Description

Book Synopsis

FROM THE WINNER OF THE 2021 PULITZER PRIZE IN POETRY

When My Brother Was an Aztec is a work of courage and invention - one that foregrounds the particularities of family dynamics and individual passion against the backdrop of Western mythologies and a deeply rooted cultural history. Natalie Diaz's arresting debut explores a brother's addiction and its devastating effects on a household, while offering a political critique of our nations and their pasts. It acknowledges absences and uncomfortable silences, as well as conjuring vivid voices and presences, from Antigone and Houdini to Huitzilopochtli and Jesus.

Stolen cowboy boots, violins on fire; a mariachi band playing in the bathroom, a black bayonet carried between the shoulder blades; the beauty of busted fruit, the sight of hellish visions - Diaz both revels and reveals through her distinctive use of language and imagery, bringing to life every intimate and communal encounter, blooming abundance from scarcit

Trade Review
'She is a poet who understands tradition but is not beholden to it. She is a poet who will help us write into the future as she excavates the past and interrogates the present.' - Adrian Matejka, Poetry Society of America

'Her work is a kind of confession, but also an assertion.' - Spectator

When My Brother Was an Aztec

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    Order before 4pm tomorrow for delivery by Thu 11 Jun 2026.

    A Paperback / softback by Natalie Diaz

    3 in stock


      View other formats and editions of When My Brother Was an Aztec by Natalie Diaz

      Publisher: Faber & Faber
      Publication Date: 18/08/2022
      ISBN13: 9780571368860, 978-0571368860
      ISBN10: 0571368867
      Also in:
      Poetry

      Description

      Book Synopsis

      FROM THE WINNER OF THE 2021 PULITZER PRIZE IN POETRY

      When My Brother Was an Aztec is a work of courage and invention - one that foregrounds the particularities of family dynamics and individual passion against the backdrop of Western mythologies and a deeply rooted cultural history. Natalie Diaz's arresting debut explores a brother's addiction and its devastating effects on a household, while offering a political critique of our nations and their pasts. It acknowledges absences and uncomfortable silences, as well as conjuring vivid voices and presences, from Antigone and Houdini to Huitzilopochtli and Jesus.

      Stolen cowboy boots, violins on fire; a mariachi band playing in the bathroom, a black bayonet carried between the shoulder blades; the beauty of busted fruit, the sight of hellish visions - Diaz both revels and reveals through her distinctive use of language and imagery, bringing to life every intimate and communal encounter, blooming abundance from scarcit

      Trade Review
      'She is a poet who understands tradition but is not beholden to it. She is a poet who will help us write into the future as she excavates the past and interrogates the present.' - Adrian Matejka, Poetry Society of America

      'Her work is a kind of confession, but also an assertion.' - Spectator

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