Description

Book Synopsis

This book provides a manuscript-megaphone for a variety of perspectives on popular music education, including those we do not usually hear from, but who are doing far and away the coolest, most relevant and most interesting things.

It includes rants, manifestos, and pieces that are pithy and punchy and poignant, which have resulted in a wide tonal variety among chapters, from more traditionally scholarly pieces replete with citations and references, through descriptions of practice, to straight-up polemics. It is more about beliefs, experiences and motivation, about frustrations, aspirations and celebrations. The chapters are intended to whet appetites, prime pumps, open eyes, and keep cogs turning. This book is organized into four parts: Beyond the Classroom, Identity and Purpose, Higher Education and Politics and Ideology. This book is intended for academics of all ages and stages, but the writing is often deliberately non-academic in tone.

The book will appeal to those working in popular music studies, communication studies, education research, and should be of interest to those involved in policy decisions at national and regional levels. It is also directly relevant to researchers looking music industry and music ecosystems nationally, regionally and internationally, as education and popular music industry, DIY and community sectors continue to enmesh in complex and evolving ways.



Table of Contents

Acknowledgements xi

Introduction xiii

Gareth Dylan Smith and Bryan Powell

PART I: BEYOND THE CLASSROOM 1

1. ‘Something to Talk About’: Intersections of Music, Memory, Dialogue and Pedagogy at the Rock and Roll Hall of Fame 5

Jason Hanley

2. Learning to be Active: The Formative Power of Music as a Catalyst for Political Activism 11

Stuart Moir

3. Mariachi Master-Apprentice Program: Familia During the COVID-19 Pandemic 17

Sergio Alonso

4. People and Popular Music in an English Prison: Transforming Criminal Justice 24

Natalie Betts

5. Popular Music Pedagogy in a United States Prison: Lessons from a Western Rural Facility 30

Tiger Robison

6. Developing a Certifiable and Relevant Popular Music Curriculum for Early School-Leavers in Ireland 34

Martin Ryan

7. Project Gametime: Hip-Hop and After-School Programmes 40

Kenrick Wagner

8. In Conversation with Eleanor Rashid, Music Practitioner 43

Eleanor Rashid and Gareth Dylan Smith

9. Reciprocal Benefits of Music Cities and Modern Band 46

Bryce Merril and Tom Scharf

10. Berklee City Music Programme: Teaching and Learning Through Contemporary Popular Music 52

Krystal Prime Banfield

11. A New Generation: An Intrinsic Case Study of a Club DJ’s Formal Learning Experiences 58

Eva J. Egolf

12. Playing with Vocal Processing Technologies: Fostering Interaction with Children with Special Educational Needs 63

Roshi Nasehi

13. The Oneonta Hip Hop Collective: Students Owning the Moment 68

Joseph Michael Pignato

14. Rockway and Formal–Informal Online Music Learning in Finland 74

Niklas Lindholm

15. How Do We Get Girls and Non-Binary Students to Play Guitar Solos? 79

Kayla Rush

16. Learning to Become a Band, Learning Popular Music 85

Tobias Malm

17. Popular Music is Not the Answer 90

Abigail D’Amore

PART II: IDENTITY AND PURPOSE 97

18. Life as a Cabaret: Singing Our Ideal Self into Being 101

Felix Graham

19. My Therapist Said It’s FINE: The Duality of Being a Music(ian) Teacher 107

Sheena Dhamsania

20. Pursuing Popular Music Shapes Me as a Scholar, Musician and Human 110

Christopher Cayari

21. I’ve Learned Three Chords. Now What? 115

Roger Mantie

22. Intersections and Roundabouts: Connecting In-School and Out-of-School Experiences to Teaching Practices 120

Steve Holley

23. Different from the Norm: Teaching Band in Alabama 126

Shane Colquhoun

24. Popular Music Education as a Place for Emergent Pedagogies 131

Meghan K. Sheehy

25. Think Big, Start Small: Enacting Change in Higher Education 137

Martina Vasil

26. Becoming a Popular Music Educator: A Personal Journey 142

Matthew Clauhs

27. Confessions of a Deadhead Music Educator: Connecting Worlds 148

James Frankel

28. A Personal Journey with Popular Music in Paraguay 153

Sol Elisa Martinez Missena

29. From Bowing my Double Bass to Pushing My Push: A Swedish Journey from Music Education to Popular Music Educator 157

Erik Lundahl

30. From A. R. Rahman to Ed Sheeran: How Informal Learning Practices can Inform Music Teaching 162

Shree Lakshmi Vaidyanathan

31. What’s Words Worth: A Short Polemic on the Citation of Lyric 168

Andy West

32. Inclusion or Exclusion? The Disconnect Between School Music Programmes and Students’ Lived Musical Experiences 171

Aixa Burgos

33. Finding Her Voice: A Female DIY Musician’s Pedagogical Spaces and Practices for Popular Tamil Film Music in Chennai, South India 175

Nina Menezes

34. Teaching Queer 182

Mia Ibrahim

35. Computer Science && Popular Music Education 187

Jared O’Leary

36. We Are Music Technology (and How to Change Us) 192

adam patrick bell

37. Connecting Black Youth to Critical Media Literacy Through Hip-Hop Making in the Music Classroom 198

Jabari Evans

PART III: HIGHER EDUCATION 203

38. Crushed by the Wheels of Industry 207

Martin Isherwood

39. Towards Popular Music Education as an Institutional Norm 213

Lloyd McArton

40. Ideological Extrojection: The De-Neoliberalization of UK Music Education 219

Jason Huxtable

41. On the Pulse of Change Through Popular Music Nourishing Teachers’ Professional Identities 225

Siew Ling Chua

42. The Conservatory as Exploratory 230

Richard Smith

43. Is Higher Popular Music Education Still Relevant? 235

Gemma Hill

44. Music Teacher Education in the United States is Failing its Students 239

Candice Davenport Mattio

45. Imagining a Credential for Music Technology Education 245

Daniel Walzer

46. The Price of Admission: Amateurism, Serious Leisure and the Faculty Band 250

Virginia Wayman Davis

47. Vocal Diversity and Evolving Contemporary Voice Pedagogy 256

Ana Flavia Zuim

48. Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education 261

Hussein Boon

49. Places and Spaces of Popular Music Production Pedagogy in Higher Education 267

Brendan Anthony

50. Fostering a Sense of Belonging in the Recruitment of Underrepresented Students at Purdue University 273

James Dekle

51. Awakening Spirituality in Brazilian Higher Music Education 279

Heloisa Feichas

52. Embracing Innocence, Uncertainty and Presence in Popular Music Performance 285

Jay Stapley

53. How I Relearned to Give a Shit 290

David Knapp

PART IV: POLITICS AND IDEOLOGY 297

54. We Are Not Neutral: Popular Music Education, Creativity and the Active Creation of a Graduate Precariat 301

Zack Moir

55. Toward the Political Philosophy of Hip-Hop Education and Positive Energy in China 307

Wai-Chung Ho

56. Structural and Cultural Barriers to Relevant Popular Music Education in India 314

Nilesh Thomas and Saurav Ghosh

57. Popular Music Education as a Liberating Education 320

Flávia Narita

58. Young, Gifted and Black Q.U.E.E.N.: Nuancing Black Feminist Thought within Music Education 326

Jasmine Hines

59. Decolonizing Higher Music Education: Person Versus Persona 332

Adriel E. Miles

60. My Vision for Popular Music Education 338

Nathan Holder

61. External Examining: An Insider Perspective on a Neocolonial Practice 343

Gareth Dylan Smith

62. Cripping Popular Music Education 349

Jesse Rathgeber

63. Excessive Pedagogical Moments: A Deaf-Gay Intersectional Duet 355

Warren Churchill

64. Race, Caste, American Democracy and Popular Music Education 361

David Wish

65. The Problem of Conversion in Music Teacher Education in the United States 367

Radio Cremata

66. Expanding the Reach of Music Education through Modern Band 373

Scott R. Sheehan

67. Lessons from Community Music and Music Therapy: Beyond Familiar Comparisons 378

Bryan Powell

68. Adolescence, Education and Citizenship: Tracing Intersecting Histories and Reimagining Popular Music Pedagogies 383

Noah Karvelis

69. #SongsOfBlackLivesMatter: Co-creating and Developing an Activist Music Education Praxis Alongside Youth 389

Martin Urbach

70. From Black Lives Matter to Black Music Matters: Crossing the Rhetorical Divide 396

Ed Sarath

Notes on Contributors 399

Index 411

Places and Purposes of Popular Music Education:

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A Hardback by Bryan Powell, Gareth Dylan Smith

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    View other formats and editions of Places and Purposes of Popular Music Education: by Bryan Powell

    Publisher: Intellect Books
    Publication Date: 15/12/2022
    ISBN13: 9781789386288, 978-1789386288
    ISBN10: 1789386284

    Description

    Book Synopsis

    This book provides a manuscript-megaphone for a variety of perspectives on popular music education, including those we do not usually hear from, but who are doing far and away the coolest, most relevant and most interesting things.

    It includes rants, manifestos, and pieces that are pithy and punchy and poignant, which have resulted in a wide tonal variety among chapters, from more traditionally scholarly pieces replete with citations and references, through descriptions of practice, to straight-up polemics. It is more about beliefs, experiences and motivation, about frustrations, aspirations and celebrations. The chapters are intended to whet appetites, prime pumps, open eyes, and keep cogs turning. This book is organized into four parts: Beyond the Classroom, Identity and Purpose, Higher Education and Politics and Ideology. This book is intended for academics of all ages and stages, but the writing is often deliberately non-academic in tone.

    The book will appeal to those working in popular music studies, communication studies, education research, and should be of interest to those involved in policy decisions at national and regional levels. It is also directly relevant to researchers looking music industry and music ecosystems nationally, regionally and internationally, as education and popular music industry, DIY and community sectors continue to enmesh in complex and evolving ways.



    Table of Contents

    Acknowledgements xi

    Introduction xiii

    Gareth Dylan Smith and Bryan Powell

    PART I: BEYOND THE CLASSROOM 1

    1. ‘Something to Talk About’: Intersections of Music, Memory, Dialogue and Pedagogy at the Rock and Roll Hall of Fame 5

    Jason Hanley

    2. Learning to be Active: The Formative Power of Music as a Catalyst for Political Activism 11

    Stuart Moir

    3. Mariachi Master-Apprentice Program: Familia During the COVID-19 Pandemic 17

    Sergio Alonso

    4. People and Popular Music in an English Prison: Transforming Criminal Justice 24

    Natalie Betts

    5. Popular Music Pedagogy in a United States Prison: Lessons from a Western Rural Facility 30

    Tiger Robison

    6. Developing a Certifiable and Relevant Popular Music Curriculum for Early School-Leavers in Ireland 34

    Martin Ryan

    7. Project Gametime: Hip-Hop and After-School Programmes 40

    Kenrick Wagner

    8. In Conversation with Eleanor Rashid, Music Practitioner 43

    Eleanor Rashid and Gareth Dylan Smith

    9. Reciprocal Benefits of Music Cities and Modern Band 46

    Bryce Merril and Tom Scharf

    10. Berklee City Music Programme: Teaching and Learning Through Contemporary Popular Music 52

    Krystal Prime Banfield

    11. A New Generation: An Intrinsic Case Study of a Club DJ’s Formal Learning Experiences 58

    Eva J. Egolf

    12. Playing with Vocal Processing Technologies: Fostering Interaction with Children with Special Educational Needs 63

    Roshi Nasehi

    13. The Oneonta Hip Hop Collective: Students Owning the Moment 68

    Joseph Michael Pignato

    14. Rockway and Formal–Informal Online Music Learning in Finland 74

    Niklas Lindholm

    15. How Do We Get Girls and Non-Binary Students to Play Guitar Solos? 79

    Kayla Rush

    16. Learning to Become a Band, Learning Popular Music 85

    Tobias Malm

    17. Popular Music is Not the Answer 90

    Abigail D’Amore

    PART II: IDENTITY AND PURPOSE 97

    18. Life as a Cabaret: Singing Our Ideal Self into Being 101

    Felix Graham

    19. My Therapist Said It’s FINE: The Duality of Being a Music(ian) Teacher 107

    Sheena Dhamsania

    20. Pursuing Popular Music Shapes Me as a Scholar, Musician and Human 110

    Christopher Cayari

    21. I’ve Learned Three Chords. Now What? 115

    Roger Mantie

    22. Intersections and Roundabouts: Connecting In-School and Out-of-School Experiences to Teaching Practices 120

    Steve Holley

    23. Different from the Norm: Teaching Band in Alabama 126

    Shane Colquhoun

    24. Popular Music Education as a Place for Emergent Pedagogies 131

    Meghan K. Sheehy

    25. Think Big, Start Small: Enacting Change in Higher Education 137

    Martina Vasil

    26. Becoming a Popular Music Educator: A Personal Journey 142

    Matthew Clauhs

    27. Confessions of a Deadhead Music Educator: Connecting Worlds 148

    James Frankel

    28. A Personal Journey with Popular Music in Paraguay 153

    Sol Elisa Martinez Missena

    29. From Bowing my Double Bass to Pushing My Push: A Swedish Journey from Music Education to Popular Music Educator 157

    Erik Lundahl

    30. From A. R. Rahman to Ed Sheeran: How Informal Learning Practices can Inform Music Teaching 162

    Shree Lakshmi Vaidyanathan

    31. What’s Words Worth: A Short Polemic on the Citation of Lyric 168

    Andy West

    32. Inclusion or Exclusion? The Disconnect Between School Music Programmes and Students’ Lived Musical Experiences 171

    Aixa Burgos

    33. Finding Her Voice: A Female DIY Musician’s Pedagogical Spaces and Practices for Popular Tamil Film Music in Chennai, South India 175

    Nina Menezes

    34. Teaching Queer 182

    Mia Ibrahim

    35. Computer Science && Popular Music Education 187

    Jared O’Leary

    36. We Are Music Technology (and How to Change Us) 192

    adam patrick bell

    37. Connecting Black Youth to Critical Media Literacy Through Hip-Hop Making in the Music Classroom 198

    Jabari Evans

    PART III: HIGHER EDUCATION 203

    38. Crushed by the Wheels of Industry 207

    Martin Isherwood

    39. Towards Popular Music Education as an Institutional Norm 213

    Lloyd McArton

    40. Ideological Extrojection: The De-Neoliberalization of UK Music Education 219

    Jason Huxtable

    41. On the Pulse of Change Through Popular Music Nourishing Teachers’ Professional Identities 225

    Siew Ling Chua

    42. The Conservatory as Exploratory 230

    Richard Smith

    43. Is Higher Popular Music Education Still Relevant? 235

    Gemma Hill

    44. Music Teacher Education in the United States is Failing its Students 239

    Candice Davenport Mattio

    45. Imagining a Credential for Music Technology Education 245

    Daniel Walzer

    46. The Price of Admission: Amateurism, Serious Leisure and the Faculty Band 250

    Virginia Wayman Davis

    47. Vocal Diversity and Evolving Contemporary Voice Pedagogy 256

    Ana Flavia Zuim

    48. Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education 261

    Hussein Boon

    49. Places and Spaces of Popular Music Production Pedagogy in Higher Education 267

    Brendan Anthony

    50. Fostering a Sense of Belonging in the Recruitment of Underrepresented Students at Purdue University 273

    James Dekle

    51. Awakening Spirituality in Brazilian Higher Music Education 279

    Heloisa Feichas

    52. Embracing Innocence, Uncertainty and Presence in Popular Music Performance 285

    Jay Stapley

    53. How I Relearned to Give a Shit 290

    David Knapp

    PART IV: POLITICS AND IDEOLOGY 297

    54. We Are Not Neutral: Popular Music Education, Creativity and the Active Creation of a Graduate Precariat 301

    Zack Moir

    55. Toward the Political Philosophy of Hip-Hop Education and Positive Energy in China 307

    Wai-Chung Ho

    56. Structural and Cultural Barriers to Relevant Popular Music Education in India 314

    Nilesh Thomas and Saurav Ghosh

    57. Popular Music Education as a Liberating Education 320

    Flávia Narita

    58. Young, Gifted and Black Q.U.E.E.N.: Nuancing Black Feminist Thought within Music Education 326

    Jasmine Hines

    59. Decolonizing Higher Music Education: Person Versus Persona 332

    Adriel E. Miles

    60. My Vision for Popular Music Education 338

    Nathan Holder

    61. External Examining: An Insider Perspective on a Neocolonial Practice 343

    Gareth Dylan Smith

    62. Cripping Popular Music Education 349

    Jesse Rathgeber

    63. Excessive Pedagogical Moments: A Deaf-Gay Intersectional Duet 355

    Warren Churchill

    64. Race, Caste, American Democracy and Popular Music Education 361

    David Wish

    65. The Problem of Conversion in Music Teacher Education in the United States 367

    Radio Cremata

    66. Expanding the Reach of Music Education through Modern Band 373

    Scott R. Sheehan

    67. Lessons from Community Music and Music Therapy: Beyond Familiar Comparisons 378

    Bryan Powell

    68. Adolescence, Education and Citizenship: Tracing Intersecting Histories and Reimagining Popular Music Pedagogies 383

    Noah Karvelis

    69. #SongsOfBlackLivesMatter: Co-creating and Developing an Activist Music Education Praxis Alongside Youth 389

    Martin Urbach

    70. From Black Lives Matter to Black Music Matters: Crossing the Rhetorical Divide 396

    Ed Sarath

    Notes on Contributors 399

    Index 411

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