Search results for ""Author George Quasha""

SPEAKING ANIMATE: PREVERBS is one of seven preverb complexes comprising the unpublished book Exchanging Intentions, itself one of seven books of preverbs, of which the first to be published was VERBAL PARADISE (Zasterle: 2011). A preverb is like a proverb, a one-line capture of wisdom, but at the raw stage before wisdom. Such an open intentional act of language invites configurative reading as a singular event of variable meaning. An instance of axial poetics, it puts language on its own stepped-up recognizance.

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This new volume in the Performance Ideas series is drawn from the ongoing video work art is/poetry is/music is (Speaking Portraits), which features over 1000 artists--painters, poets, musicians, dancers, actors, video-/filmmakers--in eleven countries saying what art is. art is offers an intimate view of seventy of those engaged in art as performance. Single-frame images, accompanied by individual artist statements, capture moments of high intensity from Marina Abramovic, Carolee Schneemann, Robert Wilson, Laurie Anderson, Jonah Bokaer, Robert Ashley, Pauline Oliveros, Thurston Moore, Gary Hill, Vito Acconci, Archie Shepp, Joan Jonas, Anthony Braxton, Ann Hamilton, and many more. George Quasha writes in his Introduction: "Listening to so many artists, closely and over many years, has taught me further configurative dimensions of performative mind. Close listening/viewing--non-interfering attention--nurtures art, just as it does people, animals, maybe even plants."

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“Words say too much to let you know the truth.’’ George Quasha’s torqued, enigmatic proverbs create unlikely balances among discrepant engagements. Waking from Myself is the sixth volume published of George Quasha’s “preverbs,” an invented poetic genre that’s the flipside of “proverbs”—instead of giving capsules of wisdom, they awaken language to its inevitable ambiguities in the face of complex truth-telling. The vectors of these marvelous poems work at cross purposes, keeping each other aloft. If William Blake’s “Proverbs of Hell” are poetry, then George Quasha’s preverbs are like a close cousin. Its core question is: can poetry say the unsayable?

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Awareness Inside Language is the most comprehensive discussion of poet-artist George Quasha's "axial poetics" as it plays out in his work of the past twenty years, called "preverbs," represented in four published volumes: Verbal Paradise, Things Done for Themselves, The Daimon of the Moment, and Glossodelia Attract. In the form of an interview conducted by poet Thomas Fink, it addresses how apparently difficult poetry teaches new ways of reading and thinking.

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In Ainu Dreams, poet George Quasha and buun, a Japanese artist living in America, collaborate in poetically manifesting the artist's richly articulated dream-life. These eighty-odd poems embody an ever-opening cosmos of curious image, surprising narrative, and enigmatic teaching in a language no one could have dreamed up alone. Structurally intriguing poems reveal the innards of the dreams themselves, yet always speak directly and readably, sometimes addressed to a second person (the poet? the reader?). The poems and even reading itself seem to be dreaming. Poet and dreamer both live in New York's Hudson Valley.

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