Ancient Greek and Roman

Book Synopsis'Funny, sharp explications of what these sometimes not-very-nice women were up to!' – Margaret Atwood, author of The Handmaid's TaleThe Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.Now, in Pandora's Jar: Women in the Greek Myths, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Pandora and her jar (the box came later) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk.Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora – the first woman, who according to legend unloosed chaos upon the world – was not a villain, and even Medea and Phaedra have more nuanced stories than generations of retellings might indicate.After millennia of stories telling of gods and men, be they Zeus or Odysseus, the voices that sing from these pages are those of Hera, Athena and Artemis, and of Clytemnestra, Jocasta, Eurydice and Penelope.'A treasure box of classical delights. Never has ancient misogyny been presented with so much wit and style' - historian Amanda ForemanTrade ReviewReading Pandora's Jar: Women in the Greek Myths by Natalie Haynes: Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on! -- Margaret AtwoodIf I'm ever prosecuted, I'd like Natalie Haynes to defend me. She argues persuasively, carving out space for women denied a voice (Medusa), overshadowed (Jocasta) and unjustly condemned (Helen of Troy) . . . Agile, rich, subversive, Pandora's Jar proves that the classics are far from dead, and keep evolving with us. -- Madeleine Feeny * Mail on Sunday *Haynes is a brilliant classicist as well as a stand-up comedian and with her latest offering, Pandora's Jar, she has effectively written the first textbook codifying this new feminist take on the Greek myths. -- Neil Mackay * Herald *Hugely enjoyable and witty * Guardian *Impassioned and informed . . . When Haynes gets down to retelling the stories . . . and teasing out their distortions and elisions, the book flies. * Sunday Times *An erudite, funny and sometimes angry attempt to fill in the blank spaces. -- Stephanie Merritt * Observer *The best kind of academic writing; engaged, engaging and fun (Beyoncé, Ray Harryhausen and Buffy the Vampire Slayer all turn up within). * Herald, Christmas Books 2020 *Witty and frequently surprising -- Farah Abdessamad * TLS *Beyoncé, Star Trek, Ray Harryhausen . . . the most enjoyable book about Greek myths you will ever read, absolutely brimming with subversive enthusiasm. -- Mark HaddonWitty, erudite and subversive, this takes the women of Greek myth—the women who are sidelined, vilified, misunderstood or ignored—and puts them centre stage. -- Samantha Ellis, author of How to Be a Heroine and Take CourageNatalie Haynes is beyond brilliant. Pandora’s Jar is a treasure box of classical delights. Never has ancient misogyny been presented with so much wit and style. -- Amanda ForemanNatalie Haynes is the nation's muse -- Adam RutherfordNatalie Haynes is both a witty and an erudite guide. She wears her extensive learning lightly and deftly drags the Classics into the modern world. I loved it. -- Kate Atkinson, author of Life After Life

Read more less

Book SynopsisConfronted by natural and supernatural threats - shipwrecks, battles, monsters and the implacable enmity of the sea-god Poseidon - Odysseus must use his wit and native cunning if he is to reach his homeland safely and overcome the obstacles that, even there, await him.Trade Review“[Robert Fitzgerald’s translation is] a masterpiece . . . An Odyssey worthy of the original.” –The Nation “[Fitzgerald’s Odyssey and Iliad] open up once more the unique greatness of Homer’s art at the level above the formula; yet at the same time they do not neglect the brilliant texture of Homeric verse at the level of the line and the phrase.” –The Yale Review “[In] Robert Fitzgerald’s translation . . . there is no anxious straining after mighty effects, but rather a constant readiness for what the occasion demands, a kind of Odyssean adequacy to the task in hand, and this line-by-line vigilance builds up into a completely credible imagined world.” –from the Introduction by Seamus Heaney

Read more less

Book SynopsisHarperCollins is proud to present its new range of best-loved, essential classics.Alas that mortalsShould blame the gods! From us, they say,All evils come. Yet they themselvesIt is who through defiant deedsBring sorrow on them-far more sorrowThan fate would have them bear.'Attributed to the blind Greek poet, Homer, The Odyssey is an epic tale about cunning and strength of mind. It takes its starting point ten years after the fall of the city of Troy and follows its Greek warrior hero Odysseus as he tries to journey to his home of Ithaca in northwest Greece after the Greek victory over the Trojans.On his travels, Odysseus comes across surreal islands and foreign lands where he is in turn challenged and supported by those that he meets on his travels as he attempts to find his way back home in order to vanquish those who threaten his estate. In turn, his son Telemachus has to grow up quickly as he attempts to find his father and protect his mother from her suitors.Dealing with the univer

Read more less

Book SynopsisHarperCollins is proud to present its incredible range of best-loved, essential classics.When Paris falls in love with legendary beauty Helen of Troy, the devastating effects of their affair on their families and fellow citizens are unimaginable. Battle lines are drawn, alliances are forged, and as the Greeks and Trojans march into battle, the resilience and humanity of all will be tested.In his epic story of divine ego, human frailty, and the ravages of war, Homer created an unforgettable cast of characters, whose moral dilemmas and heroic deeds will stay with readers long past the final pages of this book. Samuel Butler's famous prose translation of Homer's original brings the epic to an entirely new generation of readers.

Read more less

Book SynopsisA TIMES BOOK OF THE YEARWhat is the nature of things? Must I think my own way through the world? What is justice? How can I be me? How should we treat each other?Before the Greeks, the idea of the world was dominated by god-kings and their priests, in a life ruled by imagined metaphysical monsters. 2,500 years ago, in a succession of small eastern Mediterranean harbour-cities, that way of thinking began to change. Men (and some women) decided to cast off mental subservience and apply their own worrying and thinking minds to the conundrums of life.These great innovators shaped the beginnings of philosophy. Through the questioning voyager Odysseus, Homer explored how we might navigate our way through the world. Heraclitus in Ephesus was the first to consider the interrelatedness of things. Xenophanes of Colophon was the first champion of civility. In Lesbos, the Aegean island of Sappho and Alcaeus, the early lyric poets asked themselves How can I be true to myself?' In Samos, Pythagoras Trade Review A TIMES BOOK OF THE YEAR ‘What links all Nicolson’s writing, though, is a tireless and tigerish sense of wonder and curiosity; a bounding willingness to immerse himself and his reader deeply in his subject: life… I’m not sure I’ve ever read a book that marries such profundity with such a sense of fun. How to Be delivers wholeheartedly on the promise of its vaunting title. It is like a net strung between the deep past and the present, a blueprint for a life well lived’ OBSERVER ‘This eminently readable tour of Greek philosophy from approximately 650 to 450 B.C. brings the ‘sea-and-city world’ of Heraclitus and Homer to life . . . [He shows] the early Greeks developed intellectual habits, chief among them the use of questioning as the basis of knowing, which laid the groundwork for Socrates, Plato, and Aristotle, and for how we reason today’ NEW YORKER ‘Wise, elegant . . . richer and more unusual than [the self-help genre], an exploration of the origins of Western subjectivity’ WASHINGTON POST 'Seductive… a poetic tour of philosophical thought’ SPECTATOR ‘Passionate, poetic, and hauntingly beautiful, Adam Nicolson’s account of the west’s earliest philosophers brings vividly alive the mercantile hustle and bustle of ideas traded and transformed in a web of maritime Greek cities.. In this life-affirming, vital book, those ideas sing with the excitement of a new discovery’ David Stuttard ‘It’s hard not to be dazzled by this book … No one else writes with the originality, energy and persuasiveness of Adam Nicolson. It’s like encountering the Greek sea. It takes your breath away’ Laura Beatty, bestselling author of Lost Property

Read more less

Book SynopsisA BBC RADIO 4 BOOK OF THE YEAR LONGLISTED FOR THE ANGLO-HELLENIC LEAGUE RUNCIMAN AWARD 2022 ‘Peter Fiennes’s road trip around Greece [is] engagingly described’ Mary Beard, TLS ‘Fiennes is a brilliant and generous guide through Greece’ Observer ‘A wonderful… really profound meditation on what it means to hope… a gorgeous excursion into Greece and across the centuries on an environmental quest’ BBC Radio 4 Open Book Book of the Year choice by Anita Roy What do the Greek myths mean to us today? It’s now a golden age for these tales - they crop up in novels, films and popular culture. But what’s the modern relevance of Theseus, Hera and Pandora? Were these stories ever meant for children? And what’s to be seen now at the places where heroes fought and gods once quarrelled? Peter Fiennes travelTrade Review‘Peter Fiennes’s road trip around Greece – engagingly described in A Thing of Beauty – began with a visit to Lord Byron’s house… Fiennes’s tough talk and his down-to-earth refusal to put up with pretentious silliness contributes a lot to the pleasure of the book… [he] is well attuned to the ambivalence of hope.’ -- Mary Beard, Times Literary Supplement‘Fiennes is a brilliant and generous guide… a must-read.’ -- Alex Preston, Observer‘This book is a lament for a poisoned planet… He goes in search of the numinous but relishes the bathos of modernity… not so much a travelogue as an excursion into the psyche of Anthropocene man.’ * Literary Review *‘A wonderful book by a wonderful writer.’ -- Tom Holland‘A wonderful… really profound meditation on what it means to hope… a gorgeous excursion into Greece and across the centuries on an environmental quest’ * BBC Radio 4 Open Book BOOK OF THE YEAR choice by Anita Roy *‘A Thing of Beauty is an immensely pleasurable read. It takes you on an adventure around Greece and the myths that the ancients told there. But what really stayed with me were the reflections on storytelling, joy, and hope. Essential reading for our pandemic and pollution ravaged times.’ -- Helen Morales, author of Antigone Rising: The Subversive Power of the Ancient Myths‘Peter Fiennes has a way of making even the most serious of subjects enjoyable and riveting to the end, and A Thing of Beauty is certainly no exception, this is great travel writing that makes the reader a part of the adventure, and one of the most engaging and enjoyable books I’ve read this year.’ -- Pilgrim House‘A deeply humane travelogue, a beautifully written book of stories, A Thing of Beauty is a siren song for Greece and a generous and precious gift – a classical education for those of us who are bereft of one.’ -- Patrick Barkham, natural history writer and author of Wild Child‘Peter Fiennes… follows in the footsteps of Pausanias, Lord Byron and others to rediscover some of the most evocative landscapes and sites from classical myth.’ -- Argo‘Fiennes is a brilliant and generous guide through Greece. He weaves the ancient world and the modern together with intelligence and elegance… There’s a wry Sebaldian humour at work here … A Thing of Beauty is a must-read for anyone visiting Greece.’ -- Alex Preston, Observer‘A Thing of Beauty is an entertaining, erudite travelogue through Greece, both ancient and modern.’ * Foreword Reviews *‘An evocative and informative book… It’s for anyone interested in the Greek Gods and their myths, the Greek countryside and wildlife, Greek politics and history, climate change and sustainable living, whether there’s any hope in the world today… and just how many Greek salads can one man eat? If you’re interested in more than one of those topics, it’s definitely the book for you.’ * Greece Travel Secrets *‘Fiennes sets out to explore the birthplace of Western civilization, Greece, in search of Hope… It’s a highly personal travelogue…with the historical and modern-day detail that late British travel writer Jan Morris might bring to the task.’ -- Booklist, starred review‘Passionate and lyrical’ * Publishers Weekly *‘An enjoyable journey through Greek myths and modernity in [Fiennes’s] search for hope, beauty and new understanding of our world.’ * Choice Magazine *‘In A Thing of Beauty, myths are not presented as dust-covered artefacts but vibrant, living, often frightening things that, like Greek gods, still affect and manipulate our lives. The quest that Peter Fiennes undertakes is of urgent relevance in this time of environmental change. Startling, informative and often very funny.’ -- Nick Hunt, author of Outlandish‘Fiennes is a talent and an important voice. His search for hope in the stories of the past feels vital for these times.’ -- Rob Cowen, author of Common Ground‘A Thing of Beauty is such a joy. Peter Fiennes invites us to travel with him to visit the ancient Oracle at Delphi as he searches for hope while the pre-vaccine pandemic is at its height and the wild fires rage. Self-deprecating, funny, deeply knowledgeable about Greek mythology, yet simultaneously confronting the challenges that face our world head-on, Fiennes is a most delightful travelling companion.’ -- Katharine Norbury, author of The Fish Ladder and editor of Women on Nature

Read more less

Book SynopsisA rigorously and imaginatively researched anthology of classical literature, bringing together one hundred stories from the rich diversity of the literary canon of ancient Greece and Rome. Striking a balance between the 'classic classic' (such as Dryden's translation of the Aeneid) and the less familiar or expected, Of Gods and Men ranges from the epic poetry of Homer to the histories of Arrian and Diodorus Siculus and the sprawling Theogony of Hesiod; from the tragedies of Aeschylus and Euripides to the biographies of Suetonius and Plutarch and the pen portraits of Theophrastus; and from the comedies of Plautus to the fictions of Petronius and Apuleius. Of Gods and Men is embellished by translations from writers as diverse as Queen Elizabeth I (Boethius), Percy Bysshe Shelley (Plato), Walter Pater (Apuleius's Golden Ass), Lawrence of Arabia (Homer's Odyssey), Louis MacNeice (Aeschylus's Agamemnon) and Ted Hughes (Ovid's Pygmalion), as well as a number of accomplished translations by Daisy Dunn herself.Trade ReviewThis book is a big and wonderful read for anyone who loves classical literature... Each story is a truly fascinating tale of wars, endless fighting, heroes, deaths, beautiful women – Helen features, of course – gods and goddesses, cruelty, pain and love * Pennant Magazine *This is an excellent collection. Everyone needs to know the Classics, and this volume is a good place not just to start but also to continue and depend one's love for the Ancients * Catholic Herald *The book is perfect gift material but really, you should treat yourself to it first * Minerva *This anthology is hard to beat for big names * BBC History Magazine *

Read more less

Book SynopsisThe Poems of Catullus describes the lifestyle of the Latin poet Catullus, his friends, and his lover, Lesbia. Catullus writes about each of his subjects in tones unique to them. With wild stories of the trouble and comradery shared by his friends, Catullus provides insight on more scandalous aspects of high society Roman culture. However, Catullus’ most shocking and compelling subject is his lover, Lesbia, the wife of an aristocrat. The two share a secret and sensual love, taboo not just because of the infidelity, but because Lesbia is many years older than Catullus. Throughout his poems, Catullus depicts their complicated relationship, first in a tender, lustful way, detailing their affairs, then gradually becomes more heated with angst and confusion. In his exploration of their relationship, Catullus embodies the possibility of simultaneously loving and hating someone. With vivid emotion and imagery, The Poems of Catullus provide a clear picture of the poet, his friends, and his lover and invoke a strong impression on its audience. Because of the deep emotions infused with each word and the visceral depictions of ancient Roman life, this collection of poetry is relatable to a modern-day audience, and is an essential educational source. Catullus paved the way and inspired change in the art of poetry, influencing countless poets and poetry styles. The Poems of Catullus also helped create the idea of poetry as a profession. The Poems of Catullus serves a valuable and educational source, enlightening audiences on the culture of the upper-class of the late Roman Republic. However, because Catullus also explores the complex human emotions regarding friendship, sex, and love, The Poems of Catullus have proven to be a timeless testament to the duality of humankind, embracing emotions that lie between the extremes in the spectrum of feeling. Catering to a contemporary audience, this edition of The Poems of Catullus features a new, eye-catching cover design and is reprinted in a modern font to accompany the timeless exploration of human emotion and the humorous, exciting life events of the influential poet Catullus.

Read more less

Book SynopsisA quirky insight into how to live like an Ancient Greek - in twenty-five easy stages.

Read more less

Book SynopsisA TIMES BOOK OF THE YEARWhat is the nature of things? Must I think my own way through the world? What is justice? How can I be me? How should we treat each other?Before the Greeks, the idea of the world was dominated by god-kings and their priests, in a life ruled by imagined metaphysical monsters. 2,500 years ago, in a succession of small eastern Mediterranean harbour-cities, that way of thinking began to change. Men (and some women) decided to cast off mental subservience and apply their own worrying and thinking minds to the conundrums of life.These great innovators shaped the beginnings of philosophy. Through the questioning voyager Odysseus, Homer explored how we might navigate our way through the world. Heraclitus in Ephesus was the first to consider the interrelatedness of things. Xenophanes of Colophon was the first champion of civility. In Lesbos, the Aegean island of Sappho and Alcaeus, the early lyric poets asked themselves How can I be true to myself?' In Samos, Pythagoras Trade Review A TIMES BOOK OF THE YEAR ‘What links all Nicolson’s writing, though, is a tireless and tigerish sense of wonder and curiosity; a bounding willingness to immerse himself and his reader deeply in his subject: life… I’m not sure I’ve ever read a book that marries such profundity with such a sense of fun. How to Be delivers wholeheartedly on the promise of its vaunting title. It is like a net strung between the deep past and the present, a blueprint for a life well lived’ OBSERVER ‘This eminently readable tour of Greek philosophy from approximately 650 to 450 B.C. brings the ‘sea-and-city world’ of Heraclitus and Homer to life . . . [He shows] the early Greeks developed intellectual habits, chief among them the use of questioning as the basis of knowing, which laid the groundwork for Socrates, Plato, and Aristotle, and for how we reason today’ NEW YORKER ‘Wise, elegant . . . richer and more unusual than [the self-help genre], an exploration of the origins of Western subjectivity’ WASHINGTON POST 'Seductive… a poetic tour of philosophical thought’ SPECTATOR ‘Passionate, poetic, and hauntingly beautiful, Adam Nicolson’s account of the west’s earliest philosophers brings vividly alive the mercantile hustle and bustle of ideas traded and transformed in a web of maritime Greek cities.. In this life-affirming, vital book, those ideas sing with the excitement of a new discovery’ David Stuttard ‘It’s hard not to be dazzled by this book … No one else writes with the originality, energy and persuasiveness of Adam Nicolson. It’s like encountering the Greek sea. It takes your breath away’ Laura Beatty, bestselling author of Lost Property

Read more less

Book Synopsis

Read more less

Book SynopsisA tale of Odysseus and his ten-year journey home after the Trojan war forms one of the earliest and greatest works of Western literature. Confronted by natural and supernatural threats - from the witch Circe who turns his men into pigs, to the twin terrors of Scylla and Charybdis.Trade Review“[Robert Fitzgerald’s translation is] a masterpiece . . . An Odyssey worthy of the original.” –The Nation “[Fitzgerald’s Odyssey and Iliad] open up once more the unique greatness of Homer’s art at the level above the formula; yet at the same time they do not neglect the brilliant texture of Homeric verse at the level of the line and the phrase.” –The Yale Review “[In] Robert Fitzgerald’s translation . . . there is no anxious straining after mighty effects, but rather a constant readiness for what the occasion demands, a kind of Odyssean adequacy to the task in hand, and this line-by-line vigilance builds up into a completely credible imagined world.” –from the Introduction by Seamus Heaney

Read more less

Book Synopsis''The most truthful translation ever, conveying as many nuances and whispers as are possible from the original'' The TimesAfter a century of civil strife in Rome and Italy, Virgil wrote the Aeneid to honour the emperor Augustus by praising his legendary ancestor Aeneas. As a patriotic epic imitating Homer, the Aeneid also set out to provide Rome with a literature equal to that of Greece. It tells of Aeneas, survivor of the sack of Troy, and of his seven-year journey: to Carthage, where he falls tragically in love with Queen Dido; then to the underworld,; and finally to Italy, where he founds Rome. It is a story of defeat and exile, of love and war, hailed by Tennyson as ''the stateliest measure ever moulded by the lips of man''.Translated with an Introduction by DAVID WESTTrade Review"Fitzgerald's is so decisively the best modern Aeneid that it is unthinkable that anyone will want to use any other version for a long time to come." —New York Review of Books"From the beginning to the end of this English poem ... the reader will find the same sure control of English rhythms, the same deft phrasing, and an energy which urges the eye onward." —The New Republic"A rendering that is both marvelously readable and scrupulously faithful.... Fitzgerald has managed, by a sensitive use of faintly archaic vocabulary and a keen ear for sound and rhythm, to suggest the solemnity and the movement of Virgil's poetry as no previous translator has done (including Dryden).... This is a sustained achievement of beauty and power." —Boston Globe

Read more less

Book SynopsisVirgil''s masterpiece and one of the greatest works in all of literature, now in a beautiful clothbound edition designed by Coralie Bickford-SmithVirgil''s Aeneid, inspired by Homer and the inspiration for Dante and Milton, is an immortal poem that sits at the heart of Western life and culture. Virgil took as his hero Aeneas, legendary survivor of the fall of Troy and father of the Roman race. In telling a story of dispossession and defeat, love and war, he portrayed human life in all its nobility and suffering, in its physicality and its mystery.Trade Review"A new and noble standard bearer . . . There's a capriciousness to Fagles's line well suited to this vast story's ebb and flow." -The New York Times Book Review (front page review) "Fagles's new version of Virgil's epic delicately melds the stately rhythms of the original to a contemporary cadence. . . . He illuminates the poem's Homeric echoes while remaining faithful to Virgil's distinctive voice." -The New Yorker "Robert Fagles gives the full range of Virgil's drama, grandeur, and pathos in vigorous, supple modern English. It is fitting that one of the great translators of The Iliad and The Odyssey in our times should also emerge as a surpassing translator of The Aeneid." -J. M. Coetzee

Read more less

Book SynopsisDeals with literature's grandest evocation of life's journey, at once an ageless human story and an individual test of moral endurance. This title presents you with the author's best-loved poem, recounting Odysseus' wanderings after the Trojan War.Trade ReviewWonderfully readable... Just the right blend of roughness and sophistication. (Ted Hughes)Robert Fagles is the best living translator of ancient Greek drama, lyric poetry, and epic into modern English. (Garry Wills, The New Yorker)Mr. Fagles has been remarkably successful in finding a style that is of our time and yet timeless. (Richard Jenkyns, The New York Times Book Review)

Read more less

Book SynopsisLatin Poetry in the Ancient Greek Novels establishes and explores connections between Greek imperial literature and Latin poetry. This work challenges conventional thinking about literary and cultural interaction of the period, which assumes that imperial Greeks were not much interested in Roman cultural products (especially literature). Instead, it argues that Latin poetry is a crucially important frame of reference for Greek imperial literature. This has significant ramifications, bearing on the question of bilingual allusion and intertextuality, as well as on that of cultural interaction during the imperial period more generally. Three of these novels in particular-Chariton''s Chaereas and Callirhoe, Achilles Tatius'' Clitophon and Leucippe, and Longus'' Daphnis and Chloe-are analysed for the extent to which they allude to Latin poetry, and for the effects (literary and ideological) of such allusion. After establishing the cultural context and parameters of the study, each chapter pursues the strategies of an individual novelist in connection with Latin poetry. The work offers the first book-length study of the role of Latin literature in Greek literary culture under the empire, and thus provides fresh perspectives and new approaches to the literature and culture of this period.Trade ReviewJ.'s comprehensive study is a serious and timely piece of scholarship that will make a difference in the study of the Greek novel and the reception of Latin authors in the Greek world. * Stefan Tilg, Journal of Roman Studies *This book is one of the most ambitious in recent scholarship on the Ancient Greek novel ... The large, intensely detailed product of Jolowicz's thorough investigations merits the scrutiny not only of experts on the Greek Novel but of scholars engaged in the broader question of (Roman) Greek intertextual affiliation with earlier Latin literary texts. * Calum Maciver, Classical Journal *This groundbreaking and engagingly written book is a welcome addition to the corpus of scholarly literature on allusion and intertextuality in the ancient Greek novels. * Jo Norton-Curry, Classical Review *Jolowicz's rigorously argued and methodologically convincing monograph deserves to be read widely, and with close attention. * Malcolm Heath, Greece & Rome *The book is convincing, well written, and a model of methodology. * Marie - Pierre Bussières, Bryn Mawr Classical Review *Table of ContentsNotes On Editions and Translations Abbreviations Introduction 1: Chariton and Latin Elegy I: The Language of Love 2: Chariton and Latin Elegy II: Ovidian Letters and Exile 3: Chariton and Vergil's Aeneid 4: Achilles Tatius and Latin Elegy 5: Achilles Tatius and Vergil's Aeneid 6: Achilles Tatius and the Destruction of Bodies: Ovid, Lucan, Seneca 7: Longus and Vergil Conclusion Works Cited

Read more less

Book SynopsisBetween 2010 and 2017 Scapegoat Carnivale presented new performances of Euripides’s Medea and Bacchae and Sophocles’s Oedipus Tyrannus. This book reproduces Scapegoat’s adaptations and invites readers to encounter these texts, giving them the tools to better understand where they came from and their relevance in contemporary theatre and life.

Read more less

Book SynopsisBetween 2010 and 2017 Scapegoat Carnivale presented new performances of Euripides’s Medea and Bacchae and Sophocles’s Oedipus Tyrannus. This book reproduces Scapegoat’s adaptations and invites readers to encounter these texts, giving them the tools to better understand where they came from and their relevance in contemporary theatre and life.

Read more less

Book Synopsis''It''s you who are the dogs...''

Read more less

Book SynopsisThis Element surveys transmissions of ancient Greek and Latin texts into anglophone literatures. Creativity through translation is a defining feature. It explores numerous textual manifestations and reasons for invention, along with integrations of thinking on classical translation over the centuries, helping shape present-day translation studies.Table of Contents1. By way of the classics; 2. Conductors of homer; 3. American arrangements; 4. Paratextual possessions; References.

Read more less

Book SynopsisWhat makes us human? What, if anything, sets us apart from all other creatures? Julia Kindt unpacks ten ancient stories of marvelous mythical beings to explore bold new ways of thinking about humanity that reach from antiquity to the present and ultimately challenge our understanding of who we really are.Trade Review'Julia Kindt has found a miraculous new lens through which to scrutinise our oldest, most loved stories and find in them colours, shapes and qualities that we have never really seen before. Humankind's relationship with animals has been examined through archaeology, history and art, but never before, to my knowledge, through myth, legend and story. The insights that this absorbing and imaginative approach reveal are enthralling and profound. The stories are told with wit, imagination and sparkle; the animals who star in them brought wondrously to life.' Stephen Fry'Kindt's wide-ranging volume tackles a question seldom addressed in the ever-expanding literature of ancient animal studies: how do non-human animals make us human? Investigating this question through an examination of ten animals and animal types that appear in classical mythology and history and live on in recent literature and art, she offers fresh insights on issues central to ancient animal studies, including the nature of animal intellect and emotion, the ethical obligations of human beings toward other species, and the significance of hybridity and metamorphosis. Kindt's scrupulously researched yet highly readable text will prove informative and stimulating to classical scholars and non-specialists alike.' Stephen T. Newmyer, Duquesne University'In this beautifully written and timely book, Julia Kindt provides a fascinating account of how humans use real and imaginary animals to think about what it means to be human and an eloquent defence of the power of storytelling. With each of its chapters comparing classical and modern sources in innovative, accessible and engaging ways, The Trojan Horse and Other Stories is sure to start an important conversation about how the ancient world foreshadows our contemporary consideration of the human-animal relation.' Chris Danta, Australian National University'The stories from ancient Greece are foundational for all our imaginations – and they are some of the best and long-lasting stories we have! Julia Kindt is a wonderful guide to what they are, what they mean and how they have influenced us.' Simon Goldhill, University of CambridgeTable of ContentsIntroduction; 1. The Sphinx (Sphinx aenigmatica); 2. Xanthus, Achilles' Speaking Horse (Equus eloquens); 3. The Lion of Androclus (Panthera leo philanthropus); 4. The Cyclops (Cyclops inhospitalis); 5. The Trojan Horse (Equus troianus); 6. The 'Trojan' Boar (Aper troianus ostentator); 7. The Political Bee (Apis politica); 8. The Socratic Gadfly (Haematopota oxyglotta socratis); 9. The Minotaur (Hybrida minotaurus); 10. The Shearwaters of Diomedea (Calonectris diomedea transformata); Conclusion.

Read more less

Book SynopsisThis book opens up new perspectives on the English fantasy writer J.R.R. Tolkien, arguing that he was an influential thinker of utopianism in 20th-century fiction and that his scrutiny of utopias can be assessed through his dialogue with antiquity. Tolkien's engagement with the ancient world often reflects an interest in retrotopianism: his fictional places cities, forests, homes draw on a rich (post-)classical narrative imagination of similar spaces. Importantly for Tolkien, such narratives entail eutopian' thought experiments: the decline and fall of distinctly classical' communities provide an utopian blueprint for future political restorations; the home as oikos becomes a space where an ideal ethical reciprocity between host and guest can be sought; the ancient forest' is an ambiguous, unsettling site where characters can experience necessary forms of awakening. From these perspectives, tokens of Platonic moderation, Augustan restoration, Homeric xenophilia, and the OvidiTrade ReviewMore than a simplistic sources-and-influences study of the classical origins of some of Tolkien’s literary creations, this book dives deeply into material others have only skimmed or avoided altogether. Williams also does justice to the influence of Tolkien’s Catholic beliefs on the philosophical/theological foundations upon which much of his legendarium rests, avoiding doctrinaire axe-grinding for or against Tolkien’s religion. This book is essential. -- Jonathan Evans, Professor of English and Linguistics, University of Georgia, USAFascinating, erudite, timely, and theoretically informed, J.R.R. Tolkien's Utopianism and the Classics deftly traces Tolkien’s classicism and its use to explore utopic possibilities and their elusiveness. Tolkien devotees and scholars of high fantasy, utopia studies, and classical reception in fantasy will find Williams’ book essential reading. -- Jesse Weiner, Associate Professor of Classics, Hamilton College, USATable of ContentsAcknowledgements List of Abbreviations Introduction: Utopianism and Classicism: Tolkien’s New/Old Continent 1. Lapsarian Narratives: The Decline and Fall of Utopian Communities in Middle-Earth 2. Hospitality Narratives: The Ideal of the Home in an Odyssean Hobbit 3. Sublime Narratives: Classical Transcendence in Nature and Beyond in The Fellowship of the Ring Epilogue Notes Bibliography Index

Read more less

Book SynopsisThis is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race Trade ReviewScreening Love and War in Troy: Fall of a City helps orient viewers to the series’ many points of reference in ancient Greek and Roman mythology, literature, and art, including the lost Epic Cycle, traditions of tragic drama, and Virgil’s Aeneid alongside the foundational Homeric Iliad. The chapters offer a range of approaches to topics in the story, in the series as an example of television and cinema, and in how both have been received by audiences. This volume is a thought-provoking study of Troy: Fall of a City and is likely to be of interest to fans as well as other students of classical receptions on screen. -- Benjamin Eldon Stevens, Visiting Assistant Professor of Classical Studies, Trinity University, USATo conclude, on a personal level, I willingly admit that this well-rounded volume helped me better understand and appreciate the series. * Bryn Mawr Classical Review *Table of ContentsList of Illustrations Notes on Contributors Foreword by Derek Wax, Executive Producer, Troy: Fall of a City Editors’ Acknowledgments List of Episodes Introduction: Screening Love and War in Troy: Fall of a City (Monica S. Cyrino, University of New Mexico, USA and Antony Augoustakis, University of Illinois, Urbana-Champaign, USA) PART I. Epic Narrative 1. Binge for Me, O Muse: Episodes, Books, and Cycles (Dan Curley, Skidmore College, USA) 2. Delineating the Divine: Gods and Religion at Troy (Lisa Maurice, Bar-Ilan University, Israel) 3. From Judgment to Fall: Aphrodite and Paris (Monica S. Cyrino, University of New Mexico, USA) 4. Sympathy for Troy’s Jezebel: Helen as Antihero (Meredith E. Safran, Trinity College, USA) 5. The Curse of Troy: Odysseus’ Story (Emma Stafford, University of Leeds, UK) PART II. Cast and Character 6. Racist Reactions to Black Achilles (Rebecca Futo Kennedy, Denison University, USA) 7. Pussy Politics: Women and Power in the Homeric Patriarchy (Kirsten Day, Augustana College, USA) 8. Queering Troy: Freedom and Sexuality (Thomas E. Jenkins, Trinity University, USA) 9. Heroic Hairstyles and Manless Amazons at Troy (Walter D. Penrose, San Diego State University, USA) 10. Costume Changes: Dressing Helen of Sparta and Troy (Stacie Raucci, Union College, USA) PART III. Tragic Resonances 11. Fallen Heroes: Recasting Ajax and the Greeks on Screen (Anastasia Bakogianni, Massey University, New Zealand) 12. Family vs. Compassion: Odysseus and the Ethics of War (Meredith Prince, Auburn University, USA) 13. Bloody Brides: Iphigenia, Helena, and Ritual Exchange (Amy L. Norgard, Truman State University, USA) 14. Kings of Men and Sacrificial Daughters (Krishni Burns, University of Illinois at Chicago, USA) 15. Lessons for Leaders: Destiny, Devotion, and Self-Deception (Brian Cooke, independent scholar, USA) Epilogue: Troy: Fall of a City and its Ancient Sources (Diana Burton, Victoria University of Wellington, New Zealand) Bibliography Filmography Index

Read more less

Book SynopsisIoannis Ziogas is Associate Professor in the Department of Classics and Ancient History at Durham University, UK. He is the author of Law and Love in Ovid (2021). Erica Bexley is Associate Professor of Classics at Durham University, UK. She is the author of Seneca's Characters: Fictional Identities and Implied Human Selves (2022).Table of Contents1. Introduction: Roman Law and Literature (Ioannis Ziogas Durham University, UK and Erica Bexley Durham University, UK) PART I: Literature as Law 2. The Force of Literature (Michèle Lowrie, University of Chicago, USA) 3. Saturnalian Lex: Seneca’s Apocolocyntosis (Erica Bexley, Durham University, UK) 4. Iustitium in Lucan’s Bellum Civile (Thomas Biggs, University of St Andrews, UK) PART II: Literature and Legal Tradition 5. Terence’s Phormio and the Legal Discourse and Legal Profession at Rome (Jan Felix Gaertner, University of Cologne, Germany) 6. Beachcombing at the Centumviral Court: Littoral Meaning in the Causa Curiana (John Dugan, University at Buffalo, USA) 7. Marcus Antistius Labeo and the Idea of Legal Literature (Matthijs Wibier, University of Kent, UK) Part III: Literature and Property Law 8. Poetry, Prosecution, and the Author Function (Nora Goldschmidt, Durham University, UK) 9. The Sea Common to All in Plautus, Rudens: Social Norms and Legal Rules (Thomas A. J. McGinn, Vanderbilt University, USA) 10. Intellectual 'Property': Ownership, Judgment, and Possession among Civic Artes (John Oksanish, Wake Forest University, USA) 11. Seneca’s Debt: Property, Self-Possession, and the Economy of Philosophical Exchange in the Epistulae Morales (Erik Gunderson, University of Toronto, Canada) Part IV: Literature and Justice 11. Law in Disguise in the Metamorphoses: The Ambiguous Ecphrasis of Minerva and Arachne (Stella Alekou, University of Cyprus, Cyprus) 12. What the Roman Constitution Means to Me: Staging Encounters between US and Roman Law on Equality and Proportionality (Nandini B. Pandey, University of Wisconsin, USA) Notes Bibliography Index

Read more less

Book SynopsisThis book presents a powerful new argument for how and why the Greek city-states, including their distinctive society and culture, came to be - and why they had the highly unusual and influential form they took. After reviewing early city-state formation, and the economic underpinnings of city-state society, three key chapters examine the way the Greeks developed their unique society. The spear, scroll and pebble encapsulate the book''s core ideas. The Spear: city-state Greeks developed a citizen-militia military system that gave relatively equal importance to each citizen-warrior, thereby emboldening the citizen-warriors to demand political rights. The Pebble: the resultant growth of collective political systems of oligarchy and democracy led to thousands of citizens forming the sovereign element of the state; they made political decisions through communal debate and voting. The Scroll: in order for such systems to function, a shared information base had to be Trade ReviewThis book makes a convincing case for the primacy of education and literacy in the ancient Greek world across the whole of society. It revolutionizes our understanding of the impact this literacy had on the development of government structures and daily life. -- Gil Davis, Associate Professor in Archaeology, Australian Catholic University, AustraliaTable of ContentsIntroduction Chapter 1: The Origin and Early Development of the City-State Chapter 2: Economic Growth: A Necessary Condition for the City-State Chapter 3: The Spear: Warfare and the City-State Chapter 4: The Pebble: Collective Decision Making and the City-State Chapter 5. The Scroll: Literacy and the City-State Conclusion: The Literate Citizen Appendix 1: Aristotle’s Politeiai Appendix 2: Colonies and Metropoleis Notes Bibliography Index

Read more less

Book SynopsisTrade ReviewThis book makes a convincing case for the primacy of education and literacy in the ancient Greek world across the whole of society. It revolutionizes our understanding of the impact this literacy had on the development of government structures and daily life. -- Gil Davis, Associate Professor in Archaeology, Australian Catholic University, AustraliaTable of ContentsIntroduction Chapter 1: The Origin and Early Development of the City-State Chapter 2: Economic Growth: A Necessary Condition for the City-State Chapter 3: The Spear: Warfare and the City-State Chapter 4: The Pebble: Collective Decision Making and the City-State Chapter 5. The Scroll: Literacy and the City-State Conclusion: The Literate Citizen Appendix 1: Aristotle’s Politeiai Appendix 2: Colonies and Metropoleis Notes Bibliography Index

Read more less

Book SynopsisThe stories of the gods and goddesses of ancient Greece are sprawling, dramatic and wonderfully strange; their lives intertwine with mortals and their behaviours fluctuate wildly from benevolent to violent, from didactic to fickle, from loving to enraged.Greek Myths: Gods and Goddesses is part of the Macmillan Collector’s Library; a series of stunning, cloth-bound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.Classicist and author Jean Menzies captures the magic of Greek myths by drawing on a wide variety of vivid retellings from the nineteenth and twentieth centuries, which bring to life the stories of Zeus, Athena, Poseidon, Hermes, Pandora and many more. Coupled with her own entertaining commentary, this is the perfect book for learning about the world of the Greek deities and a treat for all fans of Greek mythology.Discover even more mythology with Greek Myths: Heroes and Heroines edited by Jean Menzies.

Read more less

Book SynopsisFind out what happened when King Midas was granted his wish, how Icarus flew too close to the sun, and relive the adventures of Jason and the Argonauts in these stories of love, betrayal, infatuation and punishment.Greek Myths: Heroes and Heroines is part of the Macmillan Collector’s Library; a series of stunning, cloth-bound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.Greek myths have been part of Western culture since they were first set down by the ancients and, as there is no one definitive account, the stories have been ripe for reinterpretation through the centuries. Classicist and writer Jean Menzies has brought together fifteen retellings of famous myths from the likes of Andrew and Jean Lang, Nathaniel Hawthorne and Emilie Kip Baker, each chosen for its clarity and vivacity. The result? An enlightening and lively volume of stories and a treat for all fans of Greek mythology.Discover even more mythology with Greek Myths: Gods and Goddesses edited by Jean Menzies.

Read more less

Book SynopsisIn the beginning, everything was fine.* And then along came Zeus. *more or lessAhh Greek myths. Those glorious tales of heroism, honour and... petty squabbles, soap-opera drama and more weird sex than Fifty Shades of Grey could shake a stick at! It's about time we stopped respecting myths and started laughing at them. Did you know Aphrodite, goddess of love and beauty, was born of some discarded genitals? Or that Hera threw her own son off a mountain because he was ugly? Or that Apollo once kidnapped a boat full of people while pretending to be a dolphin? And let's not even get started on Zeus - king of the gods, ruler of the skies and a man who's never heard of self-control. In fact, if there's one thing most Greek myths have in common, it's that all the drama could have been avoided if SOMEONE could keep it in their toga...Horrible Histories writer Susie Donkin takes us on a hilarious romp through mythology and the many times the gods (literally) screwed everything up! Stephen Fry's Mythos by way of Drunk History, Zeus is a Dick is perfect for those who like their myths with a heavy dollop of satire.'Who knew mythology was so bonkers? I am grateful - it had me laughing from the first page to the last.' - Miranda Hart'It's about time someone called him out on all this' - Hera, goddess of marriage, wife of Zeus'Worst. Father. Ever.' - Artemis, goddess of the hunt, daughter of Zeus'Oh yeah, focus on him. I never did anything wrong. Nothing to see here' - Poseidon, god of the seas, brother of Zeus'Just a real dick, honestly' - Many, many peopleTrade ReviewWho knew mythology was so bonkers? I am grateful - it had me laughing from the first page to the last. -- Miranda Hart

Read more less

Book SynopsisCunning, seductive, monstrous, virtuous – whether in divine or mortal form, women shape the foundations of ancient Greek mythology, but have long been eclipsed by their male counterparts. Now, it's time for their stories to be told.Heroines of Olympus tells the tales of 50 of the most enthralling women of Greek mythology, including goddesses and nymphs such as majestic Athena, goddess of war; vengeful Nemesis, goddess of retribution; and gladiatorial Amazon queen Hippolyta, as well as mortals and demigods such as long-suffering Andromache, murderous Clytemnestra and joyous Iphis. Alongside each story, a character portrait, captivating illustration and explanation of their historic roles by ancient historian Dr Ellie Mackin Roberts provide an indispensable contemporary perspective on these extraordinary women.Trade Review'Switching the focus of Greek myths to bring women, so frequently the supporting cast, to the fore is refreshing and provides a modern take on some very old stories' * Fortean Times, ★★★★★ *Table of ContentsIncludes: Aphrodite, Artemis, Echo, Erinyes, Hebe, Iris, Minthe, Nemesis, Persephone, Thetis, Andromache, Cassandra, Chryseis, Daphne, Hermione, Iphigeneia, Naucissa, Maia, Penthesilea and more.

Read more less

Book SynopsisThe final thrilling tale of the House of Appius Julianus.A new and deadly threat has emerged at the outskirts of the Roman Empire on the Danube, one that threatens to throw the entire region into chaos.Correus, risen to prefect of a cavalry ala on the border, and Flavius, advisor to the emperor, have both attempted to warn the erratic Domitian of the seriousness of this foe, but to no avail.With trouble at home in the form of an irate senator, as well as the impending doom of a devastating military loss, the two brothers must use their accumulated experience, grit and trust in each other to ensure their family’s safety, once and for all.The final book in the epic Centurions series, and the first instalment for almost forty years, a moving and powerful adventure, and a must-read for all historical fiction fans, ideal for readers of Conn Iggulden, Rosemary Sutcliff and Simon Scarrow.Praise for Amanda Cockrell'A thrilling Roman adventure' Alex Gough, author of Emperor's Sword‘Amanda Cockrell has the finest sense of history, character, and narrative I've seen since Rosemary Sutcliff’ Delia Sherman, author of The Porcelain Dove'The novel is action-packed and descriptive at the same time, which lends to the successful scenes that the reader can enjoy' Historical Novel Society

Read more less

Book SynopsisWill Britain take him in... or mark him as its enemy?'A brilliantly realised world of Imperial ambition and native resistance' Simon Scarrow'Wonderful, distinct characters' Conn IgguldenFaustus Valerianus is the son of a Roman father and a British mother, a captive sold among the spoils after Claudius’s invasion.Now both parents have died within a month of each other, and so he sells the family farm and enlists, joining legendary general Agricola’s campaign to conquer the entirety of the British Isles culminating in a devastating battle amongst Caledonia's dark mountains.But Faustus will have to contend with more than ferocious British warriors and whip-cracking elements. For the bonds of blood can weigh heavy on one’s soul. The call of his mother’s true people. His father’s restless shadow. Faustus must carry them with him…A deeply moving, gripping, epic historical drama, perfect for fans of Rosemary Sutcliff, Ben Kane and Simon Scarrow.Praise for Shadow of the Eagle 'Faustus is a fascinating character and it’s a treat to see how he negotiates the challenges he faces. His duties in the service of Rome comprise a truly Faustian pact!' Simon Scarrow'I adored Faustus and Constantia in particular. Great sense of humour throughout. This is a terrific read' Conn Iggulden'I only need one word to describe this stunning novel: masterful' Anthony Riches, Sunday Times bestselling author of Wounds of Honour‘Blood, steel, honour, and a deep and gripping tale of the Roman army on the frontier of the empire. Hunter has created an instant classic' S J A Turney, author of the Marius' Mules series'A haunting, historical epic' Gordon Doherty, author of Sons of Rome'Enthralling and authentic historical roman fiction, that brings the period alive and keeps you turning the page' Alex Gough, author of Emperor's Sword

Read more less

Book SynopsisSidonius Apollinaris was an inhabitant of southern Roman Gaul in the mid fifth century AD, when it was threatened by invasions from beyond the boundaries of the Roman Empire and by competing warlords. His many poetic works include three panegyrics to emperors at the beginnings of their reigns; these are carefully translated and annotated, and provided with comment and synopses. His multiple shorter poems, in a variety of metres, are translated into good and lively English and given separate introductions and notes of various kinds, historical and literary. There is an extensive and informative introduction to the whole work.This book by Roger Green, a lifelong expert in Late Antiquity, gives a firsthand account of the political strife and manoeuvring of the times but also a vivid picture of the lives of Sidonius’s like-minded friends in an almost post-Roman episode of Rome’s existence. Sidonius was read widely in the Middle Ages, with a golden age in the twelfth and thirteenth centuries and also in the fifteenth century revival of Late Antique literature. Today his poetry will awaken new study and interest, without the archaism of many older translations and with a fresh and updated approach to many issues.

Read more less

Book SynopsisThe three poems (Satires 7, 8 and 9) that comprise Book 3 of the Satires form a brilliant collection, displaying Juvenal at the height of his powers and in the full breadth of his interests. Satire 7 takes a jaundiced look at intellectual life in Rome, bemoaning the financial poverty which is the lot of the writer, the lawyer and the teacher in an age where patrons may shower them with praise but rarely with cash. Satire 8 is an excoriating account of the old ‘noble’ families and how their current representatives are anything but noble in their behaviour both at home and in the provinces. The scandalous Satire 9 returns to the theme of patronage in a superbly acid dialogue with a certain Naevolus who has served his patron sexually and who now complains of the poor returns for his extensive and energetic labours. All three poems purport to describe and to critique Roman society, but they do so with an irony which draws attention to the medium as well as the message and which makes the speaker of the poetry often the target of his own abuse. This is the first edition of Book 3 as a unit by itself and the first edition intended for students with limited knowledge of Latin. The introduction sets the scene for the text and gathers background information on a range of essential topics pertinent to the text. The commentary as well as dealing with textual transmission, the metre, the factual background and advanced points of stylistic interest also aims to impart something of the pleasure and interest to be gained from reading this sublimely skilful poetry.Trade Review‘This most welcome edition… should be useful for the experienced Latinist while offering a translation that is fluent and with enough exegesis to convey Juvenal’s meaning, tone and style for the non-Latinist.’ Alan Beale, Classics for All‘Godwin’s translation is an enjoyable read that makes Juvenal’s challenging language pleasurable… Godwin’s terse and lively style, which runs effortlessly through the key concepts of the poet’s work, is a great asset.’ Marta M. Perilli, Bryn Mawr Classical Review

Read more less

Book SynopsisSidonius Apollinaris was an inhabitant of southern Roman Gaul in the mid fifth century AD, when it was threatened by invasions from beyond the boundaries of the Roman Empire and by competing warlords. His many poetic works include three panegyrics to emperors at the beginnings of their reigns; these are carefully translated and annotated, and provided with comment and synopses. His multiple shorter poems, in a variety of metres, are translated into good and lively English and given separate introductions and notes of various kinds, historical and literary. There is an extensive and informative introduction to the whole work.This book by Roger Green, a lifelong expert in Late Antiquity, gives a firsthand account of the political strife and manoeuvring of the times but also a vivid picture of the lives of Sidonius’s like-minded friends in an almost post-Roman episode of Rome’s existence. Sidonius was read widely in the Middle Ages, with a golden age in the twelfth and thirteenth centuries and also in the fifteenth century revival of Late Antique literature. Today his poetry will awaken new study and interest, without the archaism of many older translations and with a fresh and updated approach to many issues.

Read more less

Book SynopsisCunning, monstrous, virtuous. Rediscover the overlooked women of Greek myth.Goddesses and mortals, warriors and muses, women are at the heart of ancient Greek folklore, but their stories have long been eclipsed by those of men. Heroines of Olympus tells the tales of fifty of these enthralling women, including majestic Athena, goddess of war; vengeful Nemesis, goddess of retribution; and gladiatorial Hippolyta, queen of the Amazon.With beautifully written retellings of Greek myths and a fascinating dive into their place in history, alongside exquisite illustrations, celebrate the dazzling and diverse heroines of ancient Greece.Table of ContentsIncludes: Aphrodite, Artemis, Circe, Echo, Erinyes, Hebe, Iris, Minthe, Nemesis, Persephone, Thetis, Andromache, Cassandra, Chryseis, Daphne, Hermione, Iphigeneia, Naucissa, Maia, Penthesilea and more.

Read more less

Book SynopsisGorgeous Collector's Edition. The period of the first Ancient Greek peoples, the Mycenaean civilization, from the 1700s BCE, through to the Greek Dark Ages and the rise of Classical Antiquity more than a thousand years later is one of profound significance for Western modes of thought. The first cities, works of art, the stories of Olympic Gods and heroic warriors in classical literature find their origins in the traditions of this era. This new book is the perfect companion to Greek Myths & Legends in the same series of beautiful Collector's Editions, and sits alongside the other great cultures of the early world. Flame Tree Collector's Editions present the foundations of speculative fiction: authors, myths, tales and history without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new Introduction and a Glossary of Terms or lists of Ancient Leaders.

Read more less

Book SynopsisWill Britain take him in... or mark him as its enemy?'A brilliantly realised world of Imperial ambition and native resistance' Simon Scarrow'Wonderful, distinct characters' Conn IgguldenFaustus Valerianus is the son of a Roman father and a British mother, a captive sold among the spoils after Claudius’s invasion.Now both parents have died within a month of each other, and so he sells the family farm and enlists, joining legendary general Agricola’s campaign to conquer the entirety of the British Isles culminating in a devastating battle amongst Caledonia's dark mountains.But Faustus will have to contend with more than ferocious British warriors and whip-cracking elements. For the bonds of blood can weigh heavy on one’s soul. The call of his mother’s true people. His father’s restless shadow. Faustus must carry them with him…A deeply moving, gripping, epic historical drama, perfect for fans of Rosemary Sutcliff, Ben Kane and Simon Scarrow.Praise for Shadow of the Eagle 'Faustus is a fascinating character and it’s a treat to see how he negotiates the challenges he faces. His duties in the service of Rome comprise a truly Faustian pact!' Simon Scarrow'I adored Faustus and Constantia in particular. Great sense of humour throughout. This is a terrific read' Conn Iggulden'I only need one word to describe this stunning novel: masterful' Anthony Riches, Sunday Times bestselling author of Wounds of Honour‘Blood, steel, honour, and a deep and gripping tale of the Roman army on the frontier of the empire. Hunter has created an instant classic' S J A Turney, author of the Marius' Mules series'A haunting, historical epic' Gordon Doherty, author of Sons of Rome'Enthralling and authentic historical roman fiction, that brings the period alive and keeps you turning the page' Alex Gough, author of Emperor's Sword

Read more less

Book SynopsisA general introduction to the classical world from its origins to the fall of the Roman Empire. The book focuses on questions of how we know about Classical civilization from archaeology and history; deals with the Mycenaean era and the world of Myth and Epic in Homer's Iliad & Odyssey; gives an outline of Greek history in the 5th & 4th Centuries BC; looks at Greek social life and the alternative model of Sparta, and considers the achievements of the Greeks in their art and architecture, tragedy and comedy. Turning to Rome, it engages with Roman history, the Roman Epic tradition, the fascinating features of Roman social life, analyses Roman satire, explores the urban environment in Pompeii and Herculaneum, and concludes with the End of Rome.

Read more less

Book SynopsisThis study in reception develops close readings of English literature as means of interrogating Virgil’s texts. Through four case studies, bookended by wide-ranging introductory and concluding chapters, this book shows how interpreting the Eclogues, Georgics and Aeneid through modern responses can serve to focus on aspects of Virgil that would otherwise be differently perceived or else escape notice altogether. Juan Christian Pellicer probes our perceptions of the three Virgilian genres (pastoral, georgic, and epic) and analyzes the ways in which modern reconfigurations of these genres can inform our readings of Virgil’s works, as well as help us realize how our own ideas about Virgil reflect the literary receptions through which we approach his texts. This book offers a practical demonstration of classical reception and its value as a critical procedure. By testing the value of modern responses to Virgil as means by which to read his texts, Pellicer critically examines a central tenet of reception studies of classical authors, namely that our understanding of their work can benefit from the receptions through which we perceive them. The reader will find Virgil’s texts reconfigured in challenging new ways and will find new appreciations of the classical traditions that inform key texts in the English canon.Trade ReviewPellicer’s questioning attentiveness and imaginative judgements do, indeed, result, as his final sentence hopes for this book, in reading as a pleasure in all its dimensions. * The Classical Review *This is a book to read and re-read, which will deliver fresh revelations at each re-encounter. * Translation and Literature *Reading backwards through time from modern to ancient, Juan Christian Pellicer gives us extraordinarily sensitive readings of Wordsworth and Auden, Stoppard and Heaney, which in turn sensitize us to subtleties in Virgil’s poetry. Preposterous Virgil is not only a contribution to our understanding of classical and English literature, but an elegant demonstration of their interdependence and mutual illumination. -- John Talbot, Associate Professor of English, Brigham Young University, USATable of ContentsIntroduction: Reception and the Figure of Allusion Chapter 1: Virgil in Stoppard’s Arcadia Chapter 2: Virgil’s Shield of Aeneas through Auden’s ‘The Shield of Achilles’ Chapter 3: Equivocal blessings: Georgics 2 through Wordsworth’s ‘Tintern Abbey’ Chapter 4: Mantua via Mossbawn: Virgil via Heaney Conclusion: Imagination and the common reader: Virgil through V. Sackville-West’s two English georgics, The Land (1926) and The Garden (1946) Notes Bibliography Index

Read more less

Book SynopsisKing Agamemnon is long dead and his killers rule at Argos. Orestes returns from exile to avenge his father by killing his mother Clytemnestra and her seducer Aegisthus. His vengeance will release his sister Electra from oppression and restore Orestes to his home and kingdom. This is the only episode from Greek legend treated in surviving plays by all three of the great Athenian tragedians of the fifth century B.C. — Aeschylus in his Libation-bearers (part of the Oresteia trilogy), Sophocles and Euripides each in plays named Electra. The three plays provide a unique record of development and divergence in the content and style of Athenian tragic drama. In Euripides' hands the story becomes a tragedy of all too human emotions and illusions. Orestes' revenge is subordinated to Electra's hatred and resentment of her mother and the usurper. Clytemnestra's death brings not joy and restoration but revulsion, separation and renewed exile. Unwarned by the gods, Electra and Orestes recognise too late the human costs of executing Apollo's justice. This edition of Euripides' play was first published in 1988. The second edition is extensively revised to reflect more recent work on the text of the play and its interpretation. Greek text with facing-page English translation, introduction and commentary.Trade Review'A quarter of a century after it was first published, Martin Cropp’s commentary on Euripides’ Electra now appears in a fully revised and updated version. This is a fine book, and everyone interested in Euripides – even if they already own the first edition – should acquire a copy.'P. J. Finglass, University of Nottingham, Bryn Mawr Classical Review, 2013.09.40Table of ContentsGeneral Editor’s ForewordPreface to the Second EditionIntroduction: A view of the play Dramatic Design: Structure; actors and minor characters; the Chorus; location and staging; thematic motifs Euripides and the Oresteia tradition The date of the play Greek text and critical apparatusText and Translation Commentary Abbreviations and references General Bibliography for EuripidesIndex

Read more less

Book SynopsisPOETAE COMICI GRAECIis now the standard and indispensable reference work for the whole of Greek Comedy, a genre which flourished in Antiquity for over a millenium, from the VI century B.C. to the V century A.D.: More than 250 poets are conveniently arranged in alphabetical sequence and all the surviving texts have been carefully edited with full testimonia, detailed critical apparatus, and brief but illuminating subsidia interpretationis. The commentaries are in Latin. This great enterprise has won universal acclaim, Vol. VI 2 Menander being singled out by the Times Literary Supplement as one of the "International Books of the Year 1998".

Read more less

Book SynopsisThis volume contains an introduction, new edition of the Greek text, English translation, and detailed linguistic and historical commentary of Apollodoros’ speech “Against Neaira” (4th century BC). The introduction provides a comprehensive account of the historical and legal background, authorship, style, technique, manuscripts and textual tradition of the speech, and a radically new interpretation of the case against Neaira. The edition of the Greek text is based on independent collations of manuscripts written before the 14th century, bringing a new sensitivity to the stylistic preferences of Apollodoros. The commentary contains discussions on textual points, grammar, syntax, vocabulary, style and technique, while the historical notes illustrate the constitutional, legal, social and political background of the speech. The book is of the highest interest to scholars and students of the Attic Orators, Athenian society, daily life, women and gender relations, law, constitution, institutions, religion and culture.

Read more less

Book SynopsisThe life of Emperor Basil I (867–886), the founder of the Macedonian Dynasty, is the only extant secular biography in Byzantine literature; in its importance and as an instance of the genre it is comparable to Einhard’s Vita Caroli Magni. Composed in the circle of scholars around Basil’s grandson Constantine VII Prophyrogennitos and at his instigation as early as 957 and 959, the Vita Basilii is one of the main sources for the cultural and political history of Byzantium and its neighbours in the 9th and 10th centuries. Previous editions (whether from the 17th or 19th centuries) were based on secondary manuscripts; they are not reliable, because of their arbitrary conjectures and a large number of unjustified additions from a parallel source. The present edition is based on Vaticanus gr. 167, the source of all extant manuscripts, and the insertions made by the earlier editors are removed. In producing the new text, the editor also had access to the draft edition he rediscovered which the famous Byzantinist Karl de Boor prepared around 1903.

Read more less

Book Synopsis The philosopher Epictetus’ Encheiridion (“Little Handbook”), written c. AD 100, is one of the most influential works of Stoic philosophy. The Greek text presented here is the first one to be based an a full evaluation of the complete tradition.

Read more less

Book Synopsis Zeitliche und regionale Entwicklungen ebenso wie offensichtliche Präferenzen von antiken Verfassern und Auftraggebern prägen die enorme Vielfalt der Carmina Latina Epigraphica. In der römischen Republik und Kaiserzeit dominieren Grabinschriften in Versmaß, seit der Spätantike werden offensichtlich auch andere Textgruppen zunehmend attraktiver. In Republik und Spätantike waren solche eingeschriebenen Gedichte mit oder ohne Prosa-Rahmung eher ein Elitenphänomen, wohingegen die Epigramme in der Kaiserzeit eine populäre Textgruppe für breite Bevölkerungsschichten waren. Im Band werden verschiedene Aspekte von Text-Entwicklungen durch die Jahrhunderte ebenso untersucht wie regionale Veränderungen und Wechselwirkungen von Texten und ihren Objektträgern. Oft genug lassen sich aber einzelne dieser Gedichte der Einordnung in vermeintlich regionale und zeitlich vorherrschende ‚epigraphic habits‘ nicht einordnen. Auch für solch singuläre, sehr individuell gestaltete Inschriften werden mögliche Kontextualisierung aufgezeigt, vor allem durch Verbindungen zu anderen Textgattungen und Traditionen. Mit diesem Band wird daher das die Editionen und Analysen zumeist dominierende regionale Prinzip für die Carmina Latina Epigraphica auf die Probe gestellt.

Read more less

Book SynopsisThis study reconstructs Hypatia’s existential and intellectual life and her modern Nachleben through a reception-oriented and interdisciplinary approach. Unlike previous publications on the subject, Hypatia explores all available ancient and medieval sources as well as the history of the reception of the figure of Hypatia in later history, literature, and arts in order to illuminate the ideological transformations/deformations of her story throughout the centuries and recover “the true story”. The intentionally provocative title relates to the contemporary historiographical notion of “false” or “fake history”, as does the overall conceptual and methodological treatment. Through this reception-oriented approach, this study suggests a new reading of the ancient sources that demonstrates the intrinsically political nature of the murder of Hypatia, caused by the phtonos (violent envy) of the Christian bishop Cyril of Alexandria. This is the first comprehensive treatment of the figure of Hypatia addressed to both academic readers – in Classics, Religious Studies, and Reception Studies – and a learned, non-specialist readership. Revised edition in paperback.

Read more less

Book SynopsisLetters are famously easy to recognise, notoriously hard to define. Both real and fictitious letters can look identical to the point that there are no formal criteria which can distinguish one from the other. This has long been a point of anxiety in scholarship which has considered the value of an ancient letter to be determined by its authenticity, necessitating a strict binary opposition of genuine as opposed to fake letters. This volume challenges this dichotomy directly. Rather than defining epistolary fiction as a literary genre in opposition to ‘genuine’ letters or reducing it down to fixed rhetorical features, it argues that fiction is an inherent and fluid property of letters which ancient writers recognised and exploited. This volume contributes to wider scholarship on ancient fiction by demonstrating through the multiplicity of genres, contexts, and time periods discussed how complex and multifaceted ancient awareness of fictionality was. As such, this volume shows that letters are uniquely well-placed to unsettle disciplinary boundaries of fact and fiction, authentic and spurious, and that this allows for a deeper understanding of how ancient writers conceptualised and manipulated the fictional potential of letters.

Read more less