Description

The story of an innovative designer and farsighted art entrepreneur and the important role he played in the dissemination of 19th-century Aestheticism

This book follows the phenomenal rise of Daniel Cottier (1838–1891) from an apprentice coach painter in Glasgow to the founder of Cottier & Co., a fine and decorative arts business with branches in London, New York, Sydney and Melbourne. This gifted designer and brilliant art entrepreneur keenly spotted one of the key aspects of late nineteenth-century bourgeois culture – its focus on family, home and church – and seized the artistic and commercial opportunities of the building and decorating boom that it brought about. Cottier was a proponent of the Aesthetic movement, an international trend in the history of culture, art and design from the mid-1860s to the late 1890s: he understood the era’s desire for beauty and realised the economic possibilities of its commoditisation. Beyond biography, therefore, this book illuminates a significant event of late nineteenth-century cultural history – Aestheticism’s cult of beauty meeting with the bourgeoisie’s financial ability to possess it.

Distributed for the Paul Mellon Centre for Studies in British Art

Daniel Cottier: Designer, Decorator, Dealer

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Hardback by Petra ten-Doesschate Chu , Max Donnelly

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The story of an innovative designer and farsighted art entrepreneur and the important role he played in the dissemination of... Read more

    Publisher: Paul Mellon Centre for Studies in British Art
    Publication Date: 25/05/2021
    ISBN13: 9781913107185, 978-1913107185
    ISBN10: 1913107183

    Number of Pages: 256

    Non Fiction , Art & Photography

    Description

    The story of an innovative designer and farsighted art entrepreneur and the important role he played in the dissemination of 19th-century Aestheticism

    This book follows the phenomenal rise of Daniel Cottier (1838–1891) from an apprentice coach painter in Glasgow to the founder of Cottier & Co., a fine and decorative arts business with branches in London, New York, Sydney and Melbourne. This gifted designer and brilliant art entrepreneur keenly spotted one of the key aspects of late nineteenth-century bourgeois culture – its focus on family, home and church – and seized the artistic and commercial opportunities of the building and decorating boom that it brought about. Cottier was a proponent of the Aesthetic movement, an international trend in the history of culture, art and design from the mid-1860s to the late 1890s: he understood the era’s desire for beauty and realised the economic possibilities of its commoditisation. Beyond biography, therefore, this book illuminates a significant event of late nineteenth-century cultural history – Aestheticism’s cult of beauty meeting with the bourgeoisie’s financial ability to possess it.

    Distributed for the Paul Mellon Centre for Studies in British Art

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