An emphasis on the collaborative filmmaking process, including the responsibilities and creative contri
Trade Review
"Voice & Vision is the only text I have seen that gives in-depth coverage of both the creative development process and the technical aspects of filmmaking. Mick Hurbis-Cherrier’s approach gives the reader the inspiration to develop compelling stories and the tools to bring them to the screen. It’s an essential resource for media makers at all levels."
—Eric Scholl, Interim Chair, Cinema and Television Arts, Columbia College Chicago
"Making a movie is always a journey into uncharted territory. Hopefully we have a clear sense of the destination, but we also know that the road is likely to be fraught with hazards, detours, setbacks, and surprises. Fortunately, Mick Hurbis-Cherrier has provided us with a map. Voice & Vision is a thoughtful and stimulating, step-by-step guide through the entire filmmaking process from concept to distribution. The author offers an invaluable commentary on the art, craft, and technology that inform every stage of the creative journey. This is an essential and inspiring guide for the intrepid filmmaker. Don't leave home without it."
—Paul Thompson, Associate Professor, Tisch School of the Arts, New York University; Formerly Head of Film and Television, AFTRS, Sydney, Australia
"The general approach of the book – which offers a combination of technical and creative aspects, as well as professional production practices – makes it an invaluable, encyclopedic 'bible' for film and video production students."
—Tomasz Malinowski, Professor, Edge Hill University, Ormskirk, England
"In this comprehensive and masterful volume, Hurbis-Cherrier's conversational tone allows each subject to be viewed in relationship to the others, creating a multi-disciplinary perspective that is thorough and thoughtful."
—Pablo Frasconi, Senior Lecturer, Production, USC School of Cinematic Arts
"The tone of the book works very well with my teaching style and pedagogy because it treats the student as part of a team that is working toward acquiring the knowledge and skills to make a movie. In that sense, I find the book to be not only informative but also very motivational."
—Ece Karayalcin, Professor, SEDT, Miami Dade College
"Hurbis-Cherrier (a professional who teaches at Hunter College) provides a comprehensive, well-organized resource for those interested in exploring the art and technique of narrative film…Though intended primarily for the classroom, this book should find a place in personal libraries as well. It will help even professionals expand their knowledge of the ever-evolving narrative format. Summing up: Recommended."
—M. A. Bay, Southern Connecticut State University, CHOICE
"Voice & Vision is the only text I have seen that gives in-depth coverage of both the creative development process and the technical aspects of filmmaking. Mick Hurbis-Cherrier’s approach gives the reader the inspiration to develop compelling stories and the tools to bring them to the screen. It’s an essential resource for media makers at all levels."
—Eric Scholl, Interim Chair, Cinema and Television Arts, Columbia College Chicago
"Making a movie is always a journey into uncharted territory. Hopefully we have a clear sense of the destination, but we also know that the road is likely to be fraught with hazards, detours, setbacks, and surprises. Fortunately, Mick Hurbis-Cherrier has provided us with a map. Voice & Vision is a thoughtful and stimulating, step-by-step guide through the entire filmmaking process from concept to distribution. The author offers an invaluable commentary on the art, craft, and technology that inform every stage of the creative journey. This is an essential and inspiring guide for the intrepid filmmaker. Don't leave home without it."
—Paul Thompson, Associate Professor, Tisch School of the Arts, New York University; Formerly Head of Film and Television, AFTRS, Sydney, Australia
"The general approach of the book – which offers a combination of technical and creative aspects, as well as professional production practices – makes it an invaluable, encyclopedic 'bible' for film and video production students."
—Tomasz Malinowski, Professor, Edge Hill University, Ormskirk, England
"In this comprehensive and masterful volume, Hurbis-Cherrier's conversational tone allows each subject to be viewed in relationship to the others, creating a multi-disciplinary perspective that is thorough and thoughtful."
—Pablo Frasconi, Senior Lecturer, Production, USC School of Cinematic Arts
"The tone of the book works very well with my teaching style and pedagogy because it treats the student as part of a team that is working toward acquiring the knowledge and skills to make a movie. In that sense, I find the book to be not only informative but also very motivational."
—Ece Karayalcin, Professor, SEDT, Miami Dade College
"Hurbis-Cherrier (a professional who teaches at Hunter College) provides a comprehensive, well-organized resource for those interested in exploring the art and technique of narrative film…Though intended primarily for the classroom, this book should find a place in personal libraries as well. It will help even professionals expand their knowledge of the ever-evolving narrative format. Summing up: Recommended."
—M. A. Bay, Southern Connecticut State University, CHOICE
Table of Contents
Dedication
Companion Website Contents
Acknowledgements
Introduction
What’s New in the Third Edition
Part I – Developing Your Film on Paper
Chapter 1 – From Idea to Cinematic Story
Chapter 2 – The Screenplay
Chapter 3 – The Visual Language and Aesthetics of Cinema
Chapter 4 – Organizing Cinematic Time and Space
Chapter 5 – From Screenplay to Visual Plan
Part II – Preparing for Production
Chapter 6 – Preparing for Production
Chapter 7 – The Cast and Crew
Part III – Tools and Techniques: Production
Chapter 8 – The Digital Video System
Chapter 9 – The Digital Video Camera
Chapter 10 – The Camera Lens
Chapter 11 – Camera Support
Chapter 12 – Basics of Exposure
Chapter 13 – Basics of Light and Lighting
Chapter 14 – Lighting and Exposure: Beyond the Basics
Chapter 15 – Sound for Production
Chapter 16 – Location Sound Techniques
Chapter 17 – On-Set Procedures
Chapter 18 – Set Etiquette and Production Safety
Part IV – Tools and Techniques: Postproduction
Chapter 19 – Postproduction Overview: Workflow and The Editing Stages
Chapter 20 – Digital Editing Fundamentals
Chapter 21 – The Art and Technique of Editing
Chapter 22 – The Sound Design in Film
Chapter 23 – Cutting Sound and Working with Multiple Tracks
Chapter 24 – Grading, Mastering, and Distribution
Recommended Readings
Recommended Filmmaking Apps for Mobile Devices
Bibliography
Filmography
Photo and Illustration Credits
Index
