Description
Book SynopsisLiat Berdugo is Assistant Professor in Art and Architecture at the University of San Francisco. She is also an artist, writer and curator and has exhibited in galleries and festivals nationally and internationally. Her work has won several awards, including fellowships at the Hambidge Center, the Vermont Studio center, and a year-long residency in Tel Aviv, Israel, through the Dorot Foundation.
Trade ReviewEngaging and accessible. * The New Arab *
“After viewing thousands of hours of citizen-made video from the B’Tselem Camera Project archive, Liat Berdugo has written a complex and moving study of the Palestinian struggle for visibility and self-representation in the face of overwhelming Israeli military and media domination. Through a series of case studies, the book analyzes the different ways the video camera has been used by Palestinians and other media activists to counter the visual dominance of the Israeli regime. Meticulously researched and theoretically informed, it adds significantly to the study of grassroots activist media practices and the counter-tactics of visual representation when the camera has become weaponized."
-- Jeffrey Skoller, Film & Media Studies, University of California, Berkeley, USA
Berdugo’s entrance into the B’Tselem audio-visual archive is a passage into a thick forest of gazes, lenses and bullets, where vision is often impaired, and darkness prevails. But from this obscure night, Berdugo brilliantly proposes a taxonomy of cameras that illuminates new ways out of the political impasse that renders the violence in Israel-Palestine both spectacularly visible and systematically concealed. Extracting moments and fragments from the B’Tselem archive, Berdugo exposes yet another ‘order of things’, wherein cameras emancipate and shield inasmuch as they are wielded as weapons. -- Daniel Mann, King’s College London, UK
Table of ContentsList of Figures Acknowledgements Introduction 1. Camera as a Revelatory Tool of Exposure 2. Camera as Shame-Producer 3. Camera as Mirror 4. Camera as Shield 5. Camera as Evidence 6. Camera as Weapon ClosingWords References Note Index
