Description

Book Synopsis

Sustainability, digitalization, and artification have become the cornerstones of a successful business model in a world rocked by the effects of a pandemic and a climate crisis. Organizational strategies in the art, fashion, and wine industries have to be redesigned to reflect these changes. The circular model discussed in this work provides guidance and a vision for systematically moving towards social and environmental sustainability from both a production and consumption perspective. Digitalization provides a viable alternative to brick and mortar and helps create a hybrid presence for brands in both real and virtual worlds. Artification is the process of elevating an object into a work of art and closely mirrors the aestheticization of society in a postmodern world. While selling online is a given, creating an auratic atmosphere to envelop and provide an unforgettable experience requires greater levels of creativity. Each chapter focuses on aspects of consumer culture theory, with its emphasis on identity, lifestyle, and symbolic meaning, with the introductory chapter paying more attention to the application of practice theory to the study of sustainability, artification, and digitalization. The complementarity between the practice turn and the cultural turn promises new insights.



Table of Contents

Chapter 1: New Directions in the Luxury Fashion and Wine Industries: Sustainability, Digitization and Artification by Annamma Joy

Part I: Reflection Pieces on Artification

Chapter 2: Contemporary Implications of Aestheticization by A. Fuat Firat

Chapter 3: I Wish I’d Written That!: Non-Fungible Thoughts on Artistic Academic Articles by Stephen Brown

Chapter 4: Digital Affordances and Artist Identity in the Music Industry: The Case of Imogen Heap by Gabriele Troilo and Daragh O’Reilly

Part II: Reflection Pieces on Sustainability and Fashion

Chapter 5: How Circular Are Circular Business Models? by Songyi Yan, Taylor Brydges, Claudia E. Henninger, Celina Jones, Aurelie Le Normand, and Prathiba Ram

Chapter 6: Luxury Fashion and Sustainability: Challenges, Conflicts, and Possibilities by Zeynep Ozdamar Ertekin and Denis Atik

Chapter 7: “In Search of Lost Time”: Luxury Fashion’s Emerging Circular Initiatives and the Shifting Temporal Features of Fashion Consumption by Federica Carlotto

Chapter 8: Conceptual Framework for Understanding the Ethical Dimension of Corporate Social Responsibility by José-Carlos García-Rosell, Johanna Moisander, and Jukka Mäkinen

Part III: Reflection Pieces on Sustainability and the Wine and Spirits Industry

Chapter 9: Circularity in the Luxury Wine Industry: Artification, Authenticity, and the Reduction of Consumption Work by Bianca Grohmann

Chapter 10: Campari: A Brand Developed With and Through Art by Kathryn A. LaTour

Chapter 11: Sustainability in Vineyard and Winery Practices: The Case of an Okanagan Valley Wine Producer by Camilo Peña

Part IV: Digitalization

Chapter 12: Phygital Luxury Experiences to Keep Up with Digitized Consumers: Strategies to Connect Physical and Digital Settings by Wided Batat

Chapter 13: Digitalization of Luxury Brands in China by Ying Zhu

Chapter 14: Fashion in the Metaverse: Remaining Relevant Through Times of Technological Disruption by Myriam Brouard

New Directions in Art, Fashion, and Wine:

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    A Hardback by Annamma Joy, Deniz Atik, Wided Batat

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      Publisher: Lexington Books
      Publication Date: 15/06/2023
      ISBN13: 9781666904093, 978-1666904093
      ISBN10: 1666904090

      Description

      Book Synopsis

      Sustainability, digitalization, and artification have become the cornerstones of a successful business model in a world rocked by the effects of a pandemic and a climate crisis. Organizational strategies in the art, fashion, and wine industries have to be redesigned to reflect these changes. The circular model discussed in this work provides guidance and a vision for systematically moving towards social and environmental sustainability from both a production and consumption perspective. Digitalization provides a viable alternative to brick and mortar and helps create a hybrid presence for brands in both real and virtual worlds. Artification is the process of elevating an object into a work of art and closely mirrors the aestheticization of society in a postmodern world. While selling online is a given, creating an auratic atmosphere to envelop and provide an unforgettable experience requires greater levels of creativity. Each chapter focuses on aspects of consumer culture theory, with its emphasis on identity, lifestyle, and symbolic meaning, with the introductory chapter paying more attention to the application of practice theory to the study of sustainability, artification, and digitalization. The complementarity between the practice turn and the cultural turn promises new insights.



      Table of Contents

      Chapter 1: New Directions in the Luxury Fashion and Wine Industries: Sustainability, Digitization and Artification by Annamma Joy

      Part I: Reflection Pieces on Artification

      Chapter 2: Contemporary Implications of Aestheticization by A. Fuat Firat

      Chapter 3: I Wish I’d Written That!: Non-Fungible Thoughts on Artistic Academic Articles by Stephen Brown

      Chapter 4: Digital Affordances and Artist Identity in the Music Industry: The Case of Imogen Heap by Gabriele Troilo and Daragh O’Reilly

      Part II: Reflection Pieces on Sustainability and Fashion

      Chapter 5: How Circular Are Circular Business Models? by Songyi Yan, Taylor Brydges, Claudia E. Henninger, Celina Jones, Aurelie Le Normand, and Prathiba Ram

      Chapter 6: Luxury Fashion and Sustainability: Challenges, Conflicts, and Possibilities by Zeynep Ozdamar Ertekin and Denis Atik

      Chapter 7: “In Search of Lost Time”: Luxury Fashion’s Emerging Circular Initiatives and the Shifting Temporal Features of Fashion Consumption by Federica Carlotto

      Chapter 8: Conceptual Framework for Understanding the Ethical Dimension of Corporate Social Responsibility by José-Carlos García-Rosell, Johanna Moisander, and Jukka Mäkinen

      Part III: Reflection Pieces on Sustainability and the Wine and Spirits Industry

      Chapter 9: Circularity in the Luxury Wine Industry: Artification, Authenticity, and the Reduction of Consumption Work by Bianca Grohmann

      Chapter 10: Campari: A Brand Developed With and Through Art by Kathryn A. LaTour

      Chapter 11: Sustainability in Vineyard and Winery Practices: The Case of an Okanagan Valley Wine Producer by Camilo Peña

      Part IV: Digitalization

      Chapter 12: Phygital Luxury Experiences to Keep Up with Digitized Consumers: Strategies to Connect Physical and Digital Settings by Wided Batat

      Chapter 13: Digitalization of Luxury Brands in China by Ying Zhu

      Chapter 14: Fashion in the Metaverse: Remaining Relevant Through Times of Technological Disruption by Myriam Brouard

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