Search results for ""Author Timothy Donnelly""

'The best collection I've read in ages: every poem contains something unexpected and unexpectedly powerful. This is serious, modern, ambitious and bold work – the kind of poetry you hope to find, and rarely do' – Nick LairdJohn Ashbery called Timothy Donnelly’s previous collection, The Cloud Corporation, ‘The poetry of the future, here today’. The Problem of the Many sees Donnelly, one of the most influential poets of his generation, focused less on the future than the end of history: these richly textured and intellectually capacious poems often seem to attempt nothing less than a circumscription of the totality of human experience. The book contains the already widely praised ‘Hymn to Life’, which opens with a litany of what we have made extinct; elsewhere, from an immediately contemporary vantage, Donnelly confronts the clutter and devastation that civilization has left us as he strives towards a beauty that we still need, along the way enlisting agents as various as Prometheus, Jonah, Flamin’ Hot Cheetos, NyQuil, Nietzsche, and Alexander the Great.The Problem of the Many refers to the famous philosophical problem of what defines the larger aggregate – a cloud, a crowd – which Donnelly extends to address the subject of individual boundary, identity and belonging. Donnelly’s solutions may be wholly poetic, but he has succeeded in speaking as deeply to these profound and urgent issues as any writer currently at work.

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Timothy Donnelly’s fourth collection of poems, Chariot, ferries the reader toward an endless horizon of questioning that is both philosophical and deeply embodied. “How did we get here?” he asks in his title poem—one of several in conversation with French symbolist Odilon Redon—to which he responds, “Unclear, if it matters; what matters // is we stay—aloft in possible color.” With a similar sensibility to previous collections The Problem of the Many and The Cloud Corporation (winner of the Kingsley Tufts Award), Chariot deepens Donnelly’s inquiry into artistic histories, from Jean Cocteau to The Cocteau Twins, while celebrating the power of poetic imagination to transport us to new zones of meaning and textual bliss. The collection also marks an exciting shift in form for Donnelly, who confines these new poems to twenty lines each, so that to read Chariot is to look through a many-paned, future-facing window, refracting and reflecting, letting all the light in.

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"The poems of Timothy Donnelly astonish by their inventive intelligence . . . we learn that self-knowledge can be adequate to knowledge of the world, in all its violence and complexity."—Allen Grossman Timothy Donnelly's long-awaited second collection is a tour de force, fully invested with an abiding faith in language to illuminate the advances of personal and political contingency. Timothy Donnelly's The Cloud Corporation won the 2011 Kingsley Tufts Award, and was a finalist for the 2011 William Carlos Williams Award. Twenty-seven Props for a Production of Eine Lebenszeit was published by Grove Press in 2003. He is poetry editor for Boston Review and teaches at Columbia University. He lives in Brooklyn with his wife and daughters.

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Winner of the Big Other Book Award for poetry and finalist for the Believer Book Award.If The Cloud Corporation is, as John Ashbery called it, “the poetry of the future, here, today,” then Timothy Donnelly’s third collection, The Problem of the Many, is the poetry of the future yet further pressed to the end of history. In astonishingly textured poems powerful and adroit in their negotiation of a seeming totality of human experience, Donnelly confronts—from a contemporary vantage—the clutter (and devastation) that civilization has left us with, enlisting agents as far flung as Prometheus, Flaming Hot Cheetos, Jonah, NyQuil, and Alexander the Great.

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