Search results for ""Author Tara Nummedal""

Book SynopsisTrade Review"This is a major feat of historical revision for a subject that has too long been the object of mockery and scorn . . . Tara Nummedal's new microhistory demonstrates with scholarly acumen and stylistic élan just how wrong assumptions [about alchemy] are. In a dazzling work of cultural imagination, she eschews all the 'turning lead into gold' nonsense and quickly gets to the conceptual heart of who alchemists were, what they actually believed, and what roles they played in early modern society. Building on deep archival work and sophisticated argumentation, she fashions a truly engaging and revealing microhistory focused on the tragic story of one sixteenth-century practitioner, Anna Zieglerin."" * Preternature *"[A] gripping microhistory that situates alchemy within the histories of imperial politics, Reformation culture, Renaissance self-fashioning, courtly patronage, gender, the body, and sixteenth-century eschatology...With its intriguing storytelling, Anna Zieglerin and the Lion’s Blood is particularly attractive for scholars and students new to the complexities of early modern alchemy. Nummedal maintains a light touch, weaving discussions of sixteenth-century science, magic, religion, and imperial politics into what remains an enthralling tale throughout. She is to be commended for producing a book that does so much to highlight alchemy’s connections to a broad range of Reformation-era developments and that has a chance to bring its history to a wider audience." * Renaissance and Reformation *"Captivating and creative from the earliest pages...Nummedal has skillfully interwoven the history of science and religion, as well as political, social, gender, and court histories via an insightful look into the alchemical theories and practices of the age...[An] erudite and well-written study. Nummedal has produced a fun page-turner and the reader—whether a scholar of any aspect of early modern history or a general reader interested in good stories and good histories—will benefit from this wonderful presentation of alchemy and political intrigue in the courts of the Holy Roman Empire." * The Journal of Modern History *"In this masterful study, Tara Nummedal exposes a previously vilified figure of local German history to sympathetic new scrutiny and in the process, opens a window onto the fantastic worldview of her subject…By employing archival and manuscript evidence along with the older historiography, Nummedal manages to piece together the fascinating story." * American Historical Review *"In Alchemy and Authority, Nummedal made clear how alchemy was deeply integrated into early modern economics and court culture. In this latest effort, Nummedal has accomplished the same goal except on a vastly more ambitious scale, bringing the relevance of alchemy into the politics, religion, diplomacy, court culture, and gender roles of the Holy Roman Empire in the sixteenth century . . . Anna Zieglerin and the Lion's Blood is a remarkable historiographical study . . . In short, Nummedal has contributed a stunning achievement that ideally will reach a wide and diverse audience far beyond historians of science." * Ambix *"[A]an entertaining book, with long stretches reading like a thriller…Anna Zieglerin lived her existence as an alchemist so authentically, was so dedicated body and soul to the matter that not only the substances but also she herself became a victim of the flames. The fact that she is now transmuted into a book and can live on in this way is a testament to Nummedal’s achievement." * Annals of Science *"Anna Zieglerin and the Lion's Blood is perfect for historians and general readers alike. It is written in a vivid and accessible language, and by adopting a nonjudgmental style of reporting Nummedal decisively differs from her predecessors: she refuses to make value judgments about Anna's wondrous and outrageous claims and brand the alchemist a simple charlatan. Instead, she presents the story of a complex and tragic individual, who came up with a unique theory of heavenly alchemy." * Magic, Ritual, and Witchcraft *"Drawing upon diverse sources, Nummedal situates Anna and her alchemy within the social contexts of gender, religion, and politics in Reformation Germany to weave an impressive historical narrative of a woman attempting to understand the natural world and her place within it...Nummedal succeeds in reframing Anna Zieglerin as a woman with agency who intentionally fashioned herself into a courtly alchemist within strict early modern European gender boundaries. Nummedal’s Anna is a lens through which the twentyfirst-century reader can view the history of alchemy and its relationship to Christianity, the body, and politics." * Isis *"Nummedal’s analysis offers particular insights into the history of women’s bodies, the intersections between natural knowledge and politics, and the relationship between self-fashioning and fantasy...The book is meticulously researched and displays the author’s talents for archival sleuthing (which were already known from her first book). Beyond this, it is eminently readable and takes what is strange, foreign, and ripe for misunderstanding, making it comprehensible and relatable." * Journal of the History of Medicine *"The book is superbly written and clearly contextualized, and thus easily accessible even to non-experts. However, more experienced scholars will also benefit from this elegant study. All in all, Anna Zieglerin and the Lion’s Blood adds considerably to our understanding of the complexity of sixteenth-century religiosity, which was easily able to accommodate alchemical practices...Because of the ways in which it considers the religious implications of alchemical practice, Nummedal’s study is a worthwhile read not only for historians of science but also for Church historians and religious scholars." * Renaissance Quarterly *"Anna Zieglerin and the Lion's Blood is as gripping as a good novel yet so much more than merely an interesting yarn. Tara Nummedal is completely conversant with the milieu in which she locates her story and is very adept in fitting this episode into the broader narratives of sixteenth-century religion, science, and court life." * Philip Soergel, University of Maryland *"Anna Zieglerin and the Lion's Blood is at once a story of one particular woman and a broader discourse on gender and the body, the history of alchemy, the central role of apocalyptic thinking in early modern Germany, and, most interestingly, the nature of historical truth. A remarkable story, expertly told." * Alisha Rankin, Tufts University *Table of ContentsCast of Characters A Note on Names Introduction. A Witch's Chair? Chapter 1. The Shadow of Gotha Chapter 2. The Road to Wolfenbüttel Chapter 3. Courting Julius and Hedwig Chapter 4. The Lion's Blood Chapter 5. A New Virgin Mary Chapter 6. Unraveling Chapter 7. Toad Poison and Other Fictions Conclusion. Afterlives Chronology of Events Notes Bibliography Index Acknowledgments

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Book SynopsisIn 1573, the alchemist Anna Zieglerin gave her patron, the Duke of Braunschweig-Wolfenbüttel, the recipe for an extraordinary substance she called the lion's blood. She claimed that this golden oil could stimulate the growth of plants, create gemstones, transform lead into the coveted philosophers' stone—and would serve a critical role in preparing for the Last Days. Boldly envisioning herself as a Protestant Virgin Mary, Anna proposed that the lion's blood, paired with her own body, could even generate life, repopulating and redeeming the corrupt world in its final moments. In Anna Zieglerin and the Lion's Blood, Tara Nummedal reconstructs the extraordinary career and historical afterlife of alchemist, courtier, and prophet Anna Zieglerin. She situates Anna's story within the wider frameworks of Reformation Germany's religious, political, and military battles; the rising influence of alchemy; the role of apocalyptic eschatology; and the position of women within these contexts. Together with her husband, the jester Heinrich Schombach, and their companion and fellow alchemist Philipp Sommering, Anna promised her patrons at the court of Wolfenbüttel spiritual salvation and material profit. But her compelling vision brought with it another, darker possibility: rather than granting her patrons wealth or redemption, Anna's alchemical gifts might instead lead to war, disgrace, and destruction. By 1575, three years after Anna's arrival at court, her enemies had succeeded in turning her from holy alchemist into poisoner and sorceress, culminating in Anna's arrest, torture, and public execution. In her own life, Anna was a master of self-fashioning; in the centuries since her death, her story has been continually refashioned, making her a fitting emblem for each new age. Interweaving the history of science, gender, religion, and politics, Nummedal recounts how one resourceful woman's alchemical schemes touched some of the most consequential matters in Reformation Germany.Trade Review"This is a major feat of historical revision for a subject that has too long been the object of mockery and scorn . . . Tara Nummedal's new microhistory demonstrates with scholarly acumen and stylistic élan just how wrong assumptions [about alchemy] are. In a dazzling work of cultural imagination, she eschews all the 'turning lead into gold' nonsense and quickly gets to the conceptual heart of who alchemists were, what they actually believed, and what roles they played in early modern society. Building on deep archival work and sophisticated argumentation, she fashions a truly engaging and revealing microhistory focused on the tragic story of one sixteenth-century practitioner, Anna Zieglerin."" * Preternature *"[A] gripping microhistory that situates alchemy within the histories of imperial politics, Reformation culture, Renaissance self-fashioning, courtly patronage, gender, the body, and sixteenth-century eschatology...With its intriguing storytelling, Anna Zieglerin and the Lion’s Blood is particularly attractive for scholars and students new to the complexities of early modern alchemy. Nummedal maintains a light touch, weaving discussions of sixteenth-century science, magic, religion, and imperial politics into what remains an enthralling tale throughout. She is to be commended for producing a book that does so much to highlight alchemy’s connections to a broad range of Reformation-era developments and that has a chance to bring its history to a wider audience." * Renaissance and Reformation *"Captivating and creative from the earliest pages...Nummedal has skillfully interwoven the history of science and religion, as well as political, social, gender, and court histories via an insightful look into the alchemical theories and practices of the age...[An] erudite and well-written study. Nummedal has produced a fun page-turner and the reader—whether a scholar of any aspect of early modern history or a general reader interested in good stories and good histories—will benefit from this wonderful presentation of alchemy and political intrigue in the courts of the Holy Roman Empire." * The Journal of Modern History *"In this masterful study, Tara Nummedal exposes a previously vilified figure of local German history to sympathetic new scrutiny and in the process, opens a window onto the fantastic worldview of her subject…By employing archival and manuscript evidence along with the older historiography, Nummedal manages to piece together the fascinating story." * American Historical Review *"In Alchemy and Authority, Nummedal made clear how alchemy was deeply integrated into early modern economics and court culture. In this latest effort, Nummedal has accomplished the same goal except on a vastly more ambitious scale, bringing the relevance of alchemy into the politics, religion, diplomacy, court culture, and gender roles of the Holy Roman Empire in the sixteenth century . . . Anna Zieglerin and the Lion's Blood is a remarkable historiographical study . . . In short, Nummedal has contributed a stunning achievement that ideally will reach a wide and diverse audience far beyond historians of science." * Ambix *"[A]an entertaining book, with long stretches reading like a thriller…Anna Zieglerin lived her existence as an alchemist so authentically, was so dedicated body and soul to the matter that not only the substances but also she herself became a victim of the flames. The fact that she is now transmuted into a book and can live on in this way is a testament to Nummedal’s achievement." * Annals of Science *"Anna Zieglerin and the Lion's Blood is perfect for historians and general readers alike. It is written in a vivid and accessible language, and by adopting a nonjudgmental style of reporting Nummedal decisively differs from her predecessors: she refuses to make value judgments about Anna's wondrous and outrageous claims and brand the alchemist a simple charlatan. Instead, she presents the story of a complex and tragic individual, who came up with a unique theory of heavenly alchemy." * Magic, Ritual, and Witchcraft *"Drawing upon diverse sources, Nummedal situates Anna and her alchemy within the social contexts of gender, religion, and politics in Reformation Germany to weave an impressive historical narrative of a woman attempting to understand the natural world and her place within it...Nummedal succeeds in reframing Anna Zieglerin as a woman with agency who intentionally fashioned herself into a courtly alchemist within strict early modern European gender boundaries. Nummedal’s Anna is a lens through which the twentyfirst-century reader can view the history of alchemy and its relationship to Christianity, the body, and politics." * Isis *"Nummedal’s analysis offers particular insights into the history of women’s bodies, the intersections between natural knowledge and politics, and the relationship between self-fashioning and fantasy...The book is meticulously researched and displays the author’s talents for archival sleuthing (which were already known from her first book). Beyond this, it is eminently readable and takes what is strange, foreign, and ripe for misunderstanding, making it comprehensible and relatable." * Journal of the History of Medicine *"The book is superbly written and clearly contextualized, and thus easily accessible even to non-experts. However, more experienced scholars will also benefit from this elegant study. All in all, Anna Zieglerin and the Lion’s Blood adds considerably to our understanding of the complexity of sixteenth-century religiosity, which was easily able to accommodate alchemical practices...Because of the ways in which it considers the religious implications of alchemical practice, Nummedal’s study is a worthwhile read not only for historians of science but also for Church historians and religious scholars." * Renaissance Quarterly *"Anna Zieglerin and the Lion's Blood is as gripping as a good novel yet so much more than merely an interesting yarn. Tara Nummedal is completely conversant with the milieu in which she locates her story and is very adept in fitting this episode into the broader narratives of sixteenth-century religion, science, and court life." * Philip Soergel, University of Maryland *"Anna Zieglerin and the Lion's Blood is at once a story of one particular woman and a broader discourse on gender and the body, the history of alchemy, the central role of apocalyptic thinking in early modern Germany, and, most interestingly, the nature of historical truth. A remarkable story, expertly told." * Alisha Rankin, Tufts University *Table of ContentsCast of Characters A Note on Names Introduction. A Witch's Chair? Chapter 1. The Shadow of Gotha Chapter 2. The Road to Wolfenbüttel Chapter 3. Courting Julius and Hedwig Chapter 4. The Lion's Blood Chapter 5. A New Virgin Mary Chapter 6. Unraveling Chapter 7. Toad Poison and Other Fictions Conclusion. Afterlives Chronology of Events Notes Bibliography Index Acknowledgments

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Book SynopsisTrade Review"Alchemy and Authority makes a significant contribution to the history of early modern science, and also provides some valuable material for the study of early modern state-building and court culture. . . . This extremely readable and enjoyable book has much to offer historians and literary scholars of a variety of backgrounds."--Paul Brand "German History " "Nummedal's Alchemy and Authority should be read not just by historians of science but also by historians interested in court culture. Her work offers a new look at the dynamic relationship between the construction of natural knowledge and political authority that many historians will benefit from reading."--Darin Hayton "Renaissance Quarterly " "This is a terrific study, accessible, based in concrete archival research, and well connected to contemporary discussions. It gives new direction to thinking about the role of alchemy in the social and cultural life of early modern Europe. By diffracting the light usually focused on prominent alchemical figures in the history of science and medicine, Nummedal adds a much needed cultural dimension to the understanding of how alchemical identities were shaped in early modern Europe and to how they in turn influenced the social and intellectual world around them."--Bruce T. Moran "Bulletin of the History of Medicine " "Alchemy and Authority does for the history of alchemy what the literature on quacks has done for the history of medicine: it approaches the blurry boundaries that define an individual's success or downfall in a profession and in society. By asking, reconsidering, and answering the questions posed here, Nummedal speaks to historians of alchemy and science as well as to anyone intrigued by history and the mechanisms of economic systems, power, and authority. . . . . Her style is refreshingly concise and engaging. She is one of only a few academic authors who manage to confine and cionsistently pursue their argument . . . and yet manage to write beautiful, effortless prose."--Anke Timmerman "Chemical Heritage "

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Book SynopsisThe relationship between John Abbot and William Swainson - who never met in person - is explored in this volume. The book also showcases, for the first time, the complete set of original, full-color illustrations discovered in 1977 in the Alexander Turnbull Library in Wellington, New Zealand.Trade Review“This beautifully illustrated work represents the 19th-century collaboration between two artist-naturalists, John Abbot (1751–c.1840) and William Swainson (1789–1855). This complete set of Abbot’s original, full-color drawings includes beetles, grasshoppers, butterflies, and moths. It should delight naturalists, artists, and historians of science.”- CHOICE;“I believe this work, by including reproductions of 104 drawings, will add substantively to the limited information available to the public about Abbot and his devotion to entomology during the early part of the ‘golden age’ of natural history.”- Gary R. Mullen, coeditor of Philip Henry Gosse’s Letters from Alabama: Chiefly Relating to Natural History;“A panoply of winged insects comes brilliantly to life in Janice Neri’s studious account of John Abbott’s never-before-published entomological drawings. Their global journey—from the tidewaters of Georgia to the windy shores of Wellington—reveals a naturalist’s world that is as interconnected as it is fragile and fleeting, like the delicate wings of a rare butterfly, observed for a moment until it flies away.”- Neil Safier, director and librarian, John Carter Brown Library;“Janice Neri’s keen eye for beautiful images that illuminate the entwinement of art and science is alive in this analysis of a much-traveled and hitherto unstudied set of watercolors. These images depict some of the most perplexing subjects of natural history—the life cycles and metamorphoses of insects, matters at the heart of the study of nature for centuries. Her sensitive historical account of the people and places that gave rise to this investigation and produced these images takes us back to a time when natural history could be a business, a mark of gentility and status, and a type of knowledge that promised an escape from such human structures. Thanks to Nummedal and Calhoun, Neri’s voice emerges loud and clear from this intelligent and informative account.”- Pamela H. Smith, author of The Business of Alchemy: Science and Culture in the Holy Roman Empire and The Body of the Artisan: Art and Experience in the Scientific Revolution

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