Description

Book Synopsis
Students and Lecturers and intelligent readers interested in the Spanish Civil War and the representation of history in cinema

Trade Review

The research is rich in specifics, and makes abundantly clear why the conflict presents a particularly fruitful subject of analysis in relation to these issues.

In one of Archibald's aforementioned first-hand interviews, Guillermo Del Toro is quoted as saying that "every real event....needs an imaginary re-telling," and The War That Won't Die seems to concur, demonstrating the diverse ways that cinema can contribute meaningfully to debates about the past and its influence on the present.

‘Archibald successfully demonstrates through his detailed and wide-ranging analysis, the ‘elasticity of cinematic depictions’ (p. 184) of the war and its unresolved political, emotional and social legacy. He emphasizes the importance of these contributions in helping understand both events of the Civil War and the difficulties of representing the past, from the point of view of the artist and the historian. The book demonstrates the appositeness of its title, ‘The War that Won’t Die’ in that recent artistic depictions help us understand why the war’s legacy is still so contested. While the book’s lengthy and often unnecessarily detailed synopses of the films can at times create burdensome readerly headwinds it is a masterful case study on film’s contribution to understanding historical events. Its accessible style will benefit students and more advanced scholars of film and the Spanish Civil War and its aftermath.’
Sarah Lonsdale, CINEJ Cinema Journal, Vol. 7, No. 1 (2018)

-- .

Table of Contents

Acknowledgments
List of illustrations
Introduction: film, history and the Spanish Civil War
1. Hollywood and the Spanish Civil War: For Whom the Bell Tolls
2. The Spanish Civil War in East German Cinema: Fünf Patronenhülsen/Five Cartridges
3. Surrealism and the Spanish Civil War in cinema: ¡Viva La Muerte!/Long Live
Death and L' arbre de Guernica/The Tree of Guernica
4. Film under Franco: La caza/The Hunt and El jardín de
las delicias/The Garden of Delights
5. Re-cycling Basque history: patterns of the past in Vacas/Cows
6. No laughing matter? Comedy and the Spanish Civil War in cinema
7. Ghosts of the past: El espinazo del Diablo/The Devil’s Backbone
8. A story from the Spanish revolution: Land and Freedom/Tierra y Libertad
9. The search for truth in Soldados de Salamina/Soldiers of Salamina
Conclusion
Filmography
Bibliography
Index

The War That Wont Die The Spanish Civil War in

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A Paperback by David Archibald

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    View other formats and editions of The War That Wont Die The Spanish Civil War in by David Archibald

    Publisher: Manchester University Press
    Publication Date: 9/30/2014 12:00:00 AM
    ISBN13: 9780719096532, 978-0719096532
    ISBN10: 0719096537

    Description

    Book Synopsis
    Students and Lecturers and intelligent readers interested in the Spanish Civil War and the representation of history in cinema

    Trade Review

    The research is rich in specifics, and makes abundantly clear why the conflict presents a particularly fruitful subject of analysis in relation to these issues.

    In one of Archibald's aforementioned first-hand interviews, Guillermo Del Toro is quoted as saying that "every real event....needs an imaginary re-telling," and The War That Won't Die seems to concur, demonstrating the diverse ways that cinema can contribute meaningfully to debates about the past and its influence on the present.

    ‘Archibald successfully demonstrates through his detailed and wide-ranging analysis, the ‘elasticity of cinematic depictions’ (p. 184) of the war and its unresolved political, emotional and social legacy. He emphasizes the importance of these contributions in helping understand both events of the Civil War and the difficulties of representing the past, from the point of view of the artist and the historian. The book demonstrates the appositeness of its title, ‘The War that Won’t Die’ in that recent artistic depictions help us understand why the war’s legacy is still so contested. While the book’s lengthy and often unnecessarily detailed synopses of the films can at times create burdensome readerly headwinds it is a masterful case study on film’s contribution to understanding historical events. Its accessible style will benefit students and more advanced scholars of film and the Spanish Civil War and its aftermath.’
    Sarah Lonsdale, CINEJ Cinema Journal, Vol. 7, No. 1 (2018)

    -- .

    Table of Contents

    Acknowledgments
    List of illustrations
    Introduction: film, history and the Spanish Civil War
    1. Hollywood and the Spanish Civil War: For Whom the Bell Tolls
    2. The Spanish Civil War in East German Cinema: Fünf Patronenhülsen/Five Cartridges
    3. Surrealism and the Spanish Civil War in cinema: ¡Viva La Muerte!/Long Live
    Death and L' arbre de Guernica/The Tree of Guernica
    4. Film under Franco: La caza/The Hunt and El jardín de
    las delicias/The Garden of Delights
    5. Re-cycling Basque history: patterns of the past in Vacas/Cows
    6. No laughing matter? Comedy and the Spanish Civil War in cinema
    7. Ghosts of the past: El espinazo del Diablo/The Devil’s Backbone
    8. A story from the Spanish revolution: Land and Freedom/Tierra y Libertad
    9. The search for truth in Soldados de Salamina/Soldiers of Salamina
    Conclusion
    Filmography
    Bibliography
    Index

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