Description

Book Synopsis

Writing and Madness is Shoshana Felman''s most influential work of literary theory and criticism. Exploring the relations between literature, philosophy, and psychoanalysis through brilliant studies of Balzac, Nerval, Flaubert, and James, as well as Lacan, Foucault, and Derrida, this book seeks the specificity of literature in its relation to what culture excludes under the label madness. Why and how do literary writers reclaim the discourse of the madman, and how does this reclaiming reveal something essential about the relation between literature and power, as well as between literature and knowledge?

Every literary text continues to communicate with madnesswith what has been excluded, decreed abnormal, unacceptable, or senselessby dramatizing a dynamically revitalized relation between sense and nonsense, reason and unreason, the readable and the unreadable. This revelation of the irreducibility of the relation between the readable and the unreadable constitutes what

Table of Contents
CONTENTS 1 PART ONE: 2 PART TWO: 3 4 5 PART THREE: 6 7 8

Writing and Madness

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    Order before 4pm today for delivery by Mon 22 Jun 2026.

    A Paperback / softback by Shoshana Felman, Martha Noel Evans


      View other formats and editions of Writing and Madness by Shoshana Felman

      Publisher: Stanford University Press
      Publication Date: 25/02/2003
      ISBN13: 9780804744492, 978-0804744492
      ISBN10: 0804744491

      Description

      Book Synopsis

      Writing and Madness is Shoshana Felman''s most influential work of literary theory and criticism. Exploring the relations between literature, philosophy, and psychoanalysis through brilliant studies of Balzac, Nerval, Flaubert, and James, as well as Lacan, Foucault, and Derrida, this book seeks the specificity of literature in its relation to what culture excludes under the label madness. Why and how do literary writers reclaim the discourse of the madman, and how does this reclaiming reveal something essential about the relation between literature and power, as well as between literature and knowledge?

      Every literary text continues to communicate with madnesswith what has been excluded, decreed abnormal, unacceptable, or senselessby dramatizing a dynamically revitalized relation between sense and nonsense, reason and unreason, the readable and the unreadable. This revelation of the irreducibility of the relation between the readable and the unreadable constitutes what

      Table of Contents
      CONTENTS 1 PART ONE: 2 PART TWO: 3 4 5 PART THREE: 6 7 8

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