Search results for ""McGill-Queen's University Press""

Fifty years ago, Markoosie Patsauq, then a bush pilot in his late twenties living in the tiny, isolated High Arctic community of Resolute, spent his spare time quietly writing a story that effectively emerged as the first Indigenous novel released in Canada. Published in English under the title Harpoon of the Hunter in 1970 by McGill-Queen's University Press, that version of the story was Patsauq's own adaptation. In the years that followed the widely acclaimed English edition was translated into many different languages, but what has remained obscured until the present day is the Inuktitut text originally produced by the author.In collaboration with Patsauq, Valerie Henitiuk and Marc-Antoine Mahieu have foregrounded the original Inuktitut text to inform their translations into both English and French. This critical edition, complete with the story in both Inuktitut syllabics and Latin script, utilizes the author's handwritten manuscript as well as interviews with Patsauq to produce a new, rigorous examination of this literary and cultural milestone. This work also includes the first comprehensive account of the critical response to his writing while underscoring the way the much-altered English adaptation from 1970 shaped that response.A momentous achievement that situates a new classic in the twenty-first century, Hunter with Harpoon brings readers back to the roots of Markoosie Patsauq's Inuit story to experience it as it was originally written.

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What does it mean to live in a post-atomic world? Photography and contemporary art offer a provocative lens through which to comprehend the by-products of the atomic age, from weapons proliferation, nuclear disaster, and aerial surveillance to toxic waste disposal and climate change. Confronting cultural fallout from the dawn of the nuclear age, Through Post-Atomic Eyes addresses the myriad iterations of nuclear threat and their visual legacy in the twentieth and twenty-first centuries. Whether in the iconic black-and-white photograph of a mushroom cloud rising over Nagasaki in 1945 or in the steady stream of real-time video documenting the 2011 meltdown at the Fukushima Daiichi nuclear power plant, atomic culture - and our understanding of it - is inextricably constructed by the visual. This book takes the image as its starting point to address the visual inheritance of atomic anxieties; the intersection of photography, nuclear industries, and military technocultures; and the complex temporality of nuclear technologies. Contemporary artists contribute lens-based works that explore the consequences of the nuclear, and its afterlives, in the Anthropocene. Revealing, through both art and prose, startling new connections between the ongoing threat of nuclear catastrophe and current global crises, Through Post-Atomic Eyes is a richly illustrated examination of how photography shapes and is shaped by nuclear culture.

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The concept of soldier enhancement often invokes images of dystopian futures populated with dehumanized military personnel. These futures serve as warnings in science fiction works, and yet the enhancement of soldiers' combat capability is almost as old as war itself. Today, soldier enhancement is the purpose of military training and the application of innovative technologies, but when does it begin to challenge individuals' very humanity? Bringing together the work of a diverse group of practitioners and academics, Transhumanizing War examines performance enhancement in the military from a wide range of perspectives. The book builds on two key premises: that rapid advances in science and technology are outstripping governments' and military organizations' capacity to adapt, and that this has put pressure on the connection between the military and the public. The contributors to this collection grapple with the implications of continued technological advancement and the possibility that innovative solutions to performance enhancement will risk further alienating the soldier from society. Navigating the fine line between technological promise and ethics, this volume presents a guide to responsible implementation in Canada and abroad. Offering unique insights into a debate on the bleeding edge of public discourse, Transhumanizing War considers the best ways to improve combat effectiveness while still preserving soldiers' humanity.

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As the second decade of the twenty-first century draws to a close, the cultural, social, and economic effects of artificial intelligence are becoming ever more apparent. Despite their long-intertwined histories, the fields of neuroscience and artificial intelligence research are notoriously divided. In Cognitive Code Johannes Bruder argues that seemingly incompatible scales of intelligence - the brain and the planet - are now intimately linked through neuroscience-inspired AI and computational cognitive neuroscience. Building on ethnographic fieldwork in brain imaging labs in the United Kingdom and Switzerland, alongside analyses of historical and contemporary literature, Cognitive Code examines how contemporary research on the brain makes routine use of engineering epistemologies and practices. Bruder elaborates on how the question of mimicking human cognition and thought on the scale of computer chips and circuits has gradually evolved into a comprehensive restructuring of the world through "smart" infrastructures. The brain, traditionally treated as a discrete object that thinks, is becoming part of the larger thinking network we now know as "the Cloud." The author traces a recent shift in the goals of brain imaging to show that the introduction of novel statistical and computational techniques has upset traditional paradigms and disentangled cognition from its biological substrate. Investigating understandings of intelligence from the micro to the macro, Cognitive Code explains how the future of human psychology is increasingly determined by engineering and design.

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The Arctic Council, created in 1996, has facilitated over twenty years of successful democracy and regional cooperation between Russia and the seven other Arctic states - the United States, Canada, Norway, Denmark, Iceland, Sweden, and Finland. What has allowed this unity to continue despite political turmoil between these nations? In Diplomacy and the Arctic Council Danita Burke argues that the Arctic Council is a club: a group of states that mutually benefit from voluntary collaboration and that use the forum as a vessel to help define and guide the parameters of their cooperation. How the club members identify and address challenges reflects power relations among them, which vary depending on the topic under discussion or debate. Providing insight into the daily practices of the Arctic Council and the relative status of its member states, Burke seeks to understand why major international events, such as the 2014 Russian-Ukrainian conflict over the Crimea region, do not deter the Arctic countries from cooperating. The author posits that the Arctic Council's club structure and its strategy of practising and projecting unity have allowed it to weather the storm of international conflicts involving its core membership. Through interviews with representatives from the Arctic states and Indigenous peoples, Diplomacy and the Arctic Council offers a unique look into the diplomatic practices of the council after more than two decades of operation.

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The materials we turn to for the construction of our literary pasts - the texts, performances, and discussions selected for storage and cataloguing in archives - shape what we know and teach about literature today. The ways in which archival materials have been structured into forms of preservation, in turn, impact their transference and transformation into new forms of presentation and re-presentation. Exploring the production of culture through and outside of the archives that preserve and produce CanLit as an entity, CanLit Across Media asserts that CanLit arises from acts of archival, critical, and creative analysis. Each chapter investigates, challenges, and provokes this premise by examining methods of "unarchiving" Canadian and Indigenous literary texts and events from the 1950s to the present. Engaging with a remediated archive, or "unarchiving," allows the authors and editors to uncover how the materials that document past acts of literary production are transformed into new forms and experiences in the present. The chapters consider literature and literary events that occurred before live audiences or were broadcast, and that are now recorded in print publications and documents, drawings, photographs, flat disc records, magnetic tape, film, videotape, and digitized files. Showcasing the range of methods and theories researchers use to engage with these materials, CanLit Across Media reanimates archives of cultural meaning and literary performance. Contributors include Jordan Abel (University of Alberta), Andrea Beverley (Mount Allison University), Clint Burnham (Simon Fraser University), Jason Camlot (Concordia University), Joel Deshaye (Memorial University of Newfoundland), Deanna Fong (Simon Fraser University), Catherine Hobbs (Library and Archives Canada), Dean Irvine (Agile Humanities), Karl Jirgens (University of Windsor), Marcelle Kosman (University of Alberta), Jessi MacEachern (Concordia University), Katherine McLeod (Concordia University), Linda Morra (Bishop's University), Karis Shearer (University of British Columbia, Okanagan), Felicity Tayler (University of Ottawa), and Darren Wershler (Concordia University).

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How do militants rationalize violence and what are their motives? How do time and space shape their destiny? In Violence and Militants Baris Cayli explores these enduring questions by comparing violent episodes in towns and villages in the nineteenth-century Ottoman Balkans with today's zones of conflict from Afghanistan to the Middle East. Placing history alongside the troubles of the present, Violence and Militants reveals parallels between Christian militants who rebelled against the Ottoman Empire and four jihadist organizations of today: Hezbollah, Hamas, al-Qaeda, and Isis. Drawing on scholarship by political theorists, historians, sociologists, anthropologists, and philosophers, Cayli traces the root of dissent to a perceived deprivation that leads to aggressive protest and action. He argues that the rationalization of violence functions independently of time and geographical location. Through a riveting narrative, this book uncovers how militant groups use revenge, ideals, and confrontation to generate fear and terror in the name of justice. Breaking new ground, Violence and Militants is the first book to address this complex relationship across different periods of history.

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Like the flute melody from Hinterland Who's Who, the 1970s haunt Canadian cultural memory. Though the decade often feels lost to history, Hinterland Remixed focuses on boldly innovative works as well as popular film, television, and music to show that Canada never fully left the 1970s behind. Andrew Burke reveals how contemporary artists and filmmakers have revisited the era's cinematic and televisual residues to uncover what has been lost over the years. Investigating how the traces of an analogue past circulate in a digital age, Burke digs through the remnants of 1970s Canadiana and examines key audiovisual works from this overlooked decade, uncovering the period's aspirations, desires, fears, and anxieties. He then looks to contemporary projects that remix, remediate, and reanimate the period. Exploring an idiosyncratic selection of works - from Michael Snow's experimental landscape film La Région Centrale, to SCTV's satirical skewering of network television, to L'Atelier national du Manitoba's video lament for the Winnipeg Jets - this book asks key questions about nation, nostalgia, media, and memory. A timely intervention, Hinterland Remixed demands we recognize the ways in which the unrealized cultural ambitions and unresolved anxieties of a previous decade continue to resonate in our current lives.

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Chava Rosenfarb (1923–2011) was one of the most prominent Yiddish novelists of the second half of the twentieth century. Born in Poland in 1923, she survived the Lodz ghetto, Auschwitz, and Bergen-Belsen, immigrating to Canada in 1950 and settling in Montreal. There she wrote novels, poetry, short stories, plays, and essays, including The Tree of Life: A Trilogy of Life in the Lodz Ghetto, a seminal novel on the Holocaust. Confessions of a Yiddish Writer and Other Essays comprises thirteen personal and literary essays by Rosenfarb, ranging from autobiographical accounts of her childhood and experiences before and during the Holocaust to literary criticism that discusses the work of other Jewish writers. The collection also includes two travelogues, which recount a trip to Australia and another to Prague in 1993, the year it became the capital of the Czech Republic. While several of these essays appeared in the prestigious Yiddish literary journal Di goldene keyt, most were never translated. This book marks the first time that Rosenfarb's non-fiction writings have been presented together in English. A compilation of the memoir and diary excerpts that formed the basis of Rosenfarb's widely acclaimed fiction, Confessions of a Yiddish Writer and Other Essays deepens the reader's understanding of an incredible Yiddish woman and her experiences as a survivor in the post-Holocaust world.

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In twentieth-century Canada, mainline Protestants, fundamentalists, liberal nationalists, monarchists, conservative Anglophiles, and left-wing intellectuals had one thing in common: they all subscribed to a centuries-old world view that Catholicism was an authoritarian, regressive, untrustworthy, and foreign force that did not fit into a democratic, British nation like Canada. Analyzing the connections between anti-Catholicism and national identity in English Canada, Not Quite Us examines the consistency of anti-Catholic tropes in the public and private discourses of intellectuals, politicians, and clergymen, such as Arthur Lower, Eugene Forsey, Harold Innis, C.E. Silcox, F.R. Scott, George Drew, and Emily Murphy, along with those of private Canadians. Challenging the misconception that an allegedly secular, civic, and more tolerant nationalism that emerged excised its Protestant and British cast, Kevin Anderson determines that this nationalist narrative was itself steeped in an exclusionary Anglo-Protestant understanding of history and values. He shows that over time, as these ideas were dispersed through editorials, cartoons, correspondence, literature, and lectures, they influenced Canadians' intimate perceptions of themselves and their connection to Britain, the ethno-religious composition of the nation, the place of religion in public life, and national unity. Anti-Catholicism helped shape what it means to be "Canadian" in the twentieth century. Not Quite Us documents how equating Protestantism with democracy and individualism permeated ideas of national identity and continues to define Canada into the twenty-first century.

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Sir William Van Horne (1843–1915), connaisseur bourré de talent dont la renommée est surtout attribuable à sa contribution à la construction du Chemin de fer Canadien Pacifique, a assemblé l’une des collections les plus complètes de céramiques japonaises en Amérique du Nord. Obsession est un récit lumineux expliquant l’origine et l’évolution de sa passion envers l’étude et l’acquisition de près de 1 200 objets. Ron Graham dresse le profil du personnage plus grand que nature que fut Van Horne en plus de rassembler des essais sur la place qu’il a occupée au sommet des collectionneurs d’art dans le Mille carré doré, ou Golden Square Mile, de Montréal et la pérennité de sa collection après sa mort. En exergue des textes, le lecteur pourra découvrir des documents et des photographies historiques, un catalogue détaillé de plus de trois cents objets exposés au Musée royal de l’Ontario et au Musée des beaux-arts de Montréal, de même qu’une sélection de splendides reproductions des carnets de notes personnels de Van Horne et des aquarelles raffinées provenant des archives du Musée des beaux-arts de l’Ontario. Publié parallèlement à la tenue d’une importante exposition au musée Gardiner de Toronto et au Musée des beaux-arts de Montréal, Obsession présente une remarquable collection replacée dans le contexte de l’existence et de la carrière d’un géant du secteur canadien des affaires au dix-neuvième siècle.

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A gripping first-hand account of the devastating "last chapter" of the Holocaust, written by a privileged eyewitness, the secretary of the Hungarian Judenrat, and a member of Budapest's Jewish elite, How It Happened is a unique testament to the senseless brutality that, in a matter of months, decimated what was Europe’s largest and last-surviving Jewish community. Writing immediately after the war and examining only those critical months of 1944 when Hitler's Germany occupied its ally Hungary, Erno Munkácsi describes the Judenrat's desperation and fear as it attempted to prevent the looming catastrophe, agonized over decisions not made, and struggled to grasp the immensity of a tragedy that would take the lives of 427,000 Hungarian Jews in the very last year of the Second World War. This long-overdue translation makes available Munkácsi's profound and unparalleled insight into the Holocaust in Hungary, revealing the "choiceless choices" that confronted members of the Judenrat forced to execute the Nazis' orders. With an in-depth introduction, a brief biography of Erno Munkácsi, ample annotations by László Csosz and Ferenc Laczó, two dozen archival photographs, and detailed maps, How It Happened is an essential resource for historians and students of the Holocaust, the Second World War, and Central Europe.

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Farmers feed cities, but starting in the nineteenth century they painted them too. Flax from Canada and the northern United States produced fibre for textiles and linseed oil for paint – critical commodities in a century when wars were fought over fibre and when increased urbanization demanded expanded paint markets. Flax Americana re-examines the changing relationships between farmers, urban consumers, and the land through a narrative of Canada's first and most important industrial crop. Initially a specialty crop grown by Mennonites and other communities on contracts for small-town mill complexes, flax became big business in the late nineteenth century as multinational linseed oil companies quickly displaced rural mills. Flax cultivation spread across the northern plains and prairies, particularly along the edges of dryland settlement, and then into similar ecosystems in South America's Pampas. Joshua MacFadyen's detailed examination of archival records reveals the complexity of a global commodity and its impact on the eastern Great Lakes and northern Great Plains. He demonstrates how international networks of scientists, businesses, and regulators attempted to predict and control the crop's frontier geography, how evolving consumer concerns about product quality and safety shaped the market and its regulations, and how the nature of each region encouraged some forms of business and limited others. The northern flax industry emerged because of border-crossing communities. By following the plant across countries and over time Flax Americana sheds new light on the ways that commodities, frontiers, and industrial capitalism shaped the modern world.

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The first three centuries of Christianity are increasingly seen in modern scholarship as sites of complexity. Sacred Ritual, Profane Space examines the Christian meeting places of the time and overturns long-held notions about the earliest Christians as utopian rather than place-bound people. By mapping what is known from early Christian texts onto the archaeological data for Roman domestic spaces, Jenn Cianca provides a new lens for examining the relationship between early Christianity and sites of worship. She proposes that not only were Roman homes sacred sites in their own right but they were also considered sacred by the Christian communities that used them. In many cases, meeting space would have included the presence of the Roman domestic cult shrines. Despite the fact that the domestic cult was polytheistic, Cianca asserts that its practices likely continued in places used for worship by Christians. She also argues that continued practice of the domestic cult in Roman domestic spaces did not preclude Christians from using houses as churches or from understanding their rituals or their meeting places as sacred. Raising a host of questions about identity, ritual affiliation, and domestic practice, Sacred Ritual, Profane Space demonstrates how sacred space was constructed through ritual enactment in early Christian communities.

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Most modern historians perpetuate the myth that Giuliano de' Medici (1479–1516), son of Lorenzo the Magnificent, was nothing more than an inconsequential, womanizing hedonist with little inclination or ability for politics. In the first sustained biography of this misrepresented figure, Josephine Jungic re-evaluates Giuliano’s life and shows that his infamous reputation was exaggerated by Medici partisans who feared his popularity and respect for republican self-rule. Rejecting the autocratic rule imposed by his nephew, Lorenzo (Duke of Urbino), and brother, Giovanni (Pope Leo X), Giuliano advocated restraint and retention of republican traditions, believing his family should be “first among equals” and not more. As a result, the family and those closest to them wrote him out of the political scene, and historians – relying too heavily upon the accounts of supporters of Cardinal Giovanni and the Medici regime – followed suit. Interpreting works of art, books, and letters as testimony, Jungic constructs a new narrative to demonstrate that Giuliano was loved and admired by some of the most talented and famous men of his day, including Cesare Borgia, Michelangelo Buonarroti, Niccolò Machiavelli, Leonardo da Vinci, and Raphael. More than a political biography, this volume offers a refreshing look at a man who was a significant patron and ally of intellectuals, artists, and religious reformers, revealing Giuliano to be at the heart of the period’s most significant cultural accomplishments.

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What good is art? What is the point of a university education? Can philosophers contribute anything to social liberation? Such questions, both ancient and urgent, are the pulse of reformational philosophy. Inspired by the vision of the Dutch religious and political leader Abraham Kuyper, reformational philosophy pursues social transformation for the common good. In this companion volume to Religion, Truth, and Social Transformation, Lambert Zuidervaart presents a socially engaged philosophy of the arts and higher education. Interacting with the ideas of leading Kuyperian thinkers such as Calvin Seerveld and Nicholas Wolterstorff, Zuidervaart shows why renewal in the arts needs to coincide with political and economic transformation. He also calls for education and research that serve the common good. Deeply rooted in reformational philosophy, his book brings a fresh and inspiring voice to current discussions of religious aesthetics and Christian scholarship. Art, Education, and Cultural Renewal is a testament to the practical and intellectual richness of a unique religious tradition, compelling in its call for social solidarity and cultural critique.

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The 1998 Good Friday Agreement that ended the conflict in Northern Ireland left intriguing questions unanswered: who made the crucial decisions about the use of the British Army during the Troubles - the politicians or the generals? And how did these decisions shape the army's operations on the ground?

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The Constitutions that Shaped Us re-examines from a comparative and critical standpoint the events, key players, and texts which, taken together, help to interpret all Canadian constitutions prior to Confederation. The key constitutional documents that are studied in this book are the Royal Proclamation of 1763, the Quebec Act of 1774, the Constitutional Act of 1791, and the 1840 Act of Union. Great Canadian historians of the past take turns in providing unforgettable sketches and understandings of the actions of monumental figures such as Governors Murray, Carleton, and Elgin, British politicians from Pitt to Burke, Grey, and Durham, without forgetting the leading political and intellectual colonial figures such as Bedard, Papineau, La Fontaine, Mackenzie, and Baldwin. Gathering together the most renowned and representative works of constitutional scholarship, this anthology provides readers with an in-depth account of the events that would ultimately lead to the union of British colonies, the birth of the Dominion of Canada, and the rebirth of political autonomy in a colony known successively as Quebec, Lower Canada, Canada East, and once again Quebec in 1867. Following a general survey of the various constitutions enacted under British rule, this collection includes an equal number of commentaries by French- and English-speaking historians concerning each of the four constitutions to offer the most nuanced view of Canada's origins to date.

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Despite a long and rich tradition of oral history research, few are aware of the innovative and groundbreaking work of oral historians in Canada. For this first primer on the practices within the discipline, the editors of The Canadian Oral History Reader have gathered some of the best contributions from a diverse field. Essays survey and explore fundamental and often thorny aspects in oral history methodology, interpretation, preservation and presentation, and advocacy. In plain language, they explain how to conduct research with indigenous communities, navigate difficult relationships with informants, and negotiate issues of copyright, slander, and libel. The authors ask how people's memories and stories can be used as historical evidence - and whether it is ethical to use them at all. Their detailed and compelling case studies draw readers into the thrills and predicaments of recording people's most intimate experiences, and refashioning them in transcripts and academic analyses. They also consider how to best present and preserve this invaluable archive of Canadian memories. The Canadian Oral History Reader provides a rich resource for community and university researchers, undergraduate and graduate students, and independent scholars and documentarians, and serves as a springboard and reference point for global discussions about Canadian contributions to the international practice of oral history. Contributors include Brian Calliou (independent scholar), Elise Chenier (Simon Fraser University), Julie Cruikshank (University of British Columbia), Alexander Freund (University of Winnipeg), Steven High (Concordia University), Nancy Janovicek (University of Calgary), Jill Jarvis-Tonus (independent scholar), Kristina R. Llewellyn (Renison University College, University of Waterloo), Bronwen Low (McGill University), Claudia Malacrida (University of Lethbridge), Joy Parr (Western University), Joan Sangster (Trent University), Emmanuelle Sonntag (Universite du Quebec a Montreal), Pamela Sugiman (Ryerson University), Winona Wheeler (University of Saskatchewan), and Stacey Zembrzycki (Concordia University).

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Literary form presents an important opportunity for understanding the relationship between literature and science. Through a series of close readings of poetry and prose, Unified Fields demonstrates that formal structures in literature can relate to scientific concepts through their essential interpretive functions. Janine Rogers engages with a wide range of writing from Canadian, British, and American authors, including the poetry of Elizabeth Bishop and Robyn Sarah as well as prose by Margaret Atwood, Ian McEwan, and Stephen Hawking. She employs an interdisciplinary approach combining formalist, historical, and theoretical literary practice, informed by interpretive frameworks developed in the philosophy of science. Although dedicated to contemporary texts, Rogers's analysis is frequently rooted in historical contexts of form, including Euclidean geometry and medieval romance, developed when the distinction between literature and science was not so drastic. These historical connections demonstrate that continuities of form resonate in both contemporary literature and science. Through critical analysis and engaging prose, Unified Fields bridges an important disciplinary gap by revealing how literary practice informs scientific understanding.

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The Arctic is ruled by ice. For Inuit, it is a highway, a hunting ground, and the platform on which life is lived. While the international community argues about sovereignty, security, and resource development at the top of the world, the Inuit remind us that they are the original inhabitants of this magnificent place - and that it is undergoing a dangerous transformation. The Arctic ice is melting at an alarming rate and Inuit have become the direct witnesses and messengers of climate change. Through an examination of Inuit history and culture, alongside the experiences of newcomers to the Arctic seeking land, wealth, adventure, and power, Our Ice Is Vanishing describes the legacies of exploration, intervention, and resilience. Combining scientific and legal information with political and individual perspectives, Shelley Wright follows the history of the Canadian presence in the Arctic and shares her own journey in recollections and photographs, presenting the far North as few people have seen it. Climate change is redrawing the boundaries of what Inuit and non-Inuit have learned to expect from our world. Our Ice Is Vanishing demonstrates that we must engage with the knowledge of the Inuit in order to understand and negotiate issues of climate change and sovereignty claims in the region.

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Is the pursuit of endless economic growth compatible with the deep reductions in greenhouse gas emissions required to avoid the worst extremes of climate change? In When Green Growth Is Not Enough, Anders Hayden analyzes the political battle between three competing approaches to this question and how it has played out in Canada and Britain. Defenders of the "business-as-usual" approach reject climate action as too costly and in conflict with economic growth, while downplaying the severity of climate change. Supporters of ecological modernization, or "green growth," on the other hand, aim to use technology and efficiency to delink economic expansion from emissions and find business opportunities through environmental action. While mainstream debate has focused on these two pro-growth models, Hayden pays particular attention to the struggles and limited inroads of a third, more radical perspective: the idea of sufficiency, which challenges the continued growth of production and consumption in the already-affluent global North and asks, how much is enough? Drawing on interviews, participation in climate-related events, and analysis of key documents, Hayden shows the role these paradigms have played in Britain, one of the world's leaders in climate reform, and in Canada, a nation at the bottom of international climate change rankings. Rich in detail, When Green Growth Is Not Enough is a lively account of the theory and real-world politics of climate action.

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While significant research has been produced in the field of disability studies, little attention has been paid to experiences of chronic illness. Working Bodies emphasizes the workplace as an important site for understanding such experiences, as employment status has an enormous impact on social and economic standing in Canadian society. The essays in this collection examine the perspectives of both workers and employers, painting a disturbing picture of the challenges that people with chronic illness face in an already demanding labour market. The focus on the Canadian workplace allows for an in-depth understanding of this context and for meaningful comparisons between populations and across workplace environments. Contributors include scholars and practitioners in disability studies, health sciences, geography, occupational therapy, sociology, and labour relations, their expert knowledge ranging from the imperatives of employers, to lived experiences of chronic illness, to the application of workplace policy. By combining research-based chapters with personal reflections on work and chronic illness, Working Bodies grounds itself in existing scholarship while opening up new avenues of discussion. Contributors include Terri Aversa, Andrea Black, Keri Cameron (McMaster University), Nicolette Carlan (University of Waterloo), Vera Chouinard (McMaster University), Valorie A, Crooks (Simon Fraser University), Julie Devaney, Le-Ann Dolan, Adam Gilgoff, Nancy Hutchinson (Queen's University), Vicki Kristman (Lakehead University), Terry Krupa (Queen's University), Rosemary Lysaght (Queen's University), Margaret Oldfield (University of Toronto), Michelle Owen (University of Winnipeg), Melissa Popiel, Wendy Porch, William S. Shaw (University of Massachusetts), Corinne Stevens, Iffath Syed (York University), Joan Versnel (Dalhousie University), and Kelly Williams-Whitt (University of Lethbridge).

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Whether addressing HIV/AIDS, the policing of bathroom sex, censorship, or anti-globalization movements, John Greyson has imbued his work with cutting humour, eroticism, and postmodern aesthetics. Mashing up high art, opera, community activism, and pop culture, Greyson challenges his audience to consider new ways that images can intervene in both political and public spheres. Emerging on the Toronto scene in the late 1970s, Greyson has produced an eclectic, provocative, and award-winning body of work in film and video. The essays in The Perils of Pedagogy range from personal meditations to provocative textual readings to studies of the historical contexts in which the artist's works intervened politically as well as artistically. Notable writers from a range of disciplines as well as prominent experimental and activist filmmakers tackle questions of documentary ethics, moving image activism, and queer coalitional politics raised by Greyson's work. Close to one hundred frame captures and stills from almost sixty works, along with articles, speeches, and short scripts by Greyson - several never before published - supplement the collection. Celebrating thirty years of passionate, brilliant, and affecting moviemaking, The Perils of Pedagogy will fascinate both specialists and general readers interested in media activism and advocacy, censorship, and freedom of expression.

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An updated version of a foundational study of Quebec history.

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Kelsey's observations range from descriptions of the Battle of Britain from the ground, bombing raids on civilian populations, and a meeting with a possible German spy, to more personal accounts of the difficulties of obtaining a bath. She and her husband were reunited on his quarterly leaves and the journal records their travels through much of England, Ireland and Scotland amid air raids, bombings, and machine-gun fire, providing a unique travelogue of Britain in the 1940s. Through Kelsey's depiction of life the Women's Land Army the reader discovers -- as Kelsey came to realize -- that agricultural work was vital to the overall war effort in Britain.

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A probing inquiry into the pervasiveness of negative male stereotypes in popular culture.

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The first comprehensive history of feminist performance art in North America highlighting the important contributions of women artists.

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Arguing that Jewish North American writing is too commonly discussed as part of the mainstream, neglecting the Jewish aspects of the works, Ravvin places the writing of Bellow, Richler, Cohen, West, Mandel, Roth, and Rosenfarb within the Jewish context that the works demand. Ravvin depicts a Jewish cultural landscape within which postwar writers contend with community and identity, continuity and loss, and highlights the way this particular landscape is entangled with broader literary and cultural traditions. He considers Bellow and West alongside apocalyptic narratives, discusses Cohen in relation to the counterculture, examines Mandel's postmodern view of history, and looks at autobiography and ethics in Roth and Rosenfarb. At once scholarly and poetic, A House of Words will appeal to the general reader of Canadian, American, and Jewish literature and history, as well as to specialists in these fields.

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Giussani challenges us to penetrate the deepest levels of experience to discover our essential selves, breaking through the layers of opinions and judgments that have obscured our true needs. Asserting that all the tools necessary for self-discovery are inherent within us, he focuses primarily on reason, not as narrowly defined by modern philosophers, but as an openness to existence, a capacity to comprehend and affirm reality in all of its dimensions. Part of the so-called new religious revival, The Religious Sense avoids any sentimental or irrational reduction of the religious experience. It is a forthright and refreshing call to reassess our lives.

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Using a wide array of published and unpublished sources, McLean examines in detail nine group emigrations that left western Inverness between 1785 and 1802 for Glengarry County in Upper Canada (now Ontario). She describes how, once in North America, they built a new Highland community in an attempt to ensure each family's access to the land. By revealing the pattern of Highland emigration to Glengarry County - families and friends leaving and/or settling together - McLean confirms Bernard Bailyn's notion of a "provincial emigrant stream," and offers a convincing explanation for the development of one of Canada's "limited identities."

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Friends are at the centre of novels by everyone from George Eliot to Elena Ferrante. It is nearly impossible to name a work of fiction that is not enriched by the tensions and magnetisms of friendship.Friendship and the Novel focuses on the affective and narrative possibilities created by friendship in fiction. Friendship enables plots about rivalry, education, compassion, pity, deceit, betrayal, animosity, and breakup. It crosses boundaries of gender, class, nationality, disposition, race, age, and experience. Some novels offer lessons about distinguishing good friends from bad. In a Bildungsroman, friends contribute to the development of the protagonist through example or advice, as if novels were manuals for making and keeping friends. Sometimes sparks fly between friends and friendship swerves into sexual intimacy. Sally Rooney and other contemporary writers take friendship online.The essays in Friendship and the Novel illustrate how friendship, in its many forms – short or lifelong, intense or circumstantial – is a central problem and an abiding mystery in fiction as in life, a subject that continues to shape the novel as a literary form and, in turn, its readers.Contributors include Robert L. Caserio (Penn State), Maria DiBattista (Princeton), Jay Dickson (Reed), Brian Gingrich (Texas), Jonathan Greenberg (Montclair State), Barry McCrea (Notre Dame), Deborah Epstein Nord (Princeton), Erwin Rosinberg (Emory), Jacqueline Shin (Towson), Lisa Sternlieb (Penn State), and Emily Wittman (Alabama).

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We all age. But how we understand age and aging depends on cultural context. The early followers of Jesus experienced growing up and growing old in a world where more than a third of children never reached adulthood, married women could expect to become widows, and, above all, elders were to be honoured. In the ancient Mediterranean, expectations associated with one’s age could be a source of social power, as well as a source of tension within families and communities, and between generations.Honouring Age positions age as an essential aspect of communal identity and familial roles in the early Christian experience by examining one of the most contentious and perplexing texts in the New Testament: the first letter to Timothy. First Timothy reflects a one-sided conversation between an older Paul and a younger Timothy, in which the author hopes to influence both the old and young in fulfilling their traditional roles in the “household of God.” It was a time of tumult, and relations were fraught, with potential consequences for the reputation of the nascent Christian community: some children were neglecting their aging parents, which was culturally unacceptable behaviour; older women who should have been encouraging young widows to remarry were discouraging them, exposing them to ridicule; young men who should have been respectful to their elders were shamefully turning on them. In recognizing the responsibilities of young and old to each other, and the reputational damage they otherwise risked, this study demonstrates that age is integral to understanding the complexities of 1 Timothy.Drawing on modern ethnographies corroborated by ancient evidence to interpret social aspects of 1 Timothy, Honouring Age shows convincingly that, in emerging Christian communities in the ancient Mediterranean world, age mattered.

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In eighteenth-century Britain the worlds of literature and medicine were closely intertwined, and a diverse group of people participated in the circulation of medical knowledge. In this pre-professionalized milieu, several women writers made important contributions by describing a range of common yet often devastating illnesses.In Reimagining Illness Heather Meek reads works by six major eighteenth-century women writers – Jane Barker, Anne Finch, Lady Mary Wortley Montagu, Hester Lynch Thrale Piozzi, Mary Wollstonecraft, and Frances Burney – alongside contemporaneous medical texts to explore conditions such as hysteria, melancholy, smallpox, maternity, consumption, and breast cancer. In novels, poems, letters, and journals, these writers drew on their learning and literary skill as they engaged with and revised male-dominated medical discourse. Their works provide insight into the experience of suffering and interrogate accepted theories of women’s bodies and minds. In ways relevant both then and now, these women demonstrate how illness might be at once a bodily condition and a malleable construct full of ideological meaning and imaginative possibility.Reimagining Illness offers a new account of the vital period in medico-literary history between 1660 and 1815, revealing how the works of women writers not only represented the medicine of their time but also contributed meaningfully to its developments.

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A tiny organism called pollen pulls off one of nature’s key tasks: plant reproduction. Pollination involves a complex network of different species interacting with one another and mutually adapting to their ecosystems, which are constantly changing.Some pollen grains require just a puff of wind to set them in motion, but most plants depend on creatures gifted with mobility. These might be birds, bats, reptiles, or insects including butterflies, beetles, flies, wasps, and over twenty thousand species of bee. In Paths of Pollen Stephen Humphrey asks readers to imagine a tipping point where plants and pollinators can no longer adapt to stressors such as urbanization, modern agriculture, and global climate change. Illuminating the science of pollination ecology through evocative encounters with biologists, conservationists, and beekeepers, Humphrey illustrates the significance of pollination to such diverse concerns as food supply, biodiversity, rising global temperatures, and the resilience of landscapes.As human actions erase habitats and raise the planet’s temperature, plant diversity is dropping and a growing list of pollinators faces decline or even extinction. Paths of Pollen chronicles pollen’s vital mission to spread plant genes, from the prehistoric past to the present, while looking towards an ecologically uncertain future.

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C. Douglas Dillon – heir to a vast investment banking fortune, and one of the richest men in America during his political career – was a Republican who served in a Democratic administration and became one of the greatest modern treasury secretaries. He believed in bipartisanship and public duty, a sensibility that has all but faded from the current political climate.With exclusive access to the family’s archive, in The Dillon Era Richard Aldous sets fresh eyes on a well-documented period in recent American history, unfolding a deeply influential but somewhat overlooked political career. In 1953 President Eisenhower appointed Dillon as ambassador to Paris, and he promoted him to second in command in the State Department in 1958. Tapped by Presidents Kennedy and Johnson for treasury secretary to reassure Wall Street that the nation’s finances were in safe hands, Dillon would become one of President Kennedy’s closest advisors, and perhaps the only cabinet member who was a personal friend. His impact on the Kennedy and Johnson administrations was immense, not least in delivering the most comprehensive income tax cuts the nation had ever seen. Overseas he worked to sustain political cooperation as the Bretton Woods system threatened to unravel. By the time he left office in 1965, the Washington Post recognized Dillon as “by far the best Secretary of the Treasury of the postwar period,” and European Economic Community president Walter Hallstein hailed a new “Dillon era.”Dillon advocated for evolution and reform over radicalism, and he placed the national interest above party interest. The Dillon Era throws new light on the postwar period, identifying Dillon as a pivotal figure in American policymaking during these crucial years of the Cold War.

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Variable Conditions recovers and explores early Canadian encounters between computational media and contemporary art in the late twentieth century, charting a network of developments linking meteorology, computation, and the arts that arose long before the age of cloud computing.Essays uncover the material conditions that shaped the emergence of computational arts in Canada, from projects executed by mainframe to digital paintings and analog synthesizer performances. A surprising number of institutional circumstances granted access to early computer hardware – government nuclear and hydroelectric infrastructure, agencies as diverse as the National Film Board and the National Research Council, and a myriad of university settings across the country – and creative conditions varied from benign administrative neglect to the artistic exploration of randomness or a distinct emphasis on thematizing transformation as a motor for graphic visualization and auditory exploration. Interviews featuring leading artists give first-hand insight into artistic practices and the historical moment in which they occurred. The book provides valuable new perspectives on computer art pioneers such as Leslie Mezei, Robert Adrian X, Suzanne Duquet, Roger Vilder, and Vera Frenkel, as well as new contexts for understanding Michael Snow and IAIN BAXTER&. Not limiting their explorations to art generated using computers, contributors outline the integration of computational techniques and concepts into artistic methods across disciplines and trace computation’s emergence as a matter of interest and concern for a range of contemporary cultural producers.Combining historical analyses with theoretical approaches to computation and its entanglement with contemporary cultural discourses and social movements, Variable Conditions excavates the origins of computational arts and, in the process, sketches a new landscape of interdisciplinary creation and surprising connections between scientific and artistic institutions.

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take the harp, take / the Fitbit and the Band-Aid box. Fold the whole / grey sheet of sky, lumpy and unalluring / into your rucksack.A strong theme of journeys is threaded through Take the Compass. In a sense, every poem is itself a journey – into the past or the present, or toward what we hope and fear for the future. Poems can be journeys of repair and recovery, adventure and discovery. However, even in pandemic times when our journeying is curtailed, or at least confined, when we are abiding in one physical location with chafing and restiveness, we are still travelling. One of those journeys is discovering where language can take us.Maureen Hynes’s poems travel through cities and their outskirts to rivers, forests, and graveyards. They travel in time into the troubled present, across decades into early childhood, and into our perilous collective futures, seeking guides for these explorations. The title poem addresses the search for tools and instruments that will “ward off adversity” – tools to help us move forward to our chosen destinations. Take the Compass calls on art and nature as invisible helpers, and on uncountable things – personal values and traits such as courage – to “break the bad news into nine living petals.”As with all her collections, Hynes shows a commitment to social justice, to acknowledging historical and contemporary inequities, to the search for sources of remedy, repair, and renewal, and to the sustaining power of love. The variety of poetic forms she has chosen lets this search carry the complexity and seriousness of its themes.

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Since Israel conquered the West Bank, formerly held by Jordan, in 1967, over 400,000 settlers have moved into the territory. In recent years, Israeli settler organizations and allied American-Jewish lobbyists have responded to international condemnation of the occupation by mobilizing narratives of indigeneity, claiming sovereign and divine rights to the land.Settler-Indigeneity in the West Bank asks what Israeli settlers mean when they say they are indigenous; how settler indigeneity is felt, performed, and mediated; and what the implications of indigeneity claims are on the international stage. Building on foundational scholarship that has come out of post-colonial and indigeneity studies, the volume theorizes settler-indigeneity as a cultural phenomenon and product of transnational settler-colonial histories, while also interrogating the dialectic of “settler” and “indigenous” to illustrate their co-constitution. Considering agriculture, clothing, food, language, and religious practices, the chapters explore how feelings of indigeneity are fashioned and how these feelings continue to transform the landscape of the West Bank.Offering a series of original ethnographic accounts of these cultures and communities, Settler-Indigeneity in the West Bank intimately documents and discusses the processes of settler-nativization in conversation with a variety of related literature in anthropology, cultural studies, Israel studies, religious studies, and settler-colonial studies.

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In recent surveys, one in four Canadians say they have no religion. A century ago Canada was widely considered to be a Christian nation, and the vast majority of Canadians claimed they were devoutly religious. But some were determined to resist. In the 1920s and ’30s, groups of militant unbelievers formed across Canada to push back against the dominance of religion.Towards a Godless Dominion explores both anti-religious activism and the organized opposition unbelievers faced from Christian Canada during the interwar period. Despite Christianity’s prominence, anti-religious ideas were propagated by lectures in theatres, through newspapers, and out on the streets. Secularist groups in Montreal, Toronto, Winnipeg, and Vancouver actively tried to win people away from religious belief. In the first two cities, they were met with stiff repression by the state, which convicted unbelievers of blasphemous libel, broke up their meetings, and banned atheistic literature from circulating. In the latter two cities unbelievers met social disapproval rather than official persecution. Looking at interwar controversies around religion, such as arguments about faith healing and fundamentalist campaigns against teaching evolution, Elliot Hanowski shows how unbelievers were able to use these conflicts to get their skeptical message across to the public.Challenging the stereotype of Canada as a tolerant, secular nation, Towards a Godless Dominion returns to a time when intolerant forms of Christianity ruled a country that was considered more religious than the United States.

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More than a century ago, a prospector discovered gold at Ontario’s Kirkland Lake and a son was born to British immigrants in Saskatchewan. The boy – Norman Bell Keevil – went on to become a renowned scientist, teacher, and prospector, discovering a small but high-grade copper mine in Ontario. Parlaying that into control of the Kirkland Lake gold mine fifty years later, he formed the fledgling mining company Teck Corporation. In Never Rest on Your Ores Keevil’s son Norman, also a geoscientist, recounts how over the next fifty years, a growing team of like-minded engineers and entrepreneurs built Canada’s largest diversified mining company. In candid detail he tells the story of a company and its makers, of the discovery and creation of mines, of the mechanics of industry financing, and of the role that mergers and acquisitions play in a volatile environment. Along the way he meets fascinating captains of industry and politicians not only in Canada, but in the United States and around the world. Finding an ore body – rock that holds valuable metals and minerals – and promoting its development in order to finance and create a mine, most often in hard-to-access wilderness, is complicated work, comparable to locating and extracting a needle in a very messy haystack. Underlying this history is a constant need to replenish the ore, and this need drives the people involved. Drawing new lessons from the turbulent period between 2005 and 2023, this new edition of Never Rest on Your Ores is both entertaining and instructive, a rare insider’s account of an industry that has been crucial to the building of this country.

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No two nations have exchanged natural resources, produced transborder environmental agreements, or cooperatively altered ecosystems on the same scale as Canada and the United States. Environmental and energy diplomacy have profoundly shaped both countries’ economies, politics, and landscapes for over 150 years.Natural Allies looks at the history of US-Canada relations through an environmental lens. From fisheries in the late nineteenth century to oil pipelines in the twenty-first century, Daniel Macfarlane recounts the scores of transborder environmental and energy arrangements made between the two nations. Many became global precedents that influenced international environmental law, governance, and politics, including the Boundary Waters Treaty, the Trail Smelter case, hydroelectric megaprojects, and the Great Lakes Water Quality Agreements. In addition to water, fish, wood, minerals, and myriad other resources, Natural Allies details the history of the continental energy relationship – from electricity to uranium to fossil fuels –showing how Canada became vital to American strategic interests and, along with the United States, a major international energy power and petro-state. Environmental and energy relations facilitated the integration and prosperity of Canada and the United States but also made these countries responsible for the current climate crisis and other unsustainable forms of ecological degradation. Looking to the future, Natural Allies argues that the concept of national security must be widened to include natural security – a commitment to public, national, and international safety from environmental harms, especially those caused by human actions.

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When the Canadian Electronic Ensemble (CEE) began as a group of students at the University of Toronto in 1972, they performed with cumbersome, finicky analog instruments and DIY logistics, never sure if everything would work as intended. Today’s CEE sound comes from a sophisticated mixture of digital and analog hardware, laptops, and acoustic instruments. Across a long and ongoing history of tours, recordings, and performances, countless listeners have heard and appreciated the innovations at the heart of the CEE’s music. An Orchestra at My Fingertips is the first detailed study of the history, music, and legacy of the CEE. Covering the ensemble since its inception and drawing on extensive interviews with group members, Alexa Woloshyn provides unique insight into the musicians that make up the group as well as analyses of the CEE’s compositions, commissions, and improvisation and performance practice. Woloshyn’s account traces the evolution of electronic music technology across the decades-long history of the group, paying close attention to how audiences have perceived the CEE’s artistry as effortless rather than as the careful employment of technologically generated sounds. To foster appreciation and understanding of the CEE’s legacies, Woloshyn presents several listening methodologies and includes numerous listening guides to engage all readers. An Orchestra at My Fingertips speaks to the global development and transformation of live electronic music through the history of a group that has been a consistently innovative voice in Canada and beyond.

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While 9/11 was understood at the time as a world-changing event in international relations, its uneven aftermath and the long-term effects for North America could not have been predicted. Twenty years later, The Legacy of 9/11 explores the political, economic, security and defence, and trade and border implications of the event. Written by a team of North American experts across many fields, the book foregrounds the fallout of 9/11 in Mexico and Canada as opposed to the more commonly discussed impact on the United States. Looking at the event and its aftermath through four lenses – ideas about North America; border, trade, and economics; security and society; and defence – contributors analyze the complex legacy of 9/11. Rather than serving as a catalyst to create an integrated, trilateral continent, 9/11 entrenched the North America we have today: three separate states with emphasis on two very different borders.From a reconsideration of internationalism, a rise in populism, and a shift in migration patterns to the interventions in Afghanistan and Iraq, The Legacy of 9/11 uncovers how successive North American governments reacted in surprising ways to the world-altering attack.

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After World War II displaced more than sixty million people, Cold War politics opened global eyes and wallets to European displaced persons. The postwar experiences of more than three million forcibly displaced Polish people illuminate the painfully long process of reckoning with war and its fallout. Drawing on rich primary material unearthed in over a dozen archives, Kingdom of Barracks depicts the texture of everyday life in refugee camps in post–World War II Europe within a panorama of the social and cultural history of the twentieth century. Western Allies and Polish social elites construed the camps as spaces for rehabilitating and “re-civilizing” refugees to prepare them for the reconstruction of war-torn countries and a rebirth of the nation. On the ground, refugees lived in close proximity, sharing bug-infested barracks with people from other regions, social classes, and wartime experiences. Taking a bottom-up perspective and exploring the formation of cultural identity in exile through the lenses of class, gender, body, and nationality, Katarzyna Nowak argues that Polish DPs’ experiences of displacement stimulated a personal and a collective revival understood in religious and national terms.In an age of intensifying forced displacement, Kingdom of Barracks sheds new light on past experiences of war and migration that are still deeply relevant in the present.

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In the nineteenth century France became fixated on infant sleep. Pictures of sleeping babies proliferated in paintings, posters, and advertisements for cradles and toys. Childcare manuals and medical writings insisted on the importance of sleep as a measure of a child’s future health and vigour. Infant sleep was transformed from an unremarkable event to a precarious stage of life that demanded monitoring, support, and, above all, the constant presence and attention of mothers. Hush Little Baby uncovers the cultural, medical, and economic forces that came to shape Western ideas about infants’ sleeping patterns, rituals, and settings. By the mid-nineteenth century doctors were advising that infant sleep should be carefully controlled by caregivers according to medical guidelines, and that to do otherwise would risk compromising a child’s development. A sleeping baby was seen as the sign of a good mother – an idea that was reinforced through countless pictures of mothers watching vigilantly over their sleeping children, even as the reality of postpartum depression was known to doctors. The medical advice literature also helped to create a commercial infant industry, encouraging the production of clothing, bedding, cradles, and accessories designed to foster sleep, and providing new ways for families to demonstrate social status. In Hush Little Baby Gal Ventura shows how these images and ideas about babies’ sleep created many of the standards and expectations that keep parents awake today.

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Western civilization is over. So begins Jan Zwicky’s trenchant exploration of the root of global cultural and ecological collapse: a way of thinking that is also linked to some of the West’s most noted achievements.The Renaissance merged imperial enterprise with Islamic algebra and recently recovered Greek mathematics to precipitate mechanized industry and resource extraction; these in turn made possible the growth of capitalism, the military-industrial complex, and Big Technology. Despite its self-image as objective, Zwicky argues, the West’s style of thought is not politically neutral, but intensely anthropocentric. It has led those who adopt it to regard the more-than-human world as nothing more than timber licences and drilling sites, where value is not recognized unless it is monetized. Oblivious to context and blind to big-picture thinking, it analyzes, mechanizes, digitizes, and systematizes, while rejecting empathy and compassion as distorting influences. Lyric comprehension, in Zwicky’s view, offers an alternative to this way of thinking, and she provides a wide range of examples. Once upon a Time in the West documents how a narrow epistemological style has left Western thought blind to critical features of reality, and how the terrifying consequences of that blinkered vision are now beginning to unfold.

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In three volumes spanning centuries, Lieutenant Colonel Roman Jarymowycz recounts the story of the Black Watch (Royal Highland Regiment) of Canada, the oldest Highland regiment in the country. He traces its history from the roots, when soldiers, settlers, and militia volunteers rallied to defend the southern borders of their adopted country against invasion from the United States. Drawing on diaries, letters, classified documents, and the regimental archive, Jarymowycz weaves the strands of a complex story into an epic narrative of a resolute collective of officers and men.Since its birth in 1862 as the 5th Battalion, Volunteer Militia Rifles of Canada, thousands of citizens have served in the unit. In addition to securing Canada’s borders, Black Watch soldiers have fought in the South African War, both world wars, and the Korean War. They have bolstered NATO operations and United Nations peacekeeping missions, and they provided aid to the civil power during the 1997 Quebec and Eastern Ontario ice storm disaster and the COVID-19 pandemic. The Montreal-based battalion continues to serve Canada in its traditional role as a reserve infantry unit, and to this day, Black Watch soldiers frequently deploy on dangerous missions abroad. In volume 1, readers will learn of the Black Watch’s origins; its first foreign enterprise, the South African War; and a detailed account of the Great War, where the regiment evolved from the 5th Royal Highlanders to become the Canadian Black Watch, as they were known throughout the empire. The Montreal regiment trained four battalions for overseas duty, three of which participated in the greatest battles of the First World War, an unprecedented accomplishment. This volume not only offers a critical analysis of campaigns, key actions, and tactical evolution, but also includes an intimate and compelling account of the sacrifices that forged this extraordinary regiment.This monumental history of Canada’s oldest Highland regiment is at once a record of Scottish heritage, a portrait of Montreal rising as an industrial giant, and an examination of the emergence of a military culture from the Western Front.

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