Description
Book SynopsisHow does photography shape the way we see sculpture? In this book, the author broaches this question through an in-depth consideration of the photography of American sculptor David Smith (1906 1965).
Trade Review"Does more than reveal the important role photography played in Smith's art; it fundamentally alters how we see the works he photographed." Bookforum "...thorough research and exceedingly compelling and rigorously formal readings of individual works." -- Christa Noel Robbins Oxford Art Journal
Table of ContentsAcknowledgments Introduction: The Problem of Photography and Sculpture 1. Toward Mass Reproduction as a Public Display 2. Aerial Vision, Photographic Abstraction, and the Surface of Sculpture 3. Images of Nonbelonging: Dramatizing Autonomy in the Sculptural Group 4. Picturing Color in Space 5. The Terrain of the Vulgar: Smith's 1963--64 Nudes Conclusion: Framed and Unframed Space Notes Bibliography List of Illustrations Index
