Description
Book SynopsisForced to contend with unprecedented levels of psychological trauma during World War II, the United States military began sponsoring a series of nontheatrical films designed to educate and even rehabilitate soldiers and civilians alike.Traumatic Imprintstraces the development of psychiatric and psychotherapeutic approaches to wartime trauma by the United States military, along with links to formal and narrative developments in military and civilian filmmaking. Offering close readings of a series of films alongside analysis of period scholarship in psychiatry and bolstered by research in trauma theory and documentary studies, Noah Tsika argues that trauma was foundational in postwar American culture. Examining wartime and postwar debates about the use of cinema as a vehicle for studying, publicizing, and even what has been termed working through war trauma, this book is an original contribution to scholarship on the military-industrial complex.
Trade Review"This book creates a space in which trauma of all kinds can be explored and confronted." * Film Matters *
Table of ContentsAcknowledgments
Introduction: Documenting the “Residue of Battle”
1. “Imaging the Mind”: Military Psychiatry Meets Documentary Film
2. Solemn Venues: War Trauma and the Expanding Nontheatrical Realm
3. Selling “Psycho Films”: Trauma Cinema and the Military-Industrial Complex
4. Psychodocudramatics: Role-Playing War Trauma from the Hospital to Hollywood
5. “Casualties of the Spirit”: Let There Be Light and Its Contexts
Conclusion: Traumatic Returns
Notes
Select Bibliography
Index
