Description

Book Synopsis

Applying ecocritical theory to the work of Victorian writers, this collection explores what a diversity of ecocritical approaches can offer students and scholars of Victorian literature, at the same time that it critiques the general effectiveness of ecocritical theory. Interdisciplinary in their approach, the essays take up questions related to the nonhuman, botany, landscape, evolutionary science, and religion. The contributors cast a wide net in terms of genre, analyzing novels, poetry, periodical works, botanical literature, life-writing, and essays. Focusing on a wide range of canonical and noncanonical writers, including Charles Dickens, the Brontes, John Ruskin, Christina Rossetti, Jane Webb Loudon, Anna Sewell, and Richard Jefferies, Victorian Writers and the Environment demonstrates the ways in which nineteenth-century authors engaged not only with humans' interaction with the environment during the Victorian period, but also how some authors anticipated more recent attitud

Table of Contents

Contents, List of Figures, Acknowledgements, Introduction Practical Ecocriticism and the Victorian Text

Laurence W. Mazzeno, Alvernia University and Ronald D. Morrison,

Morehead State University

Chapter 1: Reading Nature: John Ruskin, Environment, and the Ecological Impulse

Mark Frost, University of Portsmouth

Chapter 2: Between "bounded field" and "brooding star": A Study of Tennyson’s

Topography

Valerie Purton, Anglia Ruskin University

Chapter 3: Celebration and Longing: Robert Browning and the Nonhuman World

Ashton Nichols, Dickinson College

Chapter 4: "Truth to Nature": The Pleasures and Dangers of the Environment in

Christina Rossetti’s Poetry

Serena Trowbridge, Birmingham City University

Chapter 5: The Zoocentric Ecology of Hardy’s Poetic Consciousness

Christine Roth, University of Wisconsin Oshkosh

Chapter 6: Early Dickens and Ecocriticism: The Social Novelist and the Nonhuman

Troy Boone, University of Pittsburgh

Chapter 7: Bleak Intra-Actions: Dickens, Turbulence, Material Ecology

John Parham, University of Worcester

Chapter 8: Dark Nature: A Critical Return to Brontë Country

Deirdre d’Albertis, Bard College

Chapter 9: Anna Sewell’s Black Beauty: Reframing the Pastoral Tradition

Erin Bistline, Texas Tech University

Chapter 10: The Environmental Politics and Aesthetics of Rider Haggard’s King

Solomon’s Mines: Capital, Mourning and Desire

John Miller, University of Sheffield

Chapter 11: Jane Loudon’s Wildflowers, Popular Science, and the Victorian

Culture of Knowledge

Mary Ellen Bellanca, University of South Carolina Sumter

Chapter 12: Falling in Love with Seaweeds: The Seaside Environments of George

Eliot and G.H. Lewes

Anna Feuerstein, University of Hawai’i at Manoa

Chapter 13: Agriculture and Ecology in Richard Jefferies’s Hodge and His Masters

Ronald D. Morrison, Morehead State University

Chapter 14: Edward Carpenter, Henry Salt, and the Animal Limits of Victorian Environments

Jed Mayer, SUNY at New Paltz

Sources for Further Study

Editors and Contributors

Index

Victorian Writers and the Environment

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    A Paperback / softback by Laurence W. Mazzeno, Ronald D. Morrison

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      Publisher: Taylor & Francis Ltd
      Publication Date: 05/07/2019
      ISBN13: 9780367346447, 978-0367346447
      ISBN10: 0367346443

      Description

      Book Synopsis

      Applying ecocritical theory to the work of Victorian writers, this collection explores what a diversity of ecocritical approaches can offer students and scholars of Victorian literature, at the same time that it critiques the general effectiveness of ecocritical theory. Interdisciplinary in their approach, the essays take up questions related to the nonhuman, botany, landscape, evolutionary science, and religion. The contributors cast a wide net in terms of genre, analyzing novels, poetry, periodical works, botanical literature, life-writing, and essays. Focusing on a wide range of canonical and noncanonical writers, including Charles Dickens, the Brontes, John Ruskin, Christina Rossetti, Jane Webb Loudon, Anna Sewell, and Richard Jefferies, Victorian Writers and the Environment demonstrates the ways in which nineteenth-century authors engaged not only with humans' interaction with the environment during the Victorian period, but also how some authors anticipated more recent attitud

      Table of Contents

      Contents, List of Figures, Acknowledgements, Introduction Practical Ecocriticism and the Victorian Text

      Laurence W. Mazzeno, Alvernia University and Ronald D. Morrison,

      Morehead State University

      Chapter 1: Reading Nature: John Ruskin, Environment, and the Ecological Impulse

      Mark Frost, University of Portsmouth

      Chapter 2: Between "bounded field" and "brooding star": A Study of Tennyson’s

      Topography

      Valerie Purton, Anglia Ruskin University

      Chapter 3: Celebration and Longing: Robert Browning and the Nonhuman World

      Ashton Nichols, Dickinson College

      Chapter 4: "Truth to Nature": The Pleasures and Dangers of the Environment in

      Christina Rossetti’s Poetry

      Serena Trowbridge, Birmingham City University

      Chapter 5: The Zoocentric Ecology of Hardy’s Poetic Consciousness

      Christine Roth, University of Wisconsin Oshkosh

      Chapter 6: Early Dickens and Ecocriticism: The Social Novelist and the Nonhuman

      Troy Boone, University of Pittsburgh

      Chapter 7: Bleak Intra-Actions: Dickens, Turbulence, Material Ecology

      John Parham, University of Worcester

      Chapter 8: Dark Nature: A Critical Return to Brontë Country

      Deirdre d’Albertis, Bard College

      Chapter 9: Anna Sewell’s Black Beauty: Reframing the Pastoral Tradition

      Erin Bistline, Texas Tech University

      Chapter 10: The Environmental Politics and Aesthetics of Rider Haggard’s King

      Solomon’s Mines: Capital, Mourning and Desire

      John Miller, University of Sheffield

      Chapter 11: Jane Loudon’s Wildflowers, Popular Science, and the Victorian

      Culture of Knowledge

      Mary Ellen Bellanca, University of South Carolina Sumter

      Chapter 12: Falling in Love with Seaweeds: The Seaside Environments of George

      Eliot and G.H. Lewes

      Anna Feuerstein, University of Hawai’i at Manoa

      Chapter 13: Agriculture and Ecology in Richard Jefferies’s Hodge and His Masters

      Ronald D. Morrison, Morehead State University

      Chapter 14: Edward Carpenter, Henry Salt, and the Animal Limits of Victorian Environments

      Jed Mayer, SUNY at New Paltz

      Sources for Further Study

      Editors and Contributors

      Index

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