Description

Book Synopsis

This book provides a manuscript-megaphone for a variety of perspectives on popular music education, including those we do not usually hear from, but who are doing far and away the coolest, most relevant and most interesting things.

It includes rants, manifestos, and pieces that are pithy and punchy and poignant, which have resulted in a wide tonal variety among chapters, from more traditionally scholarly pieces replete with citations and references, through descriptions of practice, to straight-up polemics. It is more about beliefs, experiences and motivation, about frustrations, aspirations and celebrations. The chapters are intended to whet appetites, prime pumps, open eyes, and keep cogs turning. This book is organized into four parts: Beyond the Classroom, Identity and Purpose, Higher Education and Politics and Ideology. This book is intended for academics of all ages and stages, but the writing is often deliberately non-academic in tone.

The book will appeal to those working in popular music studies, communication studies, education research, and should be of interest to those involved in policy decisions at national and regional levels. It is also directly relevant to researchers looking music industry and music ecosystems nationally, regionally and internationally, as education and popular music industry, DIY and community sectors continue to enmesh in complex and evolving ways.



Table of Contents

Acknowledgements xi

Introduction xiii

Gareth Dylan Smith and Bryan Powell

PART I: BEYOND THE CLASSROOM 1

1. ‘Something to Talk About’: Intersections of Music, Memory, Dialogue and Pedagogy at the Rock and Roll Hall of Fame 5

Jason Hanley

2. Learning to be Active: The Formative Power of Music as a Catalyst for Political Activism 11

Stuart Moir

3. Mariachi Master-Apprentice Program: Familia During the COVID-19 Pandemic 17

Sergio Alonso

4. People and Popular Music in an English Prison: Transforming Criminal Justice 24

Natalie Betts

5. Popular Music Pedagogy in a United States Prison: Lessons from a Western Rural Facility 30

Tiger Robison

6. Developing a Certifiable and Relevant Popular Music Curriculum for Early School-Leavers in Ireland 34

Martin Ryan

7. Project Gametime: Hip-Hop and After-School Programmes 40

Kenrick Wagner

8. In Conversation with Eleanor Rashid, Music Practitioner 43

Eleanor Rashid and Gareth Dylan Smith

9. Reciprocal Benefits of Music Cities and Modern Band 46

Bryce Merril and Tom Scharf

10. Berklee City Music Programme: Teaching and Learning Through Contemporary Popular Music 52

Krystal Prime Banfield

11. A New Generation: An Intrinsic Case Study of a Club DJ’s Formal Learning Experiences 58

Eva J. Egolf

12. Playing with Vocal Processing Technologies: Fostering Interaction with Children with Special Educational Needs 63

Roshi Nasehi

13. The Oneonta Hip Hop Collective: Students Owning the Moment 68

Joseph Michael Pignato

14. Rockway and Formal–Informal Online Music Learning in Finland 74

Niklas Lindholm

15. How Do We Get Girls and Non-Binary Students to Play Guitar Solos? 79

Kayla Rush

16. Learning to Become a Band, Learning Popular Music 85

Tobias Malm

17. Popular Music is Not the Answer 90

Abigail D’Amore

PART II: IDENTITY AND PURPOSE 97

18. Life as a Cabaret: Singing Our Ideal Self into Being 101

Felix Graham

19. My Therapist Said It’s FINE: The Duality of Being a Music(ian) Teacher 107

Sheena Dhamsania

20. Pursuing Popular Music Shapes Me as a Scholar, Musician and Human 110

Christopher Cayari

21. I’ve Learned Three Chords. Now What? 115

Roger Mantie

22. Intersections and Roundabouts: Connecting In-School and Out-of-School Experiences to Teaching Practices 120

Steve Holley

23. Different from the Norm: Teaching Band in Alabama 126

Shane Colquhoun

24. Popular Music Education as a Place for Emergent Pedagogies 131

Meghan K. Sheehy

25. Think Big, Start Small: Enacting Change in Higher Education 137

Martina Vasil

26. Becoming a Popular Music Educator: A Personal Journey 142

Matthew Clauhs

27. Confessions of a Deadhead Music Educator: Connecting Worlds 148

James Frankel

28. A Personal Journey with Popular Music in Paraguay 153

Sol Elisa Martinez Missena

29. From Bowing my Double Bass to Pushing My Push: A Swedish Journey from Music Education to Popular Music Educator 157

Erik Lundahl

30. From A. R. Rahman to Ed Sheeran: How Informal Learning Practices can Inform Music Teaching 162

Shree Lakshmi Vaidyanathan

31. What’s Words Worth: A Short Polemic on the Citation of Lyric 168

Andy West

32. Inclusion or Exclusion? The Disconnect Between School Music Programmes and Students’ Lived Musical Experiences 171

Aixa Burgos

33. Finding Her Voice: A Female DIY Musician’s Pedagogical Spaces and Practices for Popular Tamil Film Music in Chennai, South India 175

Nina Menezes

34. Teaching Queer 182

Mia Ibrahim

35. Computer Science && Popular Music Education 187

Jared O’Leary

36. We Are Music Technology (and How to Change Us) 192

adam patrick bell

37. Connecting Black Youth to Critical Media Literacy Through Hip-Hop Making in the Music Classroom 198

Jabari Evans

PART III: HIGHER EDUCATION 203

38. Crushed by the Wheels of Industry 207

Martin Isherwood

39. Towards Popular Music Education as an Institutional Norm 213

Lloyd McArton

40. Ideological Extrojection: The De-Neoliberalization of UK Music Education 219

Jason Huxtable

41. On the Pulse of Change Through Popular Music Nourishing Teachers’ Professional Identities 225

Siew Ling Chua

42. The Conservatory as Exploratory 230

Richard Smith

43. Is Higher Popular Music Education Still Relevant? 235

Gemma Hill

44. Music Teacher Education in the United States is Failing its Students 239

Candice Davenport Mattio

45. Imagining a Credential for Music Technology Education 245

Daniel Walzer

46. The Price of Admission: Amateurism, Serious Leisure and the Faculty Band 250

Virginia Wayman Davis

47. Vocal Diversity and Evolving Contemporary Voice Pedagogy 256

Ana Flavia Zuim

48. Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education 261

Hussein Boon

49. Places and Spaces of Popular Music Production Pedagogy in Higher Education 267

Brendan Anthony

50. Fostering a Sense of Belonging in the Recruitment of Underrepresented Students at Purdue University 273

James Dekle

51. Awakening Spirituality in Brazilian Higher Music Education 279

Heloisa Feichas

52. Embracing Innocence, Uncertainty and Presence in Popular Music Performance 285

Jay Stapley

53. How I Relearned to Give a Shit 290

David Knapp

PART IV: POLITICS AND IDEOLOGY 297

54. We Are Not Neutral: Popular Music Education, Creativity and the Active Creation of a Graduate Precariat 301

Zack Moir

55. Toward the Political Philosophy of Hip-Hop Education and Positive Energy in China 307

Wai-Chung Ho

56. Structural and Cultural Barriers to Relevant Popular Music Education in India 314

Nilesh Thomas and Saurav Ghosh

57. Popular Music Education as a Liberating Education 320

Flávia Narita

58. Young, Gifted and Black Q.U.E.E.N.: Nuancing Black Feminist Thought within Music Education 326

Jasmine Hines

59. Decolonizing Higher Music Education: Person Versus Persona 332

Adriel E. Miles

60. My Vision for Popular Music Education 338

Nathan Holder

61. External Examining: An Insider Perspective on a Neocolonial Practice 343

Gareth Dylan Smith

62. Cripping Popular Music Education 349

Jesse Rathgeber

63. Excessive Pedagogical Moments: A Deaf-Gay Intersectional Duet 355

Warren Churchill

64. Race, Caste, American Democracy and Popular Music Education 361

David Wish

65. The Problem of Conversion in Music Teacher Education in the United States 367

Radio Cremata

66. Expanding the Reach of Music Education through Modern Band 373

Scott R. Sheehan

67. Lessons from Community Music and Music Therapy: Beyond Familiar Comparisons 378

Bryan Powell

68. Adolescence, Education and Citizenship: Tracing Intersecting Histories and Reimagining Popular Music Pedagogies 383

Noah Karvelis

69. #SongsOfBlackLivesMatter: Co-creating and Developing an Activist Music Education Praxis Alongside Youth 389

Martin Urbach

70. From Black Lives Matter to Black Music Matters: Crossing the Rhetorical Divide 396

Ed Sarath

Notes on Contributors 399

Index 411

Places and Purposes of Popular Music Education:

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      Publisher: Intellect Books
      Publication Date: 15/12/2022
      ISBN13: 9781789386288, 978-1789386288
      ISBN10: 1789386284

      Description

      Book Synopsis

      This book provides a manuscript-megaphone for a variety of perspectives on popular music education, including those we do not usually hear from, but who are doing far and away the coolest, most relevant and most interesting things.

      It includes rants, manifestos, and pieces that are pithy and punchy and poignant, which have resulted in a wide tonal variety among chapters, from more traditionally scholarly pieces replete with citations and references, through descriptions of practice, to straight-up polemics. It is more about beliefs, experiences and motivation, about frustrations, aspirations and celebrations. The chapters are intended to whet appetites, prime pumps, open eyes, and keep cogs turning. This book is organized into four parts: Beyond the Classroom, Identity and Purpose, Higher Education and Politics and Ideology. This book is intended for academics of all ages and stages, but the writing is often deliberately non-academic in tone.

      The book will appeal to those working in popular music studies, communication studies, education research, and should be of interest to those involved in policy decisions at national and regional levels. It is also directly relevant to researchers looking music industry and music ecosystems nationally, regionally and internationally, as education and popular music industry, DIY and community sectors continue to enmesh in complex and evolving ways.



      Table of Contents

      Acknowledgements xi

      Introduction xiii

      Gareth Dylan Smith and Bryan Powell

      PART I: BEYOND THE CLASSROOM 1

      1. ‘Something to Talk About’: Intersections of Music, Memory, Dialogue and Pedagogy at the Rock and Roll Hall of Fame 5

      Jason Hanley

      2. Learning to be Active: The Formative Power of Music as a Catalyst for Political Activism 11

      Stuart Moir

      3. Mariachi Master-Apprentice Program: Familia During the COVID-19 Pandemic 17

      Sergio Alonso

      4. People and Popular Music in an English Prison: Transforming Criminal Justice 24

      Natalie Betts

      5. Popular Music Pedagogy in a United States Prison: Lessons from a Western Rural Facility 30

      Tiger Robison

      6. Developing a Certifiable and Relevant Popular Music Curriculum for Early School-Leavers in Ireland 34

      Martin Ryan

      7. Project Gametime: Hip-Hop and After-School Programmes 40

      Kenrick Wagner

      8. In Conversation with Eleanor Rashid, Music Practitioner 43

      Eleanor Rashid and Gareth Dylan Smith

      9. Reciprocal Benefits of Music Cities and Modern Band 46

      Bryce Merril and Tom Scharf

      10. Berklee City Music Programme: Teaching and Learning Through Contemporary Popular Music 52

      Krystal Prime Banfield

      11. A New Generation: An Intrinsic Case Study of a Club DJ’s Formal Learning Experiences 58

      Eva J. Egolf

      12. Playing with Vocal Processing Technologies: Fostering Interaction with Children with Special Educational Needs 63

      Roshi Nasehi

      13. The Oneonta Hip Hop Collective: Students Owning the Moment 68

      Joseph Michael Pignato

      14. Rockway and Formal–Informal Online Music Learning in Finland 74

      Niklas Lindholm

      15. How Do We Get Girls and Non-Binary Students to Play Guitar Solos? 79

      Kayla Rush

      16. Learning to Become a Band, Learning Popular Music 85

      Tobias Malm

      17. Popular Music is Not the Answer 90

      Abigail D’Amore

      PART II: IDENTITY AND PURPOSE 97

      18. Life as a Cabaret: Singing Our Ideal Self into Being 101

      Felix Graham

      19. My Therapist Said It’s FINE: The Duality of Being a Music(ian) Teacher 107

      Sheena Dhamsania

      20. Pursuing Popular Music Shapes Me as a Scholar, Musician and Human 110

      Christopher Cayari

      21. I’ve Learned Three Chords. Now What? 115

      Roger Mantie

      22. Intersections and Roundabouts: Connecting In-School and Out-of-School Experiences to Teaching Practices 120

      Steve Holley

      23. Different from the Norm: Teaching Band in Alabama 126

      Shane Colquhoun

      24. Popular Music Education as a Place for Emergent Pedagogies 131

      Meghan K. Sheehy

      25. Think Big, Start Small: Enacting Change in Higher Education 137

      Martina Vasil

      26. Becoming a Popular Music Educator: A Personal Journey 142

      Matthew Clauhs

      27. Confessions of a Deadhead Music Educator: Connecting Worlds 148

      James Frankel

      28. A Personal Journey with Popular Music in Paraguay 153

      Sol Elisa Martinez Missena

      29. From Bowing my Double Bass to Pushing My Push: A Swedish Journey from Music Education to Popular Music Educator 157

      Erik Lundahl

      30. From A. R. Rahman to Ed Sheeran: How Informal Learning Practices can Inform Music Teaching 162

      Shree Lakshmi Vaidyanathan

      31. What’s Words Worth: A Short Polemic on the Citation of Lyric 168

      Andy West

      32. Inclusion or Exclusion? The Disconnect Between School Music Programmes and Students’ Lived Musical Experiences 171

      Aixa Burgos

      33. Finding Her Voice: A Female DIY Musician’s Pedagogical Spaces and Practices for Popular Tamil Film Music in Chennai, South India 175

      Nina Menezes

      34. Teaching Queer 182

      Mia Ibrahim

      35. Computer Science && Popular Music Education 187

      Jared O’Leary

      36. We Are Music Technology (and How to Change Us) 192

      adam patrick bell

      37. Connecting Black Youth to Critical Media Literacy Through Hip-Hop Making in the Music Classroom 198

      Jabari Evans

      PART III: HIGHER EDUCATION 203

      38. Crushed by the Wheels of Industry 207

      Martin Isherwood

      39. Towards Popular Music Education as an Institutional Norm 213

      Lloyd McArton

      40. Ideological Extrojection: The De-Neoliberalization of UK Music Education 219

      Jason Huxtable

      41. On the Pulse of Change Through Popular Music Nourishing Teachers’ Professional Identities 225

      Siew Ling Chua

      42. The Conservatory as Exploratory 230

      Richard Smith

      43. Is Higher Popular Music Education Still Relevant? 235

      Gemma Hill

      44. Music Teacher Education in the United States is Failing its Students 239

      Candice Davenport Mattio

      45. Imagining a Credential for Music Technology Education 245

      Daniel Walzer

      46. The Price of Admission: Amateurism, Serious Leisure and the Faculty Band 250

      Virginia Wayman Davis

      47. Vocal Diversity and Evolving Contemporary Voice Pedagogy 256

      Ana Flavia Zuim

      48. Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education 261

      Hussein Boon

      49. Places and Spaces of Popular Music Production Pedagogy in Higher Education 267

      Brendan Anthony

      50. Fostering a Sense of Belonging in the Recruitment of Underrepresented Students at Purdue University 273

      James Dekle

      51. Awakening Spirituality in Brazilian Higher Music Education 279

      Heloisa Feichas

      52. Embracing Innocence, Uncertainty and Presence in Popular Music Performance 285

      Jay Stapley

      53. How I Relearned to Give a Shit 290

      David Knapp

      PART IV: POLITICS AND IDEOLOGY 297

      54. We Are Not Neutral: Popular Music Education, Creativity and the Active Creation of a Graduate Precariat 301

      Zack Moir

      55. Toward the Political Philosophy of Hip-Hop Education and Positive Energy in China 307

      Wai-Chung Ho

      56. Structural and Cultural Barriers to Relevant Popular Music Education in India 314

      Nilesh Thomas and Saurav Ghosh

      57. Popular Music Education as a Liberating Education 320

      Flávia Narita

      58. Young, Gifted and Black Q.U.E.E.N.: Nuancing Black Feminist Thought within Music Education 326

      Jasmine Hines

      59. Decolonizing Higher Music Education: Person Versus Persona 332

      Adriel E. Miles

      60. My Vision for Popular Music Education 338

      Nathan Holder

      61. External Examining: An Insider Perspective on a Neocolonial Practice 343

      Gareth Dylan Smith

      62. Cripping Popular Music Education 349

      Jesse Rathgeber

      63. Excessive Pedagogical Moments: A Deaf-Gay Intersectional Duet 355

      Warren Churchill

      64. Race, Caste, American Democracy and Popular Music Education 361

      David Wish

      65. The Problem of Conversion in Music Teacher Education in the United States 367

      Radio Cremata

      66. Expanding the Reach of Music Education through Modern Band 373

      Scott R. Sheehan

      67. Lessons from Community Music and Music Therapy: Beyond Familiar Comparisons 378

      Bryan Powell

      68. Adolescence, Education and Citizenship: Tracing Intersecting Histories and Reimagining Popular Music Pedagogies 383

      Noah Karvelis

      69. #SongsOfBlackLivesMatter: Co-creating and Developing an Activist Music Education Praxis Alongside Youth 389

      Martin Urbach

      70. From Black Lives Matter to Black Music Matters: Crossing the Rhetorical Divide 396

      Ed Sarath

      Notes on Contributors 399

      Index 411

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