Description

Book Synopsis
Criminalization/Assimilation traces how Classical Hollywood films constructed America’s image of Chinese Americans from their criminalization as unwanted immigrants to their eventual acceptance when assimilated citizens, exploiting both America’s yellow peril fears about Chinese immigration and its fascination with Chinatowns.

Trade Review
"Philippa Gates takes us on an engrossing journey through the Chinatown streets of Hollywood’s imagination in her comprehensive study of the ambivalent depiction of Chinese people and places on American screens. Her superlative book provides essential reading for scholars, students, and concerned readers who need to understand this history fully to critique the images and ideas that continue to shape today’s cultural landscape." -- Gina Marchetti * author of Citing China: Politics, Postmodernism, and World Cinema *
"Meticulously researched and laudably comprehensive, Criminalization/Assimilation explores Chinatown’s place in the lexicon of early Hollywood films. This is a unique and important contribution to film studies and Asian American studies—a highly satisfying read!" -- Karla Rae Fuller * author of Hollywood Goes Oriental: CaucAsian Performance in American Film *
“A most informative analysis…. The main strength of Criminalization/Assimilation may be its detailed outline of the various shifts in representations that occurred over a fifty-year period, that certainly complexifies a strictly axiological appreciation of Chinatown films as either racist or non-racist.” * Historical Journal of Film, Radio and Television *

Table of Contents
Contents
Part I: Hollywood’s Chinese America
1 Introduction
2 Yellow Peril, Protest, and an Orientalist Gaze: Hollywood’s Constructions of Chinese/Americans
Part II: Chinatown Crime
3 Imperilled Imperialism: Tong Wars, Slave Girls, and Opium Dens
4 The Whitening of Chinatown: Action Cops and Upstanding Criminals
Part III: Chinatown Melodrama
5 The Perils of Proximity: White Downfall in the Chinatown Melodrama
6 Tainted Blood: White Fears of Yellow Miscegenation
Part IV: Chinese American Assimilation
7 Assimilation and Tourism: Chinese American Citizens and Chinatown Rebranded
8 Assimilating Heroism: The Chinese American as American Action Hero
9 Epilogue
Filmography
Acknowledgments
Notes
Index

CriminalizationAssimilation ChineseAmericans and

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A Hardback by Philippa Gates

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    View other formats and editions of CriminalizationAssimilation ChineseAmericans and by Philippa Gates

    Publisher: Rutgers University Press
    Publication Date: 08/03/2019
    ISBN13: 9780813589428, 978-0813589428
    ISBN10: 0813589428

    Description

    Book Synopsis
    Criminalization/Assimilation traces how Classical Hollywood films constructed America’s image of Chinese Americans from their criminalization as unwanted immigrants to their eventual acceptance when assimilated citizens, exploiting both America’s yellow peril fears about Chinese immigration and its fascination with Chinatowns.

    Trade Review
    "Philippa Gates takes us on an engrossing journey through the Chinatown streets of Hollywood’s imagination in her comprehensive study of the ambivalent depiction of Chinese people and places on American screens. Her superlative book provides essential reading for scholars, students, and concerned readers who need to understand this history fully to critique the images and ideas that continue to shape today’s cultural landscape." -- Gina Marchetti * author of Citing China: Politics, Postmodernism, and World Cinema *
    "Meticulously researched and laudably comprehensive, Criminalization/Assimilation explores Chinatown’s place in the lexicon of early Hollywood films. This is a unique and important contribution to film studies and Asian American studies—a highly satisfying read!" -- Karla Rae Fuller * author of Hollywood Goes Oriental: CaucAsian Performance in American Film *
    “A most informative analysis…. The main strength of Criminalization/Assimilation may be its detailed outline of the various shifts in representations that occurred over a fifty-year period, that certainly complexifies a strictly axiological appreciation of Chinatown films as either racist or non-racist.” * Historical Journal of Film, Radio and Television *

    Table of Contents
    Contents
    Part I: Hollywood’s Chinese America
    1 Introduction
    2 Yellow Peril, Protest, and an Orientalist Gaze: Hollywood’s Constructions of Chinese/Americans
    Part II: Chinatown Crime
    3 Imperilled Imperialism: Tong Wars, Slave Girls, and Opium Dens
    4 The Whitening of Chinatown: Action Cops and Upstanding Criminals
    Part III: Chinatown Melodrama
    5 The Perils of Proximity: White Downfall in the Chinatown Melodrama
    6 Tainted Blood: White Fears of Yellow Miscegenation
    Part IV: Chinese American Assimilation
    7 Assimilation and Tourism: Chinese American Citizens and Chinatown Rebranded
    8 Assimilating Heroism: The Chinese American as American Action Hero
    9 Epilogue
    Filmography
    Acknowledgments
    Notes
    Index

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