Description

Book Synopsis


Trade Review

This book will be informative, interesting, and beneficial for anyone who is involved with the performance of music in the United States, whether in the field or in academe.June 2009

-- Lois Kuyper-Rushing * Louisiana State University *

Laila Storch . . . is generous in her admiration of [Marcel Tabuteau's] compelling artistry. She has produced a monumental tribute to an extraordinary musician whose influence remains alive in each generation of American oboists.87 Summer 2009

-- Anthony McColl * Double Reed News *

[This biography is] movingly personal . . . . may prove to be one of the most accomplished and important musical biographies of the 21st century.8/1/10

-- Christopher Brodersen * Fanfare *

Laila Storch's biography of Marcel Tabuteau provides a detailed and intimate portrait of the life and artistry of the man widely considered to be the father of the American school of oboe playing. Vol. 33, No. 2, Summer 2010

* The Double Reed *

Storch's intriguing book will appeal to a broad audience, not just oboists. Anyone interested in music will find Tabuteau's philosophies and Storch's research beneficial and applicable.January 2009

* Choice *

Table of Contents

Preface
Acknowledgments
Introduction
Accessing the Audio Files

1. Compiègne and the Tabuteau Family
2. Paris Conservatoire: Tabuteau's Studies with Georges Gillet, 1902-1904
3. Arrival in America: Walter Damrosch and the New York Symphony Orchestra, 1905-1908
4. The Metropolitan Opera: Singers and Conductors of the "Golden Age," 1908-1914
5. San Francisco Interlude: The Panama-Pacific International Exposition Orchestra, 1915
6. The Philadelphia Orchestra: The Stokowski Years, 1915-1940
7. Tabuteau as Soloist with the Philadelphia Orchestra: 1915-1954
8. Tabuteau at the Curtis Institute of Music: 1924-1946
9. Lessons with Tabuteau: My Arrival in Philadelphia, January 1943
10. My First Year with Tabuteau at the Curtis Institute: October 1943-May 1944
11. Tabuteau Conducts the Curtis Orchestra: Fall 1944-Spring 1945
12. Tabuteau's Summers in Canada: Salmon Fishing in Nova Scotia
13. Another Year of Study with Tabuteau: 1945-1946
14. Summers in France: The Pingouinette; Back to Philadelphia, 1948
15. Tabuteau's Last Years at the Curtis Institute: 1946-1954
16. The Casals Festivals in Prades and Perpignan: 1950, 1951, and 1953
17. Tabuteau as Seen by His Philadelphia Orchestra Colleagues
18. Retirement in France: La Coustiéro, 1954-1959
19. Tabuteau's Final Years in Nice: 1959-1966
20. Philadelphia Postlude: Tabuteau's Playing; His Musical Ideas and Influence

Appendix 1. Introduction and Text Transcription for the Tabuteau-Wolsing Audio Files
Appendix 2. The Students of Marcel Tabuteau at the Curtis Institute of Music
Appendix 3. The Tabuteau System: Essay and Outline by Marc Mostovoy
Glossary of Terms Used by Oboists
Notes
Selected Bibliography
Index

Marcel Tabuteau How Do You Expect to Play the

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A Paperback / softback by Laila Storch

15 in stock


    View other formats and editions of Marcel Tabuteau How Do You Expect to Play the by Laila Storch

    Publisher: Indiana University Press
    Publication Date: 16/04/2008
    ISBN13: 9780253032676, 978-0253032676
    ISBN10: 0253032679

    Description

    Book Synopsis


    Trade Review

    This book will be informative, interesting, and beneficial for anyone who is involved with the performance of music in the United States, whether in the field or in academe.June 2009

    -- Lois Kuyper-Rushing * Louisiana State University *

    Laila Storch . . . is generous in her admiration of [Marcel Tabuteau's] compelling artistry. She has produced a monumental tribute to an extraordinary musician whose influence remains alive in each generation of American oboists.87 Summer 2009

    -- Anthony McColl * Double Reed News *

    [This biography is] movingly personal . . . . may prove to be one of the most accomplished and important musical biographies of the 21st century.8/1/10

    -- Christopher Brodersen * Fanfare *

    Laila Storch's biography of Marcel Tabuteau provides a detailed and intimate portrait of the life and artistry of the man widely considered to be the father of the American school of oboe playing. Vol. 33, No. 2, Summer 2010

    * The Double Reed *

    Storch's intriguing book will appeal to a broad audience, not just oboists. Anyone interested in music will find Tabuteau's philosophies and Storch's research beneficial and applicable.January 2009

    * Choice *

    Table of Contents

    Preface
    Acknowledgments
    Introduction
    Accessing the Audio Files

    1. Compiègne and the Tabuteau Family
    2. Paris Conservatoire: Tabuteau's Studies with Georges Gillet, 1902-1904
    3. Arrival in America: Walter Damrosch and the New York Symphony Orchestra, 1905-1908
    4. The Metropolitan Opera: Singers and Conductors of the "Golden Age," 1908-1914
    5. San Francisco Interlude: The Panama-Pacific International Exposition Orchestra, 1915
    6. The Philadelphia Orchestra: The Stokowski Years, 1915-1940
    7. Tabuteau as Soloist with the Philadelphia Orchestra: 1915-1954
    8. Tabuteau at the Curtis Institute of Music: 1924-1946
    9. Lessons with Tabuteau: My Arrival in Philadelphia, January 1943
    10. My First Year with Tabuteau at the Curtis Institute: October 1943-May 1944
    11. Tabuteau Conducts the Curtis Orchestra: Fall 1944-Spring 1945
    12. Tabuteau's Summers in Canada: Salmon Fishing in Nova Scotia
    13. Another Year of Study with Tabuteau: 1945-1946
    14. Summers in France: The Pingouinette; Back to Philadelphia, 1948
    15. Tabuteau's Last Years at the Curtis Institute: 1946-1954
    16. The Casals Festivals in Prades and Perpignan: 1950, 1951, and 1953
    17. Tabuteau as Seen by His Philadelphia Orchestra Colleagues
    18. Retirement in France: La Coustiéro, 1954-1959
    19. Tabuteau's Final Years in Nice: 1959-1966
    20. Philadelphia Postlude: Tabuteau's Playing; His Musical Ideas and Influence

    Appendix 1. Introduction and Text Transcription for the Tabuteau-Wolsing Audio Files
    Appendix 2. The Students of Marcel Tabuteau at the Curtis Institute of Music
    Appendix 3. The Tabuteau System: Essay and Outline by Marc Mostovoy
    Glossary of Terms Used by Oboists
    Notes
    Selected Bibliography
    Index

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