Description

Book Synopsis
A concise survey of the pioneering work of London-based Ghanaian photographer James Barnor. With a practice spanning six decades and two continents, ranging from street to studio and fashion to documentary, Ghanaian photographer James Barnor (b.1929) is now recognised as a pivotal figure in the history of photography. Moving between Accra and London throughout his life, Barnor's photographic portraits visibly map societies in transition: Ghana winning independence from Britain, and London embracing the freedoms of the swinging sixties. He has said: 'I was lucky to be alive when things were happening ... when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the sixties, so I call myself Lucky Jim.' Barnor's photographs have been described as 'slices of history, documenting race and modernity in the post-colonial world', and he has been the subject of several major retrospectives over the last

James Barnor

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    A Paperback / softback by Christine Barthe

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      Publisher: Thames & Hudson Ltd
      Publication Date: 28/09/2023
      ISBN13: 9780500297872, 978-0500297872
      ISBN10: 0500297878

      Description

      Book Synopsis
      A concise survey of the pioneering work of London-based Ghanaian photographer James Barnor. With a practice spanning six decades and two continents, ranging from street to studio and fashion to documentary, Ghanaian photographer James Barnor (b.1929) is now recognised as a pivotal figure in the history of photography. Moving between Accra and London throughout his life, Barnor's photographic portraits visibly map societies in transition: Ghana winning independence from Britain, and London embracing the freedoms of the swinging sixties. He has said: 'I was lucky to be alive when things were happening ... when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the sixties, so I call myself Lucky Jim.' Barnor's photographs have been described as 'slices of history, documenting race and modernity in the post-colonial world', and he has been the subject of several major retrospectives over the last

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