Description
Book SynopsisThis book examines the affinity between the notions of “theory” and “deconstruction” that developed in the American academy in the 1970s by way of a semi-fictional collective, the “Yale Critics”: Harold Bloom, Paul de Man, Geoffrey Hartman, and J. Hillis Miller, in association with the French philosopher Jacques Derrida.
Trade Review"This is the most informative and accurate book I have read, or ever expect to read, on the 'Yale Critics' phenomenon. It's completely free of both the bad faith and the idolatry that plague any and all other accounts." -- -Paul Fry Yale University "Marc Redfield's Theory at Yale provides an absorbing account of the so-called Yale school of deconstruction, whose chief luminaries were Paul de Man, Harold Bloom, Geoffrey Hartman and J. Hillis Miller...it is rich in insight and information" -- Terry Eagleton -Times Literary Supplement "Lucid, erudite, and theoretically sophisticated... The virtue of Theory at Yale lies not only in its expert handling of its archives, but in its understanding that the explanatory dimensions of such treatment constitute a theoretical wager." -Romantic Circles "Also author of The Rhetoric of Terror: Reflections on 9/11 and the War on Terror (2009) and editor of Legacies of Paul de Man (2007), Redfield has produced an important and ambitious book..." -Choice Magazine "Was the Yale School a media creation? Marc Redfield here offers us both a shrewd account of the quite different contributions of Geoffrey Hartman, Harold Bloom, and Paul de Man to literary studies, and a smart, subtle, analysis of the myth of the 'Yale School' and its fortunes in the culture wars. An invigorating retrospective on an important chapter in American intellectual history which is not yet over." -- -Jonathan Culler Cornell University "The first book-length history of the Yale school of literary criticism, which included figures like Harold Bloom and Paul de Man, examines the process through which European theory entered the United States in the 1970s and 1980s." -Publishers Weekly
Table of ContentsAcknowledgments Introduction: The Strange Case of "Theory" 1. Theory, Deconstruction, and the Yale Critics 2. Theory and Romantic Lyric: The Case of "A slumber did my spirit seal" 3. What Remains: Geoffrey Hartman and the Shock of Imagination 4. Literature, Incorporated: Harold Bloom, Theory, and the Canon 5. Professing Theory: Paul de Man and the Institution of Reading 6. Querying, Quarrying: Mark Tansey's Paintings of Theory's Grand Canyon
