African history Books

Book SynopsisRepresentations of diasporic Murid disciples often depict them as passive recipients of change wrought by powerful clerics left behind in Senegal. In this study, Cheikh Anta Babou examines the construction of their transnational collective identity and its influence on cultural practices, identities, and aspirations.Trade Review“Babou shows a true cultural and social anthropological intuition in describing the present making of the Muridiyya brotherhood throughout parts of Black Africa and of the Western world.”“Based on years of intense ethnographic and historiographic research on three continents, Cheikh Anta Babou chronicles the ways in which individual migrants built local communities closely tied to transnational networks radiating from the holy city of Tuuba. The Muridiyya on the Move explores the relationships between religious associations known as dahiras, entrepreneurial migrant disciples, and key personalities from the order in inscribing physical and social Murid spaces in each setting. Recounted in rich detail and often through the voices of the actors themselves, this fascinating work will be of great interest both to those familiar with the Muridiyya, and to those who are just discovering this dynamic Sufi community.”“Combining several historical, ethnographic, sociological, and theoretical perspectives, this book offers an exemplary social, economic, cultural, and intellectual history of a community that has been creatively adjusting to a constantly changing world. Babou engages with the question of how the Murid became subjects of globalization in their own terms and languages. Bold and innovative in his conception and execution of this book, Babou persuasively argues for the crucial role played by migration in reshaping the identity and global performance of the Murid community, culturally, politically, and religiously, at home and abroad. Diligent in uncovering sources and scrupulous in the use of primary materials, interlacing historical detail, personal interviews, and observations, Cheikh Babou brings together (un)familiar elements to account for the creative and vernacular-inspired self-inclusion to the temps du monde.”“Cheikh Babou combines scholarly rigor with an insider’s knowledge to produce a compelling account of the remarkable diaspora of Mourides from Senegal that combined individual initiative with collective solidarity to forge networks and communities in several African countries, France, Italy, and the United States. Attentive to religious and socioeconomic dimensions of migration, Babou brings out both the tensions and the creative adaptations as migrants became citizens in their new homes, worked out their relations with Muslim and non-Muslim fellow citizens, and brought up a new generation of Murids.”“This is a meticulously researched and well written history of the migrations that made the Muridiyya, the Sufi order created by the Shaykh Ahmadu Bamba, travel from Tuubaa, its holy center in Senegal, and spread throughout the world, becoming the global reality it is today. The book illuminates the crucial point that the nascent diaspora of the Muridiyya has meant the continuous reinvention, in new spaces, of the life and creative force of the order. Its migrant followers did not just turn their new location and experience into a shadow of the “real thing” back home: they made the diaspora another home where the Murid experience and the message of the founder produced renewed meanings, which then traveled back to the center. The Muridiyya on the Move is thus an eloquent and powerful demonstration that, yes, indeed, Islam is at home in the modern and the ‘Western’ world.”

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Book SynopsisBy prioritizing women and conjugality in the historiography of African colonial soldiers, Militarizing Marriage historicizes how the subjugation of women was indispensable to military conquest and colonial rule across French Empire.Trade Review“A groundbreaking work of scholarship [that] contributes to a wide range of literatures. These include feminist scholarship on gender and militarism in Africa, the extensive historiography on African colonial militaries, and the historical literature of women’s roles in Western European armies.… Not only a significant and sophisticated contribution to the historical literature on the tirailleurs sénégalais and other African colonial armies but also to the growing literature on gender and militarism in Africa. Due to its temporal, geographic, and thematic scope, it will be of interest to scholars of African, global, and military history.”“This book’s invaluable contribution is the demonstration that the sexuality and conjugality of women, particularly African women, were instrumental to global French imperial conquest.” * Journal of African History *“Erudite and compelling…. positively sparkles with historical insight … Militarizing Marriage is an essential read.” * H-Diplo, H-Net Reviews *“A massive contribution to scholarship…. I recommend anyone interested in African history, colonial history, military history, or gender studies to read this book and assign it to students. It will contribute a great deal to understanding how we write history and its complex relations with current politics.” * H-France *“Militarizing Marriage’s focus on African soldiers’ conjugal unions, households, and trans-imperial sexual relationships adds exciting new dimensions to the historiography of colonial militaries and their roles in imperial conquest, occupation, as well as in the world wars.”“An original, significant contribution to the field of African history, Zimmerman’s thoroughly researched and insightful study on French colonial marital traditions discusses how the conjugal relationships between West African tirailleurs sénégalais soldiers and local women over Africa, Europe, and parts of Asia—and their resulting mixed-race children—represented a challenge to the French colonial racial hierarchy”

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Book SynopsisThousands of Black troops served in South Africa’s security forces in Namibia and Angola during apartheid. Bolliger’s new research leads him to reject their common depiction as “collaborators,” challenge the portrayal of the wars in which they fought as struggles for national liberation, and reveal the complexity of South Africa’s military culture.Trade Review“Lennart Bolliger’s exceptionally well-researched monograph on the experiences of Black African soldiers who fought in the war for Namibian independence on the side of apartheid South Africa makes a major contribution to our knowledge of that war and of what happened to those who fought in it. Apartheid’s Black Soldiers is essential reading for anyone concerned with the history of the liberation of Southern Africa and the region’s postliberation politics.” -- Chris Saunders, professor emeritus of historical studies, University of Cape Town“Lennart Bolliger’s book explains with admirable clarity the vexed, troubling history of African soldiers who fought in Southern Africa’s ‘un-national wars’ against liberation armies engaged in the long struggle against colonialism and apartheid. Drawing on a rich collection of oral interviews with the soldiers themselves, Apartheid’s Black Soldiers refuses any easy readings of these soldiers‘ motivations. Instead, Bolliger situates soldiers within the local, regional, and transnational contexts of their recruitment, their basic economic needs, and their interpretations of the immediate political and military circumstances engulfing them. As a result, this book offers key new perspectives on African soldiers who are often described as ‘sellouts’ but whose motivations were far more complicated than that.” -- Michelle R. Moyd, author of Violent Intermediaries: African Soldiers, Conquest, and Everyday Colonialism in German East Africa"Bolliger pays close and careful attention to the military cultures of the different units that made up South Africa’s counterinsurgency spearhead. He also attends to the afterlives of apartheid’s Black soldiers, showing the complex ways they have found a political voice in contemporary Namibia and tried to eke out an existence on the margins of South African society—or on the battlefields of Africa’s never-ending wars. This is an important book, and it will add immeasurably to our understanding of war in southern Africa.” -- Jacob S. T. Dlamini, author of Safari Nation: A Social History of the Kruger National ParkTable of ContentsList of Illustrations Acknowledgments Abbreviations Introduction. Un-national Soldiers in Southern Africa during and after Decolonization 1. “The Ovambos Did Not Take Part in the War against the Germans”: Fractures and Divisions in Colonial Namibia and Southern Angola 2. “We Live between Two Fires”: The Reasons for Joining the Apartheid Security Forces in Northern Namibia, 1975–89 3. “The War Was Very Complicated”: The Formation and Development of 32 Battalion, 1975–84 4. “Every Force Has Its Own Rules”: The Military Cultures of South Africa’s Security Forces in Namibia and Angola 5. “Dictation Comes from the Victor”: The Postwar Politics of Black Former Soldiers in Namibia, 1989–2014 6. “We Are Lost People”: Citizenship and Belonging of Black Former Soldiers in South Africa, 1989 to the Present Conclusion: Un-national Wars of Decolonization and Their Legacies Notes Note on Interviews Conducted by the Author Bibliography Index

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Book SynopsisThe first major study of its kind, this book shows—from a Zambian perspective—how Northern Rhodesia, then a British colony, organized and deployed human, military, and natural resources during the Second World War. New research and oral histories further demonstrate the war’s social and industrial impact on Zambia in the immediate postwar period.Trade Review“In this first comprehensive study of Zambia during the Second World War, Alfred Tembo has produced a text that is both elegantly written and based upon meticulous and well-presented original research. Throughout, Tembo makes seamless linkages between the grand political/strategic levels and the ‘on the ground’ participation in the conflict of this important African colony. The accessibility of its presentation makes this book ideal for academics, historians, and general interest readers alike.” -- Ashley Jackson, professor of imperial and military history, King's College London, and visiting fellow, Kellogg College, University of Oxford“Alfred Tembo sheds light on how the Second World War affected Zambian society in this excellent study. Based on a close reading of hitherto underutilized Zambian archives, this book is essential reading for students and scholars with an interest in the effects of the war in a colonial context.” -- Andrew Cohen, coauthor of Labour and Economic Change in Southern Africa, c.1900–2000: Zimbabwe, Zambia, and Malawi“Historians, political scientists, economists, and general readers will certainly find this empirical study a treasure trove of information on the important contributions Africans made to the British war effort, not to mention the high price they paid for their participation in a conflict not of their own making.” * H-SAfrica, H-Net Reviews *Making excellent use of neglected Zambian archives, Alfred Tembo surveys the impact of World War II on colonial Zambia, or Northern Rhodesia, as it was then called. * Foreign Affairs *

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Book SynopsisThis detailed and groundbreaking history of rural Ghanaian statecraft details the crucial importance that local village development systems have on regional and national scales.Trade Review“Village Work provides new, critical perspectives on debates about development in both scholarship and practice. By placing the village at the center of development politics, Wiemers challenges conventional understandings of statecraft and humanizes the development process at all levels, detailing the improvisations and inconsistencies that lay behind the promise of ‘progress.’”“Village Work offers a sophisticated analysis of small-scale development projects in rural Ghana while bringing visibility to the ‘hinterland statecraft’ of local communities as they navigated the rising developmentalist states in the twentieth century. Deftly written and superbly argued, Wiemers illuminates the ‘useable fictions’ of rural sameness that government and NGO employees operationalized to justify their homogenizing of villages and rural space across Africa.”“Village Work is a timely and fascinating multilayered history of development in Ghana. Using the village of Kpasenkpe in northern Ghana as the focus, Alice Wiemers has written a penetrating study of the ‘performance’ of development in Africa from the family unit to the village, national, and international levels.”“This is a phenomenal piece of scholarship, which will be of interest to scholars of development, statecraft, and labor in Africa and beyond.” * International Journal of African Historical Studies *

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Book SynopsisRepresentations of diasporic Murid disciples often depict them as passive recipients of change wrought by powerful clerics left behind in Senegal. In this study, Cheikh Anta Babou examines the construction of their transnational collective identity and its influence on cultural practices, identities, and aspirations.Trade Review“Babou shows a true cultural and social anthropological intuition in describing the present making of the Muridiyya brotherhood throughout parts of Black Africa and of the Western world.”“Based on years of intense ethnographic and historiographic research on three continents, Cheikh Anta Babou chronicles the ways in which individual migrants built local communities closely tied to transnational networks radiating from the holy city of Tuuba. The Muridiyya on the Move explores the relationships between religious associations known as dahiras, entrepreneurial migrant disciples, and key personalities from the order in inscribing physical and social Murid spaces in each setting. Recounted in rich detail and often through the voices of the actors themselves, this fascinating work will be of great interest both to those familiar with the Muridiyya, and to those who are just discovering this dynamic Sufi community.”“Combining several historical, ethnographic, sociological, and theoretical perspectives, this book offers an exemplary social, economic, cultural, and intellectual history of a community that has been creatively adjusting to a constantly changing world. Babou engages with the question of how the Murid became subjects of globalization in their own terms and languages. Bold and innovative in his conception and execution of this book, Babou persuasively argues for the crucial role played by migration in reshaping the identity and global performance of the Murid community, culturally, politically, and religiously, at home and abroad. Diligent in uncovering sources and scrupulous in the use of primary materials, interlacing historical detail, personal interviews, and observations, Cheikh Babou brings together (un)familiar elements to account for the creative and vernacular-inspired self-inclusion to the temps du monde.”“Cheikh Babou combines scholarly rigor with an insider’s knowledge to produce a compelling account of the remarkable diaspora of Mourides from Senegal that combined individual initiative with collective solidarity to forge networks and communities in several African countries, France, Italy, and the United States. Attentive to religious and socioeconomic dimensions of migration, Babou brings out both the tensions and the creative adaptations as migrants became citizens in their new homes, worked out their relations with Muslim and non-Muslim fellow citizens, and brought up a new generation of Murids.”“This is a meticulously researched and well written history of the migrations that made the Muridiyya, the Sufi order created by the Shaykh Ahmadu Bamba, travel from Tuubaa, its holy center in Senegal, and spread throughout the world, becoming the global reality it is today. The book illuminates the crucial point that the nascent diaspora of the Muridiyya has meant the continuous reinvention, in new spaces, of the life and creative force of the order. Its migrant followers did not just turn their new location and experience into a shadow of the “real thing” back home: they made the diaspora another home where the Murid experience and the message of the founder produced renewed meanings, which then traveled back to the center. The Muridiyya on the Move is thus an eloquent and powerful demonstration that, yes, indeed, Islam is at home in the modern and the ‘Western’ world.”

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Book SynopsisCommon narratives about development in Africa miss the critical technological work of women. Twagira’s study instead positions Malian women as rural engineers whose strategic planning and labor over the course of the twentieth century assured their food security.Trade Review“Through vivid stories of individual innovation and strategies of survival, Twagira offers a new perspective on twentieth-century biopolitics in Mali. Embodied Engineering adds important critical nuance to understandings of environmental crisis, cultural value, and gendered knowledge production in West Africa.”“By focusing on gender ideology, food technologies, and development initiatives, Twagira encourages readers to consider the “lived material bodies” of women in twentieth-century rural Mali…. Summing up: Recommended.” * Choice 59, no. 10 (June 2022) *“A fantastic contribution to multiple fields of study, both within and beyond the academy. Twagira fulfills her stated objectives, particularly that of addressing the prevalent assumptions of African women as without access to technology and static in their work. Her research shows the immense agency and importance of Malian women in their capacity to cultivate embodied relationships with the natural world through the cultivation, collection, and cooking of food.” * H-Sci-Med-Tech / H-Net Reviews *

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Book SynopsisFrom debates over the aesthetics of birds in the urban landscape to how horse racing enhanced imperial power to the ways in which water navigation impacted aquatic creatures, Saheed Aderinto argues that it is impossible to comprehend the full extent of imperial domination without considering the colonial subjecthood of animals.Trade Review“By embracing nonhuman animals within the historical frame, Saheed Aderinto significantly expands our understanding of the African colonial encounter. With his fresh conceptual analysis, liberated from narrow disciplinary strictures, the author’s multifaceted research is a tour de force set to change the trajectory of African historiography.”“We have missed a major story of empire by failing to understand its operations at the level of species. Saheed Aderinto’s tremendous book challenges us to see Nigeria, colonial subjecthood, and all animals in integrative and provocative new ways."“This book is a wonderful addition to animal-sensitive histories of Africa, offering an important contribution toward rethinking coloniality and postcoloniality by adding the analytic lens of species to a palimpsest of gender, class, and race. Animality and Colonial Subjecthood in Africa reconsiders the history of relations not only between people and animals but also between various groups of people with animals as a fulcrum.”

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Book SynopsisSpanning the years just before (and just after) Nelson Mandela’s 1962 arrest, this entirely fresh history of Umkhonto we Sizwe (MK), or Spear of the Nation, and its revolutionary milieu brings to life the period in which Mandela and his comrades fought South Africa’s apartheid regime not only with words and protests, but also with bombs and fire.Trade Review“For those content to see Mandela as nothing more than everyone’s favorite grandpa, this book will make for uncomfortable reading; for those who want to appreciate Mandela in the fullness of his life and of the choices he made with that complex and remarkable life, this humdinger of a book will help them see Mandela in a new and more illuminating light.” -- Jacob S. T. Dlamini, author of Safari Nation: A Social History of the Kruger National Park and Askari: A Story of Collaboration and Betrayal in the Anti-Apartheid Struggle“Landau is rightly incensed with the elite nationalism of the ANC and hints at how its fault lines can be traced back to the sectarian pressure groups within the 1960s struggle movement. The ANC hardly has ‘a good story to tell,’ but something truly fresh, even sympathetic, emerges when the story of the struggle for liberation is not homogenized around their triumphalist mono-narrative tropes. Landau’s book leads the pack here.” -- Rithuli Orleyn * Mail and Guardian *“This retelling of the story of Nelson Mandela’s armed rebellion between 1960 and 1964 is a fresh and exciting reinterpretation of a narrative that too often is told with the distorting effects of hindsight. Paul Landau has drawn upon conversations with a literal army of informed participants, 250 people from the movement that Mandela helped to make, its commanders, its foot-soldiers, and its camp-followers. He has also reread and reinterpreted the compendious archival record. Emerging from this research is a very different Mandela from the kindly patriarch who wrote his memoirs thirty years after these events: radical, tough-minded, and calculating. This is the story of what Nelson Mandela at the time of the rebellion was seeking to achieve, what he was thinking, and what he actually did, day by day. Most importantly, Landau offers new and persuasive explanations for the considerations that shaped Mandela’s decision-making. Spear is an astonishing breakthrough achievement.” -- Tom Lodge, University of Limerick, author of Sharpeville: An Apartheid Massacre and Its Consequences“Paul Landau offers us an outstanding book on Umkhonto we Sizwe, with the figure of Nelson Mandela at the centre of the story. He pays close attention to affective relationships among protagonists, all too rare among male scholars. The book connects biography to strategic political thinking in interesting new ways. Written in Landau’s trademark lucid and engaging style, the study is critical even while appreciative of the heroic ambitions of his subject. This gripping read is a meticulous and pathbreaking contribution to scholarship on revolutionary movements as well as to South African historiography.” -- Shireen Hassim, author of Fatima Meer and The ANC Women's League: Sex, Gender and Politics“Spear: Mandela and the Revolutionaries is one of the most important books on South Africa to appear in more than a generation. A masterpiece of analysis and careful historical reconstruction, Landau revisits a crucial moment in the country’s modern history, when a group of activists turned revolutionaries led by Nelson Mandela pursued the overthrow of the racist apartheid state. Concentrating on the early 1960s at the very moment South Africa was becoming an authoritarian order, Landau brilliantly reconstructs the world within which Mandela and others around him committed themselves to revolutionary violence—what they read, the debates that unfolded and, crucially, how they understood South Africa in the wider world. Based on unparalleled research, including an extraordinary array of interviews, Spear takes on a range of controversial subjects: the decision to use violence, the fractious struggles within the ANC’s leadership, and Nelson Mandela himself. Empathic and iconoclastic, Landau’s discoveries may unsettle some readers, but no one will be able to look at the early 1960s the way they used to, as well as the ANC’s three decade-old grip on South Africa. This timely and learned book is mandatory reading for anyone interested in South Africa, political violence, and the end of colonialism." -- Clifton Crais, author of Poverty, War, and Violence in South AfricaTable of ContentsPreface Acknowledgments Chapter 1 Crisis (March 1960) Chapter 2 The Making of the Crisis (The Postwar Era) Chapter 3 Emergency Mobilization (April 1960 to Early 1961) Chapter 4 Persuasion (June 1961 to August 1961) Chapter 5 Mandela’s Bookcase (1961) Chapter 6 Spear (Late 1961) Chapter 7 Dingane’s Day (December 1961 to Early July 1962) Chapter 8 Interruption (Mid-1962) Chapter 9 Big Country (Later 1962) Chapter 10 Operation Mayibuye (November 1962 to June 1963) Chapter 11 In Pieces (Mid-1963 to Mid-1964) Chapter 12 Revolution Displaced (1963/4 Onward) Appendix A Missing Documents Mentioned in This Book Appendix B Mandela, Communist (Nationalist) Notes Sources Index

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Book SynopsisFrom debates over the aesthetics of birds in the urban landscape to how horse racing enhanced imperial power to the ways in which water navigation impacted aquatic creatures, Saheed Aderinto argues that it is impossible to comprehend the full extent of imperial domination without considering the colonial subjecthood of animals.Trade Review“By embracing nonhuman animals within the historical frame, Saheed Aderinto significantly expands our understanding of the African colonial encounter. With his fresh conceptual analysis, liberated from narrow disciplinary strictures, the author’s multifaceted research is a tour de force set to change the trajectory of African historiography.”“We have missed a major story of empire by failing to understand its operations at the level of species. Saheed Aderinto’s tremendous book challenges us to see Nigeria, colonial subjecthood, and all animals in integrative and provocative new ways."“This book is a wonderful addition to animal-sensitive histories of Africa, offering an important contribution toward rethinking coloniality and postcoloniality by adding the analytic lens of species to a palimpsest of gender, class, and race. Animality and Colonial Subjecthood in Africa reconsiders the history of relations not only between people and animals but also between various groups of people with animals as a fulcrum.”

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Book SynopsisWith appreciation for both regional and chronological variation, this volume’s contributors track the global concept of environmental justice to analyze its influence in South Africa, Zimbabwe, and Lesotho and to expand popular understandings of social-environmental harm.Trade Review“This is an excellent essay collection breaking new ground on environmental histories. Its aim of illuminating how environment, power, and justice are imbricated in Southern Africa builds on old academic foci … but speaks to new ecological issues. Together the chapters in this volume span African thought on ecology in the context of colonialism, water injustice, land dispossession, GMOs, rethinking invasive species and racialized urban development. It adds in a sophisticated way to the literature on environmental justice.” -- Vishwas Satgar, associate professor of international relations, University of Witwatersrand“Wynn, Jacobs, and Carruthers have carefully brought together a dozen scholars of distinct disciplines and diasporas to offer wisdom and insight into environmental justice and power in southern Africa. In offering specificity and precision as to the ways environmental harm and human inequality vary but conjoin, the volume collectively frames contemporary discussions of justice in concepts of harm from the colonial, postcolonial, and postapartheid pasts. This lively conversation not only gives new perspectives on the contingencies of the past, it opens up possibilities for the future.” -- Emily Wakild, coeditor of The Nature State: Rethinking the History of Conservation“This is a remarkable volume that offers important new insights into ways in which environmental justice and injustice play out in contemporary and historical Southern Africa. The case studies demonstrate strikingly that environmental injustice varies greatly across time and space and, to paraphrase the editors, Rachel Carson is indeed not the beginning of the southern African ‘story’ of fighting for environmental justice. This is a must-read volume for everyone interested in environmental justice, not only in the Southern African context, but also on the African continent and globally.” -- Phia Steyn, University of Stirling lecturer in African environmental history“A critical text on postcolonial environmental humanities scholarship and presents environmental justice as a ‘traveling’ multidisciplinary/interdisciplinary concept [that is] useful for scholars in many fields, such as environmental historians, political scientists, sociologists, policy planners, activists, and environmental scientists.” * H-Environment, H-Net Reviews *

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Book SynopsisWith appreciation for both regional and chronological variation, this volume’s contributors track the global concept of environmental justice to analyze its influence in South Africa, Zimbabwe, and Lesotho and to expand popular understandings of social-environmental harm.Trade Review“This is an excellent essay collection breaking new ground on environmental histories. Its aim of illuminating how environment, power, and justice are imbricated in Southern Africa builds on old academic foci … but speaks to new ecological issues. Together the chapters in this volume span African thought on ecology in the context of colonialism, water injustice, land dispossession, GMOs, rethinking invasive species and racialized urban development. It adds in a sophisticated way to the literature on environmental justice.” -- Vishwas Satgar, associate professor of international relations, University of Witwatersrand“Wynn, Jacobs, and Carruthers have carefully brought together a dozen scholars of distinct disciplines and diasporas to offer wisdom and insight into environmental justice and power in southern Africa. In offering specificity and precision as to the ways environmental harm and human inequality vary but conjoin, the volume collectively frames contemporary discussions of justice in concepts of harm from the colonial, postcolonial, and postapartheid pasts. This lively conversation not only gives new perspectives on the contingencies of the past, it opens up possibilities for the future.” -- Emily Wakild, coeditor of The Nature State: Rethinking the History of Conservation“This is a remarkable volume that offers important new insights into ways in which environmental justice and injustice play out in contemporary and historical Southern Africa. The case studies demonstrate strikingly that environmental injustice varies greatly across time and space and, to paraphrase the editors, Rachel Carson is indeed not the beginning of the southern African ‘story’ of fighting for environmental justice. This is a must-read volume for everyone interested in environmental justice, not only in the Southern African context, but also on the African continent and globally.” -- Phia Steyn, University of Stirling lecturer in African environmental history“A critical text on postcolonial environmental humanities scholarship and presents environmental justice as a ‘traveling’ multidisciplinary/interdisciplinary concept [that is] useful for scholars in many fields, such as environmental historians, political scientists, sociologists, policy planners, activists, and environmental scientists.” * H-Environment, H-Net Reviews *

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Book SynopsisThrough ethnographic case studies of Africans’ quotidian encounters with state bureaucracy, infrastructure, discipline, citizenship, democracy, political economy, education, and health, this book demonstrates how the state not only enables but also constrains and complicates ordinary Africans’ daily struggles to live and live well.Trade Review“Major fresh perspectives on the state in everyday life that will be seminal reading for historians and social scientists as well as for Africanists.”“Anthropologists, for some time, have successfully deconstructed essentialist notions of ‘the’ state in Africa by focusing on what states do when they are working. The contributors to this book push this approach further: they enquire about how ordinary citizens experience the state and its agents in multiple sites, focusing on the possibilities and constraints of everyday life and the resulting popular grammars of state and democracy. The book should be on the core reading list of every course on state and democracy, in Africa and beyond.”“Mobilizing the decentering perspectives of ethnography to capture living practices, Everyday State and Democracy in Africa develops an original view from below on the huge changes throughout the continent since the end of the Cold War. The volume convincingly demonstrates that a focus on how the people involved see state and democracy might be more helpful than intricate theoretical discussions. Two themes seem to come back throughout the volume. The first is (unsurprisingly) the role of violence in people’s everyday encounters with the state. The second (maybe more surprising) is that the state is all the more present in people’s perceptions where it seems to be absent.”

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Book SynopsisThrough ethnographic case studies of Africans’ quotidian encounters with state bureaucracy, infrastructure, discipline, citizenship, democracy, political economy, education, and health, this book demonstrates how the state not only enables but also constrains and complicates ordinary Africans’ daily struggles to live and live well.Trade Review“Major fresh perspectives on the state in everyday life that will be seminal reading for historians and social scientists as well as for Africanists.”“Anthropologists, for some time, have successfully deconstructed essentialist notions of ‘the’ state in Africa by focusing on what states do when they are working. The contributors to this book push this approach further: they enquire about how ordinary citizens experience the state and its agents in multiple sites, focusing on the possibilities and constraints of everyday life and the resulting popular grammars of state and democracy. The book should be on the core reading list of every course on state and democracy, in Africa and beyond.”“Mobilizing the decentering perspectives of ethnography to capture living practices, Everyday State and Democracy in Africa develops an original view from below on the huge changes throughout the continent since the end of the Cold War. The volume convincingly demonstrates that a focus on how the people involved see state and democracy might be more helpful than intricate theoretical discussions. Two themes seem to come back throughout the volume. The first is (unsurprisingly) the role of violence in people’s everyday encounters with the state. The second (maybe more surprising) is that the state is all the more present in people’s perceptions where it seems to be absent.”

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Book SynopsisCombining methods from African studies, science and technology studies, and medical anthropology, Marissa Mika considers the Uganda Cancer Institute as a microcosm of the Ugandan state and as a lens through which to trace the political, technological, moral, and intellectual aspirations and actions of health care providers and patients.Trade Review“Mika’s lively history shows how Ugandan physician-scientists used cancer research to build oncology care and infrastructure over five decades of labile national politics, pervasive scarcity, and often ephemeral international partnerships. This engaging account illuminates struggles that shaped both global oncology knowledge and the fates of hundreds of thousands of Ugandans facing cancer diagnoses.” -- Claire L. Wendland, author of A Heart for the Work: Journeys through an African Medical School“Based on rich historical and ethnographic research, Africanizing Oncology provides an intimate, and at times harrowing view of the day-to-day activities of care, research, and healing that permitted physicians, researchers, nurses, and patients to survive civil war, structural adjustment, and massive global disparities in health resources to build and sustain an African cancer research institute. The book is a remarkable achievement.” -- Randall M. Packard, author or A History of Global Health: Interventions into the Lives of Other Peoples“In this historically and ethnographically rich book, Marissa Mika shows how African doctors and nurses practice oncology by creating, adapting, and transforming medical infrastructures. Tracing the life of the Uganda Cancer Institute through historical periods of independence, dictatorship, war, structural adjustment, and the HIV pandemic, this powerful book reveals the challenges and opportunities of Africanizing oncology. This is a landmark study on the history—and future—of global oncology.” -- Carlo Caduff, author of The Pandemic Perhaps: Dramatic Events in a Public Culture of Danger“In recounting half a century of research and care at the Uganda Cancer Institute, Marissa Mika tells an unforgettable story of the power of connections and the consequences of their loss. Ugandan physician/researchers and their staff proved the value of therapies because they had made friendships that motivated families to return to Kampala for follow-up, but that knowledge became useless when funders’ priorities changed and international partnerships ended. Mika’s story of UCI shows horrifying wounds—and the possibility of healing—in postindependence Uganda, in global health, and in the way we think about the world.” -- Holly Hanson, author of To Speak and Be Heard: Seeking Good Government in Uganda, ca. 1500–2015

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Book SynopsisThe first major study of its kind, this book shows—from a Zambian perspective—how Northern Rhodesia, then a British colony, organized and deployed human, military, and natural resources during the Second World War. New research and oral histories further demonstrate the war’s social and industrial impact on Zambia in the immediate postwar period.Trade Review“In this first comprehensive study of Zambia during the Second World War, Alfred Tembo has produced a text that is both elegantly written and based upon meticulous and well-presented original research. Throughout, Tembo makes seamless linkages between the grand political/strategic levels and the ‘on the ground’ participation in the conflict of this important African colony. The accessibility of its presentation makes this book ideal for academics, historians, and general interest readers alike.” -- Ashley Jackson, professor of imperial and military history, King's College London, and visiting fellow, Kellogg College, University of Oxford“Alfred Tembo sheds light on how the Second World War affected Zambian society in this excellent study. Based on a close reading of hitherto underutilized Zambian archives, this book is essential reading for students and scholars with an interest in the effects of the war in a colonial context.” -- Andrew Cohen, coauthor of Labour and Economic Change in Southern Africa, c.1900–2000: Zimbabwe, Zambia, and Malawi“Historians, political scientists, economists, and general readers will certainly find this empirical study a treasure trove of information on the important contributions Africans made to the British war effort, not to mention the high price they paid for their participation in a conflict not of their own making.” * H-SAfrica, H-Net Reviews *Making excellent use of neglected Zambian archives, Alfred Tembo surveys the impact of World War II on colonial Zambia, or Northern Rhodesia, as it was then called. * Foreign Affairs *

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Book SynopsisNever-before-published documents from Henry Stanley's historic 1871 expedition to what is now Tanzania in search of David Livingstone recasts Stanley's sensationalized narrative with new details about the people involved, their systems of knowledge, commerce, and labor, the natural environment, and the spread of modern colonial powers in Africa.Trade Review“Henry Morton Stanley’s expedition in search of David Livingstone is one of the iconic events in the history of African exploration. Yet what we knew about the expedition came mainly from Stanley’s sensationalist published account. A far more complicated picture emerges from his original field notes and journals, which are brought to light at last in this superbly edited volume.” -- Dane Kennedy, author of The Last Blank Spaces: Exploring Africa and Australia“An invaluable resource of original documents … an extraordinary work of meticulous and detailed research and scholarship that is especially and unreservedly recommended as a core addition to personal, professional, community college, and university libraries [and] reading lists.” * Midwest Book Review *Table of ContentsList of Illustrations Foreword (G. Gryseels, RMCA) Foreword (D. Allard, KBF) Abbreviations and Editorial Notations Introduction Documents Journal S.A. 73, Excerpts (January 1871–May 1872) Journal S.A. 7, Full Transcript (1871) Journal S.A. 11, Full Transcript (10 November 1871–Unyanyembe, 8 May 1872) Field Notebook S.A. 8, Full Transcript Field Notebook S.A. 9, Full Transcript Field Notebook S.A. 10, Full Transcript Account Book of the New York Herald Expedition to Central Africa (S.A. 74), Full Transcript Notebook S.A. 1, Excerpts for the Year 1871 Muster Roll of Soldiers Engaged for the New York Herald Central African Expedition (S.A. 74), Full Transcript Journal S.A. 12 to Zanzibar, Excerpts (May 15–29, 1872) Appendix Contracts of Engagement of Employees for the Search for Livingstone Contract of Selim Heshmesh (S.A. 4734) Contract of Seedy Mubarak Bombay (S.A. 4744) Contract of Abdel Kader, Bunder Salaàm, Celim (S.A. 4745) Contract of W. L. Farquhar (S.A. 4746) Contract of Saboori Mkuba, Saboori Mdogo, and Kombo (S.A. 4748) Instructions to John W. Shaw (S.A. 2469) Journal S.A. 4, Excerpts (1869) Journal S.A. 5, Excerpts (1870) Letter of Introduction from John MacGregor to David Livingstone (S.A. 480) Letters from Francis R. Webb, American Consul in Zanzibar, to Stanley (S.A. 2598, 2654, 2655, 2657) Letters from John Webb, American Consul in Zanzibar, to Stanley (S.A. 2658, 2659) Letters from John Kirk, British Consul in Zanzibar, to Stanley (S.A. 2656, 2660) Letters from Dr. Livingstone to Stanley (S.A. 477, 478, 479) Letters from W. Oswell Livingstone to Stanley (S.A. 488) Letters from the New York Herald Staff in London to Stanley Finley Anderson (S.A. 2588, 2589) Douglas A. Levien (S.A. 2626) Letters from Stanley to J. Gordon Bennett (S.A. 6926, 6925) List of Letters Carried by Stanley from Dr. Livingstone (S.A. 4754) Contracts of African Soldiers with Uredi Manwa Sera as Captain to Serve Dr. Livingstone (S.A. 4749) and Contract of Mohammed bin Galfin (S.A. 4750) Glossary of Kiswahili Words Bibliography Index

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Book SynopsisAn omnibus collection of concise and up-to-date biographies of four influential figures from modern African history.Chris Hani, by Hugh MacmillanChris Hani was one of the most highly respected leaders of the African National Congress, the South African Communist Party, and uMkhonto we Sizwe. His assassination in 1993 threatened to upset the country's transition to democracy and prompted an intervention by Nelson Mandela that ultimately accelerated apartheid's demise.Wangari Maathai, by Tabitha KanogoThis concise biography tells the story of Wangari Maathai, the Kenyan activist and Nobel Peace Prize winner who devoted her life to campaigning for environmental conservation, sustainable development, democracy, human rights, gender equality, and the eradication of poverty.Josie Mpama/Palmer: Get Up and Get Moving, by Robert R. EdgarHighly critical of the patriarchal attitudes that hindered Black women's political acti

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Book SynopsisBeginning in the 1960s, the security of electricity supply has shaped South Africa’s economic growth and prosperity, and electricity shortages have negatively inflected the rise of its postapartheid democracy. Construction delays and escalating costs have thwarted the nation’s mining, manufacturing, and power generation.Trade ReviewFaeeza Ballim's timely work successfully explains the durability of [electricity utility] Eskom, offers some sense of why the backlash against Eskom (including assassination attempts) is mounting, and offers historians valuable tools for analyzing the relationship between electric power infrastructures and the state. * H-Environment, H-Net Reviews *A fascinating and timely study of South Africa’s state corporations—in particular its national electricity provider Eskom—and their relationship to the (post)apartheid state. Drawing on meticulous historical research, Ballim powerfully revises existing accounts of state power in South Africa and speaks to urgent questions of energy politics and democratization in the present. -- Antina von Schnitzler, author of Democracy's Infrastructure: Techno-Politics and Protest after ApartheidThe inevitable intertwining of power supply, politics and the market has been well explored. Yet in policy debates, one continues to hear calls for the separation of the three parts of the assemblage. Ballim takes up the issue in South Africa and captivatingly shows how calls for disentanglement obscure better insights. -- Richard Rottenburg, University of the WitwatersrandThe trouble of a timely book is that one is tempted to demand proposals and solutions to the current crisis. Apartheid’s Leviathan is not that book and that is perhaps one of its greatest strengths. Faeeza Ballim’s careful exposition of archival documents and valuable insights from first-hand interviews add a human character offering a useful contribution demanding us to reflect on Eskom in its broader historical context. -- Brian Kamanzi * Africa Is a Country *Table of ContentsIntroduction Chapter 1 The Unlikely Exploitation of the Waterberg Chapter 2 The Taming of the Waterberg Chapter 3 Eskom and the Turning of the Tide Chapter 4 Contested Neoliberalism Chapter 5 Labor and Belonging in Lephalale Chapter 6 The Medupi Power Station Conclusion Notes Bibliography Index

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Book SynopsisPatrick William Otim argues that the Acholi people of northern Uganda, who helped Europeans spread colonial rule and Christianity, were far more politically savvy than previously understood.Trade ReviewA landmark study in African intellectual history. Patrick William Otim’s Acholi Intellectuals puts the acquisition and deployment of erudition and skill at the center of the contradictions and ironies shaping this region’s political-cultural history. In accessible prose and well-chosen detail, Otim demonstrates that complex networks of elder men and women cultivated skill and ambition among a small number of exceptional Africans who reinvented power in a fractious nineteenth century, a short colonial century of administration and bureaucracy, and a later twentieth century of nationalist frictions. -- David Schoenbrun, Northwestern UniversityEngagingly and intimately written, Acholi Intellectuals reveals how Acholi cultivated talent across a broad sweep of nineteenth and twentieth century East African history, and how historical actors both seized the opportunities and navigated the perils that successive political regimes offered. Focused on the lives of healers, war leaders, and royal messengers—who became clerks, translators, converts, writers, and elders—Patrick William Otim has written a masterful study that sets a new standard for the study of exemplary individuals in African history. -- Daniel Magaziner, Yale UniversityPatrick William Otim has written a fascinating, innovative, and meticulously documented account of Acholi history. He shows that intellectuals who played major roles before conquest worked to create an Acholi-inflected version of colonial society. We were mistaken to imagine that the most important post-conquest transformations revolved around chiefs. Instead, people who were already influential in the realm of symbolism and knowledge reimagined and recreated their own society. -- Steven Feierman, University of PennsylvaniaPatrick William Otim’s definitive history of Acholi intellectuals analyzes their embodied knowledge, revealing their centrality in Acholiland’s colonial history. Deeply researched, Otim’s clear, engaging, and imaginative analysis interweaves rich sources and historiographies, yielding fresh critical insights on Acholi intellectuals’ intermediary roles within Acholiland’s politics. -- Michelle Moyd, Michigan State UniversityWith this book, Patrick William Otim becomes a leader in rethinking Uganda’s intellectual history. Drawing deeply from ethnographic and Acholi archival sources, Otim moves us beyond the political terrain of chiefs into the inner worlds of war leaders, royal messengers, public healers, poets, musicians, and aspiring historians. This work also manages to push Ugandan history writing beyond its obsession with kingdoms toward a more inclusive vision of republican history writing. Scholars and students of Ugandan and African political thought owe Otim a tremendous debt of gratitude. -- Jonathon L. Earle, Centre CollegePatrick William Otim’s evidence...refutes the division of African history into precolonial, colonial, and postcolonial periods....Otim’s work invites historians of Africa to think again about history we thought we knew. -- Holly Elisabeth Hanson, Mount Holyoke College“An important project … an impressive achievement.” -- Joel Cabrita, author of Text and Authority in the South African Nazaretha Church

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Book SynopsisIn this conceptual history, Nicole Eggers argues that practitioners of the Congolese religious movement Kitawala can be understood as intellectuals, innovators, and vital participants in the construction and use of power. Eggers also explores the relationship between healing and violence in their frequently gendered central African manifestations.Trade ReviewUnruly Ideas is an original, refreshing, one-of-a-kind study about power, invisible and holistic power. How Congolese Kitawalists displayed 'intellectual agency' and challenged European 'hoarders of power' by carving out their own political space and by availing themselves of religious and thaumaturgic possibilities is at the heart of Nicole Eggers’s fine-grained narrative. -- Ch. Didier Gondola, author of Tropical Cowboys: Westerns, Violence, and Masculinity in KinshasaNicole Eggers has written an engaging, original, and important account of the Kitawalist religious movement in the Democratic Republic of Congo, from the 1930s to recent times, packed with the results of years of archival and oral research. -- David M. Gordon, author of Invisible Agents: Spirits in a Central African History“Nicole Eggers has written an engaging, original, and important account of the Kitawalist religious movement in the Democratic Republic of the Congo (DRC), from the 1930s to recent times, packed with the results of years of archival and oral research.”“This is an original and one-of-a-kind study that historians, anthropologists, and political scientists will find quite rewarding.”

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Book SynopsisIn this conceptual history, Nicole Eggers argues that practitioners of the Congolese religious movement Kitawala can be understood as intellectuals, innovators, and vital participants in the construction and use of power. Eggers also explores the relationship between healing and violence in their frequently gendered central African manifestations.Trade ReviewUnruly Ideas is an original, refreshing, one-of-a-kind study about power, invisible and holistic power. How Congolese Kitawalists displayed 'intellectual agency' and challenged European 'hoarders of power' by carving out their own political space and by availing themselves of religious and thaumaturgic possibilities is at the heart of Nicole Eggers’s fine-grained narrative. -- Ch. Didier Gondola, author of Tropical Cowboys: Westerns, Violence, and Masculinity in KinshasaNicole Eggers has written an engaging, original, and important account of the Kitawalist religious movement in the Democratic Republic of Congo, from the 1930s to recent times, packed with the results of years of archival and oral research. -- David M. Gordon, author of Invisible Agents: Spirits in a Central African History“Nicole Eggers has written an engaging, original, and important account of the Kitawalist religious movement in the Democratic Republic of the Congo (DRC), from the 1930s to recent times, packed with the results of years of archival and oral research.”“This is an original and one-of-a-kind study that historians, anthropologists, and political scientists will find quite rewarding.”

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Book SynopsisDrawing on archaeological, linguistic, ethnographic, and documentary evidence, this book uses a cis-oceanic framework to focus on littoral communities. It clarifies the relationship between ethnicity and other kinds of identities by framing research questions around a language family instead of an ethnic, religious, or diasporic group.

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Book SynopsisDrawing on archaeological, linguistic, ethnographic, and documentary evidence, this book uses a cis-oceanic framework to focus on littoral communities. It clarifies the relationship between ethnicity and other kinds of identities by framing research questions around a language family instead of an ethnic, religious, or diasporic group.

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Book SynopsisFeaturing contributions by new and established Africanist scholars, this volume is the first book-length treatment of “martial race” in Africa.Trade ReviewThis superb collection represents one of the most exciting interventions in the field of African military history for many years. The volume makes an enormous contribution to our understanding of the function and form of colonial armies in Africa, as well as of their socioeconomic, cultural, and political impacts. -- Richard Reid, University of OxfordAn important collection of essays illustrating the need for continued research on the complexities and changes around military identities in African history. -- Tim Stapleton, University of Calgary

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Book SynopsisFeaturing contributions by new and established Africanist scholars, this volume is the first book-length treatment of “martial race” in Africa.Trade ReviewThis superb collection represents one of the most exciting interventions in the field of African military history for many years. The volume makes an enormous contribution to our understanding of the function and form of colonial armies in Africa, as well as of their socioeconomic, cultural, and political impacts. -- Richard Reid, University of OxfordAn important collection of essays illustrating the need for continued research on the complexities and changes around military identities in African history. -- Tim Stapleton, University of Calgary

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Book Synopsis Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such “sites” as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as “the cradle of samba,” the Ellis Island immigration museum, and high-school history textbooks in Ecuador.Several contributors examine how the experiences of indigenous groups and the imperial past are incorporated into public histories in British Commonwealth nations: in Te Papa, New Zealand’s national museum; in theTrade Review“[T]his is an intellectually stimulating volume with great applicability for many new and future venues for analysis.” - Hong-Ming Liang, Journal of Intercultural Studies“Public historians—whether academics or practitioners—will find much of value within the pages of Contested Histories. . . . Walkowitz and Knauer have compiled a rich and instructive collection of essays that, together, demonstrate the ‘international and spatial reach’ of complex historical debates as they played out in a diverse array of public spaces.” - Andrea Thabet, The Public Historian“Perhaps the greatest strength of this compilation is how the authors capture the vigorous contestation that can arise between advocates with radically opposed sentiments, allegiances, outlooks and agendas. With the devil generally being in the details, the particulars in these examples reflect the categorical messiness, the fluidity, the complexities, the shifting loyalties, the unpredictability and the undeniably fascinating nature of such cultural conflicts. . . . [A] reader hungry for insight into the politics of representation on an international scale will find much to chew on in Contested Histories in Public Spaces.” - Steven Dublin, Reviews in History“The wide range of geographical areas covered (six continents and fourteen countries) offers a fascinating study on the impacts of globalization, including the resulting emergence of localisms. . . . The incorporation into memory studies of the rich fruits of postcolonial studies to interrogate how the postcolonial condition might challenge our understanding of the relationship between history and memory is an important and much needed endeavor, for which that I hope this volume has broken ground.” - Akiko Takenaka, Pacific Historical Review“[A] rich and interesting volume. . . . The contributors are well chosen, the essays unusually consistent, and the topics, juxtaposed rather than braided, convey precisely what the editors hoped for: that public spaces are used, abused, and ‘contested,’ perhaps especially when the subject turns to thecommemoration of empire, no matter where they are. . . . It is sure to have a powerful impact on the way we think about the struggle over space and representation in the dusk of older empires and in the dawn of newerones.” - Matthew Pratt Guterl, Museum Anthropology Review“This is a provocative, reflective and well-balanced collection and makes a key contribution to the field of public history.” - Australian Historical Studies“By offering studies from six continents, this volume makes the important point that globalization on the one hand and new sorts of localism on the other have powerfully affected discussions of how an often dark and morally compromised past can be critically assimilated into the nearly universal state of fractured national consciousness.”—Thomas W. Laqueur, University of California, Berkeley“This is an exceptionally strong and interesting collection about public history in the context of evolving sensibilities about nation, race, culture, ‘identity,’ and public representation itself. It features great essays instructively organized, as well as a thoughtful, focused introduction that sets them all in a broader context.”—Michael Frisch, University at Buffalo, SUNY“[A] rich and interesting volume. . . . The contributors are well chosen, the essays unusually consistent, and the topics, juxtaposed rather than braided, convey precisely what the editors hoped for: that public spaces are used, abused, and ‘contested,’ perhaps especially when the subject turns to the commemoration of empire, no matter where they are. . . . It is sure to have a powerful impact on the way we think about the struggle over space and representation in the dusk of older empires and in the dawn of newer ones.” -- Matthew Pratt Guterl * Museum Anthropology Review *“[T]his is an intellectually stimulating volume with great applicability for many new and future venues for analysis.” -- Hong-Ming Liang * Journal of Intercultural Studies *“Perhaps the greatest strength of this compilation is how the authors capture the vigorous contestation that can arise between advocates with radically opposed sentiments, allegiances, outlooks and agendas. With the devil generally being in the details, the particulars in these examples reflect the categorical messiness, the fluidity, the complexities, the shifting loyalties, the unpredictability and the undeniably fascinating nature of such cultural conflicts. . . . [A] reader hungry for insight into the politics of representation on an international scale will find much to chew on in Contested Histories in Public Spaces.” -- Steven Dublin * Reviews in History *“Public historians—whether academics or practitioners—will find much of value within the pages of Contested Histories. . . . Walkowitz and Knauer have compiled a rich and instructive collection of essays that, together, demonstrate the ‘international and spatial reach’ of complex historical debates as they played out in a diverse array of public spaces.” -- Andrea Thabet * The Public Historian *“This is a provocative, reflective and well-balanced collection and makes a key contribution to the field of public history.” * Australian Historical Studies *Table of ContentsAbout the Series vii Introduction / Lisa Maya Knauer and Daniel J. Walkowitz 1 First Things First Two Peoples, One Museum: Biculturalism and Visitor "Experience" at Te Papa—Our Place, New Zealand's National Museum / Charlotte J. MacDonald 29 Contesting Time, Place, and Nation in the First Peoples' Hall of the Canadian Museum of Civilization / Ruth B. Phillips and Mark Salber Phillips 49 "Unfinished Business": Public History in a Postcolonial Nation / Paul Ashton and Paula Hamilton 71 Colonial Legacies and Winners' Tales Exhibiting Asia in Britain: Commerce, Consumption, and Globalization / Durba Ghosh 99 The Alamo: Myth, Public History, and the Politics of Inclusion / Richard R. Flores 122 Ellis Island Redux: The Imperial Turn and the Race of Ethnicity / Daniel J. Walkowitz 136 State Stories A Cultural Conundrum? Old Monuments and New Regimes: The Voortrekker Monument as Symbol of Afrikaner Power in a Postapartheid South Africa / Albert Grundlingh 155 Narratives of Power, the Power of Narratives: The Failing Foundational Narrative of the Ecuadorian Nation / O. Hugo Benavides 178 Affective Distinctions: Race and Place in Oaxaca / Deborah Poole 197 Under-Stated Stories Marking Remembrance: Nation and Ecology in Two Riverbank Monuments in Kathmandu / Anne M. Rademacher 227 Saving Rio's "Cradle of Samba": Outlaw Uprisings, Racial Tourism and the Progressive State in Brazil / Paul Amar 239 Afrocuban Religion, Museums, and the Cuban Nation / Lisa Maya Knauer 280 Haunting Delgrès / Laurent Dubois 311 Bibliography 329 Contributors 353 Index 357

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Book SynopsisLooks at the vernacular cosmopolitanism of a group of jazz players in Ghana, who have traveled widely, played with American jazz greats, and blended Coltrane with local instruments and philosophy. This book describes their cosmopolitan outlook as an accoustemology, a way of knowing the world through sound.Trade Review"How to evoke the brilliant insight and empathy of Steven Feld's acoustemological memoir of music and musicians in Accra? To start, imagine E. T. Mensah, Shirley Temple, John Coltrane, and Ludwig van Beethoven riding (quasi-legally) in the back of a vividly motto-festooned Ghanaian trotro truck, cool-running a memory-drenched, complexly overlapping soundscape of highlife evergreens, Afriphonic jazz hollers, hallelujah choruses, ratcheting sewer toads, and honking India-rubber bulb horns. Centered on the voices, stories, and ambitions of a compelling cast of characters—Ghanaian musicians whose diversely linked experiences chart the layered, contradictory flows and deep reefs of globalization—Jazz Cosmopolitanism in Accra is a fundamental and stimulating contribution to the literature on musical cosmopolitanism and the study of contemporary urban culture in Africa.”—Christopher Waterman, Dean, UCLA School of the Arts and Architecture"Steven Feld has written an astonishing book: at once a sweetly told adventure story, biographies of some very important but virtually unknown African musicians, a shrewd look at the world we live in and think we know, and hidden within it all, a sly critique of the history of jazz."—John F. Szwed, Director, Center for Jazz Studies at Columbia University“[A] vital statement about the infinitely nuanced nature of cultural exchange between Africa and America, and how our fullest understanding of jazz history might be furthered by enquiries like this.” -- Kevin Le Gendre * Jazzwise *“A successful fusion of anthropology and aesthetics that illuminates the musical and cultural links—and differences—between African and American jazz, this is also a fascinating memoir of one person’s attempt to understand the urban culture of Ghana in an age of globalization.” * Publishers Weekly *“Feld reveals the high degree of cosmopolitanism in jazz-pop related musics and the huge role that race and class play in constraining the players. Deciphering the intertextuality of African American life and music requires an expert like Steven Feld. He has done a masterful job.” -- Philip K. Bock * Journal of Anthropological Research *“In addition to his effective usage of the storytelling mode, Feld provides an exemplary illustration of the seamless integration of multiple roles as a documentary filmmaker, musician, anthropologist, historian, and tour promoter. . . . Feld realizes that not all Ghanaians would view these musicians as cosmopolitans, but that fact seems to actually reinforce his discussion of the discourse on cosmopolitanism and its relationship to race, class, and other structures of power. Indeed, he opens many doors for his readers and tells us stories of why these types of music making are important beyond Ghana. He leads us to a more refined understanding of cosmopolitanism, not to provide a series of answers, but to provoke in each of us more thoughtful questions about our music, our research, and ourselves.” -- Dave Wilson * Ethnomusicology Review *“The chapters in which Feld listens and retells the stories of these mercurial musicians are compelling, and throw up original and profound material. . . . Feld is brilliant at articulating the multiple overlapping narratives and experiences that both obfuscate and animate diasporic dialogues, and in that process his book attains its own world-historical significance.” -- Tony Herrington * The Wire *“This fascinating book opens up jazz from the African perspective. Whether he’s discussing with Nortey the Africanization of his saxophone and his absolute dedication to the music of John Coltrane or explaining Ghanaba’s musical relationship with Max Roach, Feld brings a full picture to the broadening cultural aspects of Africans playing their own type of jazz.” -- Jon Ross * DownBeat *“With rich and diverse examples, Feld demonstrates the pervasiveness of cosmopolitan outlooks among jazz musicians in Accra, whether mobile or immobile, socially powerful or powerless, rich or poor… Jazz Cosmopolitanism in Accra is an important theoretical intervention in ‘cosmopolitanism from below’ and a powerful narrative about jazz as an African diasporic art form from the standpoint of musicians in Accra.” -- Stephen Hager * Notes *“Jazz Cosmopolitanism is a lively and important book, one that uses the vehicles of dialogue and sound to unearth the complex cultural and political dynamics that connect a group of urban Africans to the diaspora and wider world. It is a fun, invigorating, and worthwhile read. . . . Jazz Cosmopolitanism is a book that continues to resonate when finally put down. I highly recommend picking it up.” -- Nate Plageman * Journal of African History *“A thoroughly humane and endearing narrative account of Feld’s attempt in Ghana, encumbered by the title ‘prof,’ recording and photographic equipment, a car, and many of the resources one expects from a citizen of the wealthiest nation on earth,to try and engage with and understand Accra’s musical landscape and especially those aspects of it which relate to jazz. It’s a joy to read. . . .” * African Jazz *“Feld’s brilliant work should have a broad impact and appeal, offering significant contributions and interventions to interdisciplinary discourses on jazz, Ghanaian music, cosmopolitanism, as well as (urban) Africa and its diaspora.” -- Paul Schauert * African Music *“An absolute delight. . . . Jazz Cosmopolitanism in Accra will not only become one of the most important studies in jazz scholarship; it will also provide a provocative indication of where and how culturally oriented music studies might develop.” -- Ronald Radano * Journal of Popular Music Studies *“A text to listen to... Jazz Cosmopolitanism in Accra is a prime example of substantial academic research presented in an accessible way.... With his combination of academic depth, collaborative approach, and aesthetic sensibility in this book, as in his other work, Steven Feld is a guiding light for us all: musicians, filmmakers, anthropologists in Ghana and further afield.” -- Helena Wulff * Visual Anthropology Review *Table of ContentsOpus xi Four-Bar Intro "The Shape of Jazz to Come" 1 Vamp In, HeadAcoustemology in Accra: On Jazz Cosmopolitanism 11 First Chorus, with TranspositionGuy Warren / Ghanaba: From Afro-Jazz to Handel via Max Roach 51 Second Chorus, Blow FreeNii Noi Nortey: From Pan-Africanism to Afrifones via John Coltrane 87 Third Chorus, Back InsideNii Otoo Annan: From Toads to Polyrhythm via Elvin Jones and Rashied Ali 119 Fourth Chorus, Shout to the GroovePor Por: From Honk Horns to Jazz Funerals via New Orleans 159 Head Again, Vamp OutBeyond Diasporic Intimacy 199 "Dedicated to You" 245 Horn Backgrounds, Riffs Underneath 249 Themes, Players 299

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Book SynopsisThis ethnography of hiplife, a popular Ghanaian music genre combining hip-hop with highlife music, shows how young hiplife artists in Ghana and its diaspora use the music to gain social status, wealth, and respectability.Trade Review“[Shipley] has written with passionate involvement and balances his study with firsthand interviews. The globalization of hip-hop should be no surprise, and this exploration of its reach and how it can be remade provides a fascinating example of the localization and renewal of the form.” -- Bill Baars * Library Journal *“Shipley offers up a heady mix of political, business, and music history, of entrepreneurship and converging genres, intermixed with reportage and personal contacts as he explores the junction of celebrity, commerce, and politics in contemporary Ghana. . . . [S]cholars of contemporary African culture and aficionados of hiplife will find enlightenment.” * Publishers Weekly *“The scholarly passages are hung around lengthy, eminently readable sections that will appeal to anyone who might enjoy modern African music styles, and not necessarily those with a hip-hop bias. Even if you have no particular interest or liking for hiplife, this is an absorbing and very informative book.” -- Martin Sinnock * Songlines *“[A] fascinating foray into a complex world of musical production, the deployment of shifting technologies, and articulation of conceptions of entrepreneurial success that deserves wide attention and careful consideration…. Living the Hiplife offers readers an admirable mix of ethnographic detail and analytical discussion.” -- Nate Plageman * Journal of Anthropological Research *“[T]his study not only originally and brilliantly recognizes the role of the diaspora in this cultural field, but it brightly manages to let the audience speak back to cultural producers. Indeed, Shipley repeatedly succeeds in giving voice to these participants, from a local public transport conversation to online forums…. [H]is book significantly contributes to a much neglected field that is the economy of popular music in urban Africa; and I can only welcome and salute such a study, full of original insights, as a firsthand account from an obviously enthusiastic and dedicated participant.” -- Jenny F. Mbaye * Africa *"Living the Hiplife is an important testimony to the innovative and entrepreneurial nature of hip-hop music in Ghana as well as an excellent example of a theoretically engaged ethnography that productively uses anthropological ideas of value and circulation." -- Girish Daswani * American Ethnologist *Table of ContentsList of Illustrations ix Acknowledgments xi Introduction. Aesthetics and Aspiration 1 1. Soul to Soul: Value Transformations and Disjunctures of Diaspora in Urban Ghana 28 2. Hip-Hop Comes to Ghana: State Privatization and an Aesthetic of Control 51 3. Rebirth of Hip: Afro-Cosmopolitanism and Masculinity in Accra's New Speech Community 80 4. The Executioner's Words: Genre, Respect, and Linguistic Value 108 5. Scent of Bodies: Parody as Circulation 134 6. Gendering Value for a Female Hiplife Star: Moral Violence as Performance Technology 163 7. No. 1 Mango Street: Celebrity Labor and Digital Production as Musical Value 198 8. Ghana@50 in the Bronx: Sonic Nationalism and New Diasporic Disjunctures 230 Conclusion. Rockstone's Office: Entrepreneurship and the Debt of Celebrity 267 Notes 285 Bibliography 303 Index 317

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Book SynopsisWritten by one of the foremost scholars of African art and featuring more than 125 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960.Trade Review“As a book that documents the trajectory of colonial and post-colonial states of visual arts in Nigeria, Okeke-Agulu’s Postcolonial Modernism is no doubt a compact scholarly work that highlights the dynamics of the past and politics of a period that could have been the Nigerian renaissance in the post-independence era.” -- Tajudeen Sowole * The Guardian (Lagos) *“Through contemporary documentation, such as the magazine Black Orpheus, which published criticism, reviews, portfolios, and well-chosen illustrations, Okeke-Agulu offers thorough formalist and analytical readings of works of art. Knowledge of Nigerian artists Aina Onabolu, Bruce Onobrakpeya, Demas Nwoko, Simon Okeke, Yusuf Grillo, El Anatsui, and Jimo Akolo, as well as those who supported and promoted their work, such as Ulli Beier and Kenneth Murray, is broadened without delving into the minutiae of biography. … Recommended. All levels of undergraduates and above.” -- M. R. Vendryes * Choice *“The book unfolds dramatically, tracing the trajectory of Nigerian history from the colonial era through the euphoric independence years to the tragic aftermath of the post-independence period. Its seven chapters constitute an engrossing page-turner and offer a cathartic crescendo which climaxes when the author invokes Mbari--ephemeral, elaborate earthen monuments to the lgbo goddess Ala in its final pages. . . . One of this text's greatest accomplishments is the way in which it calls attention to ... under-appreciated work, while carefully situating it within a larger, sociopolitical context.” -- Carol Thompson * Art Papers *“Chika Okeke-Agulu’s thoroughly researched and beautifully illustrated Postcolonial Modernism significantly advances an understanding of modern African art. …[A] major contribution to the fields of modern African art and global modernisms. For readers unfamiliar with modern Nigerian art, it serves as a comprehensive introduction. For those who study modern Nigerian and African art, the figures, movements, and artistic concerns will be largely familiar, but Okeke-Agulu examines them with unprecedented depth and complexity, while situating them within a broader global context.” -- Rebecca Wolff * CAA Reviews *"The book is an enormously valuable contribution to our understanding of Nigerian art history, both in its text and its 127 illustrations, many of which will be new to many scholars.... It is a book that belongs in the library of every scholar interested in African art history, Nigeria, modernism, and postcolonial studies." -- Jean M. Borgatti * International Journal of African Historical Studies *"With textured analyses of artworks from unpublished archives, Okeke-Agulu’s research enriches the field of art history by offering the Nigerian experience of modernism as impetus to seek out other modernisms from the Global South. Informative for scholars in the field of African studies, this book is equally legible for undergraduate and graduate courses, or even for nonspecialists who are searching for meaningful ways to rethink the existing, incomplete narratives concerning modernity and Africa." -- Joseph L. Underwood * Art Journal *"When I first picked up this handsome book, a sense of wonder swept over me.... Readers will surely take from this wonderful book a new appreciation for twentieth-century Nigerian art and its role in postcolonial modernism." -- Monica Blackmun Visonà * Art Bulletin *"Chika Okeke-Agulu’s book on art and decolonization is an extensive and highly detailed investigation of the emergence of artistic modernism in Nigeria from the late 1950s to the civil war in 1967. . . . The book is without doubt a significant contribution to the study of mid- to late twentieth-century Nigerian art. However, it is important to recognize Postcolonial Modernism has the potential to appeal not only to scholars, but also to a broader audience." -- Fred Smith * H-AfrArts, H-Net Reviews *"This book offers readers a complex study into the development of Nigerian modernism within a wider political, cultural, and artistic context of decolonization. Chika Okeke-Agulu successfully achieves a delicate balancing act, keeping the individual artists and their work at the center of this critical enquiry while also analyzing how they were connected to a wider art world context." -- Helena Cantone * African Studies Quarterly *Table of ContentsList of Illustrations ix Acknowledgments xiii Introduction. Postcolonial Modernism 1 1. Colonialism and the Educated Africans 21 2. Indirect Rule and Colonial Modernism 39 3. The Academy and the Avant-Garde 71 4. Transacting the Modern: Ulli Beier, Black Orpheus, and the Mbari International 131 5. After Zaria 183 6. Contesting the Modern: Artists' Societies and Debates on Art 227 7. Crisis in the Postcolony 259 Notes 291 Bibliography 313 Index 327

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Book SynopsisDanny Hoffman uses the ruins of four iconic modernist buildings in Monrovia, Liberia as a way to explore the relationship between the built environment and political imagination, showing how these former symbols of modernist nation building transformed into representations of the challenges that Monrovia's residents face.Trade Review“Monrovia Modern is a beautiful and perceptive book. It will appeal to both architecture and anthropology scholars concerned with ruins, violence, material culture, photography and West African politics.” -- Pauline Destree * Allegra Lab *"A beautiful book that weaves together urban theory, architectural comprehension, photographic excellence, and rich anthropological immersion in the lives of Monrovians. . . . Few books are as ambitious or as creative as this one. . . . Monrovia Modern will likely inspire scholars looking to combine photography, architectural design and critical social theory." -- Jeffrey W. Paller * Journal of Modern African Studies *"Brave venture of a book. . . . A pioneering work in the way it combines different methods, media, and disciplines. . . . Hoffman’s newest is a beautiful work that one truly enjoys reading." -- Ilmari Käihkö * Anthropos *"Danny Hoffman provides us with new empirical insights on West Africa, and a fascinating and original way of thinking the city that can inspire future scholarship." -- Maarten Bedert * African Studies Review *"Hoffman’s book encourages fruitful thought about the politics of architecture and urban dwelling. . . This volume is rewarding reading." -- Anne S. Lewinson * International Journal of African Historical Studies *“Monrovia Modern is a testament to the complexities of the relationships humans hold with their creations and offers a rare perspective on those connections after the destruction of war has altered their form and functionality.... The book will be of interest to Africanists of all disciplines, but especially urban anthropologists, geographers, and students of architecture.” -- Barbara Hoffman * Africa Today *Table of ContentsIllustrations xiii Preface xvii Acknowledgments xxiii Introduction 1 1. Live Dangerously, My Brothers: Ex-Combatants and the Political Economy of Space 33 2. The Ministry of Defense: Excessive Architecture 61 3. E. J. Roye: The Corporate (Post)Modern 91 4. Hotel Africa: The Uncritical Ruin 115 5. Liberia Broadcasting System: Three Utopias 143 6. Finding Urban Form: A Coda 175 Notes 183 References 189 Index 203

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Book SynopsisJames Ferguson examines the rise of social welfare programs in southern Africa in which states give cash payments to their low income citizens. These programs, Ferguson argues, offer new opportunities for political mobilization and inspire new ways to think about issues of production, distribution, markets, labor and unemployment.Trade Review“Half comparative ethnography, half political pamphlet, Ferguson’s impressive narrative is a tour de force questioning, deconstructing and reconstructing classic and contemporary notions of poverty, development and the welfare state in the region and beyond. … With his creative and flexible analysis, he provokes thinking for action beyond narrow ideological boundaries. One could imagine enthusiastic endorsements of his work by Marxist campaigners, World Bank technocrats and traditional leaders alike. This highly original book is likely to leave a lasting mark not only on contemporary anthropological debates around poverty and development, but also policy and activist thinking in southern Africa and beyond.” -- Vito Laterza * Anthropology Book Forum *"The book offers an exciting challenge to many of the default ways of thinking in development and social policy. ... Give a Man a Fish is a remarkable combination of scholarly breadth, intellectual challenge and grounded reflection on the realities of people living with hardship. Avoiding the easy characterisations of left or right, it is a thoughtful, stimulating and ultimately hopeful book, which deserves to be widely read, discussed and acted on." -- Sarah C. White * Journal of Development Studies *"Overall, this is an ambitious, imaginative, and hopeful book. Although the notion that distributive processes must be understood and appreciated is already widely accepted in African studies, Ferguson's achievement is in analyzing the dynamism and implications of these claims and relations within his chosen region’s shifting political economy." -- A. Peter Castro * Journal of International and Global Studies *"[T]he book is beautifully written, and a pleasure to read. Ferguson seamlessly weaves together data, a wide range of social science literature, anecdotes, historical details, and a sprinkling of anthropological theory.... Ferguson’s book is an erudite, enjoyable, and important synthesis of facts, stories and ideas, bridging a wide range of topics around the rise of social grants in Southern Africa." -- E. Fouksman * Basic Income Studies *"James Ferguson’s latest book makes an important contribution to the basic income literature. The book draws its empirical ballast from cash transfer programs in southern Africa, but this is not an ethnographic text; rather, Ferguson leverages the idea of cash transfers and basic income to launch a theoretical meditation on the nature of money, value, society, welfare, justice, and the state. The end product is reflective, thought-provoking, and beautifully written. One is left with the distinct impression that Ferguson is feeling his way into a social theory of the future." -- Jason Hickel * Anthropological Forum *"Like the best kind of anthropology, James Ferguson’s latest book, Give a Man a Fish, invites readers to see the world differently, questions taken-for-granted truisms, and reasserts the significance of lives considered peripheral to the concerns of powerful elites.... In a world of radical inequality and chronic unemployment, few development agents are willing to spend time 'translating' anthropology into action. Ferguson has done this work with the sensibility of an anthropologist." -- Ilana van Wyk * American Anthropologist *Table of ContentsForeword / Thomas Gibson vii Preface and Acknowledgments xi Introduction. Cash Transfers and the New Welfare States: From Neoliberalism to the Politics of Distribution 1 1. Give a Man a Fish: From Patriarchal Productionism to the Revalorization of Distribution 35 2. What Comes after the Social? Historicizing the Future of Social Protection in Africa 63 3. Distributed Livelihoods: Dependence and the Labor of Distribution in the Lives of the Southern African Poor (and Not-So-Poor) 89 4. The Social Life of Cash Payments: Money, Markets, and the Mutualities of Poverty 119 5. Declaration of Dependence: Labor, Pesonhood, and Welfare in Southern Africa 141 6. A Rightful Share: Distribution beyond Gift and Market 165 Conclusion. What Next for Distributive Politics? 191 Notes 217 References 237 Index 259

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Book SynopsisIn Lion Songs Banning Eyre tells the story of Zimbabwean singer, composer and bandleader Thomas Mapfumo who, like Fela Kuti and Bob Marley, represents his country's anti-colonial struggle and cultural identity. Eyre narrates Mapfumo's life in the context of Zimbabwe's pre- and post-revolutionary history.Trade Review“A deep, detailed biography of a complex African musician and the homeland that has shaped his artistry. . . . An essential book for those who love the artist's music and want to know more. . . .” * Kirkus Reviews *“What emerges from Eyre’s account is a multi-faceted look at one musician’s life, and the effects that it had on both the people around him and the society of which he was a part. . . . There’s an evenness of tone here, and it helps bring together the many aspects of Mapfumo’s life into one cohesive narrative. And, as an added bonus, it may well introduce readers to music that remains vital decades after it was first recorded.” -- Tobias Carroll * Biographile *“[Eyre] has meticulously researched Mapfumo’s story and the musicians who have played with him in Blacks Unlimited, and he tells their tale with impressive attention to detail. … All this makes Lion Songs an essential resource for anyone interested in Mapfumo and Zimbabwean music.” -- Nigel Williamson * Songlines *“[A] a singularly insightful biography. . . .” -- Andrew Gilbert * Berkeleyside *“For fans of African music, the album is a must-have. For those interested in the role of art in self-determination and the intricate and convoluted history of oppression and colonialism and the fraught aftermath of self-rule, the book is a must-read.” -- Jay Mazza * The Vinyl District *"The novelistic text has an appropriately hefty level of historical context, and the attention to detail means that Eyre never gives the tale less than it deserves, ultimately enlightening the reader about the evolution of an entire nation, as well as its most famous musical son. The gripping read is thus highly recommended." -- David Katz * Mojo *"An essential book for those who love the artiste's music and want to know more. . . ." -- Fred Zindi * The Herald (Zimbabwe) *"[B]ecause Thomas Mapfumo is such an important subject, and because Eyre has spent decades around him, the legacy outweighs the failures. Mapfumo has created a huge body of meaningful work and Eyre has stuck it out—an independent scholar on a university press non-advance—to get his story. Graceful sentences, acute observation, heroic amounts of research, self-consciousness about subject position and other contextual issues, a working musician’s aesthetic appreciation—it’s all here, and nobody else could have done it." -- Eric Weisbard * Journal of Popular Music Studies *"Eyre affirms Mapfumo’s enduring stature in the canon of Zimbabwean music. Lion Songs is a fascinating biography not just for its close­up portrayal of Mapfumo, but also its masterly commentary on Zimbabwe’s underrated music industry." -- Stanley Mushava * The Herald (Zimbabwe) *"[A]n intensely detailed and lucid work. ...Eyre is a musicologist, so when he explains the musical alchemy that went into creating Mapfumo's mbira-inspired chimurenga (revolutionary struggle) music, his descriptions are illuminating and technical. ... He also understands that the significance of his subject - a fixture in Zimbabwe's music and sociopolitical fabric for at least five decades - transcends the music he made." -- Kwanele Sosibo * Namibian *"Lion Songs is a richly evocative story of a life impassioned wherein author Banning Eyre ties the arc of Mapfumo’s career to Zimbabwe’s contemporary history. . . . A great fly-on-the-wall account of a life political, a life musical, and a life of love sans love-songs." -- Felicity Clark * Perfect Beat *Table of ContentsPreamble: Chimurenga Nights 1 I. Rhodesia 1. England Is the Chameleon , and I the Fly 13 2. Singing Shona 28 3. When the Spirit Comes 50 4. Songs for the Book of History 67 5. Bishop and Pawn 89 6. Agony of Victory 110 II. Zimbabwe 7. Snakes in the Forest 125 8. Corruption 144 9. Big Daddy and the Zimbabwe Playboys 161 10. Sporting Lions 179 11. Too Many Ghosts 200 12. Breaking the Cycle 211 III. America 13. Striking at Empires 231 14. Dancing with Devils 248 15. The Land of the Horses 264 16. Lions in Winter 281 Acknowledgments 295 Notes 297 Selected Discography 337 Bibliography 341 Index of Songs and Albums 345 General Index 349

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Book SynopsisExploring the practices of squatting and illegal settlement on the outskirts of Cape Town during and immediately following the end of apartheid, Anne-Maria Makhulu how these squatters engaged in an important form of resistance that helped to end apartheid.Trade Review"Making Freedom, an exciting and provocative book about Cape Town’s informal settlements during and after apartheid, engages precisely with the spaces between those foregrounded by official categories." -- Maxim Bolt * Anthropological Quarterly *"In so many ways, Making Freedom is a tour de force. Not only does it open up new ways to make sense of unauthorized squatting in struggling cities, it also challenges mainstream urban studies to look beyond negative stereotypes of so-called 'illegal' squatting. Makhulu weaves her analysis through all sorts of debates—informal work, selfbuilt housing, the “right to the city,” and many more. For this reason and more, Making Freedom is a book worth reading and engaging with." -- Martin J. Murray * International Journal of African Historical Studies *"A thoughtful, sobering and provocative read for anyone interested in the recent history of South Africa’s urban development on a highly political landscape.... Reading Making Freedom is an intersectional literary experience in its careful consideration of not only economics and politics but gender, race and culture." -- Lené Le Roux * Southeastern Geographer *"Makhulu’s recounts and comments with insight on the stories told by some squatters, mostly in respect of Crossroads.... There is much in this book that is of interest." -- Richard Tomlinson * American Historical Review *"Making Freedom is a strongly argued and well executed book. It is a great addition to the literature offering a stimulating and insightful analysis of Cape Town’s informal settlements, exploring the problems and contradictions at play, while posing important questions regarding freedom in post-apartheid South Africa." -- Matthew Graham * Social History *"Makhulu’s book is a major contribution to apartheid and post-apartheid housing studies. The book’s major strength comes from learning from the squatters themselves about how they made freedom and home in urban South Africa. . . . The book is a great contribution to the historiography of South African anthropology and history, among other disciplines, and it reminds us that making freedom and making home is what all societies struggle for irrespective of gender, class, race, religion and generation." -- Joyce M. Chadya * Canadian Journal of History *Table of ContentsAcknowledgments vii Prologue xi Introduction 1 1. Migrations 27 2. Counterinsurgency 63 3. Transitions 95 4. "Reckoning" 129 Conclusion. Making Freedom 153 Notes 169 References 199 Index 221

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Book SynopsisIn Moral Economies of Corruption Steven Pierce provides a cultural history of the last 150 years of corruption in Nigeria as a case study for considering corruption's dynamic nature, finding it to be a culturally contingent set of political discourses and historically embedded practices.Trade Review"Moral Economies of Corruption is not only rich history, but also a theoretically insightful analysis that has much to offer beyond its particularism. Scholars interested in corruption in other parts of Africa, and in other regions of the world, will find much to ponder and appreciate." -- Daniel Jordan Smith * American Ethnologist *"[T]his is a superb and path-breaking book. Through meticulous attention to detail, it builds an argument that is as important as it is compelling. And, ironically, it is by refusing to compromise on historical and cultural specificity that it makes its most important contribution to understanding and engaging critically and constructively with a global discourse." -- Kate Hampshire * Journal of the Royal Anthropological Institute *"The strength of Pierce’s book is the depth of its historical excavation and the synchronization of relevant data on the diverse forms of corruption across Nigeria’s multitudinous ethnicities at different periods in the country’s over one hundred years of statehood." -- John Olushola Magbadelo * African Studies Quarterly *"Pierce makes a significant contribution to the analysis of corruption in Nigeria by going beyond the dominant Eurocentric and neo-Weberian analyses, which are couched in universalistic, Eurocentric, and derogatory terms. . . . A useful addition to the study of Nigeria’s contemporary history and political culture." -- Jeremiah Dibua * American Historical Review *"Nigerian corruption has attracted the attention of numerous scholars over the years, and this has given rise to a plethora of insightful analyses, from several different angles. However, Steven Pierce ... offers a new perspective and fresh insight into the discourse. ... Pierce has written a valuable book that focuses our attention on the fundamental problem of corruption in Nigeria." -- Azeez Olaniyan * African Studies Review *Table of ContentsAcknowledgments ix Introduction: Corruption Discourse and the Performance of Politics 1 Part I. From Caliphate to Federal Republic 1. A Tale of Two Emirs: Colonialism and Bureaucratizing Emirates, 1900–1948 27 2. The Political Time: Ethnicity and Violence, 1948–1970 63 3. Oil and the "Army Arrangement": Corruption and the Petro-State, 1970–1999 105 Part II. Corruption, Nigeria, and the Moral Imagination 4. Moral Economies of Corruption 153 5. Nigerian Corruption and the Limits of the State 188 Conclusion 219 Notes 231 Bibliography 257 Index 277

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Book SynopsisIn this set of essays that cover the period from 1992 to 2012, Kobena Mercer uses a diasporic model of criticism to analyze the cross-cultural aesthetic practice of African American and black British artists and to show how their refiguring of visual representations of blackness transform perceptions of race. Trade Review"Travel & See benefits from a retrospective gaze; Mercer’s 30-year career gives him a judicious distance on some highly charged aesthetic movements and issues.... Mercer’s volume ... does not simply collect his past writings; it forces us to see international modernism in a way that has implications for future scholarship both within and beyond the field of black diasporic art. Travel & See posits Mercer as a chronicler not only of the field of contemporary art of the Afro-modern world, but of the inextricable ties of black diasporic and modernism itself." -- Sarah Lewis * Art in America *"Travel & See is an essential addition to any art historian’s library.... With Travel & See, Mercer further establishes himself as a leading figure in the field while also modeling the type of work that still needs to be done. The volume shows how Mercer’s writing redefined contemporary art history just as much as it shows how black diaspora artists changed contemporary art." -- Uchenna Itam * Shift *"Mercer's optimistic spirit encourages the reader to dare to travel in space and time in order to see better." -- Maureen Murphy * Critique d'art *"Subtleties of thought and elegance of expression are characteristic of Mercer's writings, read avidly by those art historians who have sought insight into Black British Cultural Studies, increasingly influential over the last thirty years. Mercer's essays offer a welcome contrast to art‐historical scholarship aimed at the specialist, and also to criticism on the contemporary arts of the African and Asian diasporas." -- Amna Malik * Art History *Table of ContentsList of Illustrations ix Acknowledgments xiii Introduction 1 Part I. Art's Critique of Representation 37 1. The Fragile Inheritors 39 2. Busy in the Ruins of Wretched Phantasia 50 Part II. Differential Proliferations 87 3. Marronage of the Wandering Eye: Keith Piper 89 4. Mortal Coil: Eros and Diaspora in the Photographs of Rotimi Fani-Kayode 97 5. Avid Iconographies: Isaac Julien 129 6. Art That Is Ethnic is Inverted Commas: Yinka Shonibare 147 Part III. Global Modernities 155 7. Home from Home: Portraits from Places in Between 157 8. African Photography in Contemporary Visual Culture 170 9. Ethnicity and Internationality: New British Art and Diaspora-Based Blackness 186 10. Documenta 11 207 Part IV. Detours and Returns 215 11. A Sociography of Diaspora 217 12. Diaspora Aesthetics and Visual Culture 227 13. Art History after Globalization: Formations of the Colonial Modern 248 14. The Cross-Cultural and the Contemporary 262 Part V. Journeying 277 15. Postcolonial Trauerspiel: Black Audio Film Collective 279 16. Archive and Dépaysement in the Art of Renée Green 294 17. Kerry James Marshall: The Painter of Afro-Modern Life 310 18. Hew Locke's Postcolonial Baroque 321 Bibliography 347 Index 357

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Book SynopsisIn The Brink of Freedom David Kazanjian revises dominant understandings of nineteenth-century conceptions of freedom by examining the letters of black settler colonists in Liberia and the letters and literature of Mayan rebels and their Creole antagonists in Yucatán, showing how they disrupted liberal formations of freedom.Trade Review"Terrific. . . . Innovative." -- Sean X. Goudie * American Literary History *"Kazanjian has constructed an extensively well-researched and theoretically complex study that develops a new approach to comparative scholarship, highlights new paths to archival research, and suggests new reading strategies that help us examine how non-European actors imagined a future defined by freedom, one of the principal tenets of modernity and of nineteenth-century liberalism." -- Ty West * The Latin Americanist *“The Brink of Freedom is an innovative study that serves as a model for interdisciplinary research.” -- Christina C. Davidson * Hispanic American Historical Review *Table of ContentsIntroduction. Atlantic Speculations, Quotidian Globalities 1 Part I. Liberia: Epistolary Encounters Prelude 35 1. It All Most Cost Us Death Seeking Life: Recursive Returns and Unsettled Nativities 53 2. Suffering Gain and It Remain: The Speculative Freedom of Early Liberia 91 Part II. Yucatán: Una Guerra Escrita Prelude 133 3. En Sus Futuros Destinos: Casta Capitalism 155 4. Por Eso Peleamos: Recasting Libertad 191 Coda: Archives for the Future 227 Acknowledgments 239 Notes 243 Bibliography 285 Index 315

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Book SynopsisIn Religion and the Making of Nigeria Olufemi Vaughan examines how Christian, Muslim, and indigenous religious structures along with the legacies of British colonial rule have provided the essential social and ideological frameworks for the construction of contemporary Nigeria.Trade Review"Religion and the Making of Nigeria is a refreshing and seminal piece of work and achievement. Its implications extend beyond Nigeria, and enjoin us as scholars of sub-Sahara African states and societies to critically examine and interrogate the dialectical processes and relations between pre-colonial, colonial and post-colonial states and societies in the continent." -- David Emelifeonwu * Nation Nigeria *"Professor Olufemi Vaughan’s book supremely holds the reader’s interest, fittingly fires her curiosity, and graciously gives her the pleasure of an intellectual high." -- Nimi Wariboko * Nigerian Tribune *"Vaughan is highly commended for this book, an immense contribution to African history." -- Eric Mokube * Africa Today *“Religion and the Making of Nigeria is easy to read, well researched, and a well-crafted book. No doubt it opens up avenues for further research and offers provocative thoughts about religion and its implication for the Nigerian state. The book is wholeheartedly recommended for both town and gown; that is, both worlds of academia and business people who wish to know more about the role of religion in Nigeria’s socio-political and economic realms.” -- David O. Ogungbile * Numen *"Drawing from an array of disciplines, Vaughan presents a complex scholarship that examines the intersection of history, religion, politics, ethnic struggles, and nation building, contributing to a growing body of literature and discourse on the role of religion in all of these diverse fields of study. . . . Scholars will appreciate the excellent and critical analysis presented in this book." -- Chima J. Korieh * African Studies Review *“Religion and the Making of Nigeria is an essential addition to academic libraries. Advanced undergraduates and graduate students in African Studies, Africanists, and specialists in Religious Studies will find Vaughan's work fascinating, complex, and helpful in understanding the history and character of modern Nigeria.” -- Ken Wilburn * Canadian Journal of History *"Religion and the Making of Nigeria works its way through an impressive amount of scholarly research. The book has real value for the due diligence Olufemi Vaughan displays in examining all aspects of the debate over religion in the country." -- Andrew Barnes * Church History *"The strength of the book lies in Vaughan’s deft synthesis of disparate works focused upon one region, ethnicity, historical moment, or thematic preoccupation. . . . Brimming with insights." -- Barbara M. Cooper * American Historical Review *"A commendable undertaking of a vast and challenging topic . . . A welcome new contribution to the developing field of Nigerian religious and political studies." -- Christian van Gorder * Journal of the American Academy of Religion *"An excellent resource for scholars interested in the role of the politics and practice of religion in state-making in Nigeria." -- Daniel E. Agbiboa * Journal of Modern African Studies *"Religion and the Making of Nigeria is a must-read for anyone who wants to understand the present religious and political landscape in Nigeria." -- Randy Goldson * Reading Religion *Table of ContentsAcknowledgments ix Introduction 1 1. Islam and Christianity in the Making of Modern Nigeria 13 2. Islam and Colonial Rule in Northern Nigeria 39 3. Christianity and the Transformation of Colonial Southern and Northern Nigeria 69 4. The Politics of Religion in Northern Nigeria during Decolonization 89 5. Religion and the Postcolonial State 112 6. Religious Revival and the State: The Rise of Pentacostalism 139 7. Expanded Sharia: The Northern Ummah and the Fourth Republic 158 8. Expanded Sharia: Resistance, Violence, and Reconciliation 181 9. Sharia Politics, Obasanjo's PNP Federal Government, and the 1999 Constitution 199 Conclusion 223 Bibliography 273 Index 295

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Book SynopsisIn the spring of 1994, the tiny African nation of Rwanda was ripped apart by a genocide that left nearly a million dead. Neighbors attacked neighbors. Family members turned against their own. Today, 64 percent of the seats in Rwanda's elected house of Parliament are held by women. This book tells their stories.Trade Review"This is an important book on a gripping topic...." -- Jane Haile * New York Journal of Books *"There’s no doubt that the stories in Rwandan Women Rising carry lessons about the importance of fostering and maintaining women’s leadership to achieve “enduring stability and meaningful reunification” in conflict-ridden societies across the globe." -- Kathleen B. Jones * Los Angeles Review of Books *"This book gives unwavering evidence of the necessity of women in peace building efforts, not to fill seats at the table, but as leaders of lasting change." * WATER *"This book is a testimony to and a work of honesty and hope, and reflects horror, heartache and healing. Its contribution to literature on Rwanda, women’s rights and welfare, development, social change and transitional justice is substantial. It is humane, searing and invaluable and should be read widely and carefully. Its lessons and wisdom, which are characterized by humility and careful self-reflection on the part of author and interviewees alike, make it an exceptional work of enduring consequence with a potential for positive, transformative impact." -- Noam Schimmel * International Affairs *"In Rwandan Women Rising, Swanee Hunt traces this history through interviews with over 80 of the Rwandan activists whose work made this possible, addressing such issues as sexual violence, equality in marriage and girls' education. Accompanied by fullcolour photographs, Hunt's interlocutors make a strong case: A woman's place is in the peace process." -- Jade Colbert * Globe and Mail *"Through well narrated local voices situated in Rwanda, this book is able to provide readers with detailed and fresh insights into how Rwandan women participate in politics and influence policies aimed at peace promotion and nation reconstruction, in turn encouraging us to advance further women’s leadership for the sake of global security." -- Xianan Jin * Feminist Review *Table of ContentsTimeline xi Key Terms xvii Biographies of Speakers xix Foreword / Jimmy Carter xxix Preface xxxiii With Thanks xxxix Introduction 1 Part I. Starting Places 19 1. Foremothers 24 2. The Pressure Builds 33 3. Stateless 44 4. To Arms 52 5. Genocide 58 6. Immediate Aftermath 70 Part II. The Path to Public Leadership 77 7. Community Training Ground 84 8. A Pull from the Top 93 9. Emboldened Ministry of Gender 107 10. Countrywide Women's Councils 114 11. Caucus Crucible 122 12. Fanning Out 129 13. A New Constitution 135 14. The Quota 140 15. Pioneering in Parliament 146 16. Spurring Local Leadership151 Part III. Bending toward Reconciliation 161 17. Bringing Them Together 165 18. Bringing Them Home 171 19. Rethinking Rape 182 20. To Testify 191 21. Off the Sidelines 199 22. Far beyond the Stats 206 23. Risk and Resignation 211 Part IV. Signposts 219 24. The Meaning of Marriage 223 25. Safety: A New Language 229 26. Challenging Changes 235 27. Unmasking Ambition 242 28. Health Means Whole 251 29. Every Body Matters 257 30. Thriving Progress 265 31. Little Ones 272 32. Reading Rights 278 Part V. Building the Road They're Walking 289 33. Solidarity and Sisterhood 293 34. Manning the Movement 299 35. Sowing Confidence 305 36. Flying High 314 37. Planting Deep 322 38. Charting New Pathways 331 39. Complements and Compliments 336 40. Coming Up 345 Epilogue 357 Notes 377 Index 385

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Book SynopsisHershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive, showing that alternative critical imaginings juxtaposed against traditional historical research can help to locate where agency and will may reside.Trade Review"Illegible Will is a phenomenal book that adds intellectual and theoretical sophistication to the fields of African studies, African history, and African diaspora studies. It has great potential to contribute to the related fields of labor studies, sociology, literary studies, and the performing arts. The book is powerfully written and well researched and is well grounded in the existing scholarship." -- Kwaku Nti * Journal of Global South Studies *Table of ContentsAcknowledgments ix Introduction 1 1. Returning to Hankey: Sarah Baartman and Endless Repatriations 29 2. "Force Refigured as Consent": The Strange Case of Tryntjie of Madagascar 73 3. Performing Debility: Joice Heth and Miss Landmine Angola 109 4. Slow Death: "Indian" Performances of Indenture and Slavery 149 5. Becoming Undone: Performances of Vulnerability 181 Notes 217 Bibliography 249 Index 263

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Book SynopsisHershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive, showing that alternative critical imaginings juxtaposed against traditional historical research can help to locate where agency and will may reside.Trade Review"Illegible Will is a phenomenal book that adds intellectual and theoretical sophistication to the fields of African studies, African history, and African diaspora studies. It has great potential to contribute to the related fields of labor studies, sociology, literary studies, and the performing arts. The book is powerfully written and well researched and is well grounded in the existing scholarship." -- Kwaku Nti * Journal of Global South Studies *Table of ContentsAcknowledgments ix Introduction 1 1. Returning to Hankey: Sarah Baartman and Endless Repatriations 29 2. "Force Refigured as Consent": The Strange Case of Tryntjie of Madagascar 73 3. Performing Debility: Joice Heth and Miss Landmine Angola 109 4. Slow Death: "Indian" Performances of Indenture and Slavery 149 5. Becoming Undone: Performances of Vulnerability 181 Notes 217 Bibliography 249 Index 263

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Book SynopsisA Primer for Teaching African History is a guide for college and high school teachers who are teaching African history for the first time, for experienced teachers who want to reinvigorate their courses, and for those who are training future teachers to prepare their own African history syllabi.Trade Review"[A] landmark and user-friendly book. . . . Getz's book is very useful—vital, even—in charting a course." -- Toby Green * Times Higher Education *"A rich array of potential resources and activities. . . . Getz's expertise in African history is clear. . . . Well organized, and thought-provoking." -- Holly E. Marcolina * World History Connected *"A Primer for Teaching African History is lucid, the chapters are not overly long, and is pleasantly easy to read. In all conceivable ways, this book, like the few that came before it, is of great epistemological and pedagogical relevance and is thus useful for both new and established teachers of African history, African studies, and world history because it exposes them to great ideas and strategies for enhancing teaching skills." -- Kwaku Nti * Journal of Global South Studies *Table of ContentsAcknowledgments Introduction Part I. Conceiving a Student-Centered Course 1. A Place to Begin: What Students Bring with Them 2. Setting Goals: Why Should Students Study African History? Part II. Content and Design 3. Locating Africa: Designing with Space 4. When Was Africa? Designing with Time 5. Who Are Africans? Designing with Identity 6. Making Hard Choices: Coverage and Uncoverage Part III. Opportunities 7. Ethical Thinking as an Outcome of the African History Course 8. Teaching Methodology and Source Interpretation through the African History Course 9. The African History Course and the Other Digital Divide 10. Bringing It All Together Notes Selected Bibliography Index

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Book SynopsisThe period of apartheid was a perilous time in South Africa’s history. This book examines the tactics of resistance developed by those working for the Weekly Mail and New Nation, two opposition newspapers published in South Africa in the mid- and late-1980s.Trade ReviewThis is an important project, supporting the claim that even in the oppressive climate of 1980s apartheid South Africa, the local newspapers created or identified certain rhetorical spaces in which to register various forms of verbal resistance."" - Shirley W. Logan, University of Maryland""The book's central focus is on the strategies – rhetorical, legal, political – that anti-apartheid newspapers employed to report on matters that were prohibited by the government’s strict censorship laws. Trabold presents a well-written, compelling textual analysis alongside good empirical interview material."" - Herman Wasserman, University of Cape Town

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Book SynopsisWhat does it mean to be young, modern, and Muslim? Documenting everyday life in Lamu (Kenya), this book explores the mundane practices of behavior and speech that create moral personhood. In elaborating everyday practices of Islamic pluralism, the book shows how Muslim societies critically engage with change while sustaining a sense of integrity and morality.Table of ContentsPreface | ix Introduction | 1 Interlude 1: Mila Yetu Hufujika (Our Traditions Are Being Destroyed), by Mahmoud Ahmed Abdulkadir | 41 1. “This Is Lamu”: Belonging, Morality, and Materiality | 46 2. Dialects of Morality | 76 Interlude 2: kiSwahili, by Mahmoud Ahmed Abdulkadir | 114 3. “Youth” as a Discursive Construct | 121 4. Reframing Morality through Youthful Voices | 153 Interlude 3: Tupijeni Makamama (Let’s Embrace), by Mahmoud Ahmed Abdulkadir | 187 5. Senses of Morality and Morality of the Senses | 191 Epilogue | 233 Appendix: Note on Language | 247 Acknowledgments | 257 Notes | 261 Bibliography | 271 Index | 293

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Book SynopsisTable of ContentsIntroduction | 1 1 A South African City | 27 2 The Sense of Community | 46 Interlude 1: Football, Community, and Politics | 71 3 “We Are the People Who Stay with Them in the Township” | 75 4 “My Blood Is Still Here, in UPM” | 102 Interlude 2: What Really Matters | 121 5 “It Is Moral to Rebel” | 129 6 “We Do Not Discuss Politics” | 148 7 Leaders in the Communities | 174 Interlude 3: Breakups | 194 8 Lost in Transition? | 199 9 The Community, the Movement, and the “Outside World” | 228 10 “Yes, We Do the Same Thing” | 246 Epilogue | 263 Acknowledgments | 269 Notes | 271 Works Cited | 287 Index | 307

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