Description
Book SynopsisIn the late nineteenth and early twentieth century, ideals of technological progress and mass consumerism shaped the print cultures of countries across the globe. Magazines in Europe, the USA, Latin America, and Asia inflected a shared internationalism and technological optimism. But there were equally powerful countervailing influences, of patriotic or insurgent nationalism, and of traditionalism, that promoted cultural differentiation. In their editorials, images, and advertisements magazines embodied the tensions between these domestic imperatives and the forces of global modernity.
Magazines and Modern Identities explores how these tensions played out in the magazine cultures of ten different countries, describing how publications drew on, resisted, and informed the ideals and visual forms of global modernism. Chapters take in the magazines of Australia, Europe and North America, as well as China, The Soviet Turkic states, and Mexico. With contributions from leading internat
Trade ReviewThree shifts mark
Magazines and Modern Identities in expanding periodical studies: from “small” to “big” embedded in key historical turns; from textual to visual and contextual readings; and from Europe- and US-centred studies to cultural displacements. With interdisciplinary focus that defies fixed definitions, these thorough chapters ask: whose modernity and identity was it, and why? * Evanghelia Stead, Professor of Comparative Literature and Print Culture, UVSQ Paris-Saclay, and Fellow of the Institut Universitaire de France *
Working the nexus between innovations in illustrated magazines and modern identity formation around the globe, this book strides forcefully into the most vital questions in modern periodical studies. How did illustrated magazines enable readers to envision themselves as cosmopolitans or nationalists, as modern people or traditionalists? More profoundly, how do media set the horizons for articulating a self under the pressures of modern history? These chapters engage these questions with vigour, ingenuity, and impressive detail. * Patrick Collier, Professor of English and Associate Dean, College of Sciences and Humanities, Ball State University, USA; Author of Teaching Literature in the Real World: A Practical Guide (Bloomsbury, 2021) *
Table of ContentsList of Contributors Acknowledgements Introduction: ‘The Rapid Rhythm of Modern Life’,
Andrew Thacker (Nottingham Trent University, UK) and Tim Satterthwaite (University of Brighton, UK) Part I: Modern Times: Magazines in the USA at the turn of the 20th century 1. “A Monthly Album of Crazy Fancies”?:
The Arena magazine, alternative modernities and US radical print culture (1889-1909),
Jean-Louis Marin-Lamellet (Université Savoie-Mont Blanc, France) 2. “The Young Man of To-Day is not the Young Man of Fifty Years Ago”: The changing image of United States men in the cover art of popular periodicals, 1880–1920,
Richard Junger (Western Michigan University, USA) Part II: The Age of Extremes: European magazines of the interwar decades 3. Left-wing Answers to the Bourgeois Illustrated Press in the German Reich, Konrad Dussel (University of Mannheim, Germany) 4. Spearheading the Iconic Turn: German Illustrated Magazines in the Interwar Period,
Patrick Rössler (University of Erfurt, Germany) 5. Acrobatics of the Printed Page: The Cosmopolitanism of Rizzoli’s Periodicals,
Maria Antonella Pelizzari (Hunter College, CUNY, USA) 6. Visual Modernism and its Others in VU,
Laura Truxa (EHESS, Paris, France) 7. ‘The Greater Britain of Fascism’: Politics, Propaganda and Photography in Action (1936-40),
Emma West (University of Birmingham, UK) Part III: Transnational Modernities: Culture and lifestyle magazines in Canada and Australia 8. Memories and Promises: Australian Modernism and National Identities in Home During the 1930s,
Melissa Miles (Monash University, Australia) and Geraldine Fela (Macquarie University, Australia) 9. Seeing the World and One’s Place Within It: Australian Quality Magazines and the Asia-Pacific in the 1920s and 1930s,
Susann Liebich (Univ of Heidelberg) and Victoria Kuttainen (James Cook University, Australia) 10. To be or Not to be Modern: The paradox of Modernity in the French-Canadian Magazine La Revue moderne During the 1930s,
Adrien Rannaud (University of Toronto Mississauga, Canada) 11. Magazine Digest, Canadian Invader?,
Jaleen Grove (Rhode Island School of Design, USA) Part IV: Future States: Chinese, Soviet Turkic, and Mexican magazines 12. Global Magazine Culture and Modern Chinese Identities,
Michel Hockx (University of Notre Dame, France) and Liying Sun (University of Iowa, USA) 13. Photographic Portraits of Leaders of the 1911 Revolution: The Promise of Historical Rupture in the Chinese Republican Press,
Giulia Pra Floriani (Heidelberg Centre for Transcultural Studies, Germany) 14. Publishing the Nation: Periodicals and Nation-Building in Soviet Turkic Communities, 1921-1937
Michael Erdman (British Library, UK) 15. Female Identities and Translocal Networks in Mexican Folkways,
Claudia Cedeño Báez (University of Tübingen, Germany) Bibliography Index
