Description
Book SynopsisThe first critical analysis of contemporary arranged marriage among South Asians in a global context Arranged marriage is an institution of global fascinationan object of curiosity, revulsion, outrage, and even envy. Marian Aguiar provides the first sustained analysis of arranged marriage as a transnational cultural phenomenon, revealing how its meaning has been continuously reinvented within the South Asian diaspora of Britain, the United States, and Canada. Aguiar identifies and analyzes representations of arranged marriage in an interdisciplinary set of textsfrom literary fiction and Bollywood films, to digital and print media, to contemporary law and policy on forced marriage. Aguiar interprets depictions of South Asian arranged marriage to show we are in a moment of conjugal globalization, identifying how narratives about arranged marriage bear upon questions of consent, agency, state power, and national belonging. Aguiar argues that these discourses illuminate deep divisions in
Trade Review"With this timely and interesting book, Marian Aguiar locates arranged marriage on a spectrum between coercion and choice, against the tendency to read it off at the two extremes. By contextualizing it historically and geographically she shows us how arranged marriage has changed over time and according to place."—Rajeswari Sunder Rajan, New York University
"A timely feminist intervention in the Orientalized preoccupations with arranged marriage in the West, Marian Aguiar has given us a lucid and fresh account of arranged marriage, taking readers through the concept’s transnational circuits. The rich archive assembled here—literature, film, court cases, state documents—is sure to unsettle preconceived Western notions of arranged marriages. What follows is a measured, insightful commentary on questions of consent and agency, but also labor, migration, state power, and national belonging."—Jyoti Puri, Simmons College
Table of ContentsContents
Prologue: Oh! Calcutta!
Introduction: Plasticity, Hybridity, and Postcolonial Biology
1. “No Escape from Form”: Saleem’s Spittoon, Padma’s Musculature, and Neoliberal Hybridity in Salman Rushdie’s Midnight’s Children
2. Shibboleth: Hybridity, Diaspora, and Passing in Hari Kunzru’s The Impressionist
3. Doyle Plays Sherlock: Julian Barnes’s Unofficial Englishmen, Arthur and George
Epilogue: The Good Life
Acknowledgments
Notes
Bibliography
Index
