Description

Book Synopsis
From a very young age we are told not to stare, and one hallmark of maturation is the ability to resist (or at least hide) our staring behavior. And yet, rarely do we master the impulse. Despite the complicated role it plays in our development, and its unique brand of visual enticement, staring has not been considered before as a suitable object for socio-cultural analysis. What is it about certain kinds of people that makes it impossible to take our eyes off them? Why are some visual stimuli irresistible? Why does staring produce so much anxiety? Drawing on examples from art, media, fashion, history and memoir, Garland-Thomson defines staring, explores the factors that motivate it, and considers the targets and the effects of the stare. A bodily inventory then enumerates how stares actually operate in daily life. A section on Bodies focuses on the question of size and scale as key indicators of normalcy, while certain body parts show themselves to be disproportionately arresting, as passages on Faces Hands and Breasts reveal. A concluding chapter on Beholding considers the frisson at play between starer and staree and offers an alternative way of understanding visual communication between people. Featuring over forty illustrations, Staring captures the stimulating combination of symbolic, material and emotional factors that make staring so irresistible while endeavoring to shift the usual response to staring, shame, into an engaged self-consideration. Elegant and provocative, this book advances new ways of thinking about visuality and the body that will appeal to readers who are interested in the overlap between the humanities and human behaviors.

Trade Review
A trailhead that offers branches back into the many fields of study from which this book draws. It also suggests connections with new ones...An important, challenging, and often brilliant book. * American Literary History *

Table of Contents
PART 1. ABOUT STARING ; Chapter 1. Why Do We Stare? ; PART 2. WHAT IS STARING? ; Chapter 2: Staring: A Physical Response ; Chapter 3: Staring: A Cultural History ; Chapter 4: Staring: A Social Relationship ; Chapter 5: Staring: Knowledge Gathering ; PART 3. DON'T STARE ; Chapter 6: Staring: Getting into Trouble ; Chapter 7: Staring: Bad Manners ; Chapter 8: Staring: Rules and Rebellion ; PART 4. STARERS AND STAREES ; Chapter 9: Looking Away, Staring Back ; PART 5. SCENES OF STARING ; Chapter 10: Staring at Faces ; Chapter 11: Staring at Hands ; Chapter 12: Staring at Bodies ; Chapter 13: Staring at Breasts ; Chapter 14: Beholding

Staring

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A Paperback by Rosemarie Garland-Thomson

15 in stock


    View other formats and editions of Staring by Rosemarie Garland-Thomson

    Publisher: Oxford University Press
    Publication Date: 4/23/2009 12:00:00 AM
    ISBN13: 9780195326802, 978-0195326802
    ISBN10: 0195326806

    Description

    Book Synopsis
    From a very young age we are told not to stare, and one hallmark of maturation is the ability to resist (or at least hide) our staring behavior. And yet, rarely do we master the impulse. Despite the complicated role it plays in our development, and its unique brand of visual enticement, staring has not been considered before as a suitable object for socio-cultural analysis. What is it about certain kinds of people that makes it impossible to take our eyes off them? Why are some visual stimuli irresistible? Why does staring produce so much anxiety? Drawing on examples from art, media, fashion, history and memoir, Garland-Thomson defines staring, explores the factors that motivate it, and considers the targets and the effects of the stare. A bodily inventory then enumerates how stares actually operate in daily life. A section on Bodies focuses on the question of size and scale as key indicators of normalcy, while certain body parts show themselves to be disproportionately arresting, as passages on Faces Hands and Breasts reveal. A concluding chapter on Beholding considers the frisson at play between starer and staree and offers an alternative way of understanding visual communication between people. Featuring over forty illustrations, Staring captures the stimulating combination of symbolic, material and emotional factors that make staring so irresistible while endeavoring to shift the usual response to staring, shame, into an engaged self-consideration. Elegant and provocative, this book advances new ways of thinking about visuality and the body that will appeal to readers who are interested in the overlap between the humanities and human behaviors.

    Trade Review
    A trailhead that offers branches back into the many fields of study from which this book draws. It also suggests connections with new ones...An important, challenging, and often brilliant book. * American Literary History *

    Table of Contents
    PART 1. ABOUT STARING ; Chapter 1. Why Do We Stare? ; PART 2. WHAT IS STARING? ; Chapter 2: Staring: A Physical Response ; Chapter 3: Staring: A Cultural History ; Chapter 4: Staring: A Social Relationship ; Chapter 5: Staring: Knowledge Gathering ; PART 3. DON'T STARE ; Chapter 6: Staring: Getting into Trouble ; Chapter 7: Staring: Bad Manners ; Chapter 8: Staring: Rules and Rebellion ; PART 4. STARERS AND STAREES ; Chapter 9: Looking Away, Staring Back ; PART 5. SCENES OF STARING ; Chapter 10: Staring at Faces ; Chapter 11: Staring at Hands ; Chapter 12: Staring at Bodies ; Chapter 13: Staring at Breasts ; Chapter 14: Beholding

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