Description
Book SynopsisThis study of ludic literary society in sixteenth-century France addresses Italianate practices of philosophical and literary sociability as they took root there. It asserts that entertainment activities of women-led circles illustrate the richly complex precursors of the seventeenth-century salons. Notions from the philosophy of play, such as those developed by Johan Huizinga, Eugen Fink, and Roger Caillois, who argue that play is critically intertwined with the development of society, provide a theoretical path across these periods of women’s engagement in literary culture. The barrister Estienne Pasquier, whose voluminous network of literary and legal connections permitted him entry into the society of such women, acts as an eyewitness to sixteenth-century circles. Ultimately, we see that the ludic activities in such society produced powerful influences that extended beyond the confines of the groups in question to shape ideas, attitudes, and activities—such as those of the salon cultural norms to come.
Table of ContentsAcknowledgments
Note on the Text
List of Illustrations
Introduction: Women, Entertainment, and Precursors of the French Salon, 1532-1615
Chapter One: At Play in Italy and France: Sixteenth- and Seventeenth-Century Social Continuities
Chapter Two: Marie-Catherine de Pierrevive and the Dames des Roches: Proto-Salon Entertainment in Lyon and Poitiers
Chapter Three: Antoinette de Loynes and Madeleine de l’Aubespine: Entertainment among the Parisian
Noblesse de robe Chapter Four: Claude-Catherine de Clermont: Amusement and Escapism among the
Noblesse d’épée and Royal Milieu
Chapter Five: Marguerite de Valois and Proto-
Précieuse Taste
Chapter Six:
L’Histoire de La Chiaramonte: A
Divertissement for the Circle of Marguerite de Valois
Conclusion: Sixteenth-Century
Société Mondaine and the Persistence of Entertainment Practices
Appendix: Estienne Pasquier and His Social Network
Bibliography
Index
