Description

INTRODUCED BY HILARY MANTEL

Elizabeth Taylor is finally being recognised as an important British author: an author of great subtlety, great compassion and great depth - Sarah Waters


Writing stories that are extravagant and fanciful, fifteen-year old Angel retreats to a world of romance, escaping the drabness of provincial life. She knows she is different, that she is destined to become a feted authoress, owner of great riches and of Paradise House . . .

After reading The Lady Irania, publishers Brace and Gilchrist are certain the novel will be a success, in spite of - perhaps because of - its overblown style. But they are curious as to who could have written such a book - an elderly lady, romanticising behind lace curtains? A mustachioed rogue?

They were not expecting it to be the pale, serious teenage girl, sitting before them without a hint of irony in her soul.

*

'Her stories remain with one, indelibly, as though they had been some turning-point in one's own experience' Elizabeth Bowen

'No writer has described the English middle classes with more gently devastating accuracy' Rebecca Abrams, Spectator

Angel: A Virago Modern Classic

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Paperback / softback by Elizabeth Taylor , Hilary Mantel

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INTRODUCED BY HILARY MANTELElizabeth Taylor is finally being recognised as an important British author: an author of great subtlety, great... Read more

    Publisher: Little, Brown Book Group
    Publication Date: 06/04/2006
    ISBN13: 9781844083077, 978-1844083077
    ISBN10: 1844083071

    Number of Pages: 336

    Fiction , Classics

    Description

    INTRODUCED BY HILARY MANTEL

    Elizabeth Taylor is finally being recognised as an important British author: an author of great subtlety, great compassion and great depth - Sarah Waters


    Writing stories that are extravagant and fanciful, fifteen-year old Angel retreats to a world of romance, escaping the drabness of provincial life. She knows she is different, that she is destined to become a feted authoress, owner of great riches and of Paradise House . . .

    After reading The Lady Irania, publishers Brace and Gilchrist are certain the novel will be a success, in spite of - perhaps because of - its overblown style. But they are curious as to who could have written such a book - an elderly lady, romanticising behind lace curtains? A mustachioed rogue?

    They were not expecting it to be the pale, serious teenage girl, sitting before them without a hint of irony in her soul.

    *

    'Her stories remain with one, indelibly, as though they had been some turning-point in one's own experience' Elizabeth Bowen

    'No writer has described the English middle classes with more gently devastating accuracy' Rebecca Abrams, Spectator

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