Description

Book Synopsis

Prior to 2000, it was a criminal offence to sell hardcore pornography in Britain. Despite this, there was a thriving alternative economy producing and distributing such material “under the counter” of Soho’s bookshops and via mail-order. British entrepreneurs circumvented obscenity laws to satisfy the demand for uncensored adult films and profit from their enterprise, with the corrupt Obscene Publications Squad permitting them to trade.

By the late 1960s, Britain had developed an international reputation for producing ‘rollers’, short films distributed on 8mm, which were smuggled out of Britain for sale in Western Europe. Following an exposé by Britain’s tabloid press, a crackdown on police corruption and several high-profile obscenity trials, the trade was all but decimated, with pornography smuggled in from Europe dominating the market.

Under the Counter is the first book of its kind to investigate Britain’s trade in illicit pornographic 8mm film. Drawing on extensive archival research, including the use of legal records, police files, media reportage, and interviews with those who were involved in the business, Under the Counter tells the story of Britain’s trade in 8mm hardcore pornographic films and its regulation, incorporating ideas from cultural studies, political economy, history and criminology.

Under the Counter is a scholarly monograph that will be of interest to researchers across a wide range of disciplines and will be of use to students at undergraduate, Masters level and PhD.

The book will be of particular relevance to students and researchers interested in the study of pornography, sexual cultures, illicit media enterprise and entrepreneurship, but also those with an interest in film production and distribution, particularly within a British context. The theoretical frameworks that underpin the book mean that researchers with an interest in the creative industries will be able to make use of it and the book makes a contribution to media and cultural history.

It is suitable for use on university courses relating to these specific areas, specifically media and communication, film studies, creative industries, and potentially on criminology or socio-legal studies, given the books attention to obscenity law and regulation of illicit practices.



Table of Contents

List of Figures
Acknowledgements
List of Characters
Prologue: I Was a Teenage Porn Dealer
Introduction: Tonight at 8

1. Carnaby Kinks: Obscenity, Permissiveness and the Dirty Square Mile

2. Fisherman’s Luck: Making the Roller Market (1960–65)

3. Up, Up and Away: Entrepreneurship in Britain’s Expanding Roller Trade (1966–69)

4. House of Mirrors: Regulating the Roller Trade (1970–73)

5. Strip Poker: Distributing Hardcore Films in Britain (1973–83)

Conclusion
Epilogue: Truth or Dare
Appendix 1: Labelography
Appendix 2: List of Rollers Seized from John Mason’s Dean Street Office, 1 July 1969

Notes
Bibliography
Index

Under the Counter: Britain’s Trade in Hardcore

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A Paperback / softback by Oliver Carter

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    View other formats and editions of Under the Counter: Britain’s Trade in Hardcore by Oliver Carter

    Publisher: Intellect Books
    Publication Date: 20/01/2023
    ISBN13: 9781789386646, 978-1789386646
    ISBN10: 1789386640

    Description

    Book Synopsis

    Prior to 2000, it was a criminal offence to sell hardcore pornography in Britain. Despite this, there was a thriving alternative economy producing and distributing such material “under the counter” of Soho’s bookshops and via mail-order. British entrepreneurs circumvented obscenity laws to satisfy the demand for uncensored adult films and profit from their enterprise, with the corrupt Obscene Publications Squad permitting them to trade.

    By the late 1960s, Britain had developed an international reputation for producing ‘rollers’, short films distributed on 8mm, which were smuggled out of Britain for sale in Western Europe. Following an exposé by Britain’s tabloid press, a crackdown on police corruption and several high-profile obscenity trials, the trade was all but decimated, with pornography smuggled in from Europe dominating the market.

    Under the Counter is the first book of its kind to investigate Britain’s trade in illicit pornographic 8mm film. Drawing on extensive archival research, including the use of legal records, police files, media reportage, and interviews with those who were involved in the business, Under the Counter tells the story of Britain’s trade in 8mm hardcore pornographic films and its regulation, incorporating ideas from cultural studies, political economy, history and criminology.

    Under the Counter is a scholarly monograph that will be of interest to researchers across a wide range of disciplines and will be of use to students at undergraduate, Masters level and PhD.

    The book will be of particular relevance to students and researchers interested in the study of pornography, sexual cultures, illicit media enterprise and entrepreneurship, but also those with an interest in film production and distribution, particularly within a British context. The theoretical frameworks that underpin the book mean that researchers with an interest in the creative industries will be able to make use of it and the book makes a contribution to media and cultural history.

    It is suitable for use on university courses relating to these specific areas, specifically media and communication, film studies, creative industries, and potentially on criminology or socio-legal studies, given the books attention to obscenity law and regulation of illicit practices.



    Table of Contents

    List of Figures
    Acknowledgements
    List of Characters
    Prologue: I Was a Teenage Porn Dealer
    Introduction: Tonight at 8

    1. Carnaby Kinks: Obscenity, Permissiveness and the Dirty Square Mile

    2. Fisherman’s Luck: Making the Roller Market (1960–65)

    3. Up, Up and Away: Entrepreneurship in Britain’s Expanding Roller Trade (1966–69)

    4. House of Mirrors: Regulating the Roller Trade (1970–73)

    5. Strip Poker: Distributing Hardcore Films in Britain (1973–83)

    Conclusion
    Epilogue: Truth or Dare
    Appendix 1: Labelography
    Appendix 2: List of Rollers Seized from John Mason’s Dean Street Office, 1 July 1969

    Notes
    Bibliography
    Index

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