Description

Book Synopsis
Presents a discussion of how key concepts from cognitive science complicate our cultural interpretations of strange literary phenomena. This title discusses motifs of confused identity and of twins in drama, and science fiction's use of robots, cyborgs, and androids. It reveals the range of key concepts from science in literary interpretation.

Trade Review
The book is stylistically well-written and features interesting readings of various texts. -- Marcus Hartner Zeitschrift fuer Anglistik und Amerikanistik 2009 The author gives herself a refreshingly modest assignment: to demonstrate that a certain cognitive predisposition has contributed to the development of, and continued interest in, specific literary motifs that occur across a wide variety of cultures. This is all that she tries to do, and she does it very well. Philosophy and Literature 2009 Zunshine renders the book accessible to the general reader. -- Aristie Trendel Cercles

Table of Contents

Acknowledgments
Part 1: "But what am I, then?": Chasing Personal Essences across National Literatures
1. Ural Mountains–Rome–London
2. Essentialism, Functionalism, and Cognitive Psychology
3. Possible Evolutionary Origins of Essentialist Thinking
4. "A bullet's a bullet's a bullet!"
5. Talk to the Door Politely or Tickle It in Exactly the Right Place
6. Resisting Essentialism
7. The Ever-Receding "Essence" of Sosia
8. Identical Twins and Theater
9. How Is Mr. Darcy Different from Colin Firth?
10. Looking for the Real Mademoiselle
11. "Mahatma Gandhi: war!" "But he was a pacifist." "Right! War!"
Part 2: Why Robots Go Astray, or The Cognitive Foundations of the Frankenstein Complex
1. What Is the Frankenstein Complex?
2. On Zygoons, Thricklers, and Kerpas
3. Theory of Mind
4. Theory of Mind and Categorization: Preliminary Implications
5. Concepts That Resist Categorization
6. . . . and the Stories They Make Possible
7. The Stories That Can Be Told about a Talking Needle
8. Asimov's "The Bicentennial Man"
9. Cognitive Construction of "Undoubted Facts": "The Bicentennial Man" and the Logic of Essentialism
10. Made to Rebel
11. Why Phyllis Is Still a Robot
12. . . . and Why Rei Toei Is Not
13. More Human Than Thou (Piercy's He, She and It)
14. Made to Pray
15. Made to Serve. Made to Obey. Made to Break Hearts
Part 3: Some Species of Nonsense
1. How Nonsense Makes Sense in The Hunting of the Snark
2. "Strings of Impossibilia" and What They Tell Us about the Value of Nonsense
3. "Painters of the Unimaginable," or More aboutReally Strange Concepts
Conclusion: Almost beyond Fiction
Notes
Bibliography
Index

Strange Concepts and the Stories They Make

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    Order before 4pm tomorrow for delivery by Sat 4 Jul 2026.

    A Paperback / softback by Lisa Zunshine


      View other formats and editions of Strange Concepts and the Stories They Make by Lisa Zunshine

      Publisher: Johns Hopkins University Press
      Publication Date: 22/09/2008
      ISBN13: 9780801887079, 978-0801887079
      ISBN10: 0801887070

      Description

      Book Synopsis
      Presents a discussion of how key concepts from cognitive science complicate our cultural interpretations of strange literary phenomena. This title discusses motifs of confused identity and of twins in drama, and science fiction's use of robots, cyborgs, and androids. It reveals the range of key concepts from science in literary interpretation.

      Trade Review
      The book is stylistically well-written and features interesting readings of various texts. -- Marcus Hartner Zeitschrift fuer Anglistik und Amerikanistik 2009 The author gives herself a refreshingly modest assignment: to demonstrate that a certain cognitive predisposition has contributed to the development of, and continued interest in, specific literary motifs that occur across a wide variety of cultures. This is all that she tries to do, and she does it very well. Philosophy and Literature 2009 Zunshine renders the book accessible to the general reader. -- Aristie Trendel Cercles

      Table of Contents

      Acknowledgments
      Part 1: "But what am I, then?": Chasing Personal Essences across National Literatures
      1. Ural Mountains–Rome–London
      2. Essentialism, Functionalism, and Cognitive Psychology
      3. Possible Evolutionary Origins of Essentialist Thinking
      4. "A bullet's a bullet's a bullet!"
      5. Talk to the Door Politely or Tickle It in Exactly the Right Place
      6. Resisting Essentialism
      7. The Ever-Receding "Essence" of Sosia
      8. Identical Twins and Theater
      9. How Is Mr. Darcy Different from Colin Firth?
      10. Looking for the Real Mademoiselle
      11. "Mahatma Gandhi: war!" "But he was a pacifist." "Right! War!"
      Part 2: Why Robots Go Astray, or The Cognitive Foundations of the Frankenstein Complex
      1. What Is the Frankenstein Complex?
      2. On Zygoons, Thricklers, and Kerpas
      3. Theory of Mind
      4. Theory of Mind and Categorization: Preliminary Implications
      5. Concepts That Resist Categorization
      6. . . . and the Stories They Make Possible
      7. The Stories That Can Be Told about a Talking Needle
      8. Asimov's "The Bicentennial Man"
      9. Cognitive Construction of "Undoubted Facts": "The Bicentennial Man" and the Logic of Essentialism
      10. Made to Rebel
      11. Why Phyllis Is Still a Robot
      12. . . . and Why Rei Toei Is Not
      13. More Human Than Thou (Piercy's He, She and It)
      14. Made to Pray
      15. Made to Serve. Made to Obey. Made to Break Hearts
      Part 3: Some Species of Nonsense
      1. How Nonsense Makes Sense in The Hunting of the Snark
      2. "Strings of Impossibilia" and What They Tell Us about the Value of Nonsense
      3. "Painters of the Unimaginable," or More aboutReally Strange Concepts
      Conclusion: Almost beyond Fiction
      Notes
      Bibliography
      Index

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