Description
Book SynopsisThe Freedom to Remember examines contemporary literary revisions of slavery in the United States by black women writers. The narratives at the center of this book include: Octavia E. Butler’s
Kindred, Sherley Anne Williams’s
Dessa Rose, Toni Morrison’s
Beloved, J. California Cooper’s
Family, and Lorene Cary’s
The Price of a Child.
Trade Review"In this provocative, indeed indispensable, study, Mitchell uses Harriet Jacobs's emancipatory narrative Incidents in the Life of a Slave Girl (1861) as her urtext in examining five novels by women: Octavia Butler's Kindred (1979), Sherley Ann Williams's Dessa Rose (1986), Toni Morrison's Beloved (1987), J. California Cooper's Family (1991), and Lorene Cary's The Price of a Child (1995). . . . All academic collections." * Choice *
"Angelyn Mitchell's extraordinary study is rich in detail and analysis, confidently mediating our ways of remembering the narratives of slavery as well as the ways of women—as writer and as characterùbearing courageous witness.
The Freedom to Remember is scholarship at its very best and will surely be one of the essential books in critical and cultural studies." -- Karla Holloway * William R. Kenan Jr. Professor of English, Duke University *
"A work of evocative interpretation and socially healing criticism,
The Freedom to Remember reveals the liberating thematics of contemporary black women's contribution to the much-acclaimed neoslave narrative." -- William L. Andrews * author of To Tell a Free Story: The First Century of Afro-American Autobiography *
"Building upon the work of Toni Cade Bambara, Eleanor Traylor, and Sherley Anne Williams, Angelyn Mitchell is the first to elaborate the need for a shift in terminology used to discuss slave narratives and contemporary novels of slavery. If the only contribution of
The Freedom to Remember is to popularize a change from slave narrative to emancipatory narrative and from neo-slave narrative to liberatory narrative, Angelyn Mitchell will have accomplished a great deal." -- Farah Jasmine Griffin * author of If You Can't Be Free, Be a Mystery: In Search of Billie Holiday *
"In this provocative, indeed indispensable, study, Mitchell uses Harriet Jacobs's emancipatory narrative Incidents in the Life of a Slave Girl (1861) as her urtext in examining five novels by women: Octavia Butler's Kindred (1979), Sherley Ann Williams's Dessa Rose (1986), Toni Morrison's Beloved (1987), J. California Cooper's Family (1991), and Lorene Cary's The Price of a Child (1995). . . . All academic collections." * Choice *
"Angelyn Mitchell's extraordinary study is rich in detail and analysis, confidently mediating our ways of remembering the narratives of slavery as well as the ways of women—as writer and as characterùbearing courageous witness.
The Freedom to Remember is scholarship at its very best and will surely be one of the essential books in critical and cultural studies." -- Karla Holloway * William R. Kenan Jr. Professor of English, Duke University *
"A work of evocative interpretation and socially healing criticism,
The Freedom to Remember reveals the liberating thematics of contemporary black women's contribution to the much-acclaimed neoslave narrative." -- William L. Andrews * author of To Tell a Free Story: The First Century of Afro-American Autobiography *
"Building upon the work of Toni Cade Bambara, Eleanor Traylor, and Sherley Anne Williams, Angelyn Mitchell is the first to elaborate the need for a shift in terminology used to discuss slave narratives and contemporary novels of slavery. If the only contribution of
The Freedom to Remember is to popularize a change from slave narrative to emancipatory narrative and from neo-slave narrative to liberatory narrative, Angelyn Mitchell will have accomplished a great deal." -- Farah Jasmine Griffin * author of If You Can't Be Free, Be a Mystery: In Search of Billie Holiday *
Table of ContentsHarriet A. Jacobs's Incidents in the life of a slave girl, written by herself: the ur-narrative of black womanhood
Not enough of the past: Octavia E. Butler's Kindred
History, agency, and subjectivity in Sherley Anne Williams's Dessa Rose
The metaphysics of black female identity in Toni Morrison's Beloved
J. California Cooper's family: of (absent?) mothers, (motherless?) daughters, and (interracial?) relations
The economies of bondage and freedom in Lorene Cary's The price of a child
