Search results for ""Author Hilary Mantel""

Hans Holbein's famous portrayal of Sir Thomas More is one of the artist's greatest and most popular portraits. In the opening piece of this appealing new volume, "A Letter to Thomas More, Knight", award-winning author Hilary Mantel vividly imagines the background to the creation of this extraordinary portrait, giving it both historical perspective and immediacy. An insightful, concise, scholarly essay by Xavier Salomon grounds it in the art-historical world. Hans Holbein (1497/98-1543) painted Sir Thomas More in 1527, having been a guest in More's house when he first arrived in England. He brilliantly renders his sitter's rich fabrics and unshaven face with sympathy and perception. Frick Diptychs, a new series of small books to be co-published by GILES with The Frick Collection, New York, pairs masterworks from the Frick with critical and literary essays. The novelist Hilary Mantel will be followed by the filmmaker James Ivory on Vermeer's "Mistress and Maid" and the artist and author Edmund de Waal on a pair of porcelain and bronze candlesticks by the 18th-century French metalworker Pierre Gouthiere.

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From the Man Booker Prize-winning author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light a savagely funny tale that revisits the characters from the much-loved Every Day is Mother’s Day. Muriel Axon is about to re-enter the lives of Colin Sidney, hapless husband, father and schoolmaster, and Isabel Field, failed social worker and practising neurotic. It is ten years since her last tangle with them, but for Muriel this is not time enough. There are still scores to be settled, truths to be faced and rather a lot of vengeance to be wreaked.

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Following ‘A Change in Climate’, this brilliant novel from the double Man Booker prize-winning author of ‘Wolf Hall’ is a coming-of-age tale set in Seventies London. It is London, 1970. Carmel McBain, in her first term at university, has cut free of her childhood roots in the north. Among the gossiping, flirtatious girls of Tonbridge Hall, she begins her experiments in life and love. But the year turns. The mini-skirt falls out of style and an era of concealment begins. Carmel’s world darkens, and tragedy waits in the wings.

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Winner of the Man Booker Prize 2012 Winner of the 2012 Costa Book of the Year Shortlisted for the 2013 Women’s Prize for Fiction ‘Simply exceptional…I envy anyone who hasn’t yet read it’ Daily Mail ‘A gripping story of tumbling fury and terror’ Independent on Sunday With this historic win for Bring Up the Bodies, Hilary Mantel becomes the first British author and the first woman to be awarded two Man Booker Prizes. By 1535 Thomas Cromwell is Chief Minister to Henry VIII, his fortunes having risen with those of Anne Boleyn, the king’s new wife. But Anne has failed to give the king an heir, and Cromwell watches as Henry falls for plain Jane Seymour. Cromwell must find a solution that will satisfy Henry, safeguard the nation and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne’s final days. An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists.

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From the double Man Booker prize-winning author of ‘Wolf Hall’ and ‘Bring Up the Bodies’, this is an epic yet subtle family saga about broken trusts and buried secrets. Ralph and Anna Eldred live in the big Red House in Norfolk, raising their four children and devoting their lives to charity. The constant flood of ‘good souls and sad cases’, children plucked from the squalor of the East London streets for a breath of fresh countryside air, hides the growing crises in their own family, the disillusionment of their children, the fissures in their marriage. Memories of their time as missionaries in South Africa and Botswana, of the terrible African tragedies that have shaped the rest of their lives, refuse to be put to rest and threaten to destroy the fragile peace they have built for themselves and their children. This is a breathtakingly intelligent novel that asks the most difficult questions. Is there anything one can never forgive? Is tragedy ever deserved? Can you ever escape your own past? A literary family saga written with the skill and subtlety of a true master, this is Hilary Mantel at her best.

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From the double Man Booker prize-winning author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light , this is a dark fable of lost faith and awakening love amidst the moors. Fetherhoughton is a drab, dreary town somewhere in a magical, half-real 1950s north England, a preserve of ignorance and superstition protected against the advance of reason by its impenetrable moor-fogs. Father Angwin, the town’s cynical priest, has lost his faith, and wants nothing more than to be left alone. Sister Philomena strains against the monotony of convent life and the pettiness of her fellow nuns. The rest of the town goes about their lives in a haze, a never-ending procession of grim, grey days stretching ahead of them. Yet all of that is about to change. A strange visitor appears one stormy night, bringing with him the hint, the taste of something entirely new, something unknown. But who is Fludd? An angel come to shake the Fetherhoughtonians from their stupor, to reawaken Father Angwin’s faith, to show Philomena the nature of love? Or is he the devil himself, a shadowy wanderer of the darkest places in the human heart? Full of dry wit, compassionate characterisations and cutting insight, Fludd is a brilliant gem of a book, and one of Hilary Mantel’s most original works.

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Winner of the Man Booker Prize The second book in Hilary Mantel’s award-winning Wolf Hall trilogy, with a stunning new cover design to celebrate the publication of the much anticipated The Mirror and the Light An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists. ‘Our most brilliant English writer’ Guardian Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. With Henry captivated by plain Jane Seymour and rumours of Anne Boleyn's faithlessness whispered by all, Cromwell knows what he must do to secure his position. But the bloody theatre of the queen's final days will leave no one unscathed. ‘A great novel of dark and dirty passions, public and private. A truly great story’ Financial Times ‘In another league. This ongoing story of Henry VIII’s right-hand man is the finest piece of historical fiction I have ever read’ Sunday Telegraph

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The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Her Cromwell novels are, for my money, the greatest English novels of this century’ Observer The long-awaited sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it? England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year

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Winner of the Man Booker Prize Shortlisted for the the Orange Prize Shortlisted for the Costa Novel Award `Dizzyingly, dazzlingly good' Daily Mail ‘Our most brilliant English writer’ Guardian England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages. From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion and suffering and courage.

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A comically sinister tale of wicked spirits and suburban mediums from the Man Booker Prize-winning author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light. Alison Hart, a medium by trade, tours the dormitory towns of London’s orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists… Shortlisted for the Orange Prize, Hilary Mantel’s supremely suspenseful novel is a masterpiece of dark humour and even darker secrets.

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A companion piece to the captivating memoir Giving Up the Ghost by the Man Booker-winning author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light, this collection of loosely autobiographical stories locates the transforming moments of a haunted childhood. This sharp, funny collection of stories drawn from life begins in the 1950s in an insular northern village 'scoured by bitter winds and rough gossip tongues.' For the child narrator, the only way to survive is to get up, get on, get out. In 'King Billy is a Gentleman', the child must come to terms with the loss of a father and the puzzle of a fading Irish heritage. 'Curved Is the Line of Beauty' is a story of friendship, faith and a near-disaster in a scrap-yard. The title story sees our narrator ironing out her northern vowels with the help of an ex-actress with one lung and a Manchester accent. In 'Third Floor Rising', she watches, dazzled, as her mother carves out a stylish new identity. With a deceptively light touch, Mantel locates the transforming moments of a haunted childhood.

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‘Like Lorna Sage's Bad Blood … A masterpiece.’ Rachel Cusk Giving Up the Ghost is the shocking and beautiful memoir, from the author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light ‘Giving up the Ghost’ is award-winning novelist Hilary Mantel's uniquely unusual five-part autobiography. Opening in 1995 with 'A Second Home', Mantel describes the death of her stepfather which leaves her deeply troubled by the unresolved events of her childhood. In 'Now Geoffrey Don't Torment Her' Mantel takes the reader into the muffled consciousness of her early childhood, culminating in the birth of a younger brother and the strange candlelight ceremony of her mother's 'churching'. In 'Smile', an account of teenage perplexity, Mantel describes a household where the keeping of secrets has become a way of life. Finally, at the memoir's conclusion, Mantel explains how through a series of medical misunderstandings and neglect she came to be childless and how the ghosts of the unborn like chances missed or pages unturned, have come to haunt her life as a writer.

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From the author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light, comes the true story of the 18th Century Irish giant, Charles O’Brien, who was exhibited in London and eventually dissected by the surgeon John Hunter. Charles O’Brien, bard and giant. The cynical are moved by his flights of romance; the craven stirred by his tales of epic deeds. But what of his own story as he is led from Ireland to seek his fortune beyond the seas in England? The Surprising Irish Giant may be the sensation of the season but only his compatriots seem to attend to his mythic powers of invention. John Hunter, celebrated surgeon and anatomist, buys dead men from the gallows and babies’ corpses by the inch. Where is a man as unique as The Giant to hide his bones when he is yet alive? The Giant, O’ Brien is an unforgettable novel; lyrical, shocking and spliced with black comedy.

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A brilliant – and rather transgressive – collection of short stories from the double Man Booker Prize-winning author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light. Including a new story ‘The School of English’. Hilary Mantel is one of Britain’s most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday façades. Childhood cruelty is played out behind the bushes in ‘Comma’; nurses clash in ‘Harley Street’ over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel’s unmistakable style and wit, they reveal a great writer at the peak of her powers.

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From the double Man Booker prize-winning author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light comes an extraordinary work of historical imagination – this is Hilary Mantel’s epic novel of the French Revolution. Georges-Jacques Danton: zealous, energetic and debt-ridden. Maximilien Robespierre: small, diligent and terrified of violence. And Camille Desmoulins: a genius of rhetoric, charming and handsome, yet also erratic and untrustworthy. As these young men, key figures of the French Revolution, taste the addictive delights of power, the darker side of the period’s political ideals is unleashed – and all must face the horror that follows.

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Winner of the Man Booker Prize The first book in Hilary Mantel’s award-winning Wolf Hall trilogy, with a new cover design to celebrate the publication of the much anticipated The Mirror and the Light From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel. ‘Every bit as good as they said it was’ Observer ‘Terrific’ Margaret Atwood ‘As soon as I opened this book I was gripped. I read it almost non-stop’ The Times In Wolf Hall, one of our very best writers brings the opulent, brutal world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue, and , finally, most powerful of Henry VIII’s coutiers. ‘Dizzyingly, dazzlingly good’ Daily Mail ‘Terrifying. It is a world of marvels. But it is also a world of horrors, where screams are commonplace. A feast’ Daily Telegraph

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The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Her Cromwell novels are, for my money, the greatest English novels of this century’ Observer The bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year Sunday Times Bestseller (08/03/2020)

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From the author of the Man Booker prize-winners Wolf Hall and Bring Up the Bodies comes a story of suburban mayhem and merciless, hilarious revenge. Barricaded inside their house filled with festering rubbish, unhealthy smells and their secrets, the Axon family baffle Isabel Field, the latest in a long line of social workers. Isabel has other problems too: a randy, untrustworthy father and a slackly romantic lover, Colin Sidney, history teacher to unresponsive yobs and father of a parcel of horrible children. With all this to worry about, how can Isabel begin to understand what is going on in the Axon household?

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'A guide to the mind of one of the great English novelists of the last half-century' Guardian'Like hearing the voice of an old friend' Observer'Extraordinary . . . a quality of timelessness and prescience' New Statesman, Book of the Year'Magical . . . Here we meet not just Mantel the Cromwell-catcher, but Mantel the quill-sharp critic of contemporary life' The Times, Book of the YearAs well as her celebrated career as a novelist, Hilary Mantel long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of her writing was an integral part of how she thought of herself. 'Ink is a generative fluid,' she explains. 'If you don't mean your words to breed consequences, don't write at all.' A Memoir of My Former Self collects the finest of this writing over four decades. Mantel's subjects are wide-ranging. She discusses nationalism and her own sense of belonging; our dream life flopping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels - revolutionary France, psychics, Tudor England - and other novelists, from Jane Austen to V. S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is a selection of her film reviews - from When Harry Met Sally to RoboCop - and, published for the first time, her stunning Reith Lectures, which explore the process of art bringing history and the dead back to life.From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, A Memoir of My Former Self reveals the shape of Hilary Mantel's life in her own dazzling words, 'messages from people I used to be.' Compelling, often very funny, always luminous, it is essential reading from one of our greatest writers.'A smart, deft, meticulous, thoughtful writer, with such a grasp of the dark and spidery corners of human nature' Margaret Atwood'Mantel was a queen of literature . . . her reign was long, varied and uncontested' Maggie O'Farrell

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Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience – classics which will endure for generations to come. Alison Hart, a medium by trade, tours the dormitory towns of London’s orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists… Shortlisted for the Orange Prize, Hilary Mantel’s supremely suspenseful novel is a masterpiece of dark humour and even darker secrets.

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A stunning collection of essays and memoir from twice Booker Prize winner and international bestseller Hilary Mantel, author of The Mirror and the Light In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of twenty reviews, essays and pieces of memoir from the next three decades, tells the story of what happened next. Her subjects range far and wide: Robespierre and Danton, the Hite report, Saudi Arabia where she lived for four years in the 1980s, the Bulger case, John Osborne, the Virgin Mary as well as the pop icon Madonna, a brilliant examination of Helen Duncan, Britain’s last witch. There are essays about Jane Boleyn, Charles Brandon, Christopher Marlowe and Margaret Pole, which display the astonishing insight into the Tudor mind we are familiar with from the bestselling Wolf Hall Trilogy. Her famous lecture, ‘Royal Bodies’, which caused a media frenzy, explores the place of royal women in society and our imagination. Here too are some of her LRB diaries, including her first meeting with her stepfather and a confrontation with a circus strongman. Constantly illuminating, always penetrating and often very funny, interleaved with letters and other ephemera gathered from the archive, Mantel Pieces is an irresistible selection from one of our greatest living writers.

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From the two-time Man Booker Prize winner author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light, a prescient and haunting novel of life in Saudi Arabia. Frances Shore is a cartographer by trade, a maker of maps, but when her husband's work takes her to Saudi Arabia she finds herself unable to map the Kingdom's areas of internal darkness. The regime is corrupt and harsh, the expatriates are hard-drinking money-grubbers, and her Muslim neighbours are secretive, watchful. The streets are not a woman's territory; confined in her flat, she finds her sense of self begin to dissolve. She hears whispers, sounds of distress from the 'empty' flat above her head. She has only rumours, no facts to hang on to, and no one with whom to share her creeping unease. As her days empty of certainty and purpose, her life becomes a blank – waiting to be filled by violence and disaster.

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Winner of the Man Booker Prize 2012 Winner of the 2012 Costa Book of the Year Shortlisted for the 2013 Women’s Prize for Fiction ‘Simply exceptional…I envy anyone who hasn’t yet read it’ Daily Mail ‘A gripping story of tumbling fury and terror’ Independent on Sunday With this historic win for Bring Up the Bodies, Hilary Mantel becomes the first British author and the first woman to be awarded two Man Booker Prizes. By 1535 Thomas Cromwell is Chief Minister to Henry VIII, his fortunes having risen with those of Anne Boleyn, the king’s new wife. But Anne has failed to give the king an heir, and Cromwell watches as Henry falls for plain Jane Seymour. Cromwell must find a solution that will satisfy Henry, safeguard the nation and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne’s final days. An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists.

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WITH A NEW INTRODUCTION BY HILARY MANTEL 'The perfection of its tone and prose is matched by an anguished wit' AMANDA CRAIG, GUARDIAN 'Wonderfully sinister, so enchantingly written and so sad. Everyone should read it' JILLY COOPER'A subtle and beautiful book . . . Very few authors combine her acute psychological insight with her grace and style' HILARY MANTEL, SUNDAY TIMESImogen, the beautiful wife of barrister Evelyn Gresham, is facing the greatest challenge of her married life. Their neighbour Blanche Silcox, competent, tweedy, middle-aged and ungainly - the very opposite of Imogen - seems to be vying for Evelyn's attention. And to Imogen's increasing disbelief, she may be succeeding - for in affairs of the heart the race is not necessarily won by the swift or the fair.

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The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Mantel has taken us to the dark heart of history … and what a show’ The Times The Sunday Times bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year Sunday Times Bestseller (08/03/2020)

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'One of the most impressive accounts of madness to be found in literature' ANITA BROOKNER'Lyrical, touching and deeply entertaining' JOHN MORTIMER, OBSERVER'Any one of her books could be published today and it would be ground-breaking' ELEANOR CATTON 'I was now an established citizen with little hope of returning across the frontier; I was in the crazy world, separated now by more than locked doors and barred windows from the people who called themselves sane.'When Janet Frame's doctor suggested that she write about her traumatic experiences in mental institutions in order to free herself from them, the result was Faces in the Water, a powerful and poignant novel. Istina Mavet descends through increasingly desolate wards, with the threat of leucotomy ever present. As she observes her fellow patients, long dismissed by hospital staff with humour and compassion, she reveals her original and questing mind. This riveting novel became an international classic, translated into nine languages, and has also been used as a medical school text.

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INTRODUCED BY HILARY MANTEL WITH A BEAUTIFUL COVER BY TEXTILE DESIGNER FLORENCE BROADHURST'The perfection of its tone and prose is matched by an anguished wit' AMANDA CRAIG, GUARDIAN 'Wonderfully sinister, so enchantingly written and so sad. Everyone should read it' JILLY COOPER'A subtle and beautiful book . . . Very few authors combine her acute psychological insight with her grace and style' HILARY MANTEL, SUNDAY TIMESImogen, the beautiful wife of barrister Evelyn Gresham, is facing the greatest challenge of her married life. Their neighbour Blanche Silcox, competent, tweedy, middle-aged and ungainly - the very opposite of Imogen - seems to be vying for Evelyn's attention. And to Imogen's increasing disbelief, she may be succeeding - for in affairs of the heart the race is not necessarily won by the swift or the fair.

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INTRODUCED BY HILARY MANTELElizabeth Taylor is finally being recognised as an important British author: an author of great subtlety, great compassion and great depth - Sarah WatersWriting stories that are extravagant and fanciful, fifteen-year old Angel retreats to a world of romance, escaping the drabness of provincial life. She knows she is different, that she is destined to become a feted authoress, owner of great riches and of Paradise House . . .After reading The Lady Irania, publishers Brace and Gilchrist are certain the novel will be a success, in spite of - perhaps because of - its overblown style. But they are curious as to who could have written such a book - an elderly lady, romanticising behind lace curtains? A mustachioed rogue? They were not expecting it to be the pale, serious teenage girl, sitting before them without a hint of irony in her soul. *'Her stories remain with one, indelibly, as though they had been some turning-point in one's own experience' Elizabeth Bowen 'No writer has described the English middle classes with more gently devastating accuracy' Rebecca Abrams, Spectator

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Hilary Mantel and Ben Miles’ exhilarating stage adaptation of The Mirror and the Light, one of 2021’s must-see theatrical events, and the long awaited conclusion to the Oliver Award-winning Wolf Hall Trilogy. England, May 1536. Anne Boleyn’s fate has been sealed by a hired French executioner. it now befalls Jane Seymour to deliver King Henry VIII the healthy heir he craves. Thomas Cromwell, the blacksmith’s son from the gutters of Putney, has knocked down everyone in his path: established at the right hand of the king, he is now the second most powerful man in England. But what will you do, an astute witness asks, when the king turns on you, as sooner or later he turns on everyone close to him? Hilary Mantel’s twice Booker Prize-winning trilogy is the outstanding literary achievement of recent times. Following Oliver and Tony Award-winning productions of Wolf Hall and Bring Up the Bodies, hailed as a landmark and must-see theatrical event on both sides of the Atlantic, Mantel and Ben Miles have adapted the trilogy’s exhilarating conclusion, The Mirror and the Light, for the stage. It opened in London’s West End in September 2021, directed by Jeremy Herring, co-produced by Playful Productions and the Royal Shakespeare Company, and with Miles returning to the role of Cromwell. This volume contains the text of the play and an introduction by Hilary Mantel on each of the principal characters – and their fates, offering a unique insight into her trilogy and an invaluable resource to any theatre companies wishing to stage the play.

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'One of the most impressive accounts of madness to be found in literature' ANITA BROOKNER'Lyrical, touching and deeply entertaining' JOHN MORTIMER, OBSERVER'Any one of her books could be published today and it would be ground-breaking' ELEANOR CATTON'I was now an established citizen with little hope of returning across the frontier; I was in the crazy world, separated now by more than locked doors and barred windows from the people who called themselves sane.'When Janet Frame's doctor suggested that she write about her traumatic experiences in mental institutions in order to free herself from them, the result was Faces in the Water, a powerful and poignant novel.Istina Mavet descends through increasingly desolate wards, with the threat of leucotomy ever present. As she observes her fellow patients, long dismissed by hospital staff with humour and compassion, she reveals her original and questing mind. This riveting novel became an international classic, translated into nine languages, and has also been used as a medical school text.Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

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