Search results for ""author dr. helen finch""

Book SynopsisShows how Adler, Wander, Hilsenrath, and Klüger intertwine transgressive political criticism with the shadow of trauma, revealing new perspectives on canon formation and exclusion in postwar German literature. How did German-speaking Holocaust survivors pursue literary careers in an often-indifferent postwar society? How did their literary life writings reflect their postwar struggles? This monograph focuses on four authors who bore literary witness to the Shoah - H. G. Adler, Fred Wander, Edgar Hilsenrath, and Ruth Klüger. It analyzes their autofictional, critical, and autobiographical works written between the early 1950s and 2015, which depict their postwar experiences of writing, publishing, and publicizing Holocaust testimony. These case studies shed light on the devastating aftermaths of the Holocaust in different contexts. Adler depicts his attempts to overcome marginalization as a writer in Britain in the 1950s. Wander reflects on his failure to find a home either in postwar Austria or in the GDR. Hilsenrath satirizes his struggles as an emigrant to the US in the 1960s and after returning to Berlin in the 1980s. Finally, in her 2008 memoir, Ruth Klüger follows up her earlier, highly impactful memoir of the concentration camps by narrating the misogyny and antisemitism she experienced in US and German academia. Helen Finch analyzes how these under-researched texts intertwine transgressive political criticism with the shadow of trauma. Drawing on scholarship on Holocaust testimony, transnational memory, and affect theory, her book reveals new perspectives on canon formation and exclusion in postwar German literature.Table of ContentsAcknowledgments Abbreviations Introduction 1: Modernist Marginalization in Exile: H. G. Adler in the 1950s and 1960s 2: Solidarity and Trauma between Austria and the GDR: Fred Wander from the 1960s to 2006 3: Transnational Transgression: Edgar Hilsenrath from 1980 to 2018 4: Feminist Rage: Ruth Klüger in the New Millennium Conclusion Bibliography Index

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Book SynopsisInvestigates the connections between German writers H.G. Adler and W.G. Sebald and reveals a new hybrid paradigm of writing about the Holocaust in light of the wider literary-political implications of Holocaust representation since 1945. Since 1945, authors and scholars have intensely debated what form literary fiction about the Holocaust should take. The works of H. G. Adler (1910-1988) and W. G. Sebald (1944-2001), two modernist scholar-poets who settled in England but never met, present new ways of reconceptualizing the nature of witnessing, literary testimony, and the possibility of a "poetics" after Auschwitz. Adler, a Czech Jew who survived Theresienstadt and Auschwitz, was a prolific writer of prose and poetry, but his work remained little known until Sebald, possibly the most celebrated German writer of recent years, cited it in his 2001 work, Austerlitz. Since then, a rediscovery of Adler has been under way. This volume of essays by international experts on Adler and Sebald investigates the connections between the two writers to reveal a new hybrid paradigm of writing about the Holocaust that advances our understanding of the relationship between literature, historiography, and autobiography. In doing so, the volume also reflects on the wider literary-political implications of Holocaust representation, demonstrating the shifting norms in German-language "Holocaust literature." Contributors: Jeremy Adler, Jo Catling, Peter Filkins, Helen Finch, Frank Finlay, Kirstin Gwyer, Katrin Kohl, Michael Krüger, Martin Modlinger, Dora Osborne, Ruth Vogel-Klein, Lynn L. Wolff. Helen Finch is Associate Professor in German at the University of Leeds. Lynn L. Wolff is assistant Professor at Michigan State University.Trade ReviewIn the most illuminating essays, the intertextual relationship that connects Adler to Sebald serves as a springboard to a more expansive, contextual discussion of universal issues of postwar German literature. . . . [A]ll the essays provide insightful analyses of the works of these two signi?cant writers. While this volume would be of particular interest to scholars of postwar literature, the essays in sections 2 and 3 are particularly appealing to those interested in broader themes such as the relationships between history and literature, the role of the artist in society, the nature of trauma narrative, and questions of authenticity. * JOURNAL OF AUSTRIAN STUDIES *[C]ombine[s] in-depth investigations of [the two authors'] writings with several unique approaches to understanding their relationship within the context of Holocaust and post-war German literature. Although focused on Adler and Sebald, the volume will also be of interest to those working in Holocaust testimonial, historical, and ?ctional writing, both survivor and second-generation writers, and in particular the developing ?eld of German-language Holocaust literature. * HOLOCAUST STUDIES *Table of ContentsIntroduction: The Adler-Sebald Intertextual Relationship as Paradigm for Intergenerational Literary Testimony The Connections between H. G. Adler and W. G. Sebald, from a Personal Perspective Memory's Witness-Witnessing Memory Writing the Medusa: A Documentation of H. G. Adler and Theresienstadt in W. G. Sebald's Library Poetics of Bearing Witness: H. G. Adler and W. G. Sebald "Schmerzensspuren der Geschichte(n)": Memory and Intertextuality in H. G. Adler and W. G. Sebald "Der Autor zwischen Literatur und Politik": H. G. Adler's "Engagement" and W. G. Sebald's "Restitution" Memory, Witness, and the (Holocaust) Museum in H. G. Adler and W. G. Sebald History, Emotions, Literature: The Representation of Theresienstadt in H. G. Adler's Theresienstadt 1941-1945, Antlitz einer Zwangsgemeinschaft and W. G. Sebald's Austerlitz The Kafkaesque in H. G. Adler's and W. G. Sebald's Literary Historiographies Generational Conflicts, Generational Affinities: Broch, Adorno, Adler, Sebald "Der verwerfliche Literaturbetrieb unserer Epoche": H. G. Adler and the Postwar West German "Literary Field" Afterword Bibliography Notes on the Contributors Index

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