Description

Timothy Donnelly’s fourth collection of poems, Chariot, ferries the reader toward an endless horizon of questioning that is both philosophical and deeply embodied.

“How did we get here?” he asks in his title poem—one of several in conversation with French symbolist Odilon Redon—to which he responds, “Unclear, if it matters; what matters // is we stay—aloft in possible color.” With a similar sensibility to previous collections The Problem of the Many and The Cloud Corporation (winner of the Kingsley Tufts Award), Chariot deepens Donnelly’s inquiry into artistic histories, from Jean Cocteau to The Cocteau Twins, while celebrating the power of poetic imagination to transport us to new zones of meaning and textual bliss. The collection also marks an exciting shift in form for Donnelly, who confines these new poems to twenty lines each, so that to read Chariot is to look through a many-paned, future-facing window, refracting and reflecting, letting all the light in.

Chariot

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Paperback / softback by Timothy Donnelly

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Timothy Donnelly’s fourth collection of poems, Chariot, ferries the reader toward an endless horizon of questioning that is both philosophical... Read more

    Publisher: Wave Books
    Publication Date: 15/06/2023
    ISBN13: 9781950268771, 978-1950268771
    ISBN10: 1950268772

    Number of Pages: 112

    Fiction , Poetry

    Description

    Timothy Donnelly’s fourth collection of poems, Chariot, ferries the reader toward an endless horizon of questioning that is both philosophical and deeply embodied.

    “How did we get here?” he asks in his title poem—one of several in conversation with French symbolist Odilon Redon—to which he responds, “Unclear, if it matters; what matters // is we stay—aloft in possible color.” With a similar sensibility to previous collections The Problem of the Many and The Cloud Corporation (winner of the Kingsley Tufts Award), Chariot deepens Donnelly’s inquiry into artistic histories, from Jean Cocteau to The Cocteau Twins, while celebrating the power of poetic imagination to transport us to new zones of meaning and textual bliss. The collection also marks an exciting shift in form for Donnelly, who confines these new poems to twenty lines each, so that to read Chariot is to look through a many-paned, future-facing window, refracting and reflecting, letting all the light in.

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