Description

Book Synopsis
This book describes the properties of materials used for making percussion instruments for classical music played by a symphony orchestra in which the instruments could be played as a soloist instrument or as a group or several groups of instruments, as they are included into a musical work. A chapter is devoted to the bells. The scope of this book is primarily confined to percussion instruments of symphony orchestras taking into account the centuries of musical art and tradition. This book bridges the gap in the technical literature on describing the properties of materials for percussion instruments—timpani, other drums, marimba, xylophone, vibraphone, gong, cymbal, triangle, celesta, castanets.


Trade Review
“This book contains new features … and is of great interest for the musical acoustics community. … Another appreciable specificity of the book is the high number of clear pictures and figures of wonderful quality … . this book is a compulsory starting point for any future research on percussion instruments, and should be usefully associated with other books and publications more specialized in physical modeling. The references are extensive and beyond the usual references lists in musical acoustics.” (Antoine Chaigne, EAA Newsletter Nuntius, euracoustics.org, January-February, 2023)

Table of Contents
Handbook of materials for percussion instruments

Chapter 0 Preface

PART 1 Percussion instruments, their classification and their sound

Chapter 1 Introduction

Chapter 2 Organology of percussion instruments and patents

Chapter 3 About the sound of percussion instruments

Chapter 4 Experimental methodology for acoustical properties of percussion instruments

PART 2 Structural parts of the Instruments

Chapter 5 The membranophones - timpani, drums, tambourine

Chapter 6 The Idiophones made of wood played with mallets – marimba, xylophone

Chapter 7 The metallic idiophones played with mallets- vibraphone, glockenspiel

Chapter 8 The struck idiophones played with mallets -gong, tam-tam, cymbal, chimes, triangle, plate

Chapter 9 The mallets

Chapter 10 Other Struck idiophone- the church bell, carillon

Chapter 11 Idiophones with keyboard – celesta

Chapter 12 The Concussion Idiophones - castanets, woodblocks

Chapter 13 New Percussion instruments

PART 3 Properties of Materials

Chapter 14 Properties of wood for percussion instruments

Chapter 15 Properties of metallic alloys for percussion instruments

Chapter 16 Properties of leather for percussion instruments

Chapter 17 Properties of new materials for percussion instruments

PART 4 Maintenance and conservation of percussion instruments

Chapter 18 Care and maintenance of percussion instruments

Chapter 19 Conservation of percussion instrument

Chapter 20 Patents

Handbook of Materials for Percussion Musical

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    A Hardback by Voichita Bucur

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      Publisher: Springer Nature Switzerland AG
      Publication Date: 08/07/2022
      ISBN13: 9783030986490, 978-3030986490
      ISBN10: 3030986497

      Description

      Book Synopsis
      This book describes the properties of materials used for making percussion instruments for classical music played by a symphony orchestra in which the instruments could be played as a soloist instrument or as a group or several groups of instruments, as they are included into a musical work. A chapter is devoted to the bells. The scope of this book is primarily confined to percussion instruments of symphony orchestras taking into account the centuries of musical art and tradition. This book bridges the gap in the technical literature on describing the properties of materials for percussion instruments—timpani, other drums, marimba, xylophone, vibraphone, gong, cymbal, triangle, celesta, castanets.


      Trade Review
      “This book contains new features … and is of great interest for the musical acoustics community. … Another appreciable specificity of the book is the high number of clear pictures and figures of wonderful quality … . this book is a compulsory starting point for any future research on percussion instruments, and should be usefully associated with other books and publications more specialized in physical modeling. The references are extensive and beyond the usual references lists in musical acoustics.” (Antoine Chaigne, EAA Newsletter Nuntius, euracoustics.org, January-February, 2023)

      Table of Contents
      Handbook of materials for percussion instruments

      Chapter 0 Preface

      PART 1 Percussion instruments, their classification and their sound

      Chapter 1 Introduction

      Chapter 2 Organology of percussion instruments and patents

      Chapter 3 About the sound of percussion instruments

      Chapter 4 Experimental methodology for acoustical properties of percussion instruments

      PART 2 Structural parts of the Instruments

      Chapter 5 The membranophones - timpani, drums, tambourine

      Chapter 6 The Idiophones made of wood played with mallets – marimba, xylophone

      Chapter 7 The metallic idiophones played with mallets- vibraphone, glockenspiel

      Chapter 8 The struck idiophones played with mallets -gong, tam-tam, cymbal, chimes, triangle, plate

      Chapter 9 The mallets

      Chapter 10 Other Struck idiophone- the church bell, carillon

      Chapter 11 Idiophones with keyboard – celesta

      Chapter 12 The Concussion Idiophones - castanets, woodblocks

      Chapter 13 New Percussion instruments

      PART 3 Properties of Materials

      Chapter 14 Properties of wood for percussion instruments

      Chapter 15 Properties of metallic alloys for percussion instruments

      Chapter 16 Properties of leather for percussion instruments

      Chapter 17 Properties of new materials for percussion instruments

      PART 4 Maintenance and conservation of percussion instruments

      Chapter 18 Care and maintenance of percussion instruments

      Chapter 19 Conservation of percussion instrument

      Chapter 20 Patents

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