Description

Book Synopsis
Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified laborthe slow diminishment of wages alongside an increase of demands of workas a way to work toward social justice and economic equality.

Trade Review
“This highly original work of Marxist aesthetic theory is a must-read for anyone interested in art and capitalism. Leigh Claire La Berge's thought experiment on how labor might go unpaid and still in a nontrivial way remain labor intersects in fascinating ways with arguments about reproductive labor made by feminists and brilliantly cleaves through mainstream academic culture's increasingly entrenched alternatives of using either ‘biopolitics’ and ‘real subsumption’ to understand our contemporary economy. I learned so much from this book and it still keeps me thinking.” -- Sianne Ngai, author of * Our Aesthetic Categories: Zany, Cute, Interesting *
“In elaborating a concept of ‘decommodified labor,’ Leigh Claire La Berge offers a fresh and provocative frame that changes how we understand the dynamics of art, labor, and social change. Marshalling a range of case studies on both established and emerging artists, Wages against Artwork is a fantastic contribution to an ongoing dialogue on the arts, on economics, and on how we define the social in socially engaged art.” -- Shannon Jackson, author of * Social Works: Performing Art, Supporting Publics *
“The biggest contribution of this book is to put economic and aesthetic theory together, to see what happens when the aesthetic is subjected to a Marxist analysis.... La Berge’s well-reasoned, engaging, and thorough book is a wonderful addition to the fields of Marxism, aesthetics, and performance.” -- Joseph Richards * Houston Review of Books *

Table of Contents
Preface: The Argument ix
Acknowledgments xi
Introduction: Socially Engaged Art and Decommodified Labor 1
1. Art Student, Art Worker: The Decommodified Labor of Studentdom 34
2. Institutions as Art: The Collective Forms of Decommodified Labor 75
3. Art Worker Animal: Animals as Socially Engaged Artists in a Post-Labor Era 118
4. The Artwork of Children's Labor: Socially Engaged Art and the Future of Work 157
Epilogue: Liberal Arts 198
Notes 205
Bibliography 239
Index 249

Wages Against Artwork

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A Hardback by Leigh Claire La Berge

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    View other formats and editions of Wages Against Artwork by Leigh Claire La Berge

    Publisher: Duke University Press
    Publication Date: 23/08/2019
    ISBN13: 9781478004233, 978-1478004233
    ISBN10: 1478004231

    Description

    Book Synopsis
    Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified laborthe slow diminishment of wages alongside an increase of demands of workas a way to work toward social justice and economic equality.

    Trade Review
    “This highly original work of Marxist aesthetic theory is a must-read for anyone interested in art and capitalism. Leigh Claire La Berge's thought experiment on how labor might go unpaid and still in a nontrivial way remain labor intersects in fascinating ways with arguments about reproductive labor made by feminists and brilliantly cleaves through mainstream academic culture's increasingly entrenched alternatives of using either ‘biopolitics’ and ‘real subsumption’ to understand our contemporary economy. I learned so much from this book and it still keeps me thinking.” -- Sianne Ngai, author of * Our Aesthetic Categories: Zany, Cute, Interesting *
    “In elaborating a concept of ‘decommodified labor,’ Leigh Claire La Berge offers a fresh and provocative frame that changes how we understand the dynamics of art, labor, and social change. Marshalling a range of case studies on both established and emerging artists, Wages against Artwork is a fantastic contribution to an ongoing dialogue on the arts, on economics, and on how we define the social in socially engaged art.” -- Shannon Jackson, author of * Social Works: Performing Art, Supporting Publics *
    “The biggest contribution of this book is to put economic and aesthetic theory together, to see what happens when the aesthetic is subjected to a Marxist analysis.... La Berge’s well-reasoned, engaging, and thorough book is a wonderful addition to the fields of Marxism, aesthetics, and performance.” -- Joseph Richards * Houston Review of Books *

    Table of Contents
    Preface: The Argument ix
    Acknowledgments xi
    Introduction: Socially Engaged Art and Decommodified Labor 1
    1. Art Student, Art Worker: The Decommodified Labor of Studentdom 34
    2. Institutions as Art: The Collective Forms of Decommodified Labor 75
    3. Art Worker Animal: Animals as Socially Engaged Artists in a Post-Labor Era 118
    4. The Artwork of Children's Labor: Socially Engaged Art and the Future of Work 157
    Epilogue: Liberal Arts 198
    Notes 205
    Bibliography 239
    Index 249

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