to uncover the hidden codes to access your cosmic luck and good fortuneWith this powerful knowledge, you can connect with the energy of the universe to navigate your way through life with passion, prosperity and purpose.

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Book SynopsisEmbrace the power of the divine in this beginner's guide to some of mythology's fiercest females and most legendary ladies Across thousands of years and countless civilizations, goddesses have been a powerful presence. Whether as leaders, mothers, warriors or lovers, these indomitable divinities have always been able to fascinate and seduce us. This pocket guide offers readers an engaging and accessible introduction to a selection of the most powerful and influential goddesses throughout ancient and modern history, retelling their stories and celebrating their awesome abilities. Each profile includes a concise history of the goddess and her origins, a summary of her main powers, a look at the goddess in myth and popular culture and an exploration of her best attributes. Learn about the Athena, the Greek goddess of wisdom and war; Bastet, the Egyptian goddess of pleasure and protection; the beautiful Freyja, the Norse goddess of love, and many others. Let yourself be inspired and empowered by tales of feminine power, strength and wisdom in this pocketbook of dazzling deities.

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Book SynopsisBased on ethnographic research among contemporary Pagan communities in Southern Italy (Salento, Apulia), The Spider Dance challenges (uni)linear ideas and experiences of time and temporality by showing the interconnectedness of alternative historicities, healing, and place-making among persons engaged in reviving, continuing, or re-creating traditional Pagan practices. The Spider Dance looks at local Pagans and at their ritual practice and interpretation of the traditional dance and music called pizzica. Pizzica is associated with tarantismo, a phenomenon present in that area for hundreds of years and attested until the second half of the XX century. Affecting mostly (but not only) women, tarantismo has been described in the form of malaise and physical suffering thought to be provoked by the bite of tarantula spiders and cured with pizzica music and dance. At the turn of the century tarantismo disappeared and new forms, called neotarantismi, emerged. The Spider Dance describes a novel "spiritual" form of neotarantismo and highlights its connections with contemporary forms of magic and healing. The relevance of The Spider Dance is not limited to a description of particular Pagan groups and practices. It also makes some key practical and theoretical contributions to the anthropological study of magic, of contemporary religions, of "historicities," and to scholarly debates around complementary medicine and "well-being," in Italy and abroad.

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Book SynopsisPagan Religions in Five Minutesprovides an accessible set of essays on questions relating to Pagan identities and practices, both historically and in contemporary societies as well as informative essays on different Pagan groups, such as Druidry, Wicca, Heathenry and others.

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Book SynopsisDirect perception and experience led our ancestors to the discovery that the success of many activities in daily life is subject to natural rhythms and the position and phases of the moon. Moon Time shows:* The way to a healthy life based on timeless knowledge that we have either forgotten or learned to ignore* The influence of the moon and other natural rhythms on health and healing* Healthy nourishment and living in harmony within the cycles of the moon* The power of the mind* The influence of all these aspects on body, mind and spirit. Here is knowledge that will stay with you for life. This is the medical science of the future.Trade ReviewEssential if you want to put your body back in tune with nature. * Daily Mail *

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Book SynopsisNo area of Greek life was wholly untouched by religion, and a basic knowledge of this aspect of life is essential to anyone seeking a proper understanding of the classical world. In this engaging survey Robert Garland brings out the unique quality of Greek religion - its practical and worldly approach to man's relationship with the divine - and shows how religious ritual was integral to the daily routine of both public and private life.

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Book SynopsisImagine the forest. As darkness falls, the somber beeches disappear in misty twilight and shadows seem to gather under their branches. Far away, the blackbird''s call tells of the coming of the night. The birds cease their singing, silence descends, soon the beasts of the night will make their appearance. Between tangled roots, hidden by nettles and brambles, the earth seems to ripple. A few humps of earth seem to emerge from the ground. They are the last traces of burial mounds, of mounds, which were tall and high 2500 years ago. Many of them have disappeared, hidden by tangled roots of beech and oak, ploughed flat by careless farmers, others again show caved-in tops where grave robbers have looted the central chamber. The locals shun these hills. There are tales that strange fires can be seen glowing on the mounds, and that on spooky nights, great armed warriors arise from their resting places. Then the doors to the deep are thrown open and unwary travelers have to beware of being invited into the halls of the dead and unborn. Here the kings of the deep feast and celebrate, time passes differently and strange treasures may be found. Who knows the nights when the gates are open? Who carries the primrose, the wish-flower, the strange blossom that opens the doors to the hollow hills?

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Book SynopsisWhat is so special about spring water? How are wells holy? Why are so many known for 'the healing of eyes'? The ancient holy wells of the British Isles are amongst the most beautiful and magical places anyone can visit. Often untouched by all but the most delicate hands, and located in some of the most secret nooks and crannies of the country, their stories evoke a lost world of pagan gods, healing forces, second sight and holy visions. This beautiful book, beautifully illustrated throughout by the author, tells the story of the holy waters of the British Isles through hand-picked examples. A useful gazetteer at the back of the book catalogues further rewarding sites to visit. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

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Book SynopsisThe essential text and classic study of Neo-PaganismSince its original publication, Drawing Down the Moon continues to be the only detailed history of the burgeoning but still widely misunderstood Neo- Pagan subculture. Margot Adler attended ritual gatherings and interviewed a diverse, colorful gallery of people across the United States, people who find inspiration in ancient deities, nature, myth, even science fiction.   In this edition, featuring an updated resource guide of newsletters, journals, books, groups, and festivals, Margot Adler takes a fascinating and honest look at the religious experiences, beliefs, and lifestyles of modern America's Pagan groups.

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Book SynopsisCelebrate the seasons and magical holidays—from Samhain to Beltane, Litha to Yule—alongside the lunar cycles of each month, in this beautifully illustrated guide to the wheel of the year, from bestselling author of Practical Magic Nikki Van De Car.The Wheel of the Year: A Guide to Sabbats, Lunar Cycles, and the Stars Above is a handbook that guides readers through the process of finding magic throughout a full year, allowing them to fully embody the practice of living a magical life. Drawing from ancient traditions and modern insights, this almanac invites mystical practitioners of any level to embrace the cycles of nature and the celestial dance of the stars. The beginning of each month includes an overall theme of that lunar cycle, derived from various cultures and indigenous traditions of North America. And every week, readers will find guidance on where to turn their attentions, as well as a suggested spell. Each spell is crafted to harmonize with the astrological energies of the week, deepening the magical practice. The weekly prompts throughout The Wheel of the Year are punctuated by a deeper look into the magical sabbats, including Samhain, Yule, Imbolc, Ostara, Beltane, Litha, Lammas, and Mabon, with each marking a significant spoke on the ever-turning wheel of the year. Each sabbat represents a moment of transformation and reflection, allowing us to attune ourselves to the natural world, honor the changing seasons, and align ourselves with the magic that surrounds us. By embracing these ancient celebrations, we tap into the collective wisdom of our ancestors. The rituals, meditations, spells, and insights are designed to empower, awaken the intuition, and encourage a deeper connection to the natural world and the magic that goes along with that. Stunning, full-color illustrations throughout provide further inspiration for crafting a magical life deeply rooted in the rhythms of the sky.  

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